I dont need another pedal I dont need another pedal I dont need another pedal I dont need another pedal I dont need another pedal I dont need another pedal I dont need another pedal I dont need another pedal I dont need another pedal I dont need another pedal I dont need another pedal
Ditto! Also this week my first-run BF started picking up Bucharest International Radio, so this demo has unwittingly opened my eyes/ears to 70s Romanian Jazz. Is it a transistor thing?!
@@vincentjives that's pretty common with the higher gain! It can happen to any pedal really (based on a lot of factors) but the high gain definitely makes it easier for radio to come through. I used to work at a studio in a largely hispanic town in New Jersey and we would get a ton of spanish talk radio or music coming through with some old DOD pedals we'd sometimes use
Actually, the most “normal” setting would have less comp, you could take the gate down a bit, and normal would be better>fatter. You can actually get a perfect fuzz face tone out of it that doesn’t sound so unruly.
I bought one just to have, the tinkering involved always tends to scare me off from chase bliss, the settings you found are a godsend, saved me hours of frustration. Also Lol dandruff on the dark pedals, was starting to think I was the only one = P
Maybe one day I’ll get there, as of yesterday with the thermea, I had a sound that I loved, switched to a preset and when I switched back even with the knobs set back to where they were the sound was gone... like captain sparrow in frustration “Why is the Sound Gone!”
Hi a little off topic but what Do you think about the captor x? What cab sim did you use? How does it compare to the Ox ( that i think you used on older demos)? By the way i love your Channel !
I really like it! I liked the Ox just as much, but mine died so I decided to try the Captor out. I think the cab sim portion is just as good which is great for the smaller price and size (though the Ox has more attenuation options and output types)
@@collectoremitter I have various band pals who had less than ideal interactions with Reines, but I'd say until maybe Hidden In Plain View their roster and output was incredible. Not what I think of as the Drive Thru sound, but the guitar & drum work on that second Finch album deserve revisiting. That should have been a massive alt rock record.
No reflection on you, the player, but I don't hear much of anything musical in this pedal. I love fuzz, but if a doom sound is the goal, Life Pedal gets there much better than this. And for velcro style/glitchy fuzz, I'd get almost any of the old Devi Ever pedals over this. I could see maybe getting this for the built in tremolo sound with the fuzz--but not at $400+. I felt guilty when I purchased a Life Pedal and the Black Ash by EQD. I'd feel positively robbed getting Bliss Factory.
I could see people using this thing for some awesome shoegaze but eh it’s all down to personal preference, get the pedals you think you’ll use the most
you can roll down your volume knob and get everything from sparkly, unique low gain overdrive/dirty clean boost, to overdrive, through to distortion and all the way to fuzz. That coupled with all the ramping makes it hard for me to think anyone who did the research would feel "robbed" by what this offers. For someone who spends the time learning it (and possibly is into more esoteric types of music/sound sculpture) this thing is a fuzz/noise goldmine. This thing feeding an early chain reverb into modulation and delay and reverb is HUGE. nothing sounds like this, or close.
@@johncook8316 Nobody said it was the goal. I'm just pointing out that most of the reasons that people get a fuzz pedal are better represented by other pedals. Velcro fuzz sounds are barely musical at best and I don't hear anything in the Bliss Factory that justifies the price tag.
The gate, the low pass filter, the ability to turn it into a fuzz-trem... chase bliss totally knocked it out of the park with this one
I dont need another pedal
I dont need another pedal
I dont need another pedal
I dont need another pedal
I dont need another pedal
I dont need another pedal
I dont need another pedal
I dont need another pedal
I dont need another pedal
I dont need another pedal
I dont need another pedal
This is a lot cooler than I thought it would be. Thanks for showing it off so well! That last second is gorgeous.
This has to be the coolest demo of this pedal out there! I love the sounds you got by ramping Comp and Drive. So cool!
I've owned this since the first run, and you def opened my mind to what I thought was possible with it.
I feel like I could go back and make an entirely different demo 3 or 4 times. It's full of so many possibilities
Ditto! Also this week my first-run BF started picking up Bucharest International Radio, so this demo has unwittingly opened my eyes/ears to 70s Romanian Jazz. Is it a transistor thing?!
@@vincentjives that's pretty common with the higher gain! It can happen to any pedal really (based on a lot of factors) but the high gain definitely makes it easier for radio to come through. I used to work at a studio in a largely hispanic town in New Jersey and we would get a ton of spanish talk radio or music coming through with some old DOD pedals we'd sometimes use
The LPF and different resonant settings is just wild.
Actually, the most “normal” setting would have less comp, you could take the gate down a bit, and normal would be better>fatter. You can actually get a perfect fuzz face tone out of it that doesn’t sound so unruly.
Damn you Chase Bliss. Winner 100%.
Awesome demo. I was lucky enough to get one in the recent run and am looking forward even more to getting my hands on it
Awesome Demo man! Crazy possibilities with this thing!
I bought one just to have, the tinkering involved always tends to scare me off from chase bliss, the settings you found are a godsend, saved me hours of frustration.
Also Lol dandruff on the dark pedals, was starting to think I was the only one = P
Oh the tinkering is my favourite part, I could lose entire days to turning knobs and flicking switches if I had that time to spend
Maybe one day I’ll get there, as of yesterday with the thermea, I had a sound that I loved, switched to a preset and when I switched back even with the knobs set back to where they were the sound was gone... like captain sparrow in frustration “Why is the Sound Gone!”
@@GibsonSnakeCharmer oh that’s unfortunate :( I hope you get the sound back someday soon.
Not dandruff, just impossible to fully clean black pedals when you use natural light. There's always some kind of dust that'll reflect the light
Here it comes, that heavy love
Im still on the fence as I already own a fuzz factory ..still it sounds pretty awesome
I'm getting big brother and the holding company vibes
Jesus Christ make it stop!!! Thought something was wrong with my phone... Lmao... 😂
seriously that thing sounds rough. to each their own I suppose
But but but what about the aux switch!?!?!
True, I totally left it out! I was so focused on the ramping. I went back to film something the next day but it didn't look the same
Hi a little off topic but what Do you think about the captor x? What cab sim did you use? How does it compare to the Ox ( that i think you used on older demos)? By the way i love your Channel !
I really like it! I liked the Ox just as much, but mine died so I decided to try the Captor out. I think the cab sim portion is just as good which is great for the smaller price and size (though the Ox has more attenuation options and output types)
2:10 most normal lol
Should probably mention ZVEX since it's based on their design, IIRC?
He did...
At the start I kept thinking you were gonna launch into Not Alone by Homegrown, because I am old and remember drive thru
Loved all the Drive Thru bands! That's so nostalgic for me
@@collectoremitter I have various band pals who had less than ideal interactions with Reines, but I'd say until maybe Hidden In Plain View their roster and output was incredible. Not what I think of as the Drive Thru sound, but the guitar & drum work on that second Finch album deserve revisiting. That should have been a massive alt rock record.
No reflection on you, the player, but I don't hear much of anything musical in this pedal. I love fuzz, but if a doom sound is the goal, Life Pedal gets there much better than this. And for velcro style/glitchy fuzz, I'd get almost any of the old Devi Ever pedals over this. I could see maybe getting this for the built in tremolo sound with the fuzz--but not at $400+. I felt guilty when I purchased a Life Pedal and the Black Ash by EQD. I'd feel positively robbed getting Bliss Factory.
I could see people using this thing for some awesome shoegaze but eh it’s all down to personal preference, get the pedals you think you’ll use the most
you can roll down your volume knob and get everything from sparkly, unique low gain overdrive/dirty clean boost, to overdrive, through to distortion and all the way to fuzz. That coupled with all the ramping makes it hard for me to think anyone who did the research would feel "robbed" by what this offers. For someone who spends the time learning it (and possibly is into more esoteric types of music/sound sculpture) this thing is a fuzz/noise goldmine. This thing feeding an early chain reverb into modulation and delay and reverb is HUGE. nothing sounds like this, or close.
who said a doom sound was the goal?
@@johncook8316 I hope that dude watches the Dennis Kayzer review- really shows what this thing is capable of, that it's the gift that keeps giving.
@@johncook8316 Nobody said it was the goal. I'm just pointing out that most of the reasons that people get a fuzz pedal are better represented by other pedals. Velcro fuzz sounds are barely musical at best and I don't hear anything in the Bliss Factory that justifies the price tag.