‘Taking photos for the sake of taking photos’ is the perfect advice ! Do this and better photography skill will follow . Once again a great video and great words Mike 👍
1. Spot on. I will add that a photographer or artist may be more likely to look deeper and see more in a photo immediately, or take the time see what is there. Sadly, many will never see the whole picture. They may not like the photo. 2. Yes, spot on again, it is so rewarding your health. And you lose weight. 3. Your first 10,000 photos are your worst -- Henri Cartier-Bresson. 4. Buying some photo books -- great advice, and one I have not done. 5. In many cases, your reaction from the heart will tell you when and what to shoot. Years of shooting general photography make one the better in touch with how a photo looks to a camera, and all the composition details. With street you then begin to takin in the surround, feel the moments, and look with more senses in play than when shooting landscapes say. Your instincts for what happens next have to be in-tune. Somedays, better than others, as your mind needs to be on the subjects at hand, and the heart ready to feel what is there. There are times when I look at a photo taken and thing to myself, I do like this, and I don't know why. What is there? Then it will dawn on me that there is a meaning to it, or it is, like you say, something simply pleasing to the eye. Before doing street, the latest three to four years, I practiced when taking someone's photo before and after asking them to stay still for a picture / portrait. I found it was sometimes the keeper one. On the street you hope to take an image before being noticed, then if the engaged, eye to eye brings on a smile, that too may be a keeper. One recording history and the other being part of the scene, both work at times. I never stage an event. If you see any of my photos taken which look like a pose, they are street portrait and obviously so, as to not look like an act. We like your channel, and your subscribers count is on the rise, thus you are getting noticed and appreciated. Thank you, Loren Schwiderski
Very, very good dialog.... Yes, the real world is much nicer than the social media world, and street photography is visual proof! Keep on going! Love it!
Very true. Regarding other people opinion, I've noticed that I can post the same image on 2 or 3 Facebook groups and the amount of likes it receives vary enormously. That's when I came to the conclusion that unless you are selling your pics, the only opinion that matters is mine and if other people like it , it's a bonus.
This was a great video and it’ll definitely help me get into the mindset for the types of photograph I hope to make. Thank you for taking the time to make the video and sharing your insights
I don''t usually comment on YT, but I must say you make some excellent points, Mike. I enjoy looking at your work. It helps me to open my eyes on the street more. All the best from Melbourne Australia!
Thanks for the video! I think there is a third type of photo. These are immersive photos. They may not have great beauty or tell a story, but they can immerse you in an atmosphere that you might have felt when taking the picture.
Excellent informative video chat Mike , great tips on street photography and it really helps my mental health for sure theres nothing better than grabbing your camera and getting out and about in the world 😊
Really Love this. The part about a photo for your brain or eyes is such a great perspective. I’ve understood how to differentiate the two since my style varies but that’s such a simple way of describing it and it’s going to make me think more about my intention when I’m out there shooting. Appreciate it!
Hi Mike. Regarding visual v brain photos, I recently watched an interview with a New York Street photographer called Dustin Roderick on an episode of 'Walkie Talkie' hosted by Paulie B. Dustin mentions he'd read a blog on the 'In-Public' website where Nick Turpin says "We need to get back to real street photography, because everyone's making images right now that look good to the eye, but we need to start making images that look good to the brain. More than just a pretty picture." Perhaps that's where you heard it? I totally agree with it and I generally stay away from silhouette and shadows shots and focus more on content, be it humour, gestures, juxtapositions, ambiguity, or just something weird or interesting that gets the viewer asking questions about what's going on in the photo and creating their own narrative to what they see.
Say it louder for the people in the back, Mike!! This was a super helpful video for ALL photographers. I’ve been trying to get into street the past year and channels like yours keep me motivated to improve my process.
Once again well articulated thoughts about photography which is very rare and valuable. I believe it helps a lot of people to approach their own work differently. Would love to see a video about dissecting certain styles of street photography and their graphical elements. There is a lot of focus on the nitty-gritty of gear and software but not so much on photography styles. Which in itself is peculiar since personal style in photography is more important then ever before. Hope you keep up the good work!
Great video, packed with succinct and sage advice - thank you! I suppose that one can take a photo that satisfies both the eye and the brain, but that would be like hitting the jackpot. Which photo books can you recommend?
Mike, I'm twice your age, with half your wisdom. And a hundredth of your ability. What a wonderful video. Off out now, with your advice in mind. (BTW, I wouldn't even claim close to half your wisdom, but it sounded sort of catchy.)
Quick run through some of my favourites: Ernst Haas: New York in Color Paul Graham: A1 - The Great North Road Joel Meyerowitz: Cape Light Vivian Maier: The Color Work Harry Gruyaert: Between Worlds Hope these help.
Your first argument makes no sense at all. Firstly, you argue that a subjective opinion on your photograph has no effect on it's value, before then saying that what gives it value is your opinion on it, which you also then randomly say is progress? The quality of the individual piece of work must surely be separated from the artist's journey of progression, otherwise every single image you take would intrinsicaly be incrementally 'better' than the previous one. It seems to me that you are conflating an argument to disregard opinions of your work that you don't like and some sort of poor understanding of what gives art value.
Firstly, these are not arguments. More lessons and observations. The word argue makes it sound like I’m pushing an agenda and I believe I’m right and everyone else is wrong. Which I clearly do not. It’s not that deep. My first point about other people’s opinions is that they don’t add or take away value from the work. The reason a photograph is good comes from many aspects, whether that’s a story or composition etc etc. someones opinion comes after the image is taken. So don’t take other people’s perspectives to heart. Unless what they’re saying is directly aligned with how you’d like to improve and you can learn something new. Otherwise, if someone says they do or don’t like something. It’s irrelevant. Im happy or not happy with a photo, before anyone else has chimed in. The way I can see progression is when my images have improved over time. Not because of opinions from others but more because the images I take today, I would not have been able to take a few years ago. I’m simply separating external opinions from the actual image. Self reflection and criticism is different. Regardless, thanks for watching and thanks for the feedback, Alex.
![ILLSLICK - KILLSHOT REMIX [FULL VERSION]](http://i.ytimg.com/vi/RIK8RrqIAzE/mqdefault.jpg)
These tips defo weren't "TIP-ical" - good video mate. loved it
Appreciate the kind words, but less so on the pun 😂
@@MikeChudley 🤧
‘Taking photos for the sake of taking photos’ is the perfect advice ! Do this and better photography skill will follow . Once again a great video and great words Mike 👍
That should be rule number 1. Everything else will follow if we just get outside and start shooting 👌🏻📸
No 2 sooo much true...spending time in the nature and street is so much refreshing.
Yeaaa, definitely a big reason I look forward it!
Always felt there are two types of photos. One which tell a story and ones which are visually appealing. I love how you verbalised it.
Same here, that resonated with me a lot
1. Spot on. I will add that a photographer or artist may be more likely to look deeper and see more in a photo immediately, or take the time see what is there. Sadly, many will never see the whole picture. They may not like the photo. 2. Yes, spot on again, it is so rewarding your health. And you lose weight. 3. Your first 10,000 photos are your worst -- Henri Cartier-Bresson. 4. Buying some photo books -- great advice, and one I have not done. 5. In many cases, your reaction from the heart will tell you when and what to shoot. Years of shooting general photography make one the better in touch with how a photo looks to a camera, and all the composition details. With street you then begin to takin in the surround, feel the moments, and look with more senses in play than when shooting landscapes say. Your instincts for what happens next have to be in-tune. Somedays, better than others, as your mind needs to be on the subjects at hand, and the heart ready to feel what is there. There are times when I look at a photo taken and thing to myself, I do like this, and I don't know why. What is there? Then it will dawn on me that there is a meaning to it, or it is, like you say, something simply pleasing to the eye. Before doing street, the latest three to four years, I practiced when taking someone's photo before and after asking them to stay still for a picture / portrait. I found it was sometimes the keeper one. On the street you hope to take an image before being noticed, then if the engaged, eye to eye brings on a smile, that too may be a keeper. One recording history and the other being part of the scene, both work at times. I never stage an event. If you see any of my photos taken which look like a pose, they are street portrait and obviously so, as to not look like an act. We like your channel, and your subscribers count is on the rise, thus you are getting noticed and appreciated. Thank you, Loren Schwiderski
Mike! you're 5 tip video gave me much food for thought, especially photos for eyes v brain, I thank you.
I’m glad it got you thinking! Very happy to hear it.
Couldn't agree more with your last comment, just getting out and taking photos can definitely be enough.
Maybe of course, it’s really the only thing that matters. Thanks for watching through the entire video!
@@MikeChudley No problem, I usually watch them all through!
Ahh man the photo at 2:47 is where I took one of my favourite photos of all time such a great square in seville
Aha yeaaa that’s a great spot!
Very, very good dialog.... Yes, the real world is much nicer than the social media world, and street photography is visual proof! Keep on going! Love it!
Thanks for comment! I appreciate your time.
Thank you for sharing this video. I look forward to revisiting it as a useful reminder of ways to continue enhancing my street photography skills.
Completely agree with No. 2. (and of course with the other ones) This is so true. Thanks for sharing your thoughts, mate.
Thanks Mike, glad you enjoyed this.
Very true. Regarding other people opinion, I've noticed that I can post the same image on 2 or 3 Facebook groups and the amount of likes it receives vary enormously. That's when I came to the conclusion that unless you are selling your pics, the only opinion that matters is mine and if other people like it , it's a bonus.
I totally agree. That’s why I mentioned that the joy of photography comes before anyone gives an opinion. That’s the only part that matters.
Photos for the eyes vs. photos for the brain. That's a really good distinction. Thanks :)
Thanks Luke, glad you liked it.
This was a great video and it’ll definitely help me get into the mindset for the types of photograph I hope to make. Thank you for taking the time to make the video and sharing your insights
Psychologically, no one takes a picture for no reason. There’s always something that catches the eye.
Another interesting video Mike, find your YT channel one of the most interesting, with your views on street photography, thank you 🙏
Thanks Julian!!
I don''t usually comment on YT, but I must say you make some excellent points, Mike. I enjoy looking at your work. It helps me to open my eyes on the street more. All the best from Melbourne Australia!
That means a lot. I'm glad you enjoy the videos and they're somewhat useful. Thanks!
Thanks for the video! I think there is a third type of photo. These are immersive photos. They may not have great beauty or tell a story, but they can immerse you in an atmosphere that you might have felt when taking the picture.
Great video Mike, thanks for sharing your journey snd keep up the hard work! J
Thanks Josh, appreciate that.
Excellent informative video chat Mike , great tips on street photography and it really helps my mental health for sure theres nothing better than grabbing your camera and getting out and about in the world 😊
Being outside and getting involved in the world with my camera helps my mental health so much! Thanks for watching!😊
I appreciate your advice and heartedly agree. And, your photos are good... well, in my opinion anyway, whatever it's worth!
Really Love this. The part about a photo for your brain or eyes is such a great perspective. I’ve understood how to differentiate the two since my style varies but that’s such a simple way of describing it and it’s going to make me think more about my intention when I’m out there shooting. Appreciate it!
Love to hear this! Thanks for watching and the comment. Happy shooting 📸📸📸
Well done. Thanks!
Thanks for watching!
Hi Mike. Regarding visual v brain photos, I recently watched an interview with a New York Street photographer called Dustin Roderick on an episode of 'Walkie Talkie' hosted by Paulie B.
Dustin mentions he'd read a blog on the 'In-Public' website where Nick Turpin says "We need to get back to real street photography, because everyone's making images right now that look good to the eye, but we need to start making images that look good to the brain. More than just a pretty picture." Perhaps that's where you heard it? I totally agree with it and I generally stay away from silhouette and shadows shots and focus more on content, be it humour, gestures, juxtapositions, ambiguity, or just something weird or interesting that gets the viewer asking questions about what's going on in the photo and creating their own narrative to what they see.
@3:10 - this pic is incredible!
One of my favourites from the Istanbul trip in January, thanks.
Love this Mike, thanks so much for the thought put into it
Thanks for this. Glad you enjoyed it.
Great video Mike. Thank you.
As always Jules, thanks.
Say it louder for the people in the back, Mike!! This was a super helpful video for ALL photographers. I’ve been trying to get into street the past year and channels like yours keep me motivated to improve my process.
Love that! Thanks for the kind words 🙌🏻
Once again well articulated thoughts about photography which is very rare and valuable. I believe it helps a lot of people to approach their own work differently. Would love to see a video about dissecting certain styles of street photography and their graphical elements. There is a lot of focus on the nitty-gritty of gear and software but not so much on photography styles. Which in itself is peculiar since personal style in photography is more important then ever before. Hope you keep up the good work!
Love your "fives". Great thoughts to share, it is clearing info when you are considering your works validity.,....
Thanks Keith!
Great video….peace is what I feel when I shoot…
Thanks for watching mate!
Loved the video Mike. Great points 😄
Appreciate that! Glad you liked it
Great video, packed with succinct and sage advice - thank you! I suppose that one can take a photo that satisfies both the eye and the brain, but that would be like hitting the jackpot. Which photo books can you recommend?
Brilliant video and helpful advice!
Glad you think so!
Great video and valuable advice 🙏
As always George, thank you! Let’s catch up soon 📸👌🏻
Mike, I'm twice your age, with half your wisdom. And a hundredth of your ability. What a wonderful video. Off out now, with your advice in mind. (BTW, I wouldn't even claim close to half your wisdom, but it sounded sort of catchy.)
John, thank you so much for the kind words. Its massively appreciated.
Wise words
Thank you!
Thanks Mike, really appreciate your videos. Can you share some great books of photos? Ta.
Very nice, thank you!
Thank you too!
Hey Mike, what’s kept you shooting consistently for 5 years?
Erm, probably London being so close makes it so easy. But I just love it mate
Could you please tell me which books are in the video?
Quick run through some of my favourites:
Ernst Haas: New York in Color
Paul Graham: A1 - The Great North Road
Joel Meyerowitz: Cape Light
Vivian Maier: The Color Work
Harry Gruyaert: Between Worlds
Hope these help.
@@MikeChudley Thank you :)
Subbed cause you're a fellow skater
Haha respect
Some people say did you take a picture of me then they follow you around
First comment🎉
First reply to a comment!
@@shadowghost_96 first reply to the reply on the comment
Second
🤯
🎉🎉🎉2nd comment
Your first argument makes no sense at all. Firstly, you argue that a subjective opinion on your photograph has no effect on it's value, before then saying that what gives it value is your opinion on it, which you also then randomly say is progress? The quality of the individual piece of work must surely be separated from the artist's journey of progression, otherwise every single image you take would intrinsicaly be incrementally 'better' than the previous one. It seems to me that you are conflating an argument to disregard opinions of your work that you don't like and some sort of poor understanding of what gives art value.
Firstly, these are not arguments. More lessons and observations. The word argue makes it sound like I’m pushing an agenda and I believe I’m right and everyone else is wrong. Which I clearly do not. It’s not that deep.
My first point about other people’s opinions is that they don’t add or take away value from the work. The reason a photograph is good comes from many aspects, whether that’s a story or composition etc etc. someones opinion comes after the image is taken. So don’t take other people’s perspectives to heart. Unless what they’re saying is directly aligned with how you’d like to improve and you can learn something new. Otherwise, if someone says they do or don’t like something. It’s irrelevant. Im happy or not happy with a photo, before anyone else has chimed in.
The way I can see progression is when my images have improved over time. Not because of opinions from others but more because the images I take today, I would not have been able to take a few years ago.
I’m simply separating external opinions from the actual image. Self reflection and criticism is different.
Regardless, thanks for watching and thanks for the feedback, Alex.
TH-cam photographers… what an entertaining genre. The pictures are as dull and soulless as the generic background chill music.
Thanks for watching and listening to the dull background music. That’s so lovely of you to comment. Have a wonderful day.
I'd love to see your photographs, Michael.
Audio 101: The Background Music or Bed is supposed to be stripped back (dull) so as not to compete with/distract from the Voiceover!
Come on Michael, show us what you’ve got. We’re waiting.
I think people that are passionate about photography see the world differently, I think we tend to be more aware of our surroundings,shapes and light.