Et c’est pourtant si difficile de sortir du lot sur ce concerto tant joué et rejoué... bravo pour tant de sincérité monsieur Ruiz , ça fait un bien fou !
Nicola Domeniconi it is really wonderful isn’t it? I think this younger generation has huge talent compared to what we expected in the past. Another for instance is Mikyung Sung: m.th-cam.com/video/v90f3k55HEw/w-d-xo.html
You pulled me away from what I was working on to witness your performance. Well done. Exciting, captivating, and it sounds like you give a damn . . . which is of most importance to me.
the Cadenza was my favorite part. I am currently learning this song. Whenever i see you play, you have amazing phrasing and expression. I am heavily influenced by your playing Amazing performance!!!
es una version muy original ademas, con una musicalidad y expresividad fantastica, se nota un musico muy maduro, deja de lado lo pretencioso para ser honestamente musical, no lo crees Cesar??
Hasta el día de hoy mi interpretación favorita de este concierto era la de Rinat Ibragimov (en B menor). Mi nueva versión favorita es esta. Honesta y nada pretenciosa. Bravísimo. Estupenda además la primer violín, una dirección clarísima, daban ganas de tocar con ellos jajaja.
@@IrateGrooveEso siempre será cuestión de gustos, porque son diferentes versiones. A ninguno de los dos podría reprochársele ningún error, simplemente son diferentes versiones. En mi opinión, la versión de Edicson es la mejor interpretación del Bottesini, y he escuchado más de 25 versiones profesionales. Pero cualquiera puede tener una opinión diferente
Just starting to learn to play bass, and although I´ll never reach this level this is the most motivating thing I can imagine. Beside that there must be someone trolling around with 33 accounts. poor guy
Buenísimo el solista, interesante obra, es un solo de contrabajo con acompañamiento armónico, como los conciertos de piano de Chopin, no hay un trabajo contrapuntístico. Si bien es cierto no toda obra debe de tener voces contrapuntísticas pero si hacen mas rica la música, saludos
C- minor is original key. Is it possible tuning up half of pitch three solo strings? (Solo part is in a- minor .) Bottesini used this tuning, but his strings was not modern metal strings.
It is beautiful. Not only Edicson but the whole ensemble as well. What I don't understand, is a certain amount of unnecessary and- I dare to say- unmusical accents they do. Again, not just the soloist. I don't get it since it is absolutely clear that they all can play so well. Nevertheless, this "small" but serioulsy relevant issue take away some of the artistic meaning of the music itself.
I am sure all of the accents and sforzatos are written in the autograph score by Bottesini. Doesnt mean you have to do them all of course, but you cant blame the musicians for playing what is in the score.
Because when people see accents they assume that it means attack but don’t think in the context of the music, which is romantic, so a romantic accent would be more bow and a lot of vibrato, not an attack
Some wonderful musicais reduce the charm of their performance by playing and dancing simultaneously wich is very distracting, Music clearly expresses itself without the aid of accented body language. Also, double bass players shoul pay special attention to the body posture. The human body can easily be deformed. Special attention to modern Ergonomics is very important for any kind of musician; instructors should guide students more properly. -- A fine performance, Senõr Ruiz!
How you look while playing is half the performance, and although you can overdo the expression it’s still much better than someone who is expressionless.
Bravo Edicson! Full of freedom, expression and imagination! A Pleasure to hear it!
Damian Rubido Gonzalez zvczvczv. Z zucchini. Zzz zcz c.
@@alfonsodavidovits5358 the hell happened
Geniale Edicson Ruiz riesce a suonare il contrabbasso con fluidità unica.... Bravissimo!!!
Et c’est pourtant si difficile de sortir du lot sur ce concerto tant joué et rejoué... bravo pour tant de sincérité monsieur Ruiz , ça fait un bien fou !
This is the best Bottesini concerto I've ever listened!!Edicson this is a very high level....played beatifully! veramente Bravo! big hug from Italy
Nicola Domeniconi it is really wonderful isn’t it? I think this younger generation has huge talent compared to what we expected in the past. Another for instance is Mikyung Sung: m.th-cam.com/video/v90f3k55HEw/w-d-xo.html
One of the top performances of this piece I've watched. Everyone did great!
Quanto sensibilità interpretativa .....Sublime esecuzione.....GRANDISSIMO Edicson Ruiz!!!!!
Ce chant de la contrebasse est d'une expressivité bouleversante. Mille mercis...
Wow! The first movement is hauntingly beautiful in a slower tempo.
His chiropractor must be really happy
Wonderful performance, and I love the chamber ensemble with this. Very nice!
I am really impressed with the music and your playing,Mr. Ruiz...fantastic sound..congratulations....
Hermosa versión,tuve la fortuna de conocer a Edicson,un Músico fuera de serie,y una persona excepcional.!
BEST VERSION OF THIS CONCERT
Wow, impresionado, ojala algun dia pueda tocar como tu, gracias por dejarnos a los venezolanos en alto siempre, muchisimas gracias
Pasaron 7 años. Ya tocas como el ? 🙏🙏 espero que si
one of the greats!
You pulled me away from what I was working on to witness your performance. Well done. Exciting, captivating, and it sounds like you give a damn . . . which is of most importance to me.
You are one in a 7 billion. Congrats!
Bravo Maestro. Soy un gran admirador suyo desde Puerto Rico.
the Cadenza was my favorite part. I am currently learning this song. Whenever i see you play, you have amazing phrasing and expression. I am heavily influenced by your playing Amazing performance!!!
rip spine
Most Beautiful. Thank you.
my back hurts watching this video. Great music by the way;)
Beautiful, original expression , i love it.
Your sound is so lush!
Simplemente genial! un placer escuchar y ver tambien
es una version muy original ademas, con una musicalidad y expresividad fantastica, se nota un musico muy maduro, deja de lado lo pretencioso para ser honestamente musical, no lo crees Cesar??
@@hectoraugustodiazneira1525 Maestro! totalmente! acertado como siempre profe, de vez en cuando vengo a escuchar esta Master Piece
Perfecto!! Un saludo desde Córdoba, España
bravo' bravo' archibravo¡ FELICITACIONES TODOS' y gracias x la musica¡
you sound great bro, loving this!
Bravo maestro, me ha encantado!!!
Che bravo! 太喜欢了！
What a pure sound from Ruiz!
Hasta el día de hoy mi interpretación favorita de este concierto era la de Rinat Ibragimov (en B menor). Mi nueva versión favorita es esta. Honesta y nada pretenciosa. Bravísimo. Estupenda además la primer violín, una dirección clarísima, daban ganas de tocar con ellos jajaja.
Que quieres decir con "Honesta y nada pretenciosa"?
Esta interpretación es muy buena pero, siendo sincero, creo que la de el gran Ibragimov está bastante por encima...
@@IrateGrooveEso siempre será cuestión de gustos, porque son diferentes versiones. A ninguno de los dos podría reprochársele ningún error, simplemente son diferentes versiones. En mi opinión, la versión de Edicson es la mejor interpretación del Bottesini, y he escuchado más de 25 versiones profesionales. Pero cualquiera puede tener una opinión diferente
@@GabrielOsuna Pues eso.
Genius.
So beautiful...
hmm one bass with 3 strings and the other with 5
it is a historical kind, they used to be that way
That was when the bass was born and became part of the string family
Bottesiini played a three chords bass
Yeah! Give em back his string Mr. bass in the back ya silly goose!
I've seen a few bass solos, and all the soloist have a 3 string bass. Why exactly though? Why not just have a 4 or 5 string?
Bravo! Bravo!
fantastic!!
Enorme.
Muito bom! Simplesmente belo. Perfeito.
Maravilloso.
2:06 gave me chills
The ending was a beautiful unexpected twist but I love it 💙
Wunderbar!
Crazy highposition!😄
Very beautiful brave.
que contrabaixo bonito!!
brutal!
Excelente
Bravo! 👏👏👏👏 majestuoso!
Muito bom
The bassist in the back looks depressed cuz he’s not playing the solo
It is a perfectly usual double bass player facial expression : I suppose it is not due to repertorie, but to the fact of carrying the instrument
thats what he gets for taking one of his strings
@@alexv3357 not really, Bottesini music is an honor to play, no matter how hard it might be that doesn’t make it nor enjoyable to play.
Just starting to learn to play bass, and although I´ll never reach this level this is the most motivating thing I can imagine. Beside that there must be someone trolling around with 33 accounts. poor guy
Buenísimo el solista, interesante obra, es un solo de contrabajo con acompañamiento armónico, como los conciertos de piano de Chopin, no hay un trabajo contrapuntístico. Si bien es cierto no toda obra debe de tener voces contrapuntísticas pero si hacen mas rica la música, saludos
C- minor is original key. Is it possible tuning up half of pitch three solo strings? (Solo part is in a- minor .)
Bottesini used this tuning, but his strings was not modern metal strings.
It is beautiful. Not only Edicson but the whole ensemble as well.
What I don't understand, is a certain amount of unnecessary and- I dare to say- unmusical accents they do. Again, not just the soloist.
I don't get it since it is absolutely clear that they all can play so well. Nevertheless, this "small" but serioulsy relevant issue take away some of the artistic meaning of the music itself.
I am sure all of the accents and sforzatos are written in the autograph score by Bottesini. Doesnt mean you have to do them all of course, but you cant blame the musicians for playing what is in the score.
Because when people see accents they assume that it means attack but don’t think in the context of the music, which is romantic, so a romantic accent would be more bow and a lot of vibrato, not an attack
Fantastic...but Edicson's bass needs to be a tad louder in the mix. The violin actually occludes some of his notes at times.
I think there’s a couple of spots where the violin has the melody but overall I’d say she was too loud
en que afinacion esta ese contrabajo?
Very refreshing in this key. However, why is it in C Minor?
+Aleck Belcher Iriginally it's on that key, look for the original schore.
How did the soloist tune his 3-string bass?
From lowest to highest I think its B-E-A (Solo tuning without the F# string)
@@santicruz4012 since this version is in C minor it's tuned a minor second above solo tuning, so C-F-Bb :)
played beautifully although his movements are overkill and it takes away the beauty of it
What kind of bass is that???
Greg Padilla It's an upright or double bass ;)
The model is called "Cornerless"
Now just realize his bass only has 3 strings
Some wonderful musicais reduce the charm of their performance by playing and dancing simultaneously wich is very distracting, Music clearly expresses itself without the aid of accented body language. Also, double bass players shoul pay special attention to the body posture. The human body can easily be deformed. Special attention to modern Ergonomics is
very important for any kind of musician; instructors should guide students more properly.
-- A fine performance, Senõr Ruiz!
How you look while playing is half the performance, and although you can overdo the expression it’s still much better than someone who is expressionless.
Meh