Beautiful, clean performance and given the building I certainly can't say I mind the dry acoustics!!! That Posaune 16' and the mixtures are excellent! Regards, Nigel from Duncan, British Columbia, Canada
Wunderbar. Ich habe nicht geglaubt, so etwas noch einmal zu hören. Im Gesamten im Spiel/Tempo und der Registrierung meinte ich, als ich's zu hören bekam nebenher, es wäre die Aufnahme von Karl Richter in der Jaegersborg-Kirche bei Kopenhagen. Hut ab. Vielen Dank für diesen Genuß.
Evidently, the vast majority of organists who play this piece are not aware of the difference between a dotted quarter-eighth grouping and a dotted eighth-sixteenth grouping.
I listened only to the last fugue. Just a little faster please? Articulation is good on manuals and pedals. Pedals are a bit overpowering for the manuals-softer reed? I hated the addition of stops for the last chord.
♥️👍 Perfetta esecuzione, direi impeccabile. È un brano non propriamente semplice, come sono certe compozizioni di Bach
Phenomenal playing !!!!
Beautiful, clean performance and given the building I certainly can't say I mind the dry acoustics!!! That Posaune 16' and the mixtures are excellent! Regards, Nigel from Duncan, British Columbia, Canada
Wunderbar. Ich habe nicht geglaubt, so etwas noch einmal zu hören. Im Gesamten im Spiel/Tempo und der Registrierung meinte ich, als ich's zu hören bekam nebenher, es wäre die Aufnahme von Karl Richter in der Jaegersborg-Kirche bei Kopenhagen. Hut ab. Vielen Dank für diesen Genuß.
Ut In Omnibus Glorificetur Deus! Thank you! Beautiful!
Off the hook g!
Evidently, the vast majority of organists who play this piece are not aware of the difference between a dotted quarter-eighth grouping and a dotted eighth-sixteenth grouping.
wonderful performance, but, my god, the dead acoustics in that room... 😐
I listened only to the last fugue. Just a little faster please? Articulation is good on manuals and pedals. Pedals are a bit overpowering for the manuals-softer reed? I hated the addition of stops for the last chord.