Love this video. As you say, the patch isn't too complicated, the key is in the articulation. How to link parameters and then animate them is at least as important as patch design. I like techno, but the instruction transcends genre.
Awesome Vital Tutorial, off course when your track played at the end then I realized I have learned something very important today, creativity is endless. But boy i wished you used FLstudio to, but without i can follow what you are doing! Thanks for this video! :)
Bravo! I've just stumbled upon this video. I've noodled around with some random Pet Shop Boys chords. They have some really interesting ones. And I wanted to do something to spice it up. I always wanted to do such strange leads like Anyma. Of course, everyone does it. But I was unable to get my knobs on my Arturia Keylab going. When I tried to follow along your video, I came across the instructions how to set up the knobs. And now - tschakka - I also have such weird leads. Thank you very much. As the main sound comes from Vital and is manipulated by external controllers, it doesn't matter which DAW you use. I, for example, use Ableton. And it works. Great.
does your daw have vector mapping? ive been messing with it in ableton lately. it can do weird things with automation ive never seen before. i feel like it would be right up your alley.
yea absolutely! there are several kinds, in fact I have done a video about creating a cartesian sequencer (vector based sequencer) in bitwig, and that's really fun to play with for sure! I kinda like the hands-on articulations for these particular sounds, but I get what you're saying for sure! it is a powerful technique!
@@DashGlitch yea its definitely not precise haha and it was probably the wrong video to ask on was just curious. you have so many videos its taking me awhile to catch up. my head would have exploded trying to watch your content even a year ago
Any knob/parameter/effect which is not involved? complicated, more complicated, most complicated, complex, more complex, the most complex. Freaks are clapling like crazy... me not.
@@DashGlitch... says one with 30 years(?) of experience. Yeah, one of the simpliest things you ever did. Only to repeat what you are showing - monkey style - , I would need a whole day. Not very amusing to me. I - over 40 years "only" playing - do this synth-stuff since 3 years. And since then wondering how this synth-scene-people are avoiding popular and famous songs/sounds. "Signature sounds"... Jean Michel Jarre, Oldfield's "Mount Teide", "Out of the blue" (Corsten - supersaw) and all those breakthroughs in sound-design. I suggest a tutorial, how to delete 395 unneeded creepy sounds of a package with 400 sounds in order to spare discspace and bring a reasonable overview back. That would be helpfull like nothing else. Because I have no 30 years, 8h a day to reach your level of thinking.
Yes. Similar problems. In every regard. Some of his videos are nice and helpful (theory)👌 Some are not. Depends on the knowledge one has. Kinda "pro bubble" those guys. I only know how to handle my workstation. "Sound design" ... not explained by Yamaha. Cool techno sounds ... not inside. And since also dealing with Vital for half a year to solve this problem I couldn't make any progressions either. Fumbling - nice ... understanding - nearly nothing. Unfortunately there are no tutorials explaining the basics and functionality and connections of the components of a softsynth. The real basics. Mostly enumerations of 1000 oscillators, filter, macros ... in 20 seconds. DaVinci Resolve could help, -50 slomo🤣 My hint: watch out for preset packages!!! Job done!😉 P.S.: I agree! I would also like a tutorial how to delete single presets. I never dared to search the 10.000 arpeggios in my hardsynth. More efficient to craft them oneself😁
This is very easy to follow guys come on, literally one of my easiest videos ever. It’s about some of the most basic default setup stuff. Try just applying yourself for a few minutes and you will learn a lot.
@@DashGlitch It's all about "perspective". Your's is "professional" and only that. At least mine is "willing to learn beginner". Not an absolute beginner. I am familiar with all those single features like oscilator, delay, filter, envelopes aso.. Do this all day on my synth. Also assigning functions to hardware (modwheel etc.). I don't know how to plug 376 cables in 589 holes in a module rack of the 70s. THAT's "sound design". Perspective: you are inventing "music" anew each day. For me everything is invented. After "supersaw" from Roland came ... nothing (imho). Now I am struggling with recreation or finding famous presets/samples, because I cover songs. "Famous musicians" ... not part of the synth-scene. Strange, but okay. The synth scene itself is not accessible to "beginners". It is even the strangest part of the world I ever encountered in my long life. E.g. "beginners" is not part of any policy. I learnt this hard lesson by Yamaha. 80% of what I am doing with my hardsynth, I figured out myself. But those 80% noone else is using ;) Funny. Crazy world Now I need sounds ... Vital ... niiiiiiice program!!! When coming from a workstation, especially Yamaha crap, Vital is a "dream of a piece" :D Nevertheless "quantum physics" (which I know better than sound design). Are you in Mathematics? Here comes the "tree". Connecting one filter to a wave ... simple. Why? Clear! Connecting an envelope to the filter connected to the wave ... okayiiiii. Why? I learnt, that you are creating "punch" with that. Check! Connecting the second filter to the filter, connected to a wave and influenced by the envelope ... oops. Connecting a macro to a parameter of a wave, running through a filter influenced by an envelope, passing the second filter ... holy moly. Then come the macros and the matrix. YOU and all others know what and first of all why you are doing this. You are aiming to a goal, and you know how to get there. Some may be only "copy-killers". Me neither this nor that. Perspective. I wrote, that some of your videos are fine to me. But when I am heading for a sound of my liking ... I prefer packages. No "why", no use ... for me. i am not an copying monkey. Best wishes
Loving the min-tech tutorials. keep them coming please. thank you
That patch would also make the beginnings of a great drone or angry pad. Great tutorial, Dash!
Great tutorial as usual. I love learning from you, super informative and straight to the point.
Love it! Cheers Dash! Great inspiration. Always end up using a variation of your information in my tracks
Great !
Great sound design tutorial Dash!
Grande Dash Glitch ... so stunning stuff in Vital!
Doctor glitch in the room ! The combo chorus and distortion in vital is fire .you have mentioned these two elements in past videos. Awesome tip.
indeed! I use it often, even with the native DAW effects :)
Cool sound, I like really much. Keep on!
The workflow explanations were really helpful for me.
Good weekend !! all viewers, Dash !!!!
Yessss I love this series. Thanks heaps mate
no worries!
Love this video. As you say, the patch isn't too complicated, the key is in the articulation. How to link parameters and then animate them is at least as important as patch design.
I like techno, but the instruction transcends genre.
Awesome Vital Tutorial, off course when your track played at the end then I realized I have learned something very important today, creativity is endless. But boy i wished you used FLstudio to, but without i can follow what you are doing! Thanks for this video! :)
love your videos dash 🔥👍
Bravo! I've just stumbled upon this video. I've noodled around with some random Pet Shop Boys chords. They have some really interesting ones. And I wanted to do something to spice it up.
I always wanted to do such strange leads like Anyma. Of course, everyone does it. But I was unable to get my knobs on my Arturia Keylab going. When I tried to follow along your video, I came across the instructions how to set up the knobs. And now - tschakka - I also have such weird leads.
Thank you very much. As the main sound comes from Vital and is manipulated by external controllers, it doesn't matter which DAW you use. I, for example, use Ableton. And it works. Great.
I love this kind of sound, huge stuff
thanks
A little exrtra touch: inverse modulation on volume when u open the filter :-)
Thanks! Keep it coming!
This was great! Thank you
Bom dia! Dash Glitch meu mestre. Grande mestre
Hi Please make a tutorial about Psy Techno , like osher that is around 125-130 bpm we need more of that , this lead sound massive , thank you!
fucking hell I love it, thank you so much
does your daw have vector mapping? ive been messing with it in ableton lately. it can do weird things with automation ive never seen before. i feel like it would be right up your alley.
yea absolutely! there are several kinds, in fact I have done a video about creating a cartesian sequencer (vector based sequencer) in bitwig, and that's really fun to play with for sure! I kinda like the hands-on articulations for these particular sounds, but I get what you're saying for sure! it is a powerful technique!
@@DashGlitch yea its definitely not precise haha and it was probably the wrong video to ask on was just curious. you have so many videos its taking me awhile to catch up. my head would have exploded trying to watch your content even a year ago
That is an awesome sound... put valhalla shimmer on and it will be great for cinematic stuff!
Cool idea!
u should win an oscar!
Thank you!
Love iiiiit thanks 🙏🏼 ❤
Thanks for watching!
a glitch a day keep´s the noisedoctor away
Any knob/parameter/effect which is not involved? complicated, more complicated, most complicated, complex, more complex, the most complex. Freaks are clapling like crazy... me not.
Not sure what you mean, this is just pitch and filter parameters on a default saw wave. The least complex thing
@@DashGlitch... says one with 30 years(?) of experience. Yeah, one of the simpliest things you ever did. Only to repeat what you are showing - monkey style - , I would need a whole day. Not very amusing to me. I - over 40 years "only" playing - do this synth-stuff since 3 years. And since then wondering how this synth-scene-people are avoiding popular and famous songs/sounds. "Signature sounds"... Jean Michel Jarre, Oldfield's "Mount Teide", "Out of the blue" (Corsten - supersaw) and all those breakthroughs in sound-design. I suggest a tutorial, how to delete 395 unneeded creepy sounds of a package with 400 sounds in order to spare discspace and bring a reasonable overview back. That would be helpfull like nothing else. Because I have no 30 years, 8h a day to reach your level of thinking.
Yes. Similar problems. In every regard. Some of his videos are nice and helpful (theory)👌 Some are not. Depends on the knowledge one has. Kinda "pro bubble" those guys. I only know how to handle my workstation. "Sound design" ... not explained by Yamaha. Cool techno sounds ... not inside. And since also dealing with Vital for half a year to solve this problem I couldn't make any progressions either. Fumbling - nice ... understanding - nearly nothing.
Unfortunately there are no tutorials explaining the basics and functionality and connections of the components of a softsynth. The real basics. Mostly enumerations of 1000 oscillators, filter, macros ... in 20 seconds. DaVinci Resolve could help, -50 slomo🤣
My hint: watch out for preset packages!!! Job done!😉
P.S.: I agree! I would also like a tutorial how to delete single presets. I never dared to search the 10.000 arpeggios in my hardsynth. More efficient to craft them oneself😁
This is very easy to follow guys come on, literally one of my easiest videos ever. It’s about some of the most basic default setup stuff. Try just applying yourself for a few minutes and you will learn a lot.
@@DashGlitch It's all about "perspective". Your's is "professional" and only that. At least mine is "willing to learn beginner". Not an absolute beginner. I am familiar with all those single features like oscilator, delay, filter, envelopes aso.. Do this all day on my synth. Also assigning functions to hardware (modwheel etc.).
I don't know how to plug 376 cables in 589 holes in a module rack of the 70s. THAT's "sound design".
Perspective: you are inventing "music" anew each day. For me everything is invented. After "supersaw" from Roland came ... nothing (imho).
Now I am struggling with recreation or finding famous presets/samples, because I cover songs. "Famous musicians" ... not part of the synth-scene. Strange, but okay.
The synth scene itself is not accessible to "beginners". It is even the strangest part of the world I ever encountered in my long life. E.g. "beginners" is not part of any policy. I learnt this hard lesson by Yamaha. 80% of what I am doing with my hardsynth, I figured out myself. But those 80% noone else is using ;) Funny. Crazy world
Now I need sounds ... Vital ... niiiiiiice program!!! When coming from a workstation, especially Yamaha crap, Vital is a "dream of a piece" :D
Nevertheless "quantum physics" (which I know better than sound design).
Are you in Mathematics? Here comes the "tree". Connecting one filter to a wave ... simple. Why? Clear! Connecting an envelope to the filter connected to the wave ... okayiiiii. Why? I learnt, that you are creating "punch" with that. Check! Connecting the second filter to the filter, connected to a wave and influenced by the envelope ... oops. Connecting a macro to a parameter of a wave, running through a filter influenced by an envelope, passing the second filter ... holy moly. Then come the macros and the matrix.
YOU and all others know what and first of all why you are doing this. You are aiming to a goal, and you know how to get there. Some may be only "copy-killers". Me neither this nor that.
Perspective. I wrote, that some of your videos are fine to me. But when I am heading for a sound of my liking ... I prefer packages. No "why", no use ... for me. i am not an copying monkey.
Best wishes
Great vital content. Can u make some tuts for surge?