Pinchas Zukerman on Tchaikovsky, Sibelius and Beethoven concertos.

Pinchas Zukerman on Heifetz, Stern, Galamian. Quotes Celibidache: "Mediocrity is a poison- stay away from it".
Dorothy DeLay MasterClass Series organized & directed by Dmitri Berlinsky- Artist Teacher, Professor of violin at the Michigan State University College of Music, presenting renowned musicians sharing their insights with emerging young artists in interactive conversations.
Graphic design & video editing by Austin Burket.
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Pinchas Zukerman on the art of practicing
• Pinchas Zukerman on th...
Cho-Liang Lin on the art of practicing
• Cho-Liang Lin on the a...
Pinchas Zukerman on treating the bow arm as your bank account
• Pinchas Zukerman on th...
Shlomo Mintz on the practice routine
• Shlomo Mintz on the ar...
Discussion with Vadim Repin
• Discussion with Vadim ...
Pinchas Zukerman on learning from the great masters and being a "sponge"
• Pinchas Zukerman on le...
Anne Akiko Meyers on the practice routine
• Anne Akiko Meyers on t...
David Kim on the practice routine
• David Kim on the art o...
Dmitri Berlinsky on Mozart Concerto
• Dmitri Berlinsky on Mo...
Vadim Repin on teaching, learning and performing
• Vadim Repin on the art...
Dmitri Berlinsky on Bach Chaconne
• Dmitri Berlinsky on Ba...
Philippe Quint on Tchaikovsky Violin Concerto
• Philippe Quint on Tcha...
Masao Kawasaki on competitions, auditions and important qualities of musical development
• Masao Kawasaki on comp...
Shlomo Mintz on Paganini
• Shlomo Mintz on Paganini
Philippe Quint talks about practice routine and Dorothy DeLay
• Philippe Quint on the ...
Shlomo Mintz talks about Dorothy DeLay
• Shlomo Mintz talks abo...
Shlomo Mintz on vibrato
• Shlomo Mintz on vibrato
Chee-Yun talks about Dorothy DeLay, the practice routine and YCA
• Chee-Yun talks about D...
Masao Kawasaki talks about Dorothy DeLay
• Masao Kawasaki talks a...
Vadim Repin talks about his Trans-Siberian Art Festival
• Vadim Repin talks abou...

[@neilthomas8156]

He’s the greatest,I love his remincences,he’s been there and done it all with the legends of the violin world.I remember when he came on the scene in the early 70s.His recording of the rondo capriccioso with Mack eras and the lso inspired me to study the violin,and I’m still playing 50 years later.
He’s very modest,talking about untouchables like Heifetz and milstein ,but he’s up there with them.He has deep integrity,talking about the music,and the need to do your time,to get the technique,in order to get there.Huge wisdom which comes from doing his time with the masters of the violin business.

[@alexsaldarriaga8318]

Loved this stream of consciousness flow of wonderful violin secrets! I always get a kick out of his Galamian imitations. And am grateful for his sharing of the fundamentals of mastering the violin. There are no shortcuts! Thank you!!

[@bernhardlebeda8366]

so inspiring, I could listen for hours on end, 15 min. of such dense information that make anybody with ears to listen a better player right away! Thank you very much, Sirs!

[@notrobocapnombo]

Thank you so much for posting!! 😊👍

[@valentinodentesani4063]

It's soooo damn interesting!!! Thank you so much for sharing all this!!! Greetings from italia!!

[@irmtrudagnoli3551]

it always gives me inspiration to go back to the basics -- I love it and its such a great flow of advices

[@TePeiLin]

Amazed

[@nataservant]

Man, I feel like there was so much more that we missed.

[@Berlinsky]

There are three more clips posted
here from the live webinar and more are coming.

[@nataservant]

@@Berlinsky I didn't even realize. Thanks for the update and thanks for the uploads.

[@michaelbarbour1744]

Amazing as usual - Wow.....

[@user-hf7sk2jd4b]

Super !!!

[@anamariadossantos.7946]

Como seria bom de as aulas tivesse tradução para o português, espanhol ou italiano !!!

[@biergistlevure4385]

👍✔❤

[@leonardoiglesias2394]

The Stallone of the violin.

[@leonardobastos1945]

It's interesting how Mr. Zukerman is always concerned about the technicals fundaments and how it fits in the galamian system. Although, I find it's dangerous if you don't develop a critical point of view and accepts everything without observe if it's how you want it to sound in terms of cleaness and musicality. Galamian excessive emphasis on Collé, for example, many times results in an scratchy sound and his system as a whole can be very dogmatic in many points.

[@pelejuljus]

is this monolog or dialogue 😁

[@clairezhao2395]

Funny