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  • เผยแพร่เมื่อ 10 ต.ค. 2023
  • Lumatone is a game-changing instrument for keyboard players, film composers, beatmakers, producers, and microtonal composers. Powered by centuries-old music theory and modern design ingenuity, the Lumatone is all at once intuitive to play, fully programmable, and endlessly creative.
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ความคิดเห็น • 27

  • @mr88cet
    @mr88cet 9 หลายเดือนก่อน +73

    To me, 31TET is to microtonality kinda like what Haydn is to Music History: Neither is extremely daring, but everything about both _just makes so much sense_ , and is _so musically satisfying and meaningful_ at the same time. It all works so well!

  • @D_4_N_
    @D_4_N_ 7 หลายเดือนก่อน +39

    man, i'd love a full album in 31edo from this guy.

    • @Fire_Axus
      @Fire_Axus 5 หลายเดือนก่อน

      your feelings would be irrational

  • @BotConnorrr
    @BotConnorrr 5 หลายเดือนก่อน +14

    I could listen to this for hours

    • @izabelazielak8963
      @izabelazielak8963 4 หลายเดือนก่อน

      I think he is missing the point of this keyboard,because it can be used as an instrument to relieve stress and anxiety and help to calm down or maybe dream and make some emotional purchases 🤫

  • @GMJ7320
    @GMJ7320 9 หลายเดือนก่อน +13

    31 and up are so hard to make work but when you get them to, the dopamine hits HARD

  • @henrikljungstrand2036
    @henrikljungstrand2036 9 หลายเดือนก่อน +49

    31edo is perhaps THE best equal temperament tuning of the Meantone linear temperament. Sometimes you may want 50edo, but otherwise 31edo is just right, for both 5-limit and 7-limit music - including chords - which is really nice, and also with a little touch of 11-limit music, mainly for melodic purposes.
    19edo works in the 5-limit, but not so much in the 7-limit, still it is way better than 12edo in both these limits.
    If you only wish to use mostly 5-limit chords, and 7-limit only/mostly for melody, then you could also try 22edo (or 27edo or 49edo) as Superpyth tunings, as an alternative to Meantone.
    Otherwise i personally like more accurate but a bit more complex tunings like Magic, Octacot, Miracle or Garibaldi, so i am partial towards certain higher edos like 41edo, 53edo, 68edo, 72edo and 94edo, although 87edo and 111edo are also nice.
    For almost JI music, i prefer things like (Hemi)Ennealimmal with tunings like 72edo, 198edo, 342edo (99edo and 171edo if nothing higher than 7-limit is used, double those for 11-limit) and my favorite 270edo (which is also an equal temperament tuning for Decitonic and a few other extreme accuracy 13-limit linear temperaments).
    But Meantone has its charm, despite tempering out a comma as large as 81/80 (and the smaller commas 126/125, 225/224 etcetera), especially if you like to use easy to access tempered Pythagorean-type diatonic scales for chords, or otherwise like to think in terms of linear temperament scales (MOS and similar).
    Imho you might as well extend to thinking in terms of planar or spacial temperament scales (which might very well be tuned in lower rank temperaments in practice), and in terms of the special MOS-like scale analogues of these higher rank temperaments (like 3 sizes of intervals produced by each specific number of scale steps for planar temperaments, instead of 2 sizes ( = MOS) for linear temperaments; perhaps 4 sizes might work for spacial temperaments).
    In my view, equal temperaments are one dimensional, linear temperaments are two dimensional (giving a spiral modulo the period/"octave"), planar temperaments are three dimensional (giving a branching spiral modulo the "octave" and perhaps one spiral modulo *both* the "octave" and the "fifth"), and spacial temperaments are four dimensional (with a more complicated branching spiral structure than i am up for analyzing now).
    Usually people disregard the prime 2 octave dimension and thus reduce the visible dimensions by 1 when counting, but i do not, since i do not accept octave equivalence as anything but an *approximate* equivalence, which does not respect relative consonance/dissonance a la harmonic entropy and similar measures.
    This musical piece is somehow calm, upbeat, happy and melancholic, all at the same time! 😄❤🎵 Is it just using the 5-limit, or is there a hint of 7-limit in it as well?

    • @yanndomingueslage8653
      @yanndomingueslage8653 7 หลายเดือนก่อน +5

      I am just gonna say something under your comment cause you summarized it in such a nice way! haha

    • @henrikljungstrand2036
      @henrikljungstrand2036 7 หลายเดือนก่อน

      @@yanndomingueslage8653 Lol you are welcome. 😂 Please check out the xenwiki if you like to learn microtonal music theory..

    • @bepispaul2419
      @bepispaul2419 7 หลายเดือนก่อน +4

      how does a planar or spatial tuning work? i can understand the spiral of the linear temperaments but idk much about tuning systems myself and the idea of extending tuning into multiple dimensions seems very fascinating, like complex numbers

    • @crappozappo
      @crappozappo 5 หลายเดือนก่อน +2

      Guilty. You caught me. Almost every time, I purposefully neglect to consider the prime octave dimension. 😅

    • @henrikljungstrand2036
      @henrikljungstrand2036 5 หลายเดือนก่อน

      @@bepispaul2419 Well there is something called "Dwarf scales", which allows one to easily produce somewhat good scales in planar and spacial (spatial?) temperaments.
      Otherwise it is an art form to find good scales, especially with high enough number of epimoric/superparticular ratios as one step intervals and perhaps even two step and three step intervals. Proper scales and constant structures are also something we aim for when crafting such artistic scales.
      There is also the possibility of finding higher rank analogues of MOS scales (Moment Of Symmetry). A MOS scale is based on a linear (rank 2) temperament, where we repeat one "generator" ("the" generator) modulo the other generator (the "period") of our scale, until we get a period repeating scale where each step number (modulo the period or pseudo octave) comes in exactly two step sizes, except for the zero step number unison (and its period repeats) of course! This happens at various specific numbers of stacked generator copies per period.
      Using this "exactly n step sizes" (where n = 2) for almost every step number as the *definition" of a MOS (or 2-MOS), we may extend this to 3-MOS, and perhaps n-MOS for higher n. This has not been much studied though, although it is an interest of my own.

  • @finalbreath15
    @finalbreath15 หลายเดือนก่อน +2

    I will never understand how anyone has the patience to learn this!

  • @universeindex6651
    @universeindex6651 5 หลายเดือนก่อน +10

    underrated asf this is insane i would buy your stuff but i'm dead broke

    • @izabelazielak8963
      @izabelazielak8963 4 หลายเดือนก่อน +2

      there is still hope,keep trying…become a professional lumatone player 😵‍💫

  • @onesyphorus
    @onesyphorus 8 หลายเดือนก่อน +8

    haha. is this dave? wheres his original music would love to check more of his projects out

  • @oxidemuzik
    @oxidemuzik 4 หลายเดือนก่อน +1

    What is the scale?

  • @BotConnorrr
    @BotConnorrr หลายเดือนก่อน

    Is there a sheet for this?

  • @Fire_Axus
    @Fire_Axus 5 หลายเดือนก่อน +1

    your feelings are irrational