Quel che rimane, e quel che ha costruito in termini di fiducia in sè, avendo tanti anni sofferto un pubblico sfidoso. Vocalmente compromessa qua, è responsabile del magico irripetibile di quella particolare performance.
She was in her mature years however she is still wise and has resources with a lot of humour as it was in life! For me to have Abbado, Montserrat, Raimondi, Dara, Cuberli, Chausson, Gasdia .. is a top performance !!!!!
Clever way to get Montsy down to the lower level. Bad luck breaking her knee on a curb in Manhattan when she was much younger. I believe she thereafter suffered from difficulty with steps.
NO one can sing this like Montsy Cabbage, what delivery! Except that no one knows what she's singing, what language and who wrote it. Certainly not Rossini. I prefer to remember the great Lucrezia Borgia and the great Salome of the past.
@tklogan111809 It is not important:. you can check any version of the Opera, even the Pesaro none are so brilliant, so funny and full of such enthusiasm as the Vienna of 1988.. I cant understand that Classica which has the tape did not publish a DVD of this maestrissima presentation. Try to gather such a castunder Abbado with the Vienna Philharmonic!I have a poor tape quality of this performance which I look at when I feel depressed. It should be reimbursed by the Social Security in Paris!lol!
Tremenda, se la cava solo con una simpatia molto ruffiana, ma è approssimativa, oscillante, cambia e adatta la linea vocale come le va e spaccia falsetti per soavità. Non parliamo della pronuncia pasticciata (di vaghi uaaaggiadooooo), degli acuti stridenti, di un canto tutto a sbalzo fra pianissimi, farfugli e strilletti. Mi ricordo che tanto per far qualcosa invece che cantare, gettava mele al direttore. Una scelta sbagliata (ma recidiva: già aveva rovinato la prima di Ermione...)
I'm sorry but it doesn't reach the level of the Vienna performance. It is the shadow of how this opera in this staging should be performed. The cast did bel canto forgetting that this was kind of a farce and the public should feel the cast was getting fun on the stage like in the Vienna performance or the one I was lucky to attend to in 1999 at the Pesaro Festival
This is the Vienna performance, and she basically _makes_ the Vienna performance the enchantment that it is.. more vocally preserved and/or disciplined exponents of the role have been rivetingly boring
Yes, funny onstage etc, and a lady of the stage she is, BUT she is not singing Rossini. One cannot understand the words she sings, they are rounded off too much. She goes from little screams and piani to approximated cadenzas, falsetto effects, changes in tempo and timing. The previous year, her ERMIONE in Pesaro was a personal disaster, despite some inspired moments. Such bad phrasing and tempo shows disrespect for the composer, the work, and the audience.
![เบิ้ล ปทุมราช - อ้ายกินดอง น้องลาบงัว ft. สแน็ก อัจฉรีย์ [OFFICIAL MV]](http://i.ytimg.com/vi/-OK--KaSPcI/mqdefault.jpg)
Una grandissima artista ineguagliabile primadonna del bel canto 👏👏👏👏👏👏👏👏
Quel che rimane di una delle più grandi cantanti del secolo
Quel che rimane,
e quel che ha costruito in termini di fiducia in sè,
avendo tanti anni sofferto un pubblico sfidoso. Vocalmente compromessa qua, è responsabile del magico irripetibile di quella particolare performance.
@@GeorgiNM io la adoro anche quando canta male
MERAVIGLIOSO USIGNOLO CANTERAI SEMPRE NELL ETERNITA IN CIELO
Grande Caballe' come sempre
GLORIOSA LA SUPERBA!
She was in her mature years however she is still wise and has resources with a lot of humour as it was in life! For me to have Abbado, Montserrat, Raimondi, Dara, Cuberli, Chausson, Gasdia .. is a top performance !!!!!
Obviously she's not in her prime, the top is rough etc., but the coloratura is VERY crisp, and she shapes it with great taste.
WONDERFUL!!!!!
you're right, and she is soooooooooooo lovely :-))
Wow... what a voice !!! God Bless her... FOREVER AND EVER
Clever way to get Montsy down to the lower level. Bad luck breaking her knee on a curb in Manhattan when she was much younger. I believe she thereafter suffered from difficulty with steps.
Lellobeetle how do you know that?
Yes she did, it troubled her at times and later on thats why she needed a stick or a helping hand down any stairs ,eg Herodiade x
@@barb8341 She has an official published biography, titled "Casta Diva", authors Pullen/Taylor
Vi un documental donde ella explica que este papel la obligaba a cantar mal, así que BRAVA LA SUPERBA!!!
Bé, non è più Rossini, ma una toccante versione Caballé.
@prosdocimo Try Primere Opera (online store based in NY); they have it.
NO one can sing this like Montsy Cabbage, what delivery! Except that no one knows what she's singing, what language and who wrote it. Certainly not Rossini. I prefer to remember the great Lucrezia Borgia and the great Salome of the past.
Where can I find the DVD.. please!
@tklogan111809 It is not important:. you can check any version of the Opera, even the Pesaro none are so brilliant, so funny and full of such enthusiasm as the Vienna of 1988.. I cant understand that Classica which has the tape did not publish a DVD of this maestrissima presentation. Try to gather such a castunder Abbado with the Vienna Philharmonic!I have a poor tape quality of this performance which I look at when I feel depressed. It should be reimbursed by the Social Security in Paris!lol!
@TheWisemonkey8
Charming. Why did you have to wait two whole months to stun us with your verbose wit, baby?
Catastrophique. Quel saccage !
Horreur ...il ne restait plus grand chose de sa très belle voix !!!!!
Tremenda, se la cava solo con una simpatia molto ruffiana, ma è approssimativa, oscillante, cambia e adatta la linea vocale come le va e spaccia falsetti per soavità. Non parliamo della pronuncia pasticciata (di vaghi uaaaggiadooooo), degli acuti stridenti, di un canto tutto a sbalzo fra pianissimi, farfugli e strilletti. Mi ricordo che tanto per far qualcosa invece che cantare, gettava mele al direttore. Una scelta sbagliata (ma recidiva: già aveva rovinato la prima di Ermione...)
I'm sorry but it doesn't reach the level of the Vienna performance. It is the shadow of how this opera in this staging should be performed. The cast did bel canto forgetting that this was kind of a farce and the public should feel the cast was getting fun on the stage like in the Vienna performance or the one I was lucky to attend to in 1999 at the Pesaro Festival
IT is the Vienna Performance!!!
This is the Vienna performance, and she basically _makes_ the Vienna performance the enchantment that it is.. more vocally preserved and/or disciplined exponents of the role have been rivetingly boring
bè... inascoltabile. Qualunque paragone con la Ricciarelli è impensabile
non mi piace assolutamente
Yes, funny onstage etc, and a lady of the stage she is, BUT she is not singing Rossini. One cannot understand the words she sings, they are rounded off too much. She goes from little screams and piani to approximated cadenzas, falsetto effects, changes in tempo and timing. The previous year, her ERMIONE in Pesaro was a personal disaster, despite some inspired moments. Such bad phrasing and tempo shows disrespect for the composer, the work, and the audience.
Non si capisce un piffero come sempre