I love this opera it is so funny and wild. Rossini at his most theatrical really. This production has evolved over decades since the 1980’s with upgrades re stagings and various lighting over the years.
If not his best, musically, it certainly is his most enduring and amusing. It's endlessly adaptable. I saw this performed at Covent Garden, in honour of the UK hosting the European presidency. If I knew then what I knew now..... :(((
Where'd the castanets suddenly come from? This production has been kicking around since the 80's (Abbado Pesaro '84/Vienna '88); it's held up well. Rossini and Wagner are the twin pillars the operatic firmament rests upon. I only regret really delving into him so late in life.
@@bcnmanhattan5022 I think if you saw a foreign opera company messing with Fratelli d’Italia and acting it out in the manner of Eritreans you might also pass comment. The whole point of the opera is to highlight and parody national characteristics, so to couple incongruous American actions to the oldest and one of the best known national anthems was crass as the American colonies ceased to be British in 1776, and today are not the same thing.
IVIGLIA Channel Grazie della risposta. purtroppo è da giorni che controllo e pare non esserci. saprebbe indicarmi qualcuno che mi possa dare qualche informazione in più?
Veramente è stato uno degli spettacoli più belli che abbia mai visto, nel lontano 1984. Cast da paura, direttore incredibile e una regia assolutamente brillante. Mi spiace...
rossini never intended this as a work for the ages, but as an occasional piece for the coronation of charles x and the bourbon restoration. he subsequently reworked much of the score for his french comedy "le comte ory." the score for "viaggio" was reconstructed by musicologist and rossini specialist philip gossett in the early 1980s. many of the rediscoveries represent rossini writing at the height of his compositional powers, such as corinna's final cavatina, seen in this excerpt. i saw the north american premiere of the opera in st louis in 1986, and it was a sheer delight from beginning to end.
I love this opera it is so funny and wild. Rossini at his most theatrical really. This production has evolved over decades since the 1980’s with upgrades re stagings and various lighting over the years.
If not his best, musically, it certainly is his most enduring and amusing. It's endlessly adaptable. I saw this performed at Covent Garden, in honour of the UK hosting the European presidency. If I knew then what I knew now..... :(((
❤❤❤ Il grande inimitabile fantastico baritono : Bruno Praticò. Grande stilista e attore in Rossini🎉🎉🎉🎉❤❤❤❤
I never knew Rossini introduced in his opera The National Anthem of England God Save The Queen at 7:08! So Majestic interpreted!
Giubilo per l’anima.
Sempre sia lodato Rossini ❤
Where'd the castanets suddenly come from? This production has been kicking around since the 80's (Abbado Pesaro '84/Vienna '88); it's held up well.
Rossini and Wagner are the twin pillars the operatic firmament rests upon. I only regret really delving into him so late in life.
You list the conductor and the director, but leave the singers anonymous. Appalling.
Altro che citazione, Čajkovskij ha preso a piene mani per l'apoteosi della Bella Addormentata.
The British NEVER stand with their hands across their chests (like Americans) when singing ‘God Save the King’.
And why should Italians know or care ?
@@bcnmanhattan5022
I think if you saw a foreign opera company messing with Fratelli d’Italia and acting it out in the manner of Eritreans you might also pass comment.
The whole point of the opera is to highlight and parody national characteristics, so to couple incongruous American actions to the oldest and one of the best known national anthems was crass as the American colonies ceased to be British in 1776, and today are not the same thing.
urgente: Dove trovo la versione integrale di questo video?
Credo che sia tutta presente su you tube. Saluti
IVIGLIA Channel Grazie della risposta. purtroppo è da giorni che controllo e pare non esserci. saprebbe indicarmi qualcuno che mi possa dare qualche informazione in più?
Adesso su rai5 c’è lo stesso allestimento, ma rappresentato nel 1984
@@mariateresaamenduni7866ASSAI ASSAI migliore!!!
Странно. Опера была написана в 1825 году, тогда музыка Гайдна была австрийским гимном, а не немецким. Да и 2-го Райха и в помине не было.
At the time, however, the Emperor of Austria was also Emperor of the German Confederation, which may explain why you are uncertain.
e i bambini leccano!
Bah! Qui Rossini aveva perso la bussola e la regia di Ronconi è deprimente. Bravi i cantanti
Veramente è stato uno degli spettacoli più belli che abbia mai visto, nel lontano 1984. Cast da paura, direttore incredibile e una regia assolutamente brillante. Mi spiace...
rossini never intended this as a work for the ages, but as an occasional piece for the coronation of charles x and the bourbon restoration. he subsequently reworked much of the score for his french comedy "le comte ory." the score for "viaggio" was reconstructed by musicologist and rossini specialist philip gossett in the early 1980s. many of the rediscoveries represent rossini writing at the height of his compositional powers, such as corinna's final cavatina, seen in this excerpt. i saw the north american premiere of the opera in st louis in 1986, and it was a sheer delight from beginning to end.
Ha perso di diritto la Cittadinanza Italiana. Rossini e'.. rossini.. Lui!! Basta non vado oltre. dire genio e altresì riduttivo
La informo che la blasfemia è punita sia dalla legge terrena che quella celeste. Occhio!
🤣
Dé, ha parlato Mozart 😂
Ciofi volgarotta
Seriously?