Tonnage of info here! Can attest, the ways and means are all in the KTVA course, which if you’re serious about singing, is a must have. KTVA is the vocal passport that gets you thru the quadrants in first class. Thx for doing these live streams Ken Tamplin (worlds greatest vocal coach)! One of these days I’ll be up early and hit this stream ‘live’. 🗣🎶💕
I went through menopause 24 years ago and, although my genres have changed drastically, I still sing many genres. You do what your instrument allows you to do and are constantly trying to train it to do more in every way. This is just part of the struggle we go through to earn the ability to do and continue doing what we love to do so much. I can't recommend open Voice singing more highly and I can't recommend Ken Tamplin more highly! I start everyday with about an hour of Ken Tamplin doing scales. If I'm having a day when I really don't have the energy to sing well( I'm not well. ( I still do my scales with Ken and listen to other Ken Tamplin videos terminology and history and so much more! He is the reason why I can sing things that I can sing now! I was with the Musician's Friend the other night who is doing a CD and you wanted to know if I could sing particular backup and a couple of his songs. He played the songs for me and they were so very easy to sing! This is because of Ken Tamplin! It's because of open throat singing. I also am very humbled by song. It is such an awesome presence in most people's lives! You can move many many people at one time with one simple song and that time and that recording might last a century. You might touch hearts and help them feel less alone. Let them know that other people feel what they feel and need what they need and forgive what some might call transgressions. We are allowed the opportunity to bless the world with a unique experience. I was writing the other day and it came to me that I sometimes feel like I'm playing in the garden of OC t a VES. Each plant their grows notes that can add color to the stylization of the peace. It's a knowingness, being in this magical place. You make decisions on what notes to sing based solely on what your spirit is telling you to sing. This Song speaks to playing in the garden of octaves and reaching to the Sky to touch new Heights how to write something to a golden heaven. This is how I feel when I sing and I am both Amazed by and humbled by what is living through me in song! There's one thing that must be considered seriously before entering the garden, you have to be willing to Lay Your Soul and Spirit completely bare in front of whomever comprises your audience, even if there's no audience. You have to completely open up to all of the joy and pain that the composers felt time that they were writing the song and every emotion of those who relate and those who don't or you have to go method and live the song in your heart. Either way you have to be absolutely genuine to play in this Garden. It is the only entrance to our golden heavens, for those of us who work lifetimes singing songs, hoping to touch hearts, struggling and striving to be better everyday and to pay the songs that we sing what they are due. If you are willing to surrender, you are able to learn. This is why you surrender, knowing that you might hear those few bars just a little bit off key, just a shade flat and be devastated. I look at it this way; I'm just here to sing a song/songs that mean the world to me. I know how people feel , recognize their vibe the way a dog does. I want to do all I can to ease their pain and to raise the consciousness that we are all the same. I sing songs hoping to bring people together common to feel closer to one another. I sing because that's all I ever really wanted to do and that's just what I do; I sing everyday reaching for that golden heaven.
that's beautiful Jesi, yep it's all about laying your soul bare and hopefully connecting to people . Keep singing to the heavens. very best wishes to you x
At 40 min Ken says about trying to not go with Chest voice over C5 for heatlhy approach. Didn't see this info yet on the course (I'm still on volume one), but yes the course is amazing and I'm learning a lot, thanks.
Watching it over again (sorry you had to postpone the Live Stream yesterday)...and loving it all over AGAIN!!! I really liked the question and your excellent response at 51:43 - that's a super analogy, Maestro Ken!!!!!! 💗💗💗
**This was most excellent...I LOVE your Live Stream sessions, Ken!!!** I'm so looking forward to your next one (for anyone out there reading this who doesn't already know - **LIVE STREAMS are Wednesdays/Saturdays, 9.00am PST** - be there or be square!)!!! ❤❤❤
Personally, I have a different but very similar way to refer to all of this after reading a lot on the scientific terms and having being on singing classes and listening and watching a lot of singing lessons on the internet. To me, the registers are, from lowest to highest: Vocal fry, low modal register (speaking register), mid modal register (sining register, which can be belt), mid-high modal register (higher singing register without going through the passagio that gets you on your falsetto, which can also be belted), falsetto/reinforced falsetto/mix voice (high belting register, what we usually mean by "belting", or "in petto" notes), and then whistle register. I HATE the terms "head voice", "mix voice". What I have found to be the common consensus of the differences between falsetto and head voice is that "falsetto is airy". I have a very power and not airy at all falsetto after having trained it for a long time. I don't have to reinforce the thing for it to be powerful and not airy, so to me, when I hear/heard that as the definission thought: "but... isn't that just an under-developed falsetto? Why not refere to it as that: an underveloped falsetto... or better yet: an airy falsetto?" (as a not to whomever reads this, the term "falsetto" DOES NOT refer to a "fake voice" - the term was coined after an italian phrase that roughly translates as: "a a false soprano voice", as when it's trained, it sounds a lot like a belcanto soprano singing). I also don't like "mix voice", since that's just a strong reinforced falsetto with twang/glottal compression, and above all, because ALL notes anyone sings or talks are a "mix note" (resonating in the head and chest). (hell, belting is just a strong falsetto with twang that's reinforced in an especial way) To me, "mix voice" is one of those terms that people seem to make just to be able to tell "you don't mix, you don't sing well and you will never do so unless you get MY especial secret that only *I* can tell you! Go get my course!". But, getting back on track, I'm actually quite surprised just how much does my defenition/definitions fit well with Mr. Ken's breakdown of the terms (just swap the words and it's quite the same). Hope this helps anyone reading this!
Im glad you uploading the live stream after because I am missing sometimes the live stream and you discussed an important subject , I seen many many singers losing their voice as they aged they cant sing as high as they could before and I would be one if you didnt tell that chest voice must be grown very strong before start working with head voice, thanks Ken
People often take the short cut because the long way is harder, but your head voice isn't really strong enough to belt high notes. A strong, extended chest voice can do that heavy lifting for you. It's like using your whole body to pick up a huge weight, instead of trying to lift it with one finger and hurting yourself.
Hello Ken, it's me Rodney, There's the thing. Before I buy the Singing Lesson, I gotta check it out every single video on TH-cam! So I gotta give to you a single like and comment too, and when I finish to, that's mean I would be able to get in thrue the Singing Lessons. Why I have to do that? Simple! It's just because about the others " there's no real good and honest Vocal Coach and I so sick and tired about it for loosing money and time = as a result of frustration! Hopefully I'm wondering, You're the best and my last searching for !!! ❤️
The Bee Gees had the falsetto pretty well covered in the 70s, although Barry Gibb tried hard to move away from it for quite a while after the disco backlash. Their voices were beautiful, even before they used the falsetto, perfect harmony.
Great videos Ken planning to join soon, alot of your free videos has helped me open up my voice especially that open throat teqnique seems to incerease the pitch brighter sound. Not perfect but a good start.
Thanks so much Ken, your videos are awesome! I've always been unsure about whether I'm singing in reinforced falsetto or not when doing those crazy high notes but now I know I am! :D Greetings from Jersey in the Channel Islands!
Big problem I have is I trained as a classical bass baritone singer, unamplified so always use chest voice. Now I play rock and indie music and I really really struggle with amplified singing as it goes against everthing I was taught.
Hey Ken! I've been doing some sort of mix between falsetto and chest voice trying to do some Rob Halford screams. At the beginning I was amazed on oh well it sounded but because I never had any lessons on how to do it properly now I can barely do falsettos. Any tips or exercises to do to make it comeback? or just rest? Thanks
Luís Borges Please join my vocal forum where you can post your singing related questions and interact with other singers. It's free and you'll receive great feedback from myself or my moderators. forum.kentamplinvocalacademy.com/
I just found your videos and am wondering why am I just finding them! I am a private voice teacher but I am only in my second year of teaching and I love learning. Your videos have given me so many good tips and better ways of explaining to my own students. Where are you located?
I really want to make sure that I understand it but I can't afford the course can. Have you ever considered doing what some other coaches are doing and having just a monthly subscription? I think it would be a new stream of revenue for you. I really appreciate you and I'm so thankful for your generosity of spirit time and effort applied to sharing better singing with the entire world. I think that this is your way of sharing your love for the singers in the world
Maybe were answer in live stream, but sorry I understand only writed text. My question: After exercise is my voice always deep. Even second day is my voice deep. Is it normal effect? (My voice seems sexy male.) Thanks for reply...:-)
I dont believe SLS ever, even in past decades, was designed to teach singing at the level of speaking, rather, it is to teach singing at the same comfort level of speaking which, in turn, sometimes means lowering the volume level in scales and exercises temporarily to reduce strain. I have used SLS for 10 years and my voice has blossomed into a very full rich sound. Its END goal is to be able to have singers have the flexibility to sing at any volume level of stylistic choice without the level of the larynx rising, which causes unnecessary extrinsic muscles to engage.
"Pharyngeal" is an anatomy term regarding to the Pharynx. It is behind the mouth and nasal cavities, and above the esophagus and larynx. "Pharyngeal vowel forms" are produced with an open throat and low vowel speech. Hope this helps!
@@kentamplin I mean even Dimash practises it with his vocal coach , here's the link th-cam.com/video/RX_4TD5U5t8/w-d-xo.html at the last part of the vid ( around 1:00 ) , its Flageolet that he's practising isnt it
Isnt it "belting" when elvis Presley sings "Blue Moon, Blue Moon" ... keep on shining bright. Because thats pretty deep and i thought he's belting , isnt he ? Or is it just in the higher registers ?? And the other Question i have is, does Brian Wilson sing Falsetto or Head Voice or What ?? It would be so cool if you could answer that Ken . All my love from Vienna !! By the way , the most important thing i got from this lesson is that we should mix late on the way up and stretch chest voice or mix but focus on chest (i dont know how to say it) but keep chest dominating !! Cool Videos the Live Streams !!
Ken what I said Right Now is unbelievable but it's true I worked My CHEST VOICE and streched The high as I can To The D 5 and I worked My head voice and Streched The lowest I can To the d 4 and also The Highest I can To The D SHARP 6 before that I alredy Have Open TROAT before y workes My CHEST and head voice , and I also try a lot To find and worked My mix VOICE watching Your tutoriales of mix VOICE over and over and over again and I realise o dont Have mix VOICE , When I WATCH My troat trough The mirror i can see The Back of My troat entirerly , and I started in CHEST VOICE and flip Into My head voice and When The crack sounds , My troath dosent closet In The crack , weird isnt it? It stay opne When I hear The crack and When I flip In My head voice it's keep Open , same When I Go Back Into My CHEST VOICE , The only difference is my troath change it's form When I flip Into head voice , maintaining My troat Open Even in The crack , that I personally called jump becouse it dosent closet at all , When I try To do mix Soft VOICE In My low and high range it's happens The same When I do sliders but it's start dissapearing My mix Soft VOICE until only i hear vocal fry and then Nothing i cannot sing airy not Eve a little , When a try to workr with sliders My mix VOICE slowly My troath closet until I get the point To close entirerly, sorry For The long text.
Ken are you a fan of King Diamond? There seems to be some confusion about his singing style. He has a very twangy falsetto and I also heard the term pharyngeal head tone used to describe his ultra high singing style. People say its falsetto but I always felt falsetto had a hooty or breathy sound where his high notes sound very compressed. Maybe look into it or do a video on the King. I know you like Metal and I think you'd enjoy King Diamond
ken i have a very breathy and rough voice compared to other people who have a very smooth voice will i have more or less problems in learning how to sing will it take longer for me to master my mix i learned my mix and im strengthening it but will it take longer because my voice is rough and breathy ?
just dim Have you had an opportunity to join my vocal forum? It's a great place to post your singing questions and others can benefit from the reply. Please join, it's free! forum.kentamplinvocalacademy.com/
Hi! sir, greetings & regards from Nagaland (Eastern India), I regret that I have subscrib late (3days old on subscription) to ur channel, tho, I've watched most of ur videos (over night) & l love all ur vox lesson it's very helpful for me. But Unfortunately I cannot regain my vocal cords in some singing as it was before especially some high notes which I use to sing normally during those days and I regret a lot. kindly suggest me some training. Thank you.
Kora_ Lemtur Please join my vocal forum where you can post your singing related questions and interact with other singers. It's free and you'll receive great feedback from myself or my moderators. forum.kentamplinvocalacademy.com/
i did learn about classical voice type.but,i have one problem,its about one type voice that i cant recognice it,its called “sopracuta”.i hear this “sopracuta” from a vocal coach of one popular singer from indonesia(agnez mo).this vocal coach said that agnez mo have the highest type voice called “sopracuta” and this sopracuta is more higher than soprano.so what do you think about this type of voice,is that real?
Panji Ardiansyah Have you had an opportunity to join my vocal forum? It's a great place to post your singing questions and others can benefit from the reply. Please join, it's free! forum.kentamplinvocalacademy.com/
@panji ardiansyah actually you're talking about ACUTO SFOGATO SOPRANO. Acuto not acuta (or just the way it's pronounces in indo). Agnes is actually a full lyric soprano. Comparatively, she use much falsetto than head voice throughout her career actually (her head voice are great tho. She's able to support it up to B5/C6) 56% falsetto 44% head voice
I’m pretty sure the difference between head and falsetto is cord closure. With falsetto, your cords are open (this is why it’s so breathy) and head voice is closed. It’s why it has similar power to chest voice unlike falsetto which is “disconnected” in a sense. You can glide into a light falsetto, but if you do that, you are also gradually opening the vocal cords as you increase pitch. Something I noticed. Not 100% about it.
Ken, please don't take any offence, but if you could be more 'on point' when explaining things, it would make it a lot easier to understand. I hope this helps.
Time to get serious about a complete vocal training course. You can't just fix this and that and have a good voice. You have to work on the whole voice, from beginning to end, bottom to top.
Tonnage of info here!
Can attest, the ways and means are all in the KTVA course, which if you’re serious about singing, is a must have.
KTVA is the vocal passport that gets you thru the quadrants in first class.
Thx for doing these live streams Ken Tamplin (worlds greatest vocal coach)!
One of these days I’ll be up early and hit this stream ‘live’. 🗣🎶💕
Richard Goldman Awesome! Rock on! 🤘
Iioiiii
Ken is legit! His program changed my life.
Kai Ellis 👍
Watched every second, you're a great mentor Ken, greetings from Colombia
Glad you find it interesting, Juan! Hello to my friends in Columbia!
You're just an Encyclopedia of Music Knowledge!!! Great information!
Eufracina 🤔🤔🤔
11:41 WOW, Ken has a powerful voice when he sings! I love that gritty texture and gravel in his voice! Rock on, man!
I went through menopause 24 years ago and, although my genres have changed drastically, I still sing many genres. You do what your instrument allows you to do and are constantly trying to train it to do more in every way. This is just part of the struggle we go through to earn the ability to do and continue doing what we love to do so much. I can't recommend open Voice singing more highly and I can't recommend Ken Tamplin more highly! I start everyday with about an hour of Ken Tamplin doing scales. If I'm having a day when I really don't have the energy to sing well( I'm not well. ( I still do my scales with Ken and listen to other Ken Tamplin videos terminology and history and so much more! He is the reason why I can sing things that I can sing now! I was with the Musician's Friend the other night who is doing a CD and you wanted to know if I could sing particular backup and a couple of his songs. He played the songs for me and they were so very easy to sing! This is because of Ken Tamplin! It's because of open throat singing. I also am very humbled by song. It is such an awesome presence in most people's lives! You can move many many people at one time with one simple song and that time and that recording might last a century. You might touch hearts and help them feel less alone. Let them know that other people feel what they feel and need what they need and forgive what some might call transgressions. We are allowed the opportunity to bless the world with a unique experience. I was writing the other day and it came to me that I sometimes feel like I'm playing in the garden of OC t a VES. Each plant their grows notes that can add color to the stylization of the peace. It's a knowingness, being in this magical place. You make decisions on what notes to sing based solely on what your spirit is telling you to sing. This Song speaks to playing in the garden of octaves and reaching to the Sky to touch new Heights how to write something to a golden heaven. This is how I feel when I sing and I am both Amazed by and humbled by what is living through me in song! There's one thing that must be considered seriously before entering the garden, you have to be willing to Lay Your Soul and Spirit completely bare in front of whomever comprises your audience, even if there's no audience. You have to completely open up to all of the joy and pain that the composers felt time that they were writing the song and every emotion of those who relate and those who don't or you have to go method and live the song in your heart. Either way you have to be absolutely genuine to play in this Garden. It is the only entrance to our golden heavens, for those of us who work lifetimes singing songs, hoping to touch hearts, struggling and striving to be better everyday and to pay the songs that we sing what they are due. If you are willing to surrender, you are able to learn. This is why you surrender, knowing that you might hear those few bars just a little bit off key, just a shade flat and be devastated.
I look at it this way; I'm just here to sing a song/songs that mean the world to me. I know how people feel , recognize their vibe the way a dog does. I want to do all I can to ease their pain and to raise the consciousness that we are all the same. I sing songs hoping to bring people together common to feel closer to one another. I sing because that's all I ever really wanted to do and that's just what I do; I sing everyday reaching for that golden heaven.
that's beautiful Jesi, yep it's all about laying your soul bare and hopefully connecting to people . Keep singing to the heavens. very best wishes to you x
Loving the live streams, Ken.. thank you so much for your generosity of information.. it's awesome.. God bless
Jack Kaufman Awesome! Thanks!!
This is precious. Makes really more clear concepts I’ve struggled a lot.
At 40 min Ken says about trying to not go with Chest voice over C5 for heatlhy approach. Didn't see this info yet on the course (I'm still on volume one), but yes the course is amazing and I'm learning a lot, thanks.
As always spending my morning with Ken Tamplin. Thank you so much!
Good morning!
Watching it over again (sorry you had to postpone the Live Stream yesterday)...and loving it all over AGAIN!!! I really liked the question and your excellent response at 51:43 - that's a super analogy, Maestro Ken!!!!!! 💗💗💗
Thank you, Shauna!
**This was most excellent...I LOVE your Live Stream sessions, Ken!!!** I'm so looking forward to your next one (for anyone out there reading this who doesn't already know - **LIVE STREAMS are Wednesdays/Saturdays, 9.00am PST** - be there or be square!)!!! ❤❤❤
Personally, I have a different but very similar way to refer to all of this after reading a lot on the scientific terms and having being on singing classes and listening and watching a lot of singing lessons on the internet.
To me, the registers are, from lowest to highest:
Vocal fry, low modal register (speaking register), mid modal register (sining register, which can be belt), mid-high modal register (higher singing register without going through the passagio that gets you on your falsetto, which can also be belted), falsetto/reinforced falsetto/mix voice (high belting register, what we usually mean by "belting", or "in petto" notes), and then whistle register.
I HATE the terms "head voice", "mix voice".
What I have found to be the common consensus of the differences between falsetto and head voice is that "falsetto is airy". I have a very power and not airy at all falsetto after having trained it for a long time. I don't have to reinforce the thing for it to be powerful and not airy, so to me, when I hear/heard that as the definission thought: "but... isn't that just an under-developed falsetto? Why not refere to it as that: an underveloped falsetto... or better yet: an airy falsetto?"
(as a not to whomever reads this, the term "falsetto" DOES NOT refer to a "fake voice" - the term was coined after an italian phrase that roughly translates as: "a a false soprano voice", as when it's trained, it sounds a lot like a belcanto soprano singing).
I also don't like "mix voice", since that's just a strong reinforced falsetto with twang/glottal compression, and above all, because ALL notes anyone sings or talks are a "mix note" (resonating in the head and chest).
(hell, belting is just a strong falsetto with twang that's reinforced in an especial way)
To me, "mix voice" is one of those terms that people seem to make just to be able to tell "you don't mix, you don't sing well and you will never do so unless you get MY especial secret that only *I* can tell you! Go get my course!".
But, getting back on track, I'm actually quite surprised just how much does my defenition/definitions fit well with Mr. Ken's breakdown of the terms (just swap the words and it's quite the same).
Hope this helps anyone reading this!
I studied Seth Riggs and I studied what I could get of Ken Tamplin and Ken Tamplin took me way past anything acessories got me to!
Awesome stuff
👏👏👏
Happy belated Valentine's Day 💘
You are awesome and gifted, I'm Minnie McClure from VA.
Ken. Thanks and God bless you too...
YOUR MAKING VOICES
GREAT AGAIN😎
KEN, YOUR A GIFTED TEACHER.👍
Thanks, ALPHA!
Im glad you uploading the live stream after because I am missing sometimes the live stream and you discussed an important subject , I seen many many singers losing their voice as they aged they cant sing as high as they could before and I would be one if you didnt tell that chest voice must be grown very strong before start working with head voice, thanks Ken
People often take the short cut because the long way is harder, but your head voice isn't really strong enough to belt high notes. A strong, extended chest voice can do that heavy lifting for you. It's like using your whole body to pick up a huge weight, instead of trying to lift it with one finger and hurting yourself.
Hello Ken, it's me Rodney, There's the thing. Before I buy the Singing Lesson, I gotta check it out every single video on TH-cam! So I gotta give to you a single like and comment too, and when I finish to, that's mean I would be able to get in thrue the Singing Lessons. Why I have to do that? Simple! It's just because about the others " there's no real good and honest Vocal Coach and I so sick and tired about it for loosing money and time = as a result of frustration! Hopefully I'm wondering, You're the best and my last searching for !!! ❤️
Love this video so much. Love all of your videos😍 don't stop with the videos! Love you!
Annie :)
Anelia Tareyn Thank you!
You're very welcome!😊 I have a little video for you by the way :)!
Annie :)
The Bee Gees had the falsetto pretty well covered in the 70s, although Barry Gibb tried hard to move away from it for quite a while after the disco backlash. Their voices were beautiful, even before they used the falsetto, perfect harmony.
Thanks for weighing in, Trisha!
Thank you for keeping these up for those of us who missed it!! Love this!! ❤️
Glad you're enjoying it, Wildflowerpm!
Great videos Ken planning to join soon, alot of your free videos has helped me open up my voice especially that open throat teqnique seems to incerease the pitch brighter sound. Not perfect but a good start.
Housey29 Awesome!
Belgium is also present. Great channel, helped me a lot
Thank you for letting us know you are here, johan! I'm glad you like my channel, and that the information is helpful for you! 😊👍
Thanks so much Ken, your videos are awesome! I've always been unsure about whether I'm singing in reinforced falsetto or not when doing those crazy high notes but now I know I am! :D Greetings from Jersey in the Channel Islands!
Rock on!
Good thing I don’t have my ear phone on 🤣
Thank you for explaining in many details. 😊
You’re welcome 😊
Im currently at Sweetwater music in Fort Wayne
Your Awesome Thank you!!!!
You're welcome, Daniella!
GREAT intro music. Who is playing that?
Spokane, Wa.
Haha. Bobbing along to that country twang thing on the intro.😄
👍👍👍
Nice video and explanations!!!
Isaias Lafon Awesome! 😊
Big problem I have is I trained as a classical bass baritone singer, unamplified so always use chest voice. Now I play rock and indie music and I really really struggle with amplified singing as it goes against everthing I was taught.
Hey, it's your boi from Australia. :)
Hey Ken! I've been doing some sort of mix between falsetto and chest voice trying to do some Rob Halford screams.
At the beginning I was amazed on oh well it sounded but because I never had any lessons on how to do it properly now I can barely do falsettos.
Any tips or exercises to do to make it comeback? or just rest?
Thanks
Luís Borges Go find Tamplins acapella version of Painkiller. And practice it. Good luck dude.
Luís Borges Please join my vocal forum where you can post your singing related questions and interact with other singers. It's free and you'll receive great feedback from myself or my moderators. forum.kentamplinvocalacademy.com/
I just found your videos and am wondering why am I just finding them! I am a private voice teacher but I am only in my second year of teaching and I love learning. Your videos have given me so many good tips and better ways of explaining to my own students. Where are you located?
I really want to make sure that I understand it but I can't afford the course can. Have you ever considered doing what some other coaches are doing and having just a monthly subscription? I think it would be a new stream of revenue for you. I really appreciate you and I'm so thankful for your generosity of spirit time and effort applied to sharing better singing with the entire world. I think that this is your way of sharing your love for the singers in the world
My course is a streaming service: kentamplinvocalacademy.com/
Great info
you know your stuff👍👍👍
Samuel Colon Thank you!
Thanks for the class . You shaved brother . Cool
George Pedone You noticed.
Great Ken. YHWH bless you. Thanks from Brasil.
Thanks, Flavio! Hello to my friends in Brasil!
👍
Thanks💙✌🏼🏴
You're welcome, Andrew!
So Good sir,, Love from India..👍👍👍🙋🙋
Mayank Shukla9999 Thanks for viewing! 👀
Maybe were answer in live stream, but sorry I understand only writed text. My question: After exercise is my voice always deep. Even second day is my voice deep. Is it normal effect? (My voice seems sexy male.) Thanks for reply...:-)
If you sing too loudly, your voice will lose the higher tones. Make sure you don't oversing.
Thanks very much....:-)
interresting .this shift thing ....
I dont believe SLS ever, even in past decades, was designed to teach singing at the level of speaking, rather, it is to teach singing at the same comfort level of speaking which, in turn, sometimes means lowering the volume level in scales and exercises temporarily to reduce strain. I have used SLS for 10 years and my voice has blossomed into a very full rich sound. Its END goal is to be able to have singers have the flexibility to sing at any volume level of stylistic choice without the level of the larynx rising, which causes unnecessary extrinsic muscles to engage.
Thanks for the thoughts!
@@kentamplin You're welcome!
@@maxsherritt9008 talk about STRAIN, what's your supported range. Share about it, plz. Mine are F2/F#2 - A4 - A5/Bb5
Ive heard about this term called “the pharyngeal” is that the same as reinforced falsetto or twang?
"Pharyngeal" is an anatomy term regarding to the Pharynx. It is behind the mouth and nasal cavities, and above the esophagus and larynx. "Pharyngeal vowel forms" are produced with an open throat and low vowel speech. Hope this helps!
Hello My name is Ruth from Winnipeg, MB,CA. My question is how can I improve my chest voice and resonance
I have been at it for 3 years
Amazing content tk you
I appreciate that! Happy Thanksgiving! 🦃🥧😊
Have you put out that scale?
hi sir im faustino from bagong tanza aurora philipines i want to sing like you ure voice so grate i love,t
Hi, Cruz! Thank you for the kind words!
Greetings
Hello, Vlad.
U havent done a video on " Flageolet " tho have u?
No. And I probably won't. It's dangerous to a singer and I don't encourage anyone to do it.
@@kentamplin I mean even Dimash practises it with his vocal coach , here's the link th-cam.com/video/RX_4TD5U5t8/w-d-xo.html at the last part of the vid ( around 1:00 ) , its Flageolet that he's practising isnt it
Gabriel from Nicaragua
Isnt it "belting" when elvis Presley sings "Blue Moon, Blue Moon" ... keep on shining bright. Because thats pretty deep and i thought he's belting , isnt he ? Or is it just in the higher registers ?? And the other Question i have is, does Brian Wilson sing Falsetto or Head Voice or What ?? It would be so cool if you could answer that Ken . All my love from Vienna !!
By the way , the most important thing i got from this lesson is that we should mix late on the way up and stretch chest voice or mix but focus on chest (i dont know how to say it) but keep chest dominating !!
Cool Videos the Live Streams !!
Ken what I said Right Now is unbelievable but it's true I worked My CHEST VOICE and streched The high as I can To The D 5 and I worked My head voice and Streched The lowest I can To the d 4 and also The Highest I can To The D SHARP 6 before that I alredy Have Open TROAT before y workes My CHEST and head voice , and I also try a lot To find and worked My mix VOICE watching Your tutoriales of mix VOICE over and over and over again and I realise o dont Have mix VOICE , When I WATCH My troat trough The mirror i can see The Back of My troat entirerly , and I started in CHEST VOICE and flip Into My head voice and When The crack sounds , My troath dosent closet In The crack , weird isnt it? It stay opne When I hear The crack and When I flip In My head voice it's keep Open , same When I Go Back Into My CHEST VOICE , The only difference is my troath change it's form When I flip Into head voice , maintaining My troat Open Even in The crack , that I personally called jump becouse it dosent closet at all , When I try To do mix Soft VOICE In My low and high range it's happens The same When I do sliders but it's start dissapearing My mix Soft VOICE until only i hear vocal fry and then Nothing i cannot sing airy not Eve a little , When a try to workr with sliders My mix VOICE slowly My troath closet until I get the point To close entirerly, sorry For The long text.
so its chest voice --> belt voice(first passage) -->headvoice(reinforced falsetto) ---> falsetto? and some were in between chest and head is mixed?
Yes, marcos, and it's not always just in a straight line. It depends on the volume and the texture of voice you are using, as the song calls for it.
Ken Tamplin Vocal Academy 😊 thank you so much! Saving up for the course!
@@kentamplin Just got the course and I am baffled over how worth it, it has been!
Gainesville Florida
Hello My name is jack lynch new member
Boyton beach Florida
I want to go to Ken Tamplin vocal camp. Is there such a thing?
kentamplinvocalacademy.com/
Ken are you a fan of King Diamond? There seems to be some confusion about his singing style. He has a very twangy falsetto and I also heard the term pharyngeal head tone used to describe his ultra high singing style. People say its falsetto but I always felt falsetto had a hooty or breathy sound where his high notes sound very compressed. Maybe look into it or do a video on the King. I know you like Metal and I think you'd enjoy King Diamond
Thanks for the thoughts!
ken i have a very breathy and rough voice compared to other people who have a very smooth voice will i have more or less problems in learning how to sing will it take longer for me to master my mix i learned my mix and im strengthening it but will it take longer because my voice is rough and breathy ?
just dim Have you had an opportunity to join my vocal forum? It's a great place to post your singing questions and others can benefit from the reply. Please join, it's free! forum.kentamplinvocalacademy.com/
Hi! sir, greetings & regards from Nagaland (Eastern India), I regret that I have subscrib late (3days old on subscription) to ur channel, tho, I've watched most of ur videos (over night) & l love all ur vox lesson it's very helpful for me. But Unfortunately I cannot regain my vocal cords in some singing as it was before especially some high notes which I use to sing normally during those days and I regret a lot. kindly suggest me some training. Thank you.
Kora_ Lemtur Please join my vocal forum where you can post your singing related questions and interact with other singers. It's free and you'll receive great feedback from myself or my moderators. forum.kentamplinvocalacademy.com/
+Ken Tamplin Vocal Academy tnx so much...
I need help with vocal mechanics
What do you think of Grahm Bonnet?
Jeff Dunn The guy from Rainbow? The worst. Graham himself admitted to it.
i did learn about classical voice type.but,i have one problem,its about one type voice that i cant recognice it,its called “sopracuta”.i hear this “sopracuta” from a vocal coach of one popular singer from indonesia(agnez mo).this vocal coach said that agnez mo have the highest type voice called “sopracuta” and this sopracuta is more higher than soprano.so what do you think about this type of voice,is that real?
Panji Ardiansyah Have you had an opportunity to join my vocal forum? It's a great place to post your singing questions and others can benefit from the reply. Please join, it's free! forum.kentamplinvocalacademy.com/
@panji ardiansyah actually you're talking about ACUTO SFOGATO SOPRANO. Acuto not acuta (or just the way it's pronounces in indo). Agnes is actually a full lyric soprano. Comparatively, she use much falsetto than head voice throughout her career actually (her head voice are great tho. She's able to support it up to B5/C6)
56% falsetto
44% head voice
I think David Gates used falsetto very well .
Hola ken.. How are you?
Mister Rock Life is good. Hope you are well.
I’m pretty sure the difference between head and falsetto is cord closure. With falsetto, your cords are open (this is why it’s so breathy) and head voice is closed. It’s why it has similar power to chest voice unlike falsetto which is “disconnected” in a sense. You can glide into a light falsetto, but if you do that, you are also gradually opening the vocal cords as you increase pitch. Something I noticed. Not 100% about it.
Rock on, Justin!!
What is mixed voice
Teresa Forman th-cam.com/video/GsoKdG806gE/w-d-xo.html
Ken, please don't take any offence, but if you could be more 'on point' when explaining things, it would make it a lot easier to understand. I hope this helps.
Timothy Sommerlad Thanks for your input.
hi sir i have a problem about my voice my vocalazation is my big broblem my hight notes is gone
huhuhu....
Time to get serious about a complete vocal training course. You can't just fix this and that and have a good voice. You have to work on the whole voice, from beginning to end, bottom to top.
Interesting 👽🎃😈
36:22 Surprise attack on headphone users.
....if they even survived that far 💀
Thanks for the visit!
@@kentamplin I think hes dead ken
@@pikpikkeripik7952 Hate when that happens.
@@kentamplin I s that SUPPORTED (might be a bit throaty) cuz for me, it's resonant. You're versatile, sir. Sing rock with ballad technique.
i swear i heard "teddies" instead of "todays"