Jesus, I am so old and have been playing for a long time, but every time I watch one of your instructional videos I learn something new that is instantly playable. I would say that you should go back and be a professor again, but then again, you already did! And now you have a much bigger classroom. Hell yeah I bought the Beato Book, and I didn't even wait for a live stream to get a discount! I'm a fan.
Agreed as well. 34 years playing experience but I've been diving into as much theory as I can. As much as I felt I knew-some things weren't a surprise-, there were a ton of things I didn't know. Love discovering what I don't know. And much mahalos to Mr. Beato.
Spread Triads, and triads in general, are some of the most fundamental at the heart of melodies and soloing! Quite beautiful sounding, and you can expand so much on them!
Great video Rick! Just a small mis-speak around 3:45ish when introducing the diminished triad you first say "one flat three five" but correct the rest of the time during the examples. just wanted to mention for anyone that may get confused learning this stuff for the first time! Thanks for all the great videos Rick!
Thanks for pointing this out. I usually go over his lectures at least twice so I can just listen without questioning and not take notes the first time. I just finished my pass thru.
Mega! You have transformed my thought process when I watch lessons over the last 3 years. I understand everything you say now where I just used to wish I could. I do a lot less noodling and have a logical and musical approach when I pick up guitar or sit at the keyboard. Thank you. I have a new purpose and a friend in music now.
Thanks for publishing this very important lesson, Rick! One of the great little "secrets" in the ambient/new age genre to create widest soundscapes is literally "expanding" (spreading) the chords. Glad you are such a huge Pat Metheny fan & proponent - I've been a fan since "New Chautauqua" so we share this 6 string hero, lol. Hope you can get Pat as a guest on the show someday! PS: Eric J is amazing too!
Hi Rick, great lesson as usual! As a way of organizing all the different shapes (3 inversions x 4 types of triads) I like to start from the shape of an augmented triad, as for that one the tonic could be any of the notes, and then lower the 5th, 3rd and 5th again to derive the shapes of the major, minor and diminished triads for the same tonic. Clearly which note is the 3rd and 5th follows from the choice of the tonic. The same approach works for the "closed" triads.
Also remember that every sus4 is also a sus2 up a fourth, so by the time you have gotten your Csus4's down, you'll also have all the Fsus2 inversions free of charge! :)
@@UltraMonable It also took me some time to understand that. The Csus4 shape = Fsus2. Okay so let's assume you have learned the Csus4 shape. Now you play a song which only goes C to F. You could play the Csus4 shape all the time and then only would change between Csus4 and Fsus2. *If you dont know what a fourth is the keyword is "intervalls" which is the foundation of western music and a understanding of this will improve your playing tremendously.
@mon productions the sus4 and sus2 chords are inversions of each other. If we have C (1) F (4) G (5) and we put it in first inversion we have F (1) G (2) and C (5). I show how this relates to the guitar in my latest video!
Great lesson, and thanks a ton for adding the notation+tab to the video! For BB readers, fretboard diagrams with spread triad fingerings are in the Beato Book on p. 193. -Tom
This is something I've put a lot of work into lately. After watching one of Tim Pierce's excellent videos about the same subject, I've started to look for chord-shapes all around the neck, and playing with and around those. I've only dvelved into basic minor and major harmonies for now, bit this has already done wonders familiarizing me with my neck, understanding scales and harmony-knowledge. If only I knew this when I started playing, my solos wouldn't have sucked as much the last 20 years! Great video as usual Rick. Thanks for all the lessons, and take care in these strange times we live in.
Instant classic episode Rick. This is why we keep coming back. You bring freshness to our lives with real examples, theory and practice we can put into place to make us better musicians. Gold. Thank you.
Thanks, Rick! You’ve made several videos on Spread Triads and each one has helped deepen my familiarity of the guitar. Julian Lage’s “Etude 1” is a dazzling display of spread triads. I’ve been using 4 measure sections as a warm-up. Not nearly as fast as Julian though 🤯
Up tonight till 12pm mapping out this lesson. Thanks so much for including tabs. Looking forward to ordering your book and future lessons. Can't thank you enough. Dan Bonner
Dude I know ALL about spread triads, that's so basic I was using them in high school. Except I apparently was flat wrong because this was a total revelation!! I love those sounds you're getting and I can't wait to practice them like that tonight. I already know that is going to open up my playing and writing with a new tool in the toolbox. Thank you as always Rick, you're the man!
Aloha from Maui, I bought a travel guitar and was searching for a cheap battery powered amp so I could learn to play the electric guitar while in quarantine. I had little knowledge of music and your videos frustrated me and made me mad because I was just beginning and trying to learn the basics of the guitar. Then you did the Led Z video describing the sounds in Ramble On. You took the time to find out from the man who did the work how he did it and destroyed a myth that I had heard for years. I Bought Your Book After That! Thank you for what you do and could you do more beginner videos for your daughters and loyal followers. Mahalo!
Killer lesson. I realize this type of video isn't as "accessible" to a mass audience as "What Makes This Song Great," but thanks for still doing them. We "theory nerds" appreciate it. 👍
Great video. Getting better open triads has been my quarantine project. Used them a bit for years in my solo jazz fingerstyle playing, but of late I've been working them into flatpicking traditional tunes. Great stuff boss! Thanks. e
As you were playing these I was like, "Man I've heard these before." Then at 7:37 a lightbulb went off! I've been watching your IG posts for a while so thanks for making this video to explain this technique. I will look for it in your future posts and try to call it out ha
Amazing analysis!!! And thank you for referencing Eric Johnson and Pat Metheny, two of my top ten favorite artists/bands of all time. And The Beatles are included in that top ten.
Thanks Rick. You always post amazing useful content. I’m gonna work in these. Keep it coming. We love it. Who the hell would give this a thumbs down?? Really. Come on Rick is helping all players with his knowledge. Some people are just haters and are jealous. We love u Rick.
When I first learned about triads ( I said "about" them, not that I've ever "learned" them, lol) the light came on the next time I listened to Eric Johnson. Not knowing anything about his methods, just enjoyed his music, I realized how integral triads were to his playing. I could hear it. I didn't need to see tabs or sheet music (not that I can read either one), I could hear it. May be no big deal to some, but it was a cool "ah ha" moment for me.
Wow! you youtubers are lucky to have Rick, This reminds me when I studied at Berklee College of Music in 84. At the end of the semester I had to bring all my studies on the airplain, in a big heavy garbage bag. But I had to leave most of it behind, to heavy.
This is really great thank you Rick! I've started incorporating this into my routine immediately and can't wait to burn it in. Will check in on this thread in a year to report back.
Nice. I would have never realized they were the same triads if you didn't explain this. I had trou left hearing different inversions of dominant chords when I was less experienced. Thank you.
YES>>!!!! Pat is from KC.. more specific, Lees Summit, Mo... we love Matheny music!!.. Thanks for including him.. he is one of the greats who is not so well know.. but he should be!..
Did anybody else listen to all these notes, especially the diminished triads, and feel like they were in a dark, terrifying, spooky, video game level where they had to sneak past an enemy that could kill you in 2 hits? There was a palpable tension during this video that was helped by Rick putting string sounds over his playing so you could hear how the notes blended. This is a tense soundtrack and awesome.
I’ve been using spread triads (and 7ths and 9ths) for years. It really creates a much more melodic and harmonic palette, unless you’re doing Barber Shop Quartet music or some big band/swing music.
Very nice synthesis of the concept, short but with full coverage , and indeed (one of) the best vids you already did on this topic. Inspired me to use introduce a Bb aug. spread triad arp in a G harmonic minor piece I'm playing . Though I most fancy the Lydian Triad arp. Thanks ! Take care & stay safe.
This is a video I have been crunching on for a while. I never knew what intervals made a few particular chord voicings. So many lightbulb moments... "OOOOOOHHHHH that voicing I use is an augmented chord!". Thanks Rick!
Thanks Rick. Identifying and singling out triadic notes within major and minor scales, and then incorporating them into my playing is my next step, I hope it will improve my melodic ability, I feel I've gained a better understanding at least.
I just have to wonder who 36 people would be that "Don't Like." I mean what a completely useful technique that can break a player out of a plateau and into new avenues of fretboard awareness and harmonic awesomeness. Thanks so much, I will be looking this up in your book.
WOA - I think some people who play guitar (youngish males in particular) have extremely large, extremely fragile egos, and find it painful to be reminded that the one thing they've pinned their illusion of superiority on, guitar playing, is much, much more complex than they initially imagined, and this realization hurts. And they're confronted with it again and again on the internet. For some people, a phrase like "If you can incorporate these... into your playing, it will make your playing so much more interesting" in tandem with Rick's obvious command of his instrument and music theory, translates into "the guitar chops you thought you had are meaningless and trivial". Of course, this is not the author's intent! So instead of seeing this video as a huge clue as to improve their playing (offered for free!), they see it as a reminder of how far they still have to go to have the skills they wish they already had. Hence the dislikes. Just a guess.
Stellar video, Rick! I am very grateful that you took your time to explain it to us with tabs and sheets. I do have one question: Maybe I did not understand it correctly, but shouldn't it say "root position" instead of "2nd inversion" at around 4:08? Could somebody please explain it to me? Thanks in advance.
I think that was just a typo, 2nd inversion usually refers to whenever the 5th is on the bottom, and he does talk about a root position triad with the visual with 2nd inversion
Hi rick I will never understand those people who give a thumb down to you what do they not get are they simply just jelous back in the day you would be lucky to own a guitar or keyboard book and yet all this what you and other guys provide to us so glad I stumbled on your channel Dave from uk big fan *****
Thank you for spelling it out like this. You've given me something to workshop on the guitar for the next little while, which is immensely valuable right now. You did the same with essential finger picking patterns (maybe you could return to this again?). Keep up the great work.
Always great videos Rick!! Idea for a series..."What Makes "Musician" sound like "Musician". Maybe tone, preference in chord voicing, modes. etc. Example, What Makes Alex Lifeson Sound Like Alex Lifeson. Then demonstrate tone (maybe chorus pedal, 335 style guitar etc) Chords with open strings, Sus chords, Phrasing. You obviously know how to do this better than me! lol Please consider, Thanks!
You should also invert them up the neck (three positions each per octave, they are triads), and play across the neck in each of those position. And there are multiple ways to play any given voicing (from any given bass note, basically the different places to find the middle and/or top notes). Even the ones unplayable as chord grips still work for lines. Play them till the positions kind of meld together and you can see the whole matrix, up down and across, for each chord type. Same as learning scales; chords and scales are literally the same thing. It's work but it pays.
spread triads are THE reason I love Eric Johnson’s playing so much. I have a question for you, Mr. Beato: With the vast amount of musical knowledge you have acquired over time, do you still discover new musical ideas/sounds when you pick up an instrument, be it piano or guitar...and what keeps YOU motivated to create new sounds? Thank you! 🐰🎸🎶✌️
Great stuff as always! Rather than memorizing 24 shapes, wouldn't it make sense to memorize only the 4 major shapes and then for each chord lower or raise the appropriate notes? This would also help knowing and internalizing when you're playing the root, third and fifth, rather than mindlessly playing shapes.
Jesus, I am so old and have been playing for a long time, but every time I watch one of your instructional videos I learn something new that is instantly playable. I would say that you should go back and be a professor again, but then again, you already did! And now you have a much bigger classroom. Hell yeah I bought the Beato Book, and I didn't even wait for a live stream to get a discount! I'm a fan.
Same goes for me.
right? ive been playing 15 years and can pick up on alot of this stuff quickly. but still things ive never even thought of. so damn informative!
Agreed as well. 34 years playing experience but I've been diving into as much theory as I can. As much as I felt I knew-some things weren't a surprise-, there were a ton of things I didn't know. Love discovering what I don't know. And much mahalos to Mr. Beato.
Eric Johnson and Pat Metheny mentioned in the same video....instant like.
Spread Triads, and triads in general, are some of the most fundamental at the heart of melodies and soloing! Quite beautiful sounding, and you can expand so much on them!
I like dyads too.
Monads are where it's at. Nonads are great when you're sleeping. 😴
Great video Rick!
Just a small mis-speak around 3:45ish when introducing the diminished triad you first say "one flat three five" but correct the rest of the time during the examples. just wanted to mention for anyone that may get confused learning this stuff for the first time!
Thanks for all the great videos Rick!
I caught that too... I must be learning!
I think he just meant one flat (three and five)
Thanks for pointing this out. I usually go over his lectures at least twice so I can just listen without questioning and not take notes the first time. I just finished my pass thru.
That does it! Rick is cancelling your subscription. 😲😀
Mega! You have transformed my thought process when I watch lessons over the last 3 years. I understand everything you say now where I just used to wish I could. I do a lot less noodling and have a logical and musical approach when I pick up guitar or sit at the keyboard. Thank you. I have a new purpose and a friend in music now.
Thanks for publishing this very important lesson, Rick! One of the great little "secrets" in the ambient/new age genre to create widest soundscapes is literally "expanding" (spreading) the chords. Glad you are such a huge Pat Metheny fan & proponent - I've been a fan since "New Chautauqua" so we share this 6 string hero, lol. Hope you can get Pat as a guest on the show someday! PS: Eric J is amazing too!
Hi Rick, great lesson as usual!
As a way of organizing all the different shapes (3 inversions x 4 types of triads) I like to start from the shape of an augmented triad, as for that one the tonic could be any of the notes, and then lower the 5th, 3rd and 5th again to derive the shapes of the major, minor and diminished triads for the same tonic. Clearly which note is the 3rd and 5th follows from the choice of the tonic. The same approach works for the "closed" triads.
Also remember that every sus4 is also a sus2 up a fourth, so by the time you have gotten your Csus4's down, you'll also have all the Fsus2 inversions free of charge! :)
Thanks a lot for sharing, would you mind clarifying yhe "up a fourth" please? I'm kind of new and didn't got that, would appreciate (:
@@UltraMonable It also took me some time to understand that. The Csus4 shape = Fsus2. Okay so let's assume you have learned the Csus4 shape. Now you play a song which only goes C to F. You could play the Csus4 shape all the time and then only would change between Csus4 and Fsus2.
*If you dont know what a fourth is the keyword is "intervalls" which is the foundation of western music and a understanding of this will improve your playing tremendously.
@@UltraMonable Up a fourth means up 5 frets
@mon productions the sus4 and sus2 chords are inversions of each other. If we have C (1) F (4) G (5) and we put it in first inversion we have F (1) G (2) and C (5). I show how this relates to the guitar in my latest video!
Not "all" inversions
That Lydian spread is quite a monster. Amazing lesson.
Excellent stuff Rick! I love the lighting in this video too. It looks so slick!
I just love how you're using the orchestra like string sound to highlight each chord
Great lesson, and thanks a ton for adding the notation+tab to the video! For BB readers, fretboard diagrams with spread triad fingerings are in the Beato Book on p. 193. -Tom
This is something I've put a lot of work into lately. After watching one of Tim Pierce's excellent videos about the same subject, I've started to look for chord-shapes all around the neck, and playing with and around those. I've only dvelved into basic minor and major harmonies for now, bit this has already done wonders familiarizing me with my neck, understanding scales and harmony-knowledge. If only I knew this when I started playing, my solos wouldn't have sucked as much the last 20 years!
Great video as usual Rick. Thanks for all the lessons, and take care in these strange times we live in.
Instant classic episode Rick. This is why we keep coming back. You bring freshness to our lives with real examples, theory and practice we can put into place to make us better musicians. Gold. Thank you.
Thanks, Rick! You’ve made several videos on Spread Triads and each one has helped deepen my familiarity of the guitar. Julian Lage’s “Etude 1” is a dazzling display of spread triads. I’ve been using 4 measure sections as a warm-up. Not nearly as fast as Julian though 🤯
The ending solo with the PRS is the most beautiful thing I've heard in a long time! I really need to start working on these! Thank you, Rick!
You’re the best at using the darker scales and chords. It’s open so many possibilities for me.
Up tonight till 12pm mapping out this lesson. Thanks so much for including tabs. Looking forward to ordering your book and future lessons. Can't thank you enough. Dan Bonner
Dude I know ALL about spread triads, that's so basic I was using them in high school. Except I apparently was flat wrong because this was a total revelation!! I love those sounds you're getting and I can't wait to practice them like that tonight. I already know that is going to open up my playing and writing with a new tool in the toolbox. Thank you as always Rick, you're the man!
Aloha from Maui, I bought a travel guitar and was searching for a cheap battery powered amp so I could learn to play the electric guitar while in quarantine. I had little knowledge of music and your videos frustrated me and made me mad because I was just beginning and trying to learn the basics of the guitar. Then you did the Led Z video describing the sounds in Ramble On. You took the time to find out from the man who did the work how he did it and destroyed a myth that I had heard for years. I Bought Your Book After That! Thank you for what you do and could you do more beginner videos for your daughters and loyal followers. Mahalo!
Killer lesson. I realize this type of video isn't as "accessible" to a mass audience as "What Makes This Song Great," but thanks for still doing them. We "theory nerds" appreciate it. 👍
One of the best resources on TH-cam, thanks for being awesome
One of the best guitar lessons i have ever watched!!! Thank you!
Great video. Getting better open triads has been my quarantine project. Used them a bit for years in my solo jazz fingerstyle playing, but of late I've been working them into flatpicking traditional tunes. Great stuff boss! Thanks. e
They definitely are great for that! The 3 note voicings really help with playing a melody since they give you an extra finger
The onscreen tab! 👍
As you were playing these I was like, "Man I've heard these before." Then at 7:37 a lightbulb went off! I've been watching your IG posts for a while so thanks for making this video to explain this technique. I will look for it in your future posts and try to call it out ha
You are in perfect tuning. Beautiful in itself.
That sus4 triad run was one of the most beautiful things I've heard.
Great video! Very clear description of notes and intervals, helpful graphics, and awesome step by step instructions. Thanks Rick and team!
Amazing analysis!!! And thank you for referencing Eric Johnson and Pat Metheny, two of my top ten favorite artists/bands of all time. And The Beatles are included in that top ten.
Thanks for the video, great. You don't need to be musical to really enjoy them and you can't fail to learn. Respect. Be safe to stay well to all.
Rick always leaves me feeling inspired :)
Thanks Rick. You always post amazing useful content. I’m gonna work in these. Keep it coming. We love it. Who the hell would give this a thumbs down?? Really. Come on Rick is helping all players with his knowledge. Some people are just haters and are jealous. We love u Rick.
When I first learned about triads ( I said "about" them, not that I've ever "learned" them, lol) the light came on the next time I listened to Eric Johnson. Not knowing anything about his methods, just enjoyed his music, I realized how integral triads were to his playing. I could hear it. I didn't need to see tabs or sheet music (not that I can read either one), I could hear it. May be no big deal to some, but it was a cool "ah ha" moment for me.
Pat Metheny is one of my favorites.
I finally bought the Beato Book & pdf bundle. Combined with your videos it’s a great resource. Thanks for all the work you put into it.
Wow! you youtubers are lucky to have Rick, This reminds me when I studied at Berklee College of Music in 84. At the end of the semester I had to bring all my studies on the airplain, in a big heavy garbage bag. But I had to leave most of it behind, to heavy.
That blue guitar looks and sounds amazing. What a blaster.
One of the best lessons on using triads I've come across. Thank you Rick. (And explained so well)
This is really great thank you Rick! I've started incorporating this into my routine immediately and can't wait to burn it in. Will check in on this thread in a year to report back.
Spread triads, mother's milk of melodic guitar. Thanks for pulling back the curtain Grand Wizard Beato!
Nice. I would have never realized they were the same triads if you didn't explain this. I had trou left hearing different inversions of dominant chords when I was less experienced. Thank you.
Amazing. Short, simple, clear and challenging.
YES>>!!!! Pat is from KC.. more specific, Lees Summit, Mo... we love Matheny music!!.. Thanks for including him.. he is one of the greats who is not so well know.. but he should be!..
Actually, it's "Metheny" and he's pretty well known..especially, by those that understand music. His blend of complexity with feel is world class.
This guy is a great teacher, right to the point!
Just keep getting better and better Rick! Thanks again.
2 mos later & still working on these, man I suck, but...PLEASE do more of these Music Studies for Block (Rock) Heads.
Did anybody else listen to all these notes, especially the diminished triads, and feel like they were in a dark, terrifying, spooky, video game level where they had to sneak past an enemy that could kill you in 2 hits? There was a palpable tension during this video that was helped by Rick putting string sounds over his playing so you could hear how the notes blended. This is a tense soundtrack and awesome.
Sounds very King Crimson. Try The ConstruKction of Light.
As always, great stuff! Thanks for getting into the fingerings.
EXACTLY what I needed to improve my melodicism! Thank you Mr Beato once again 👍🏻
I’ve been using spread triads (and 7ths and 9ths) for years. It really creates a much more melodic and harmonic palette, unless you’re doing Barber Shop Quartet music or some big band/swing music.
I remember Eric Johnson being a 'young and upcoming prodigy' when I was in high school 🤘🏻
You are incredible at explaining these things Rick...
2 minutes in and mind blown already! Going back to the music lessons I never really took...
You really break it down, Rick. Very comprehendible!
Took me 6 hours to learn them correctly. Thanks Rick you made my day !
Very nice synthesis of the concept, short but with full coverage , and indeed (one of) the best vids you already did on this topic. Inspired me to use introduce a Bb aug. spread triad arp in a G harmonic minor piece I'm playing . Though I most fancy the Lydian Triad arp. Thanks ! Take care & stay safe.
This is easily the best music channel on the internet.
These triads remind me exactly the playing of both Pat and Eric. Thank you!
the real gem is the synth accompaniment
This is a video I have been crunching on for a while. I never knew what intervals made a few particular chord voicings. So many lightbulb moments... "OOOOOOHHHHH that voicing I use is an augmented chord!". Thanks Rick!
Thanks Rick. Identifying and singling out triadic notes within major and minor scales, and then incorporating them into my playing is my next step, I hope it will improve my melodic ability, I feel I've gained a better understanding at least.
When I watch your great videos, it reminds me of how much I suck as a musician . One can never stop learning, Thanks
I just have to wonder who 36 people would be that "Don't Like." I mean what a completely useful technique that can break a player out of a plateau and into new avenues of fretboard awareness and harmonic awesomeness. Thanks so much, I will be looking this up in your book.
WOA - I think some people who play guitar (youngish males in particular) have extremely large, extremely fragile egos, and find it painful to be reminded that the one thing they've pinned their illusion of superiority on, guitar playing, is much, much more complex than they initially imagined, and this realization hurts. And they're confronted with it again and again on the internet.
For some people, a phrase like "If you can incorporate these... into your playing, it will make your playing so much more interesting" in tandem with Rick's obvious command of his instrument and music theory, translates into "the guitar chops you thought you had are meaningless and trivial". Of course, this is not the author's intent!
So instead of seeing this video as a huge clue as to improve their playing (offered for free!), they see it as a reminder of how far they still have to go to have the skills they wish they already had.
Hence the dislikes. Just a guess.
I really like this short format of covering these. I think it's perfect for this kind of thing. The whiteboard lessons are my favorite though
Stellar video, Rick! I am very grateful that you took your time to explain it to us with tabs and sheets.
I do have one question: Maybe I did not understand it correctly, but shouldn't it say "root position" instead of "2nd inversion" at around 4:08? Could somebody please explain it to me? Thanks in advance.
I think that was just a typo, 2nd inversion usually refers to whenever the 5th is on the bottom, and he does talk about a root position triad with the visual with 2nd inversion
Hey, thank you, Rick, for sharing your knowledge. You are one of the best people/teachers I've come across.
Man I really love your Videos and that one was one of the best, thanks for that and keep on rocking, cheers from Vienna, Austria
Your camera lighting is MUCH improved and looks pretty great! Your show is really looking good.
Hi rick I will never understand those people who give a thumb down to you what do they not get are they simply just jelous back in the day you would be lucky to own a guitar or keyboard book and yet all this what you and other guys provide to us so glad I stumbled on your channel Dave from uk big fan *****
I love the m7 and maj7 shapes and use them all the time. Also the sus4 triad. Never knew about the other ones! So awesome.
If you play those faster and add some hammer ons and pull offs you have some pretty melodic sweeps
Love you so much man! Thank you for what you do for the world, the music, the culture. You're a role model, thank you
Knocking it out of the park as usual prof .. 💫thanks
Thank you Rick! You are a wealth of knowledge and I appreciate all that you give.
If this stuff is in the Beato Book, you just sold me. Thanks for another amazing video.
Thank you for spelling it out like this. You've given me something to workshop on the guitar for the next little while, which is immensely valuable right now. You did the same with essential finger picking patterns (maybe you could return to this again?). Keep up the great work.
When are you going to interview Randy Brecker? Talk about his writing process, the Brecker brothers, his career etc..
Great one Rick! Steve Morse is another master of those!
This is exactly what I’ve needed to expand my playing. Thank you!
Always great videos Rick!! Idea for a series..."What Makes "Musician" sound like "Musician". Maybe tone, preference in chord voicing, modes. etc. Example, What Makes Alex Lifeson Sound Like Alex Lifeson. Then demonstrate tone (maybe chorus pedal, 335 style guitar etc) Chords with open strings, Sus chords, Phrasing. You obviously know how to do this better than me! lol Please consider, Thanks!
Lee McIntyre Seconded!
Larry Carlton really shines on augmented passages (and everywhere else).
Thanks a lot for the shapes, especially with augmented, sus4 and lydian sound really interesting.
Huge compliment Rick: I hear so much Metheny in your playing!
Rick,that wa brilliant, im so impressed how educated and darn good you are!
oh how i wished i was introduced to this & Rick's other stuff 50 yrs ago when i learnt
You should also invert them up the neck (three positions each per octave, they are triads), and play across the neck in each of those position. And there are multiple ways to play any given voicing (from any given bass note, basically the different places to find the middle and/or top notes). Even the ones unplayable as chord grips still work for lines. Play them till the positions kind of meld together and you can see the whole matrix, up down and across, for each chord type. Same as learning scales; chords and scales are literally the same thing. It's work but it pays.
That PRS looks stunning
Kudos to the Maestro!
spread triads are THE reason I love Eric Johnson’s playing so much.
I have a question for you, Mr. Beato:
With the vast amount of musical knowledge you have acquired over time, do you still discover new musical ideas/sounds when you pick up an instrument, be it piano or guitar...and what keeps YOU motivated to create new sounds?
Thank you! 🐰🎸🎶✌️
Thanks Rick. This was exactly what I needed.
I have just watched the first minute and I really like how you get to the point so straight-forward!
That was excellent and really opens up the scope of playing in a more melodic way! Thank you
Great stuff as always! Rather than memorizing 24 shapes, wouldn't it make sense to memorize only the 4 major shapes and then for each chord lower or raise the appropriate notes? This would also help knowing and internalizing when you're playing the root, third and fifth, rather than mindlessly playing shapes.
Agreed. Learning to play by thinking in intervals is FAR better than memorizing every shape.
As always, so nicely done and we'll organized! Thank you Rick!
Just wonderful! Thanks a lot Rick!
This is very helpful. I always thought that the notes in the chord had to be "in order". Wish i had understood this years ago...
I will never be used to this new intro music... I love the old Beato jingle !
Some great fingerings in there, can't wait to get them into my hands. Thanks for another great video Rick.
I can tell Rick put a lot of effort into this vid, thank you for all of the awesome content my friend :)