Another way of looking at it as coming up with motifs that can be developed during a solo. Here you are choosing different notes for the same rhythm. You could also use the same notes in different rhythms. This was Gary Burton's main focus when teaching improvisation, the development of motifs.
Absolutely great stuff, thank you! Just subscribed to your channel. Having been a (German) jazz piano pro and teacher for 30 years now, I consider your books on Jazz Piano Fundamentals the best of it's kind - better than any other book (including the one I wrote :) I will definetly use it with my students. I personally can also learn a lot from your instructions. Thanks again, keep going and best wishes! - Andreas
@@JeremySiskind Thank you so much, Jeremy, that's so kind! - Of course I would be more than happy, if you'd like to listen to one or two of my original tunes (playlists on my channel). Also, I am trying to spread my Christmas Song, which won a Global Music Award (Silver Medal) this year...
Really baking after that Jeremy! Learning improv is very hard but tips like these are a wonderful place to begin. Looking forward to your next mash up!
Very excited as it’s a quality book with amazing examples. Had a question though. In some of the examples you have chord progressions and in other examples you have chords that don’t seem to be related: G7 Em7 Bbm7. Are these sequences random or are they substitutions that I should actually work on?
@@JeremySiskind Section B three positions of the left hand Examples B.2 and B3 B3 line two is clearly labelled as ii-v-I But line one contains G7 Em7 Bbm7
Sometimes what’s missing is some really simple, elementary stuff. And this is exactly it: gold!
I needed these rhythms... mashed with mayo
Instant thumbs up for rhythmic content!
Spud Powell has entered the chat 🥔🎹
Another way of looking at it as coming up with motifs that can be developed during a solo. Here you are choosing different notes for the same rhythm. You could also use the same notes in different rhythms. This was Gary Burton's main focus when teaching improvisation, the development of motifs.
Absolutely great stuff, thank you! Just subscribed to your channel.
Having been a (German) jazz piano pro and teacher for 30 years now, I consider your books on Jazz Piano Fundamentals the best of it's kind - better than any other book (including the one I wrote :) I will definetly use it with my students.
I personally can also learn a lot from your instructions.
Thanks again, keep going and best wishes! - Andreas
Andreas, that's so so so nice. I'm grateful for the note!!! Let me know if there's ever anything I can do for you!
@@JeremySiskind Thank you so much, Jeremy, that's so kind! - Of course I would be more than happy, if you'd like to listen to one or two of my original tunes (playlists on my channel).
Also, I am trying to spread my Christmas Song, which won a Global Music Award (Silver Medal) this year...
Your building motifs tutorial was some of the best stuff you put out - and of practical use.
More of that por favor
This was great! Bought your books (Fundamentals 1 & 2, and playing Solo Jazz Piano). I tend to make a hash of my rhythms so this was really helpful
Excellent video - thanks Jeremy! Potato!
It's a potato salad of rhythm. Perfect for summer.
Just the right amount of ingredients in the potato salad - good work Jeremy, thank you.
Pierogies - thanks, this will be fun
So very helpful using the perdido and others … potatoes all kinds of
Sick thank you !
This video is better than fresh hot French fries. Thanks Jeremy!
Another great lesson! 🙏🙏
Thanks Jeremy ❤
Mashed potatoes! You drove that one done the middle. Thanks, Jeremy.
Really baking after that Jeremy! Learning improv is very hard but tips like these are a wonderful place to begin. Looking forward to your next mash up!
Tartiflette !!!
I’m a guitarist but I bought your book the other day. Solo Jazz Piano. I saw your video on stride ragtime etc and bought it.
Very excited as it’s a quality book with amazing examples. Had a question though. In some of the examples you have chord progressions and in other examples you have chords that don’t seem to be related: G7 Em7 Bbm7.
Are these sequences random or are they substitutions that I should actually work on?
I think they're randomized meant to practice finding new chords quickly.
But if you give me a page number I'll tell you for sure!
@@JeremySiskind Section B three positions of the left hand
Examples B.2 and
B3
B3 line two is clearly labelled as ii-v-I
But line one contains
G7 Em7 Bbm7
@@demejiuk5660 You're on page XV? B3 line two is a ii-V-I. The ones not labeled as ii-V-i's aren't, they're just showing various kinds of chords.
Great tutorial, Jeremy. Very enlightening. Latkes with apple sauce.😎😎😎😎
What, no sweet potato fries? 😊
Vegan German Potato Salad...
I say potatoe, you say 'articulation'