Perfection indeed it is. I have watched this scene, the presentation of the rose, dozens of times and never ceased to marvel at the extraordinarily beautiful set and costuming which together with the most glorious singing of these two superb singers makes for an operatic experience like few others I have seen. So beautiful it is that it affects me emotionally every single time. Perfect, absolutely perfect.
Einfach überirdisch schön und in dieser Besetzung, zusammen mit Karajan, unerreicht und unerreichbar. Diese Sänger stammen aus einer anderen Sängerwelt. 'Dahin muss ich zurück'...
We shall never again see such sumptuous sets and costuming. This is how Rosenkavalier was meant to be done. I like how they have upgraded picture quality to HD even if the lip syncing is a bit off. These are real Straussian voices, very few to compare today. Strauss's music here and throughout the opera is on a level rarely matched by other composers. The final trio is something so exquisite it touches parts of your soul you never knew you had.
It took me a bit to get into this opera but once I saw a great production like this I was moved to tears. The ending is an amazing immersion in beautiful sound.
pfffft, you can hear the edits and tape saturation which, while flattering to pop music, flattens the dynamics of an opera. more modern recordings are closer to capturing what an actual opera sounds like. they've overcooked the vocals, and the celeste is far thinner sounding than it would be live. it's a great technical achievement of its time, but it has been surpassed.
This is true. But when I ponder what a production like this would cost today -- the sets, the manpower, the rehearsal time --- I just don't think any venue has the will to make that kind of investment.
I cannot imagine this more beautifully sung. Rothenberger looks as if she were made of Meissen porcelain, and Jurinac is quite convincing as a young man.
Eine exemplarische Aufnahme - was soll man da anderes sagen?! Das ist Vollkommenheit in Sprache, Ausdruck, Darstellung und Schönheit! Ich bin immer wieder sehr angerührt, wenn ich diese Szene höre und sehe. Besser kann man es nicht machen (vielleicht nur anders), aber so hätte es sich Richard Strauss sicher gewünscht! - Und ich bin sehr froh, daß mir die Ehre widerfahren ist, Anneliese Rothenberger kennengelernt zu haben.
I saw this film in the 70s and loved it! Saw it again and again and again! I loved Elizabeth Schwarzkopf as Marshalline and Sena Jurinac as Octavian, Anneliese Rothenberger as Sophie. All the singers who came after them and sang in der Rosenkavalier seemed colorless to me.
Yes, real, I sink on my hearts' knees hearing this music, watching them how natural and how artful at the same time they express their feelings on remembering what the "starker Geruch" of the silver rose evokes! The music? It's a melange of heimish "Neuschwanenstein" sentiment and exotic sounds like chromatic putti! That's Richard Strauss in nuce! - this version with Jurinac, Rothenberger and Karajan is as soulfull, as sensual and precise like no other! My heart blushes and the knees wound...
The best RosenKavelier ever!! They are all the best. I adore Jurinac's Octavian and Rothenberger is the most innocent Sophie and what can I say about Schwarzkopf a real Marschaline!
Rothenberger & Jurinac einfach wunderbar !!!🥀Natürlich längst vergangene Opernästhetik und traurigerweise auch verlorengeganger Charme! Schön & perfekt gesungen haben sie auch !!!🥀🥀Kein Lob zu hoch !!!👏👏👏👍
Such an incredible composition. These two are legends in this duet and create so much beauty. The approach is rather dreamlike and cooing yet with very strong diction and a free quality. It creates an innocent reading that is celestial versus overwhelming or too bright which can also work for this. Here however it is akin to an enchanted fairyland ⛅️ 🧚♀️🧚♂️ 🌈 🪄 ....⭐️ 🌟 💫 🌹 tingling and floating and then it’s over....
SOPHIE Ist wie ein Gruss vom Himmel. Ist bereits zu stark, als dass mans ertragen kann. Zieht einen nach, als lägen Stricke um das Herz. Wo war ich schon einmal und war so selig? OCTAVIAN Wo war ich schon einmal und war so selig? SOPHIE Dahin muss ich zurück! und müsst' ich völlig sterben auf dem Weg! Allein ich sterb' ja nicht. Das ist ja weit. Ist Zeit und Ewigkeit in einem sel'gen Augenblick, den will ich nie vergessen bis an meinen Tod.
OCTAVIAN Ich war ein Bub', da hab' ich die noch nicht gekannt. Wer bin denn ich? Wie komm' denn ich zu ihr? Wie kommt denn sie zu mir? Wär' ich kein Mann, die Sinne möchten mir vergehn. Das ist ein seliger Augenblick, den will ich nie vergessen bis an meinen Tod.
boa tarde Uqbar Tlon. estou ouvindo e apreciando "Presentation of the rose", sugestão do Regente Fabio Michetti da Filarmônica de MG e como sempre na escuta. obrigada.
I saw this in a theatre the year it came out, and recently bought the dvd. Schwarzkopf wished it had been sung live instead of lip--synched, but it is still sublime!
The crypto-lesbianism of this opera has always made me smile. This particular iteration certainly uses some iconic singers, and such a young Von Karajan! The production itself is magnifique, definitive, I'd say. Not sure how I feel about Strauss in general, though. So very... Nietzschean. And then there's his politics. It's all very complicated....
@@christopherjohn6370 Using all women as the romantic leads can be construed as a species of crypto lesbianism. Hardly overt, carefully couched behind the rationalization of "convention", it's akin to using boys to play women in Shakespeare, which critics have called a species of crypto homosexuality. I'm assuming you would disagree. One may.
John Manno: TAKE YOUR CRYPTO-LESBIANISM ATTITUDE AND STICK IT IN THE TWAT OR DICK THAT SERVES AS YOUR BRAIN! Leave your own sexuality out of this. Strauss composed for vocal type and wanted a soprano for male youth. He was afraid if the role was scored for mezzo-soprano that a physically challenged woman would sing the role. He wanted a ‘Mozart Cherubino’ to emphasize wit and charm for vocal composition. What a twisted individual you are to suggest such a thing. Go to h**l!
ich werde nie verstehen, dass sich jemand etwas ansieht, was er langweilig findet und sich dann darüber noch beschwert. Ich finde Golf öd und käme nicht im Traum auf die Idee, mir ein Tournier anzusehen geschweige denn, mich darüber auszulassen, dass ich es langweilig finde. In so einem Fall halte ich es für völlig überflüssig, meine Meinung zu sagen, noch dazu, wo es genug Leute gibt, die Golf aufregend finden und ich eindeutig derjenige bin, der da irgendwie nicht mitkommt.
@thomasgrass6357 ich finde Ihren dummen Kommentar einfach überflüssig und wenn Sie von Musik und Theater nichts verstehen??es gibt ein ganz einfach Mittel dagegen : Einfach die dumme Klappe halten und hier nicht so einen Schwachsinn verzapfen.!!!!
Der Rosenkavaliernis a wonderful opera and this cast is the best one of all times. Elizabeth Schwarzkopf is definitely the Best MARSCHALIN!! Richard Strauss is one of the best composers of the 20th century!!
![[HD] Der Rosenkavalier Final Trio - Schwarzkopf, Jurinac, Rothenberger](http://i.ytimg.com/vi/31CtNc0Zp2c/mqdefault.jpg)
Diese Produktion mit diesen grandiosen Stimmen und Schauspiel ist ein GESCHENK.
This performance is perfection. Every time I watch this, and that's often, I'm brought to tears at the pure beauty of singing and performance.
You and me, both!
@@EElgar1857me also❤
Me too ❤
Perfection indeed it is. I have watched this scene, the presentation of the rose, dozens of times and never ceased to marvel at the extraordinarily beautiful set and costuming which together with the most glorious singing of these two superb singers makes for an operatic experience like few others I have seen. So beautiful it is that it affects me emotionally every single time. Perfect, absolutely perfect.
Let's give Strauss and Hofmannsthal some credit as well.
Just amazing. This performance can NEVER be topped! This beauty, this elegance, these wonderful voices! I am overwhelmed and near to tears. ..
Einfach überirdisch schön und in dieser Besetzung, zusammen mit Karajan, unerreicht und unerreichbar. Diese Sänger stammen aus einer anderen Sängerwelt.
'Dahin muss ich zurück'...
We shall never again see such sumptuous sets and costuming. This is how Rosenkavalier was meant to be done. I like how they have upgraded picture quality to HD even if the lip syncing is a bit off. These are real Straussian voices, very few to compare today. Strauss's music here and throughout the opera is on a level rarely matched by other composers. The final trio is something so exquisite it touches parts of your soul you never knew you had.
It could not have been said any better. Thank you very much! Such great artists!!!
It took me a bit to get into this opera but once I saw a great production like this I was moved to tears. The ending is an amazing immersion in beautiful sound.
Images were remastered for the BluRay edition.
pfffft, you can hear the edits and tape saturation which, while flattering to pop music, flattens the dynamics of an opera. more modern recordings are closer to capturing what an actual opera sounds like. they've overcooked the vocals, and the celeste is far thinner sounding than it would be live. it's a great technical achievement of its time, but it has been surpassed.
This is true. But when I ponder what a production like this would cost today -- the sets, the manpower, the rehearsal time --- I just don't think any venue has the will to make that kind of investment.
I cannot imagine this more beautifully sung. Rothenberger looks as if she were made of Meissen porcelain, and Jurinac is quite convincing as a young man.
This puts to bed the notion that German is too harsh. Just lovely.
Heavenly performance, vocally and visually, unsurpassable!
Bingo !!! NON PLUS ULTRA
Eine exemplarische Aufnahme - was soll man da anderes sagen?! Das ist Vollkommenheit in Sprache, Ausdruck, Darstellung und Schönheit! Ich bin immer wieder sehr angerührt, wenn ich diese Szene höre und sehe. Besser kann man es nicht machen (vielleicht nur anders), aber so hätte es sich Richard Strauss sicher gewünscht! - Und ich bin sehr froh, daß mir die Ehre widerfahren ist, Anneliese Rothenberger kennengelernt zu haben.
I saw this film in the 70s and loved it! Saw it again and again and again! I loved Elizabeth Schwarzkopf as Marshalline and Sena Jurinac as Octavian, Anneliese Rothenberger as Sophie. All the singers who came after them and sang in der Rosenkavalier seemed colorless to me.
Also Regine Crespin?
Sublime voices of three very talented and beautiful ladies.
Ist wie ein Gruß vom Himmel..
Vielen Dank
Rothenberger was the prettiest and most 'girlish' Sophie ever. Totally convincing... and the costumes were gorgeous.
Check out Lucia Popp singing Sofie and you may be surprised (and or amazed).
Except her wig which looks like nylon. Barbara Bonney (with Anne Sophie von Otter as Oktavian) is also worth listening to.
For me, the finest Sophie whom I have envountered is Lucia Popp.
2:40 is the most beautiful moment in all music history
Yes, real, I sink on my hearts' knees hearing this music, watching them how natural and how artful at the same time they express their feelings on remembering what the "starker Geruch" of the silver rose evokes! The music? It's a melange of heimish "Neuschwanenstein" sentiment and exotic sounds like chromatic putti! That's Richard Strauss in nuce! - this version with Jurinac, Rothenberger and Karajan is as soulfull, as sensual and precise like no other! My heart blushes and the knees wound...
The best RosenKavelier ever!! They are all the best. I adore Jurinac's Octavian and Rothenberger is the most innocent Sophie and what can I say about Schwarzkopf a real Marschaline!
Rothenberger & Jurinac einfach wunderbar !!!🥀Natürlich längst vergangene Opernästhetik und traurigerweise auch verlorengeganger Charme! Schön & perfekt gesungen haben sie auch !!!🥀🥀Kein Lob zu hoch !!!👏👏👏👍
iście hollywodska scena piękna muzyka geniusza wspaniali artyści niezapomniana Annelise
Beautifully and performed with excellence from both singers
Einfach wunderschön und herzergreifend.
Such an incredible composition. These two are legends in this duet and create so much beauty. The approach is rather dreamlike and cooing yet with very strong diction and a free quality. It creates an innocent reading that is celestial versus overwhelming or too bright which can also work for this. Here however it is akin to an enchanted fairyland ⛅️ 🧚♀️🧚♂️ 🌈 🪄 ....⭐️ 🌟 💫 🌹 tingling and floating and then it’s over....
i dont know what i love more, the lyrics or the music...
Hofmannsthal's shade thanks you for your kind comment
Only SCHWARZKOPF ❤️
Maravillosa Aria de celestial música
Mooier als deze kan ik mij niet indenken.Scenisch als vocaal,zo een hoogstaand vertolking Dank om plaatsen 🎶❤
SOPHIE
Ist wie ein Gruss vom Himmel. Ist bereits zu stark, als dass mans ertragen kann. Zieht einen nach, als lägen Stricke um das Herz.
Wo war ich schon einmal und war so selig?
OCTAVIAN
Wo war ich schon einmal und war so selig?
SOPHIE
Dahin muss ich zurück! und müsst' ich völlig sterben auf dem Weg! Allein ich sterb' ja nicht. Das ist ja weit. Ist Zeit und Ewigkeit in einem sel'gen Augenblick, den will ich nie vergessen bis an meinen Tod.
superb performance.
Fabulous production ♥
Exquisita Aria..!!
love love love to no end...
Hermoso
OCTAVIAN
Ich war ein Bub', da hab' ich die noch nicht gekannt. Wer bin denn ich? Wie komm' denn ich zu ihr? Wie kommt denn sie zu mir? Wär' ich kein Mann, die Sinne möchten mir vergehn. Das ist ein seliger Augenblick, den will ich nie vergessen bis an meinen Tod.
Sublime mise en scène et distribution mais ça date de 1962 !!!
boa tarde Uqbar Tlon. estou ouvindo e apreciando "Presentation of the rose", sugestão do Regente Fabio Michetti da Filarmônica de MG e como sempre na escuta. obrigada.
Truly "ein Gruss vom Himmel".
My, Jurinac is very handsome here…
Toll ein wunderbar
Mensch
2:44- Holy Frisson Batman!
2:44 😍👏
of course, rothenberger is the best sophie ever !!!
Also the best Konstanze and Gretel
Genius!
Überreichung der silbernen Rose aus dem Rosenkavalier zur Eröffnung des neuen Festspielhaus in Salzburg im Jahre 1960.
I guess it says soprano in the score for Octavian?
I saw this in a theatre the year it came out, and recently bought the dvd. Schwarzkopf wished it had been sung live instead of lip--synched, but it is still sublime!
Magnifique duo❤❤
5:27
The crypto-lesbianism of this opera has always made me smile. This particular iteration certainly uses some iconic singers, and such a young Von Karajan! The production itself is magnifique, definitive, I'd say. Not sure how I feel about Strauss in general, though. So very... Nietzschean. And then there's his politics. It's all very complicated....
" The crypto-lesbianism of this opera has always made me smile " ??? Have I lost the plot or have you ?
@@christopherjohn6370 Using all women as the romantic leads can be construed as a species of crypto lesbianism. Hardly overt, carefully couched behind the rationalization of "convention", it's akin to using boys to play women in Shakespeare, which critics have called a species of crypto homosexuality.
I'm assuming you would disagree. One may.
John Manno: TAKE YOUR CRYPTO-LESBIANISM ATTITUDE AND STICK IT IN THE TWAT OR DICK THAT SERVES AS YOUR BRAIN! Leave your own sexuality out of this. Strauss composed for vocal type and wanted a soprano for male youth. He was afraid if the role was scored for mezzo-soprano that a physically challenged woman would sing the role. He wanted a ‘Mozart Cherubino’ to emphasize wit and charm for vocal composition. What a twisted individual you are to suggest such a thing. Go to h**l!
Wunderbare Stimmen, vor allem die Anneliese. Sonst ist mir diese statische Singerei zu langweilig.
Unfortunately inaudible.
Ich finde dieses Rosenkavalier Theater langweilig und mir gefällt auch die Musik nicht, aber das ist Geschmacksache.
Ich frage mich wirklich, was Sie der Welt mit so einem sinnlosen Kommentar sagen wollen.
ich werde nie verstehen, dass sich jemand etwas ansieht, was er langweilig findet und sich dann darüber noch beschwert. Ich finde Golf öd und käme nicht im Traum auf die Idee, mir ein Tournier anzusehen geschweige denn, mich darüber auszulassen, dass ich es langweilig finde. In so einem Fall halte ich es für völlig überflüssig, meine Meinung zu sagen, noch dazu, wo es genug Leute gibt, die Golf aufregend finden und ich eindeutig derjenige bin, der da irgendwie nicht mitkommt.
@thomasgrass6357 ich finde Ihren dummen Kommentar einfach überflüssig und wenn Sie von Musik und Theater nichts verstehen??es gibt ein ganz einfach Mittel dagegen : Einfach die dumme Klappe halten und hier nicht so einen Schwachsinn verzapfen.!!!!
Der Rosenkavaliernis a wonderful opera and this cast is the best one of all times. Elizabeth Schwarzkopf is definitely the
Best MARSCHALIN!! Richard Strauss is one of the best composers of the 20th century!!
ELISABETH SCHWARZKOPF then, now and forever!!! ❤️💐🌷🌹👍👏
The best composer of the 20th century
i totally agree with you.....Strauss ist the best and most genius composer of the 20.th Century. @@EpuluMkuluba
Do listen to Lotte Lehmann, for whom Strauss wrote later roles. Her voice has a warmth and even richer depth of character.
@@CharlotteinWeimar I just love Lotte Lehmann and Richard Tauber singing Korngold’s Toten Statt, simply amazing!