Keep doing what you are doing man!! I am back from a long hiatus in producing. Your video's are really helping me getting back on track again and keep things flowing. Thank you so much!
Whenever I watch tutorials I lowkey always turn it off because I don’t like what the track they are making sounds like. Top tier knowledge and a track that actually sounds like what I want to make, my deepest gratitude because I’m struggling with all the things you tend to cover 😂. Appreciate you, about to buy some presets and support the work 🫡
I created the exact same tool as a sidechain few days ago, only improvement I did is to make the number of cells higher so you have more control over the shape
Nice new style of video! Man if you ever do a hard industrial like modern hard industrial tutorial i would be so thankful haha i am struggeling soooo badly with the high end rumble thingy. Like Gostwork or Raxeller
Mais on voit qu'avec beaucoup de predelay ça vient interférer avec la reprise du kick. Ici tu appliques un sidechain, mais vraiment suffisant pour éviter les problèmes de phase etc ? Ou peut être même mieux de découper le sample entmregistre et le nettoyé correctement avec des fondus ?
pour ce qui ai de la phase, je pense que les gens se prenne trop la tete avec sa, en principe quand tu as un probleme de phase tu l'entends direct , encore plus dans les bas ou tu perds toute tes basse, toute ton energy... apres c'est sur que d'enregistrer ton rumble et le decouper et positionez bien par rapport au kick et tout ca tu auras un son peut etre plus propre et encore, c'est pas encore sur, mais dans ce cas la pourquoi ne pass utiliser une basse, genre un son basse de synthe, qui sera plus propre ? j'aime le rumble pour ce cote chaotic/brouillon, si je veux un rumble propre, je vais utiliser une basse avec un peu de delay et reverb peut etre et j'aurai un rumble propre... il n'y a pas de methode ultime, ca depend de ce que tu veux, faut experimenter et voire ce qui marche le mieux pour toi et te correspond le mieux... honnetement la methode de printer ton rumble je ne l'ai jamis vmt fait pour deux raison: de une je bosse principalement en session viewet du coup faire ca en session view c'est pas terrible, et faire ca en arrangement ca casse mon workflow. deuxiemement je n'ai jamais vraiment ete impressione par les resultat de cette methode quand je vois les autres la faire...faudrait que je re-essais par mois meme
@audioreakt merci pour ta réponse plus que complète. En effet, c'est un ami ingénieur du son qui m'a mis ça en tête, mais au final ça prend un temps fous. Et c'est vrai que se rajouter toute ces contraintes techniques font qu'on est plus motivé à faire du son. Donc merci pour ta réponse, ça confirme ce que je pensais
Young producers will disagree with me, but my take is that the real "rumble" is the sound of a snappy clean 909 ringing out in a cavernous club or warehouse from a massive Funktion 1 stack. In my experience, if I've made a nice boomy/rumbly kick on my Rytm that sounds nice in my headphones or studio, and have then gone out soundcheck for a live set, I've *always* had to dial down the decay to make it sound good in a club on a big sound system. The truth is that "rumbly" tracks don't bang as hard as clean tracks when played out. Just listen to how it was done in the 90s and early 2000s. That was perfect. The "rumble" is just a way to make a track sound cool at home. When I was nervously getting ready to play at Berghain the first time in 2014, I asked DVS1 for advice (over Facebook lol), and he said "Don't think that you have to play only big sounding tracks there, because even small tracks sound massive there", and it was very true. Techno is music for clubs, so mix for clubs. The cleaner the movement is of the bass elements of a sound system, the more air it can push into the bodies on the dancefloor and the more "body feel" you get as a result. Check how Robert Hood uses a snappy kick with a fundamental around 40-45 Hz. As the energy of that kick travels through space in a big club, that's the "rumble". If you add rumble in the track before it goes into a club, you get double rumble, and thus muddiness and lacking body feel. A counter-example might be how somebody like Quelza makes techno that sounds amazing on headphones but lacks punch when played out. My suspicion is we can think of the consequences of "the Berghain sound" (Berlin 2010-2015) as young producers going to the club (or a club like it) and then trying to recreate that sound/feeling in their studios. And thus the rumble was born. And while you can get "Berghain at home" with some rumble FX, once you play said tracks out, you get "double Berghain" and thus shoot yourself in the foot. Alternatively, use a "thin" kick more as a metronome, and let the sub content of your mix be a grooving bassline (like electro or more dub or UK flavoured techno). While _not_ having both a subby kick _and_ a subby bassline.
this is something that i have been wondering for a long time, and you kind of confirm my thought on it... about how it feel home compare to on a proper PA... I first realise d that with a house track or like minimal house from Luciano I think, that when you listen to on headphone or home, it feels like there is no bass on that track but then when you listen to that same track on a stack of f218, the bass is there and no doubt about it... I think there is a middle way to be find where you can add rumble but in a subtle way that can be hear on the headphone but not too loud on the sub. I have a sub coupled with my monitor on my studio and often rumble is either : good on headphone but too loud on the sub or good on the sub but barely hearable on headphones...Middle way way is hard to nail but doable, now like you said I would love to be able to have way to hear how it will sound on a pa system when making music... I actually been thinking more and more getting a small PA system in the studio to try to see if i can get the vibe but don't think it will work as the sub need room to breathe and really works properly... low is and always will be a big mystery as it depend of so many factor that can alter it : frequency of the the low end, movement of the lowend, speaker type, speaker size, room size, indoor/outdoor... it's crazy
@@audioreakt I tried to send this before but it seems the comment disappeared? Sorry if reposting: Mixing headphones are often very lacking in bass. After trying a lot of them I find Neumann NDH20 or Audeze LCD-X to be quite good. You get the "vibe" of the bass and sub on the cans. As for a PA at home, forget it, it will never come close to a massive club system in a cavernous space. There are two things to consider when mixing at home: Tonal balance and dynamic range. Best tools I've found are iZotope Tonal Balance and iZotope Insight. Lets you load in a folder of reference tracks, and it makes an "average" tonal balance curve of those, then use that as a guide on your master channel while mixing your track. I have different profiles for different types of tracks. One called "classy" which is more 90s/2000s stuff like Steve Stoll or Rob Hood, one called "beefy" with stuff like Truncate and Developer (who are very subby but bang!), and then one called "dubby" with stuff like Rhythm & Sound, which is made for a different kind of system (more Jamaican sound clash/outdoors with extra large subs). The next thing to get right is the dynamics of the kick. Imagine a sub speaker playing a single kick. Imagine the sound wave it shoots out. The motion from "pushing the most" to being back at "rest" should go from 0 to 100 and back between *each kick*. Otherwise you're just getting a continuous buzzing sub sound. A "bath" of sub is nice, but it doesn't have the "bounce" or the "punch" you need on a dance floor to get the right body feel to dance your ass off. The size of the club space you're playing in also determines the "maximum optimal tempo" of the music you can play. A Berghain resident I know told me that above 138BPM you lose the groovy bouncy dancy feeling and it becomes more mushy, literally because of how long it takes for the sound to travel through the space and bounce off the back wall. Sound techs at the club confirmed the same suspicion. So only way is to get deep analysis tools for tonal/frequency balance, and for dynamics, , and then look at tracks you know bang in the club and compare to your own. Lots of A/B-ing, taking notes, and thinking about it logically.
Le titre me fait dire que tu n’es finalement pas si décidé que ça sur le futur de la chaîne ? Pourquoi ne pas lui préférer un simple « a video about the use of predelay wich is crucial for techno low-end, usually rumble, Even if a lot of producers sometimes just use a Bass but it’s only a matter of taste, vous avez vu la dernière vidéo de squeezie???»
il faut jouer le jeu de temps en temps, cette chaine est une mine d'or concernant les informations où les différents rack qu'Audioreakt propose avec toujours des explications bien détaillés. Tu t'imagines te donner autant d'effort à faire des vidéos, stream pouvant durer des heures sans presque jamais rien gagner pendant des années ? Faut arrêter de chercher la petite bête avec ce genre de commentaire inutile
@@ukiyo79041) je fais référence à sa dernière vidéo 2) je ne cherche pas la petite bête c’est un vrai sujet pour la majorité de yt aujourd’hui 3) je dois être dans ses 500 premiers abonnés de mémoire, je suis toujours là, je n’ai pas besoin que tu m’expliques la valeur de cette chaîne 4) le second degré n’est pas qu’une température mon pote, relis plusieurs fois mon commentaire stp
En pleine phase d’expérimentation haha… En vrai l’idée c’est de relancer la machine un peu, un peu comme quand tu n’as démarré ta voiture pdt un mois… Mais honnêtement déjà que je ne met pas ma tête sur les vignettes, si en plus je ne joue pas le jeu … la c’est un peu abusé mais rien que tu vois le mot predelay dans un titre tu n’as plus envie de clicker, même si il y a squizzie à côté mdr
That title 🔥🔥🔥 Nice video! Like the short format 💪
haha a bit more clickbaity than usual, they won't be all that much but will play the game from time to time...
I had no idea about the predelay settings! Good video. Keep the good work :)
Thanks, will do!
Keep doing what you are doing man!! I am back from a long hiatus in producing. Your video's are really helping me getting back on track again and keep things flowing. Thank you so much!
Thanks! Will do!
Whenever I watch tutorials I lowkey always turn it off because I don’t like what the track they are making sounds like. Top tier knowledge and a track that actually sounds like what I want to make, my deepest gratitude because I’m struggling with all the things you tend to cover 😂.
Appreciate you, about to buy some presets and support the work 🫡
thanks mate I really appreciate it !
Interesting and I like this plugin BPM converter .
so cool, I used to go to a website all the time to do the conversion this is so handy..
love the new format of your videos! very clean and clear like this. thank you for the upload :)
Glad you enjoy it!cheers
Damn, this actually makes so much sense. thank you for sharing!:)))
You’re welcome !
The era of short term content haha, nice video mate
hahah maybe, no actually next week video is 10min+, will just do both haha
I created the exact same tool as a sidechain few days ago, only improvement I did is to make the number of cells higher so you have more control over the shape
Yeah that’s a good idea for more control indeed
Awesome like always dear Paul ! Kind Regards to
Many thanks!!
The King! ❤
Haha you’re crazy guys
Nice new style of video! Man if you ever do a hard industrial like modern hard industrial tutorial i would be so thankful haha i am struggeling soooo badly with the high end rumble thingy. Like Gostwork or Raxeller
Thanks, next Wednesday is an industrial techno video
@@audioreaktNo Wayyy!!! Thanks
Great video ! Amazing trick, Paul you rocks !!!
Thanks so much!
Great tip right there. Very overlooked knob pre delay indeed 😅
Nice t shirt by the way.
Cheers mate !
One more to check and test.. NICE!!
Thanks again!
Great and straight to the point
thanks !
Thank you for this great video, love it! :)
Glad you enjoyed it!cheers
The best as always! I wish your channel grow x100💪😎
Thanks 🙏
Awesome video!! Love that style
thanks a lot
Awesome! Nice format!
Thank you!
Awesome stuff!
Glad you think so haha ! cheers
Great tips !
I never used the predelay
I am going to try now
cool new format
glad you liked it and yeah def something too play with
This is one of those magic little tips. Works on all rhythmic elements too, not just kicks.
Oh yes, this for any offbeat groove, on hats it works like a treat
Nice tip, mate!
Glad you liked it!
Nice video! Can You please tell us what the devices are in front of You?
from front to back : microfreak and torso t-1, ableton push 3, selektron syntakt, then UDO super 6
@@audioreakt Thank You! Much appreciated!
Thank you! This is very much appreciated.
Do you plan on releasing new music?
yes I actually plenty of idea on the go and will be releasing them soon, probably on my own label that yet need to be created haha
yes, I gam gonna probably release on my own label that yet need to be created haha
@@audioreaktThat is amazing to hear!!! I am the biggest fan of your music. I hope to release music on your future label. Have a good week.
love these videos
thanks !
thanks !
This are the kind of vids that make your channel great 🎉
Glad you think so!cheers
Amazing as usual
Thank you so much 😀
Great vid !!!
Thanks a lot!
Mais on voit qu'avec beaucoup de predelay ça vient interférer avec la reprise du kick. Ici tu appliques un sidechain, mais vraiment suffisant pour éviter les problèmes de phase etc ?
Ou peut être même mieux de découper le sample entmregistre et le nettoyé correctement avec des fondus ?
pour ce qui ai de la phase, je pense que les gens se prenne trop la tete avec sa, en principe quand tu as un probleme de phase tu l'entends direct , encore plus dans les bas ou tu perds toute tes basse, toute ton energy...
apres c'est sur que d'enregistrer ton rumble et le decouper et positionez bien par rapport au kick et tout ca tu auras un son peut etre plus propre et encore, c'est pas encore sur, mais dans ce cas la pourquoi ne pass utiliser une basse, genre un son basse de synthe, qui sera plus propre ? j'aime le rumble pour ce cote chaotic/brouillon, si je veux un rumble propre, je vais utiliser une basse avec un peu de delay et reverb peut etre et j'aurai un rumble propre...
il n'y a pas de methode ultime, ca depend de ce que tu veux, faut experimenter et voire ce qui marche le mieux pour toi et te correspond le mieux...
honnetement la methode de printer ton rumble je ne l'ai jamis vmt fait pour deux raison: de une je bosse principalement en session viewet du coup faire ca en session view c'est pas terrible, et faire ca en arrangement ca casse mon workflow. deuxiemement je n'ai jamais vraiment ete impressione par les resultat de cette methode quand je vois les autres la faire...faudrait que je re-essais par mois meme
@audioreakt merci pour ta réponse plus que complète. En effet, c'est un ami ingénieur du son qui m'a mis ça en tête, mais au final ça prend un temps fous. Et c'est vrai que se rajouter toute ces contraintes techniques font qu'on est plus motivé à faire du son.
Donc merci pour ta réponse, ça confirme ce que je pensais
Young producers will disagree with me, but my take is that the real "rumble" is the sound of a snappy clean 909 ringing out in a cavernous club or warehouse from a massive Funktion 1 stack. In my experience, if I've made a nice boomy/rumbly kick on my Rytm that sounds nice in my headphones or studio, and have then gone out soundcheck for a live set, I've *always* had to dial down the decay to make it sound good in a club on a big sound system. The truth is that "rumbly" tracks don't bang as hard as clean tracks when played out.
Just listen to how it was done in the 90s and early 2000s. That was perfect. The "rumble" is just a way to make a track sound cool at home. When I was nervously getting ready to play at Berghain the first time in 2014, I asked DVS1 for advice (over Facebook lol), and he said "Don't think that you have to play only big sounding tracks there, because even small tracks sound massive there", and it was very true. Techno is music for clubs, so mix for clubs.
The cleaner the movement is of the bass elements of a sound system, the more air it can push into the bodies on the dancefloor and the more "body feel" you get as a result. Check how Robert Hood uses a snappy kick with a fundamental around 40-45 Hz. As the energy of that kick travels through space in a big club, that's the "rumble". If you add rumble in the track before it goes into a club, you get double rumble, and thus muddiness and lacking body feel.
A counter-example might be how somebody like Quelza makes techno that sounds amazing on headphones but lacks punch when played out. My suspicion is we can think of the consequences of "the Berghain sound" (Berlin 2010-2015) as young producers going to the club (or a club like it) and then trying to recreate that sound/feeling in their studios. And thus the rumble was born. And while you can get "Berghain at home" with some rumble FX, once you play said tracks out, you get "double Berghain" and thus shoot yourself in the foot.
Alternatively, use a "thin" kick more as a metronome, and let the sub content of your mix be a grooving bassline (like electro or more dub or UK flavoured techno). While _not_ having both a subby kick _and_ a subby bassline.
I have never heard a “clean 909” create any “rumble”
@@kizzpizz_skate1856 Perhaps you've never been to a club with a maximalist Funktion 1 system
this is something that i have been wondering for a long time, and you kind of confirm my thought on it... about how it feel home compare to on a proper PA... I first realise d that with a house track or like minimal house from Luciano I think, that when you listen to on headphone or home, it feels like there is no bass on that track but then when you listen to that same track on a stack of f218, the bass is there and no doubt about it...
I think there is a middle way to be find where you can add rumble but in a subtle way that can be hear on the headphone but not too loud on the sub. I have a sub coupled with my monitor on my studio and often rumble is either : good on headphone but too loud on the sub or good on the sub but barely hearable on headphones...Middle way way is hard to nail but doable, now like you said I would love to be able to have way to hear how it will sound on a pa system when making music... I actually been thinking more and more getting a small PA system in the studio to try to see if i can get the vibe but don't think it will work as the sub need room to breathe and really works properly...
low is and always will be a big mystery as it depend of so many factor that can alter it : frequency of the the low end, movement of the lowend, speaker type, speaker size, room size, indoor/outdoor... it's crazy
@@audioreakt I tried to send this before but it seems the comment disappeared? Sorry if reposting: Mixing headphones are often very lacking in bass. After trying a lot of them I find Neumann NDH20 or Audeze LCD-X to be quite good. You get the "vibe" of the bass and sub on the cans. As for a PA at home, forget it, it will never come close to a massive club system in a cavernous space.
There are two things to consider when mixing at home: Tonal balance and dynamic range. Best tools I've found are iZotope Tonal Balance and iZotope Insight. Lets you load in a folder of reference tracks, and it makes an "average" tonal balance curve of those, then use that as a guide on your master channel while mixing your track. I have different profiles for different types of tracks. One called "classy" which is more 90s/2000s stuff like Steve Stoll or Rob Hood, one called "beefy" with stuff like Truncate and Developer (who are very subby but bang!), and then one called "dubby" with stuff like Rhythm & Sound, which is made for a different kind of system (more Jamaican sound clash/outdoors with extra large subs).
The next thing to get right is the dynamics of the kick. Imagine a sub speaker playing a single kick. Imagine the sound wave it shoots out. The motion from "pushing the most" to being back at "rest" should go from 0 to 100 and back between *each kick*. Otherwise you're just getting a continuous buzzing sub sound. A "bath" of sub is nice, but it doesn't have the "bounce" or the "punch" you need on a dance floor to get the right body feel to dance your ass off. The size of the club space you're playing in also determines the "maximum optimal tempo" of the music you can play. A Berghain resident I know told me that above 138BPM you lose the groovy bouncy dancy feeling and it becomes more mushy, literally because of how long it takes for the sound to travel through the space and bounce off the back wall. Sound techs at the club confirmed the same suspicion.
So only way is to get deep analysis tools for tonal/frequency balance, and for dynamics, , and then look at tracks you know bang in the club and compare to your own. Lots of A/B-ing, taking notes, and thinking about it logically.
@@kizzpizz_skate1856 Then perhaps you've not been in the kind of club I'm talking about.
great ,good job
Thanks you
The King is back. Long live the King ❤
Haha not much but thanks anyway
Au top ce montage 👌
merci 🙏
Goes straight into bookmarks.
Happy to hear that haha
Not seen anyone talking about pre-delay ! ❤
Yeah I mean this my first rumble rack I talk about it but never emphasis much but is crucial for the groove actually
God level.
haha cheers !
Best 👌
Thanks 😊
nice one!
Thank you! Cheers!
The lord of techno
hahaha thanks mate I appreciate it
Rumbles that are that thing that I hate most in techno😅 i prefer short, hard knocking and punchy Kicks like in the modern Freeteknoscene
It’s tricky indeed
🔥🔥🔥
Thanks 🙏 🙏🙏
🙏🙏
🙏🙏🙏
🖤
🤟✌️
Cool nice trick
thanks a lot !
Cool
Thanks
Still the best tutorials on YT 🎉🎉🎉🎉
No I’m not a bot 🤖
Hahah cheers mate !
Wait this requires a DAW? 🤔🤔 nope. Thanks anyway
Nope, can do with any hardware reverb
666 followers.. nice ha
😈 Demon techno
Old
But gold 🤣🤣🤣
Rumble is so corny, so cookie cutter, so clichè. Get experimental, it's techno ffs.
Exactly so do what you want and do techno rumble if you want and experiment with rumble if you want …
Le titre me fait dire que tu n’es finalement pas si décidé que ça sur le futur de la chaîne ? Pourquoi ne pas lui préférer un simple « a video about the use of predelay wich is crucial for techno low-end, usually rumble, Even if a lot of producers sometimes just use a Bass but it’s only a matter of taste, vous avez vu la dernière vidéo de squeezie???»
il faut jouer le jeu de temps en temps, cette chaine est une mine d'or concernant les informations où les différents rack qu'Audioreakt propose avec toujours des explications bien détaillés. Tu t'imagines te donner autant d'effort à faire des vidéos, stream pouvant durer des heures sans presque jamais rien gagner pendant des années ? Faut arrêter de chercher la petite bête avec ce genre de commentaire inutile
@@ukiyo79041) je fais référence à sa dernière vidéo
2) je ne cherche pas la petite bête c’est un vrai sujet pour la majorité de yt aujourd’hui
3) je dois être dans ses 500 premiers abonnés de mémoire, je suis toujours là, je n’ai pas besoin que tu m’expliques la valeur de cette chaîne
4) le second degré n’est pas qu’une température mon pote, relis plusieurs fois mon commentaire stp
En pleine phase d’expérimentation haha… En vrai l’idée c’est de relancer la machine un peu, un peu comme quand tu n’as démarré ta voiture pdt un mois… Mais honnêtement déjà que je ne met pas ma tête sur les vignettes, si en plus je ne joue pas le jeu … la c’est un peu abusé mais rien que tu vois le mot predelay dans un titre tu n’as plus envie de clicker, même si il y a squizzie à côté mdr
🔥🔥🔥🔥
🙏🙏🙏