i was in an apartment in NYC in 1965 with someone closely affiliated when i was asked if i wanted to hear Bobby's new tune. I said, "yes." the tune was Like a Rolling Stone. it had only just been released. my host played it all night long on a turntable over and over and over. i thought it was the best year of my life.
The guitar player that he said was so much better than he, was Mike Bloomfield. I love this story. He took the bull by the horns and changed the trajectory of his career. The organ helps make the song great.
Great story… that guitar player that humbled Al was Mike Bloomfield. That meeting led to a lifelong friendship between Al and Mike which lasted until Mike’s unfortunate passing, and resulted in several records featuring Al and Mike, starting off with the 1969 “Super Session”.
"My organ style was based on ignorance" wow, what a great, unbelievable story getting himself on that session. The only other organ player who sounded as good playing that song was Garth Hudson in my opinion.
WOW, what a story. I've heard that "rumor" since the 60's or as I have several friends that are studio musicians. But to hear it from the guy, amazing.
You all should read Al's book, Backstage Passes and Back Stabbing Bastards. The first chapter he starts by saying something like, "OK, I'm gonna start with a story that's been told by a lot of people but I'm the one who was there and I'm telling you the way it really happened." Al Kooper has always been one of my very favorite musicians. The book is a great read for anyone interested in true tales of a rock and roll wanderer and visionary.
I bought Backstage Passes in 1979 and read about that recording session. His book was full of great stories, especially the great New York City power blackout of 1965.
I went back and listed to Like a Rolling Stone for the 2000th time and just listed to the organ. He does come in a beat late. Without the organ it would have been a different song.
The most important organ part in rock history! Without that organ, there would be no fold-rock. I guess he also played on Sad-Eyed Lady of the Lowlands, Visions of Johanna, etc....
Imagine that's your first real organ part, PERIOD, and in two weeks, you're hanging with Bob in the Village in the 60's, and famous for being and organ player.
I have Watch The story being told on know direction home The story being told on know direction home many Times and it's 1 of my favorite stories. This 1 is very close But more Detailed. Love this 1 too I'll be watching it many times. There's so many good Dylan songs it's hard to have a favorite But mine is like a rolling stone
Al is acredited to having been the organist on Positively 4th Street, Just Like a Woman and I Want You. To me, that organ sound, as a 10 year old kid in a car headed to church on a Sunday morning, was somehow unique among the Stones, Beatles, Supremes ect....of that era.
Didn't he also play the opening organ on "Freebird", just before the piano kicks in, when he was producing Lynyrd Skynyrd? That sounded very "churchy", too!
I was very fortunate to have heard this story told to me, directly by Al himself. See, 15 years ago Al formed a band of all Berklee professors in Boston called “The Funky Faculty.” My close friend Tom, bassist in that band had me tag along to gigs and such for the better part of two years. I’d take photos with my Nikon F100 and share the pics with Al and other members after development. Well lucky me.... Al used one of my photos for the inner sleeve of his Black Coffee CD. Was an exciting time....getting to hang out and talk to a session legend. I’m forever grateful.
...one time Tom and I went over to Al’s home, in Somerville, Massachusetts. Al led us downstairs to his studio and while kind of nosing around, we noticed a closet with its doors ajar. On the shelving were tapes. Labeled master tapes. The Sweet Home Alabama and Freebird masters! My heart definitely skipped a beat upon seeing these right before my eyes. Tom and I were like two little kids, snooping around the Christmas presents, giggling like a couple fifth graders....! Man we had so much fun.
This story is Golden ! It's such a perfect example of the recording processes during those incredible days when everything was based on actual Talent, there was no pitch correction and no one would even consider the idea of a time grid.. At that time everything was New and exciting.. The music industry in the 21st century has lost the Human Element that made all of those records so Powerful and memorable.. What a great time for music ! Thank you so much for sharing this great story.. Lary
Good luck is also the absence of bad luck. We wouldn't be hearing this story if he'd had some bad potato salad the night before and spent the day in the bathroom, rather than a recording studio.
good ol' Al Kooper. one of the coolest guys, ever, and probably the closest thing there is in rock music to Forrest Gump- being at the right place at the right time. read his book. this one story only scratches the surface!
I agree with that, my husband Len played bass on the Peter Green Katmandu album which was mostly jammed and on the 'Who's that knockin' track he said that was the best he ever played as It was recorded on a first meet of Peter and Vincent Crane .
My God what a great story from a great storyteller. One thing that comes across as well as this Al Kooper is an extremely likeable guy and someone you'd like to spend the day with.
Wilson didn't say that Kooper couldn't play organ; he just told him he was a guitar player. It is important to pay attention to what people are NOT saying, isn't it?
Hey , well Kooper had played the organ before...just not at a recording session. He is a Natural musician that is for sure...with a good voice. A real Sixties character.
Ended up playing Hammond, as I recall ... licks that made the song, and he wasn't even a keyboard guy. This is a great story. I loved this song DEARLY, first time I ever heard it. Yeh, Al ... I been a guitar player for 58 years, played out weekends for 35 years. Now I'm 72 years old and just as always ... ZERO per cent talent and NO per cent ambition anymore! I'm just happy on those days that I can breathe and, maybe walk without so much pain!
Amazing how music history takes place, unplanned by chance, the right musician doing something right and a “masterpiece” created. I have listened to LARS thousands of times and never tire of it.
That cut was THE song heard EVERYWHERE at Newport, '65 (Dylan "goes electric"). You could NOT escape hearing it! Amazing! All capped by Dylan's performance Sunday night.
Al Kooper could listen to him tell his rock stories all day. Damn Al that was a totally ballzy thing to do no one else can say that talk about right place right time.
LUV LUV t Organ sound on Like a Rolling Stone AND Positively 4th Street-- SO Hugely Impactful for t entire song. A-mazing Great Story & testimony. WOW. Thanx God!
I went back to listen to the song as soon as I finished watching the video. It’s incredible that you can hear exactly what Kooper is talking about: his playing is straight ahead with the chord changes, his approach allows him to avoid playing “on top of” the other musicians and you can actually hear him “hang back” a split second before playing on some of his phrases. Also his playing is similar to Bobs harmonica lines so they end up complementing each other. What a great story for a great song.
Joe, I watched this interview again last night. I have seen it 3 or 4 times already. Having interviewed many well-known rockers (e.g. Pat Vegas) for the Redbone memoirs (“My Search for ‘Niki Hoeky’: Granddaddy of Swamp Rock,” “Come and Get Your Love,” “King Kong Pete”), this is one of THE BEST INTERVIEWS I’ve ever heard, period. This is like “time capsule,” send on a “rocket ship to the stars” caliber interview. I think it’s a combo of your down home southern gentleman interview technique and the pure deus ex machina moment in the story where Tom Wilson literally - like a god - changed Al Kooper’s life, and Rock ‘n’ Roll History without even intending to. Naturally, Al Kooper is an INCREDIBLE story teller.
Thank you Boko... Glad you enjoyed it... my thing is to get them to tell a story their sick of telling one more time hopefully getting something never heard and then keep my mouth shut unless they get off track. Let them complete their thoughts. I know nobody wants to hear me talk and frankly I hate my voice and am truly interested in what my guest are saying. Thanks again for your kind words and supporting our channel... Best... Joe
I LOVE THIS STORY!!!! He was at the right place, at the right time, he believed in himself, he had one opportunity, he took full advantage of it, and he changed his life. Wow! This reminds me of my own personal memory about that album. I had a buddy, Mike Digini, in the old neighborhood who often needed a loan of a few bucks. A few bucks in those days was like twenty or thirty now. Anyway, he "sold" me his Highway 51 album for a few bucks with the idea that he could buy it back from me whenever he wanted. We had done that many times before. Most of the time I didn't even play the albums he sold me. I would just wait for him to buy them back whenever he could. Anyway, I listened to this one and was blown away! When he wanted to buy it back I said no way! I couldn't stop listening to it. I didn't have any idea who Bob Dylan was - I didn't even know how to pronounce his name- but I knew a classic when I heard one.
Don't let al kid ya,he knew his shit even back then. Great ear, improv skills, master in the studio who worked with everyone who was someone from Lennon to Skynyrd. Al was a humble genius.
I lived in a LA when “Like a Rollin Stone” was number one on local radio. KHJ and KMET played this longest hit song ever over and over. The organ were the song’s signature sound. What a great story.👏
i could listen to these ol' warriors all night long..matter of fact..everybody should listen to these folks..they knew music..real music...thx for the video..
If you listen to the recording, you'll hear the organ coming in an 8th note late on each chord change because Al Kooper wasn't sure of what he was doing -- and it's perfect. How hilarious. . . . But that's part of the genius of Bob Dylan. He recognized that organ sound was important and turned it up.
That riff is so signature but only a guy with low skills would have played it! I actually heard this story from Al Kooper one night years ago when I did sound for him. He has so many great stories...
This comment make me think of Cobain. He did a few lessons but the guy who was teaching him says that he didn't take that in he just did his own thing and it worked wonderfully. As we know his guitar was basic but it was his own style and sound. He thinks if he had learned more before he started writing and recording he probably would have never created the music he did.
OMG That is truly amazing! I've always loved Al Kooper. One of my favorite albums of all time is Child is Father to the Man. Although Blood Sweat & Tears was made up of many talented musicians, Al's work really stood out to me. Thanks for posting this interview!
Thank god al got to play oregon that day Have no idea how it would have changed my life after listening to supersessions as a young kid as many times that I did and still do
Love that story, never get tired of listening to it -- Dylan knew what he wanted his art to sound like and, as most artists and filmmakers know well, 'accidents' can be the best parts.
i was in an apartment in NYC in 1965 with someone closely affiliated when i was asked if i wanted to hear Bobby's new tune. I said, "yes." the tune was Like a Rolling Stone. it had only just been released. my host played it all night long on a turntable over and over and over. i thought it was the best year of my life.
Ok busdy
I can see that.
“I don’t care what he is - make the organ louder.” 🤘
The guitar player that he said was so much better than he, was Mike Bloomfield. I love this story. He took the bull by the horns and changed the trajectory of his career. The organ helps make the song great.
I've always felt the organ made the song. It's all I ever heard.
I agree !
It's very good. The more you know.
This has got to be one of the of the most inspiring and heartwarming stories ever, whether you are a musician or not.
Great story… that guitar player that humbled Al was Mike Bloomfield. That meeting led to a lifelong friendship between Al and Mike which lasted until Mike’s unfortunate passing, and resulted in several records featuring Al and Mike, starting off with the 1969 “Super Session”.
Thanks for sharing Bill…. joe
Great story on top of a great story. So much came out of that chance encounter.
I have the C D with Stephen Stills. And Fillmore East with Johnny Winters
"My organ style was based on ignorance" wow, what a great, unbelievable story getting himself on that session. The only other organ player who sounded as good playing that song was Garth Hudson in my opinion.
"Chest Fever" my all time favorite Band song .....
WOW, what a story. I've heard that "rumor" since the 60's or as I have several friends that are studio musicians. But to hear it from the guy, amazing.
oink ooink gy
Bob is the coolest and the upmost!!!!
You all should read Al's book, Backstage Passes and Back Stabbing Bastards. The first chapter he
starts by saying something like, "OK, I'm gonna start with a story that's been told by a lot of people
but I'm the one who was there and I'm telling you the way it really happened." Al Kooper has always
been one of my very favorite musicians. The book is a great read for anyone interested in true tales
of a rock and roll wanderer and visionary.
I will look for that, thanks.
LMHO
I bought Backstage Passes in 1979 and read about that recording session. His book was full of great stories, especially the great New York City power blackout of 1965.
I always loved that organ in Like a Rolling Stone! I still love it!
Lantanana I agree, and I feel the same way about Charlie McCoy’s guitar on Desolation Row!
I went back and listed to Like a Rolling Stone for the 2000th time and just listed to the organ. He does come in a beat late. Without the organ it would have been a different song.
This story literally blew my mind. This guy is some kind of pure genius to come up with one of the most incredible organ parts in history.
"It's easier to ask forgiveness than it is to get permission."
Rear Admiral Grace Murray Hopper
:-)
Imagine that's your first real organ part on a record.
Thats like if jon lord bugged a producer to get in on a deep purple session and his first time on the b3 was smoke on the water
The most important organ part in rock history! Without that organ, there would be no fold-rock. I guess he also played on Sad-Eyed Lady of the Lowlands, Visions of Johanna, etc....
Imagine that's your first real organ part, PERIOD, and in two weeks, you're hanging with Bob in the Village in the 60's, and famous for being and organ player.
Recorded 15 years ago, when he was 64-now 79 in 2023. Born: 1944 (age 79 years).
Thanks, Al for all the great music. Michael Sherrer aka Riff Digger.
He’s a fantastic story teller!
I have Watch The story being told on know direction home The story being told on know direction home many Times and it's 1 of my favorite stories. This 1 is very close But more Detailed. Love this 1 too I'll be watching it many times. There's so many good Dylan songs it's hard to have a favorite But mine is like a rolling stone
Thanks for watching Cynthia….Joe
Same here.
Hard to pick a Bob Dylan favorite but Like a Rolling Stone is probably #1 for me too.
Love how Al Kooper tells the story.
This guy is cool. Just look at him he's the truth. We all need a chance.
Kooper's organ in the intro is a key part of this great song.
Al is acredited to having been the organist on Positively 4th Street, Just Like a Woman and I Want You. To me, that organ sound, as a 10 year old kid in a car headed to church on a Sunday morning, was somehow unique among the Stones, Beatles, Supremes ect....of that era.
Didn't he also play the opening organ on "Freebird", just before the piano kicks in, when he was producing Lynyrd Skynyrd? That sounded very "churchy", too!
@@impalaman9707 I can't find that but maybe?
I just checked Wikipedia to be sure. He did play the organ on "Freebird"!
I was very fortunate to have heard this story told to me, directly by Al himself. See, 15 years ago Al formed a band of all Berklee professors in Boston called “The Funky Faculty.” My close friend Tom, bassist in that band had me tag along to gigs and such for the better part of two years. I’d take photos with my Nikon F100 and share the pics with Al and other members after development. Well lucky me.... Al used one of my photos for the inner sleeve of his Black Coffee CD. Was an exciting time....getting to hang out and talk to a session legend. I’m forever grateful.
Awesome story and memories.
Awesome story!
...one time Tom and I went over to Al’s home, in Somerville, Massachusetts. Al led us downstairs to his studio and while kind of nosing around, we noticed a closet with its doors ajar. On the shelving were tapes. Labeled master tapes. The Sweet Home Alabama and Freebird masters! My heart definitely skipped a beat upon seeing these right before my eyes. Tom and I were like two little kids, snooping around the Christmas presents, giggling like a couple fifth graders....! Man we had so much fun.
This story is Golden ! It's such a perfect example of the recording processes during those incredible days when everything was based on actual Talent, there was no pitch correction and no one would even consider the idea of a time grid.. At that time everything was New and exciting.. The music industry in the 21st century has lost the Human Element that made all of those records so Powerful and memorable.. What a great time for music ! Thank you so much for sharing this great story.. Lary
Luck is preparedness meeting opportunity. What a great story!
Good luck is also the absence of bad luck. We wouldn't be hearing this story if he'd had some bad potato salad the night before and spent the day in the bathroom, rather than a recording studio.
This is such a great story, technique isn’t always the most important thing.. soul is what matters
Thanks DF.....Joe
good ol' Al Kooper. one of the coolest guys, ever, and probably the closest thing there is in rock music to Forrest Gump- being at the right place at the right time. read his book. this one story only scratches the surface!
He obviously had more talent than he thought. He's not fooling me one bit. Great story anyhow.
What an incredible opportunity, Al comes across as such a humble man but he is super talented, wonderful story!
The lesson for any wannabe musician is: The best music you will ever play will be the stuff that comes from deep inside you-beyond technique.
I agree with that, my husband Len played bass on the Peter Green Katmandu album which was mostly jammed and on the 'Who's that knockin' track he said that was the best he ever played as It was recorded on a first meet of Peter and Vincent Crane .
that organ part is my fu@kig favorite too...it always stood out melodically counterpoint
my fav song too w/all along the watch tower
Here is the perfect SERENDIPITOUS MOMENT FULLY ILLUSTRATED. Rock on Al.
I don’t care what he is make the organ louder - what a great quote that is
Hearing this song as a young child , It was always the organ that grabbed me . Well done Mr Kooper on a happy accident that turned out amazing !
I think this is my favorite "behind the scenes" story I have ever heard. Life is sometimes opportunity and sheer luck colliding like two meteors.
Saw Al Kooper in 1968 at Hobart College, Geneva NY. I was 18 . Will always remember their concert.
My God what a great story from a great storyteller. One thing that comes across as well as this Al Kooper is an extremely likeable guy and someone you'd like to spend the day with.
Thanks for watching your Kane….. Joe C.
I watched 20 x , Al is a Mack !!! Love his drive 🇺🇸⚓️ hip
Even better was his organ playing on "Postiively 4th Street"! I find myself whistling that organ phrase all the time!! Very tuneful and melodic!!
Wilson didn't say that Kooper couldn't play organ; he just told him he was a guitar player. It is important to pay attention to what people are NOT saying, isn't it?
And didn't Kooper clearly make that exact point? It's equally as important to listen to what people ARE saying, isn't it?
Hey , well Kooper had played the organ before...just not at a recording session. He is a Natural musician that is for sure...with a good voice. A real Sixties character.
Great Job Al,you had balls!
I love you Al Kooper !! And your polka dot shirt - and your guts and your organ playing !!! I have read your book several times. Love it.
Thanks for watching Jane…….Joe
Could listen to Al Kooper tell stories from the 60´s and 70´s all day long..
He came up with the most recognizable lick of the song, responding to every "how does it feel" with the organ.
Ended up playing Hammond, as I recall ... licks that made the song, and he wasn't even a keyboard guy. This is a great story. I loved this song DEARLY, first time I ever heard it. Yeh, Al ... I been a guitar player for 58 years, played out weekends for 35 years. Now I'm 72 years old and just as always ... ZERO per cent talent and NO per cent ambition anymore! I'm just happy on those days that I can breathe and, maybe walk without so much pain!
how can you not love Al Kooper
No Guts No Glory! Thanks Al love everything you've done and do.
Greatest Motivational Story Ever.
Amazing how music history takes place, unplanned by chance, the right musician doing something right and a “masterpiece” created. I have listened to LARS thousands of times and never tire of it.
That's the Day I became " An Organ Player "
What a Magical Story!
That cut was THE song heard EVERYWHERE at Newport, '65 (Dylan "goes electric"). You could NOT escape hearing it! Amazing! All capped by Dylan's performance Sunday night.
Al Kooper could listen to him tell his rock stories all day. Damn Al that was a totally ballzy thing to do no one else can say that talk about right place right time.
Al's a low key guy and been a real pro since he was 14 years old . Amazing ... Hope he has pictures of Dylan and Hendrix .
Al Kooper could have made a great lawyer if he wasn’t in the music biz. He has a nice way of interpreting reality as he thinks it needs to be.
What a great fucking story. God bless you Al Kooper.
What a great story!
People ....Listen to Al Kooper And The Kooperators.... Al's song writing and playing is top notch.
LUV LUV t Organ sound on Like a Rolling Stone AND Positively 4th Street-- SO Hugely Impactful for t entire song. A-mazing Great Story & testimony. WOW. Thanx God!
What a great story.... Sometimes, you just never really know, where the road have taken will lead you.
Thanks for watching D...... Joe
One of the better musician interviews. Great to hear the unlikely story of the song we were all listening to back then.
Damn good story! Thanks to all involved!
I love that story and never tire of hearing Al tell it.
To this day since first release this is my all time favourite track for so many reasons including that organ part.
What a great story!!!
You are a thousand times talent Al Kopper.....thanks for blowing my mind.....over and over again.....
Highway 61 Revisited is an iconic album, for sure. So good! Cheers!
I went back to listen to the song as soon as I finished watching the video. It’s incredible that you can hear exactly what Kooper is talking about: his playing is straight ahead with the chord changes, his approach allows him to avoid playing “on top of” the other musicians and you can actually hear him “hang back” a split second before playing on some of his phrases. Also his playing is similar to Bobs harmonica lines so they end up complementing each other. What a great story for a great song.
and then a dozen other albums copied them .. and he and Dylan laughed over it .
I liked the song Positively 4th Street too.
What a great story. Makes ya smile. At 21, Al was 90% ambition and 10% talent. "Now I'm 90% talent and 10% ambition."
That was a great interview!
Thanks...
Never get tired of this story. Good old Tom Wilson you better thank him for the recording😎👍
Joe, I watched this interview again last night. I have seen it 3 or 4 times already. Having interviewed many well-known rockers (e.g. Pat Vegas) for the Redbone memoirs (“My Search for ‘Niki Hoeky’: Granddaddy of Swamp Rock,” “Come and Get Your Love,” “King Kong Pete”), this is one of THE BEST INTERVIEWS I’ve ever heard, period. This is like “time capsule,” send on a “rocket ship to the stars” caliber interview. I think it’s a combo of your down home southern gentleman interview technique and the pure deus ex machina moment in the story where Tom Wilson literally - like a god - changed Al Kooper’s life, and Rock ‘n’ Roll History without even intending to. Naturally, Al Kooper is an INCREDIBLE story teller.
Thank you Boko... Glad you enjoyed it... my thing is to get them
to tell a story their sick of telling one more time hopefully getting something never heard and then keep my mouth shut unless they get off track. Let them complete their thoughts. I know nobody wants to hear me talk and frankly I hate my voice and am truly interested in what my guest are saying. Thanks again for your kind words and supporting our channel... Best... Joe
Joe, that’s an interesting interview technique. You taught me a unique skill that I never would have though of. Thanks!
Wow...such a great, great story told by the man himself. I've read interviews of his experience, but to hear him tell it live, is wonderful. Thanks~!
Thanks again Spyder...Joe
Man, Al Kooper is about as cool as it gets.
What a great interview! Al Kooper is just awesome, what a great story teller, great insights!
I LOVE THIS STORY!!!! He was at the right place, at the right time, he believed in himself, he had one opportunity, he took full advantage of it, and he changed his life. Wow! This reminds me of my own personal memory about that album. I had a buddy, Mike Digini, in the old neighborhood who often needed a loan of a few bucks. A few bucks in those days was like twenty or thirty now. Anyway, he "sold" me his Highway 51 album for a few bucks with the idea that he could buy it back from me whenever he wanted. We had done that many times before. Most of the time I didn't even play the albums he sold me. I would just wait for him to buy them back whenever he could. Anyway, I listened to this one and was blown away! When he wanted to buy it back I said no way! I couldn't stop listening to it. I didn't have any idea who Bob Dylan was - I didn't even know how to pronounce his name- but I knew a classic when I heard one.
Hi Miracle.... great story... thanks for sharing... Joe
Great story. I saw Al with Super Session at the Filmore East back in the day. Thank you for airing this.
What an AWESOME storyteller.. odvoious he was there.. bless him.
Thanks for watching Colin... joe
Don't let al kid ya,he knew his shit even back then. Great ear, improv skills, master in the studio who worked with everyone who was someone from Lennon to Skynyrd. Al was a humble genius.
Great story!!
So glad this story was told with sincerity by Al. He is a great guy and excellent musician.
I lived in a LA when “Like a Rollin Stone” was number one on local radio. KHJ and KMET played this longest hit song ever over and over. The organ were the song’s signature sound. What a great story.👏
i could listen to these ol' warriors all night long..matter of fact..everybody should listen to these folks..they knew music..real music...thx for the video..
This has to be one of the all time best musician stories ever LOL LOL
Incredible story. Ambition can't be taught or learned, thass what I learned from this.
What a fascinating story. Al plays on one of my favorite Butterfield albums (In My Own Dream) His blues solos are so good.
Wonderful listening to this man. And then there was Super Session!! Talk about a masterful recording!!
so cool....only Al Kooper could pull that off!!
What an incredible story! Thanks for sharing. And by the way that’s the Hammond way to be played.
This is out of a movie...what a story
One of the best rock n' roll stories...
If you listen to the recording, you'll hear the organ coming in an 8th note late on each chord change because Al Kooper wasn't sure of what he was doing -- and it's perfect. How hilarious. . . . But that's part of the genius of Bob Dylan. He recognized that organ sound was important and turned it up.
That riff is so signature but only a guy with low skills would have played it! I actually heard this story from Al Kooper one night years ago when I did sound for him. He has so many great stories...
This comment make me think of Cobain. He did a few lessons but the guy who was teaching him says that he didn't take that in he just did his own thing and it worked wonderfully. As we know his guitar was basic but it was his own style and sound. He thinks if he had learned more before he started writing and recording he probably would have never created the music he did.
Great story. Love Al Kooper, one of my all-time musical heroes -- BST, Super Session and beyond.
OMG That is truly amazing! I've always loved Al Kooper. One of my favorite albums of all time is Child is Father to the Man. Although Blood Sweat & Tears was made up of many talented musicians, Al's work really stood out to me. Thanks for posting this interview!
Fantastic interview...what a guy!
awesome interviews and great stories from great musicians and great people! thx much!
Thanks Joe..... Joe
Thank god al got to play oregon that day
Have no idea how it would have changed my life after listening to supersessions as a young kid as many times that I did and still do
Love that story, never get tired of listening to it -- Dylan knew what he wanted his art to sound like and, as most artists and filmmakers know well, 'accidents' can be the best parts.
What a story ... thanks Al.
Thanks so much for this fantastic piece of music history Joe!
Thanks for watching xs… Joe
Great to hear it from his own mouth, after hearing so many second hand references to this story. Brilliant!
Fantastic