Do you had a pdf file in good resolution of the 2 color charts you show at minute 9:40, comparing Stroke & Coat colors cone 06 to cone 6? How can I get that high resolution pdf file? Thank you. Etana in Florida
I love what you are saying about using Stroke & Coat as a flux. (I've been hand building for 1 year, but I'm an illustrator)... I wanted the movement of flux, but when I looked, Mayco had Light Flux and Dark Flux, but I didn't want my pieces to be whiter, or blacker, I just wanted them to run more... So the bright colors of Stroke & Coat sound like a fun glaze to use on other glazes QUESTION: what is the difference in putting the S&C UNDER a glaze vs OVER a glaze (for example, the new Amaryllis glaze, with S&C OVER or UNDER it? Thanks, Etana
Do you had a pdf file in good resolution of the 2 color charts you show at minute 9:40, comparing Stroke & Coat colors cone 06 to cone 6? How can I get that high resolution pdf file? Thank you. Etana in Florida
I love what you are saying about using Stroke & Coat as a flux. (I've been hand building for 1 year, but I'm an illustrator)... I wanted the movement of flux, but when I looked, Mayco had Light Flux and Dark Flux, but I didn't want my pieces to be whiter, or blacker, I just wanted them to run more... So the bright colors of Stroke & Coat sound like a fun glaze to use on other glazes
QUESTION: what is the difference in putting the S&C UNDER a glaze vs OVER a glaze (for example, the new Amaryllis glaze, with S&C OVER or UNDER it? Thanks, Etana