La Damnation de Faust - Jonas Kaufmann

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  • เผยแพร่เมื่อ 7 ก.ย. 2024
  • If you want to know anything about the production (who the singers or the director are, etc...) you can ask me by email or in a comment right below, I shall answer as soon as possible:
    listen.to.jk@gmail.com
    Si vous souhaitez obtenir n'importe quel renseignement que ce soit à propos de cette production (qui sont les chanteurs, le chef d'orchestre, etc...) vous pouvez m'écrire par email ou dans un commentaire ci-dessous, je vous répondrai dès que je le pourrai:
    listen.to.jk@gmail.com
    Se volete sapere qualchecosa di particolare a proposito di questa produzione (chi sanno i cantanti o il direttore, ecc...), potete chiederlo con un email o in un commento sotto questo video, risponderò in tempi brevi:
    listen.to.jk@gmail.com

ความคิดเห็น • 130

  • @enricoluccarini3626
    @enricoluccarini3626 3 หลายเดือนก่อน +4

    Best version I've ever seen of La Damnation. He was so good then.

  • @victorvasquez4212
    @victorvasquez4212 5 หลายเดือนก่อน +7

    I saw this same team in Amsterdam and at the time, I was thrilled that Graham and Van Dam were in it,
    I had no idea of who this Kaufamnn guy was.
    Well, at the performance, I heard a very good tenor holding his own against those two giants and realized that someone up there, surprinsingly, was at the same level.
    Thanks for sharing this. Great memories

  • @rodicapopa4339
    @rodicapopa4339 2 ปีที่แล้ว +9

    Great performance: Young Pappano , very young Kaufmann..., van Dam, Susan Graham....
    And stupendous Jonas, beautiful voice, good looking and charming singer, on the verge of a grand career!

  • @user-ig6tb4fn8k
    @user-ig6tb4fn8k 10 หลายเดือนก่อน +2

    Très émue par tant de beauté - merveilleuse découverte avec 20 ans de retard... magnifiques, ces deux grands artistes, Jonas et Tony, so young and already outstanding! Bravi Messieurs! ❤❤

  • @joselopes2293
    @joselopes2293 2 ปีที่แล้ว +11

    Berlioz was inspired by a translation of Goethe’s dramatic poem Faust. It is difficult to categorize this work because in some occasions is an oratory of unconventional format and others an opera, but much of the work’s fame derived from its performance in concert that is magnificent.This masterpiece manages to touch us emotionally to the depth of our soul. Berlioz was a fabulous composer and this work is unparalleled in the range of feelings of varying intensity that he conveys to us.
    The voices of the soloists and the choir are superb in their interpretations. The orchestra and its direction are fantastic. Thanks for this remarkable and unforgettable recording. Finally, a word of praise for the glorious choreography and the fabulous dance body that make up this amazing work. One of the best interpretations I’v seen so far.Bravissimo.!!!

  • @christawietholter3247
    @christawietholter3247 หลายเดือนก่อน +1

    Es ist lange her . . . aber immer noch faszinierend zu hören . . . Wunderbar! Eine großartige Aufführung!

  • @takekotoyama8147
    @takekotoyama8147 4 ปีที่แล้ว +7

    I am not a much fan of Hector Berlioz except "Fantastique", but a big, big fan of Jonas Kaufmann. Together with Susan Graham and Van Dam this is a great performance. I wish I can find this CD. Jonas' voice is great in many ways. powerful, subtle, and has great colors.

  • @MonmouthMitchell
    @MonmouthMitchell 5 ปีที่แล้ว +20

    What a fabulous production of a wonderful piece. I love Berlioz and this piece in particular. I know some friends turned off Berlioz by the Dies Irae in the Requiem, hearing only the cacophony. I've had to point them to the sublime music in Faust, the Trojans, L'enfance du Christ, etc. He is one of my favorite composers and i think this production enhances his work. Thank you for posting!

  • @raphaeldegubernatis4252
    @raphaeldegubernatis4252 2 ปีที่แล้ว +7

    Combien Jonas Kaufmann est beau dans son rôle d'archétype du héros romantique! Et si la mise en scène n'est pas toujours convaincante, la chorégraphie, elle, est très musicale.

  • @Samourai1949
    @Samourai1949 4 ปีที่แล้ว +10

    Magnifique, une splendeur

    • @philthefox1948
      @philthefox1948 3 ปีที่แล้ว

      Tout à fait d'accord. Et quel dommage de ne pas avoir une meilleure image. Je vais tenter via la RTBF qui a réalisé le film. Si oui, je vous tiens au courant via ce site

    • @jeanmarcblanc2903
      @jeanmarcblanc2903 2 ปีที่แล้ว

      Non ,beau, mais pour moi, pas une splendeur.

  • @invisiblesoloaqui66
    @invisiblesoloaqui66 10 ปีที่แล้ว +22

    This is a wonderful outstanding production ! GREAT, GREAT !

    • @annashlimovich
      @annashlimovich 6 ปีที่แล้ว +1

      Invisiblesoloaqui it is indeed simply outstanding! So tastefully done and the singing, especially Diva Susan Graham is just supernatural.

    • @ursulapinke5137
      @ursulapinke5137 10 หลายเดือนก่อน

      Welch eine Faszination geht jedesmal wieder von dieser Produktion aus ......... Jonas unbeschreiblich und ich Jose Van Dame dadurch kennengelernt .......... erste Zusammenarbeit mit Antonio Pappano die bis heute erfolgreich anhält ...........

  • @rosy3385
    @rosy3385 7 ปีที่แล้ว +6

    Un opéra trop peu connu où j'ai beaucoup de plaisir à retrouver José Van Dam toujours distingué et formidable avec notre Jonas Kaufmann tout jeune encore mais si talentueux !

    • @olivierteitgen4061
      @olivierteitgen4061 6 ปีที่แล้ว +1

      Ce n'est pas un opéra et il est mondialement connu

    • @olivierteitgen4061
      @olivierteitgen4061 6 ปีที่แล้ว

      Ce n'est pas opéra, mais par ailleurs une œuvre mondialement connue

    • @rosy3385
      @rosy3385 3 ปีที่แล้ว

      @@olivierteitgen4061 on ne peut pas connaitre tous les opéras bien que passionnée et Berlioz n'est pas mon compositeur préféré !

  • @rowenariley6074
    @rowenariley6074 8 ปีที่แล้ว +10

    Seamless pleasure, what an amazing piece of art. Oh caresser les flammes - was that what she sang? A haunt for insomniacs, in and out of consciousness. Just beautiful. Thank you.

    • @marcpeycker
      @marcpeycker 5 ปีที่แล้ว +1

      "Ah, caresses de flamme !"

  • @Hanako-sx3pr
    @Hanako-sx3pr 7 ปีที่แล้ว +5

    Thank you Viv for downloading this for us. I lost the entire opera which I had kept in the file - it was withdrawn. So I really appreciate getting it back. I answered the question down below.
    Your sound quality is excellent! Than you again. C

  • @farkasagnes1974
    @farkasagnes1974 2 ปีที่แล้ว +2

    Csodas hang ,gyönyörű kiejtés !

  • @cynthiachase3427
    @cynthiachase3427 ปีที่แล้ว +2

    Jonas Kaufmann and Sophie Koch and Bryn Terfel sang it at Opera de Paris Bastille in 2014-15. Hernanis' set, with the figure of Stephen Hawkings in a wheelchair, was controversial and forced, but not uninteresting, and there were sublime effects--and wonderful singing.

  • @nicolehourcade
    @nicolehourcade 9 ปีที่แล้ว +13

    Merveilleux Van Dam.quelle joie de voir cette prestation! J.Kaufmann a déjà le caractere romantique ,un peu sombre qui apparait dans Werther.sa voix avec un superbe legato accroche,very large vocal range.

    • @ListenToJonasKaufmannLTJK
      @ListenToJonasKaufmannLTJK  9 ปีที่แล้ว +6

      Merci pour ce commentaire si détaillé et si juste ! En effet Van Dam est un baryton à la fois équilibré, fort et effrayant dans cette partition. Il montre tout son art face à Jonas Kaufmann, qui en 2002 sortait juste (et de merveilleuse manière) de sa crise vocale de 1998. Extrêmement intéressantes, toutes ces remarques sont largement mises en valeur par la musique envoûtante de Berlioz... : D
      Merci encore !
      Listen to JK

    • @micheljospin3379
      @micheljospin3379 6 ปีที่แล้ว

      nicole reding-hourcade I

  • @klouskioudatchaaoural4081
    @klouskioudatchaaoural4081 ปีที่แล้ว +2

    Monsieur, Monsieur,
    Vous êtes tout à fait impossible mais surtout ne changez pas !
    C’est lorsque que l’on sait tout qu’on s’aperçoit que l’on ne sait rien.🙏

  • @helgawolter5816
    @helgawolter5816 2 ปีที่แล้ว +1

    Junger J.Kaufmann hervorragend ! Schon Damals unverleichbar.

  • @angelalfonsorojasquiroz5936
    @angelalfonsorojasquiroz5936 2 ปีที่แล้ว +2

    De acuerdo a mi percepción, solo puedo decir: OBRA PORTENTOSA Y SUBLIME; AGRADEZCO DE CORAZON A QUIEN NOS HACE ESTE REGALO MUSICAL TAN MARAVILLOSO.

  • @takekotoyama8147
    @takekotoyama8147 4 ปีที่แล้ว +1

    I saw this again. Now I have become to appreciate this Berlioz music. Great production, great performance, great conducting of Antonio Pappano

  • @szegedification
    @szegedification 6 ปีที่แล้ว +3

    I'm not a fan of Berlioz but I'm a fan of Jonas Kaufmann. Marvelous performance. Thank you for publishing.

    • @takekotoyama8147
      @takekotoyama8147 4 ปีที่แล้ว

      I am 100% with you. Jonas is marvelous here as everywhere else.

    • @szegedification
      @szegedification 4 ปีที่แล้ว

      Hello Takeko!

    • @szegedification
      @szegedification 3 ปีที่แล้ว

      Jonas Kaufmann. My pleasure.

    • @szegedification
      @szegedification 3 ปีที่แล้ว

      I'm Canadian so I enjoy your wonderful singing on youtube and also several of your recording and DVD.

    • @szegedification
      @szegedification 3 ปีที่แล้ว

      @Jonas kaufman No, thank you!!! I will send my e-mail.

  • @aliciasarramida
    @aliciasarramida 8 ปีที่แล้ว +7

    merveilleux!!!

  • @pilouetmissiou
    @pilouetmissiou 3 ปีที่แล้ว +1

    De très belles choses dans cette Damnation...la mise en scène est un peu ridicule avec son crayon géant et son violoncelle mais bon... Une partition magnifique très bien servie, pas toujours facile vocalement...Faust est presque toujours en scène... Kaufmann fait de très jolies choses...tous très bien....merci !!

  • @jillsproule5967
    @jillsproule5967 9 หลายเดือนก่อน

    Berlioz learned from Goethe that he, Berlioz, was both scholar-but-dull Faust (from his strict bourgeois parents) and firebrand-bit-of-a-lad Mephisto (from his unrestricted guitar playing and messing about in Italy ... ).
    Thus, "La Damnation" is a superb symphony of the "private soul" - as earlier had been the "Fantastic Symphony" and "Harold" - BUT, thanks to Shakespeare, Gluck and Spontini, we are BLESSED to cherish this masterpiece ...

  • @carinfoce9641
    @carinfoce9641 3 ปีที่แล้ว +11

    Kaufmann’s voice is superb!

    • @AndreEssen
      @AndreEssen ปีที่แล้ว

      Tut mir leid, ich finde seine Stimme deplaziert. Hier wird eine Tenorstimme verlangt und seine Stimme hat einen Bariton

    • @benoitvogel8946
      @benoitvogel8946 9 หลายเดือนก่อน

      ja toachten kerl singt besser@@AndreEssen

  • @juliasilkwood8162
    @juliasilkwood8162 3 ปีที่แล้ว +1

    Loved every moment. Thank you.

  • @maiemiqueo7716
    @maiemiqueo7716 3 ปีที่แล้ว +2

    Desde mucho tiempo se destaca como gran intérprete y artista

  • @mathildehb0076
    @mathildehb0076 2 ปีที่แล้ว +4

    Wow, I never thought I would hear such a beautiful sound from Kaufmann’s voice 🎶😻
    This is touching!

  • @madyfiasse3658
    @madyfiasse3658 4 ปีที่แล้ว +2

    Merci

  • @Hanako-sx3pr
    @Hanako-sx3pr 7 ปีที่แล้ว +6

    I love Susan Graham, too. She was wonderful in this. They had perform
    ed together before this at La Monnaie and Dresden performances. They had sang together in April 2001 in Toulouse in Thomas' Mignon. So their chemistry was good although Graham was much more of a veteran at this point
    .

    • @annashlimovich
      @annashlimovich 6 ปีที่แล้ว +2

      Susan Graham just sang this part with the Boston Symphony Orchestra, Paul Groves was Faust, it was sensational! She is the true Diva and she totally mesmerised us...Brava!

  • @bmejia220
    @bmejia220 ปีที่แล้ว

    Wow, this is a wonderful experience. Its beautiful, brings tears to my eyes. Thank you for sharing this. All the best to you.

  • @marieclaudezurbach5495
    @marieclaudezurbach5495 5 ปีที่แล้ว +5

    Absolument magnifique, éblouissant!

  • @meisterwue
    @meisterwue 2 หลายเดือนก่อน

    What a score.....❤

  • @allyright4954
    @allyright4954 ปีที่แล้ว

    Marvelous! Berlioz music is fluid...it is flowing, it is millions of Higgs bosons embracing and electrifying...you have to stop breathing at times to better hear the sounds...Great voices! However, I have no idea what to do about the gigantic pencils...

  • @simoneescudier7660
    @simoneescudier7660 2 ปีที่แล้ว

    Superbe !

  • @germanquintero10121946
    @germanquintero10121946 6 หลายเดือนก่อน

    UN DELEITE

  • @MrFABY1966
    @MrFABY1966 4 ปีที่แล้ว +2

    The cast, Direcor and everything is at the end of the Opera as Credits.

  • @sherlockholmeslives.1605
    @sherlockholmeslives.1605 5 ปีที่แล้ว +8

    Berlioz = The greatest musical genius from France?!

    • @stefool
      @stefool 5 ปีที่แล้ว +4

      Un des plus grands oui...

    • @dion4508
      @dion4508 4 ปีที่แล้ว +1

      n'oublie pas rameau

  • @Alyochka
    @Alyochka หลายเดือนก่อน

    Best version ever : Paris, Bastille, 2006

  • @rafaelbanusirusta5430
    @rafaelbanusirusta5430 6 ปีที่แล้ว +3

    Van Dam está un poco gastado vocalmente, pero lo salva con su oficio y experiencia. Kaufmann está soberbio. Le van mucho estos personajes románticos. Graham, como siempre, una delicia. Y la dirección de Pappano, magnífica.

  • @germanquintero10121946
    @germanquintero10121946 7 ปีที่แล้ว

    MARAVILLOSA

  • @user-hi2qf5xv9l
    @user-hi2qf5xv9l 10 ปีที่แล้ว +3

    Спасибо за возможность видеть и слышать и восхищаться

  • @mariahilarialabrador7573
    @mariahilarialabrador7573 4 ปีที่แล้ว +3

    Una voz que enamora♥️🎶♥️

  • @resnonverba
    @resnonverba 3 ปีที่แล้ว +1

    He was not here the excellent actor he became later, but his voice was young and lovely as a way of compensation.

  • @bettyclifford3831
    @bettyclifford3831 ปีที่แล้ว

    Very nice mouce

  • @redberryw7089
    @redberryw7089 9 ปีที่แล้ว

    Here he is so young. Wonderful voice !!! Only I don't understand the subtitles. Of course I know the story.

  • @liliacristinapohl4905
    @liliacristinapohl4905 6 ปีที่แล้ว +3

    Jonas tu voz me hace pensar en el milagro de la
    Voz humana que en tu caso sucede una vez cada cien años cuida mucho ese
    Milagro que
    Dios te ha regalado

    • @coragazmen7073
      @coragazmen7073 20 วันที่ผ่านมา

      Superb,I wish I saw it in person but then,I have not found this genius,Jonas Kaufmann then,at least thanks utube for uploading this magnificent opera,jk is so beautiful more when he was this age but his voice too was a miracle 15:09 😊 15:28 15:35

    • @coragazmen7073
      @coragazmen7073 20 วันที่ผ่านมา

      Superior, thanks for uploading 17:07

  • @1968KWT
    @1968KWT ปีที่แล้ว

    Premiered #otd in 1846 🌺🌺🌺

  • @AndreEssen
    @AndreEssen ปีที่แล้ว +1

    Ich weiss nicht was alle immer an Jonas Kaufmann haben, seine Stimme ist total baritonal gefärbt, wo es ins orange hellgelbe gehen sollte bietet er ein hellbraun, gerade mal ocker.

    • @operaFan-tn8ng
      @operaFan-tn8ng 4 หลายเดือนก่อน

      And I don't know why people keep obsessing about the baritonal element to Jonas's voice. As I understand it, the actual music notes composed by Berlioz are scored for a tenor, written in the tenor range under a tenor cleff (the treble.) Therefore it is sang by a tenor capable of producing the highest notes written alongside the middle and lower notes of the register. What I am getting at is that, although Jonas Kaufmann's voice sounds "deep" he is singing at the pitch of a tenor. He has this unique sound of strength and support and can, indeed, get down into the baritone range when required. I think it's a fantastic voice and very rare.
      There again, I also enjoy listening to basses and baritones and I really think describing the baritone voice as "light brown, just ochre" is rather an insult to such a gorgeous sound on the tonal register.

  • @chickcove
    @chickcove 3 ปีที่แล้ว

    Love Susan Graham here. But I get moments of silence here and there, where the sound is just gone, moments of mute. Problem with the upload or on my end?

  • @firstblood8343
    @firstblood8343 7 ปีที่แล้ว

    not a big opera fan but I like this one better than the rest.

  • @user-xm3uh2ek2j
    @user-xm3uh2ek2j 3 ปีที่แล้ว

    Вы восхитительны вэтой опере, все игра и голос, но нет перевода на English, жаль.Благодарю за просмотр!!!

  • @marcellelecocq7328
    @marcellelecocq7328 3 ปีที่แล้ว

    çà manque d'éclairage dommage ! la voix d e Jonas merveilleuse , la traduction bravo !

  • @hermesnoelthefourthway
    @hermesnoelthefourthway 3 ปีที่แล้ว +3

    This is severely underrated, and not performed as much as it should be, a truly sublime piece, same with les troyens. Poor Berlioz, And the irony, he struggled desperately to have his work performed during his lifetime and was often ridiculed. Wagner completely dismissed him and his work. Thank god, nothing is what it seems. Noel 🌹

    • @grafplaten
      @grafplaten 2 ปีที่แล้ว

      Not true that Wagner "completely dismissed" Berlioz and his work....Wagner's stance on Berlioz' work was a mixture of admiration and criticism.

  • @juanjoperabilbo
    @juanjoperabilbo 4 ปีที่แล้ว

    la produccion es muy buena. gracias
    me gustaria conocer el año de la representacion y el nombre de ella

    • @robertlambeaux897
      @robertlambeaux897 3 ปีที่แล้ว +1

      Tiene la repuesta en el inicio de la proyeccion.

  • @alicedemontagne7307
    @alicedemontagne7307 2 ปีที่แล้ว

    1:40 It always gets me

  • @juanjoperabilbo
    @juanjoperabilbo 4 ปีที่แล้ว +1

    la voz de kaufmann suena menos engolada que actualmente , aunque se le aprecia
    la querencia

    • @ESilva-qv1uv
      @ESilva-qv1uv 4 ปีที่แล้ว +1

      Ele é excelente no repertório lírico francês. Pena ter cambiado para Verdi e Puccini, a voz se tornou pesada e engolada.

    • @Cor6196
      @Cor6196 2 ปีที่แล้ว

      The Google translation of your comment into English translates your "engolada" as "cantankerous"! You'll have to look that up perhaps, but I assure you, the translation is hilariously wrong. Don't worry, though, we all understand what "engolada" means, and you're right!👍🇺🇸😁

  • @gorankatic40000bc
    @gorankatic40000bc 7 ปีที่แล้ว +2

    We need English subtitles!

    • @sollyismail1909
      @sollyismail1909 7 ปีที่แล้ว +5

      Agreed! The singing is outstanding. It would be nice to understand what they signing. Deep emotion is better appreciated when understood

    • @robertlambeaux897
      @robertlambeaux897 3 ปีที่แล้ว

      OOOhhh, poor boy ! it's not the way to "absorb" an opera. Read the story of Faust , or ... go to read it on Google . It's easy to find

    • @robertlambeaux897
      @robertlambeaux897 3 ปีที่แล้ว

      @@gorankatic40000bc That's the way I discovered Boris ... But if you see how we have this document , you'll see it's a Belgian Television program , and we have the subtitles in French . A production of RTV should have Spanish subtitles, of BBC, English subtitles ... logical (it's a 30 years old production) . Why asking a translation it's so easy to find on Google?
      I didn't like your "we need" ....

  • @y.s320
    @y.s320 4 ปีที่แล้ว +3

    Yong Jonas...💖❤️😻

  • @susanwilliams3815
    @susanwilliams3815 7 ปีที่แล้ว +2

    In my opinion, this opera is best viewed in a CONCERT performance--e.g. Solti conducting the Chicago Symphony with Jose Van Dam singing Mephistopheles. It just does not play well when staged.

    • @grafplaten
      @grafplaten 7 ปีที่แล้ว +2

      Berlioz never intended this work for the stage....it is (similar to his Roméo et Juliette) more of a dramatic symphony....

    • @susanwilliams3815
      @susanwilliams3815 7 ปีที่แล้ว

      In my experience, modern directors/conductors do not care at all about what writers/composers intended. They feel somehow entitled to ‘make it their own.’ (No doubt that is how the very elegant and dignified José van Dam ended up with slick black hair and a yellow suit in the production in question.) I personally have given up writing plays for that very reason. If someone mucks about with a copyrighted novel, short story or poem, one can sue.

    • @BIGBAROK
      @BIGBAROK 7 ปีที่แล้ว

      I agree Susan. I cant get used to Kauffman on his own and no sign of the orchestra or the conductor. I like Pappano but I do like to see him conduct. I have Solti on DVD which is the one you are probably referring to

    • @olivierteitgen4061
      @olivierteitgen4061 6 ปีที่แล้ว +1

      It is best viewed in a concert performance for the fact it is not an opera. Berlioz named it a "Dramatic legend"

    • @paoguy28
      @paoguy28 5 ปีที่แล้ว

      I saw a fantastic stage production in Frankfurt just yesterday.

  • @lapintelaurent7956
    @lapintelaurent7956 4 ปีที่แล้ว +1

    16:58... août 2007...
    Les Monts du Matin - Jean Delmarty

  • @itamarbar9580
    @itamarbar9580 4 ปีที่แล้ว

    1:55:57 why is there a double bass on stage?

  • @rozalyan4923
    @rozalyan4923 3 ปีที่แล้ว

    Больше понравилось, чем с Аланья

  • @JA268
    @JA268 7 ปีที่แล้ว +2

    Not quite what I expected but it's still excellent

  • @Foisterous
    @Foisterous 2 ปีที่แล้ว

    Is the original, full-quality version of this performance available for purchase anywhere, either on video or just audio?

  • @ESilva-qv1uv
    @ESilva-qv1uv 4 ปีที่แล้ว

    Jonas is wonderful in the lyric french repertoire. He should never have tried to sing heavy Puccini or Verdi roles. Susan Graham and Jose van Dam both rule this music. Wierd setting but nice orchestra and chorus under Pappano.

  • @Eturoel
    @Eturoel 7 ปีที่แล้ว

    When was this filmed ? This is a much younger Jonas Kaufmann.

  • @saint-aubertjacqueline5624
    @saint-aubertjacqueline5624 6 ปีที่แล้ว

    La plupart des envois ne sont pas visibles sur mon appareilLes films ont un son inaudibleLes oeuvres sont centenaires et decrepies

  • @ESilva-gw9ig
    @ESilva-gw9ig 5 ปีที่แล้ว

    Glorious voices singing this wonderful music. Kaufmann should have stuck to lyric roles instead of pushing his voice in dramatic roles not suited to his voice type. Graham in one of her signature roles and van Dam magnificent. The setting does not do justice to Berlioz's wonderful score.

  • @ivanivanov6904
    @ivanivanov6904 3 ปีที่แล้ว

    1:52:48

  • @Foisterous
    @Foisterous 6 ปีที่แล้ว +4

    Musically, the performance is absolutely incredible. What a cast. The production though is pure pretentious Eurotrash nonsense. What's with all the giant pencils?

    • @AvatarYoda
      @AvatarYoda 5 ปีที่แล้ว +12

      They must be in Pencilvania.

    • @Foisterous
      @Foisterous 4 ปีที่แล้ว +3

      @@AvatarYoda Haha bravo!

  • @parkberlin54
    @parkberlin54 ปีที่แล้ว

    33:35

  • @petartason7963
    @petartason7963 ปีที่แล้ว

    Jean de florette

  • @pascalcorazza9972
    @pascalcorazza9972 5 ปีที่แล้ว

    En quel année est-ce que cette pièce a été enregistrer?

    • @babinesrouges5128
      @babinesrouges5128 5 ปีที่แล้ว +1

      Enregistrée en 2002 à La Monnaie, dit le générique de fin...

    • @pascalcorazza9972
      @pascalcorazza9972 5 ปีที่แล้ว

      wow, je n'ai jamais vue ou entendu kaufmann si jeune, merci. sa voie est un peut luse douce que maintenand, surtout dans les plus haute notes.@@babinesrouges5128

  • @georgesclermont1911
    @georgesclermont1911 10 หลายเดือนก่อน

    Une distribution de rève

  • @olivierteitgen4061
    @olivierteitgen4061 6 ปีที่แล้ว

    Allez écouter th-cam.com/video/AuAQAJhT6Sk/w-d-xo.html, c'est autre chose !

  • @bouetstephane8720
    @bouetstephane8720 4 ปีที่แล้ว +2

    Good production !
    But I don't understand a word Kaufmann sings... And I'm french !!!

    • @joga1943
      @joga1943 3 ปีที่แล้ว +2

      And I am not french , but I can understand every word he is singing!😉☺️

    • @catherinecozzano2580
      @catherinecozzano2580 2 ปีที่แล้ว

      And I’m French and I understand everything he sings. His diction is perfect, I think.

    • @grafplaten
      @grafplaten 2 ปีที่แล้ว +1

      Pouvez-vous lire les sous-titres?

  • @lunchmind
    @lunchmind 5 ปีที่แล้ว +3

    Faust gets a bad rap here. Gretchen is saved because she "did it for love" as the angels sing at the conclusion of the opera.Faust signed his soul over to mephisto not for riches or fame but to spring Gretchen from jail. Is not that doing it for love? He should have gone to Heaven.

    • @marcpeycker
      @marcpeycker 5 ปีที่แล้ว +3

      Clearly, Berlioz didn't try to create a very deep or coherent story, here. The story is just a pretext for music. The ending, particularly, is meant at creating extreme contrast, as an exploration of the depth of duality of the human soul.

    • @mangelwurzel476
      @mangelwurzel476 4 ปีที่แล้ว +2

      @@marcpeycker In the depths of the human soul there is no duality. Love is not divided - yep, should have gone to heaven!

    • @alexeyvlasenko6622
      @alexeyvlasenko6622 3 ปีที่แล้ว +2

      The famous Russian writer Bulgakov made a number of references to this opera in his novel "Master and Margarita". He too was unhappy about Berlioz separating Faust and Margarita like that in the end. In revenge, the character in the novel named after Berlioz has his head separated from his body right in the first chapter. Seems fair.

  • @olivierteitgen4061
    @olivierteitgen4061 6 ปีที่แล้ว

    Direction molle, manque de relief et d'entrain. Les nuances de la partition sont souvent gommées

  • @ilGattoMistico
    @ilGattoMistico 6 ปีที่แล้ว

    mah, io salverei solo Pappano e Van Dam, veramente pessimo il coro

  • @MrXtuba
    @MrXtuba 4 ปีที่แล้ว

    42:01