Hollywood Gaffer explains Lighting Filters and Diffusion || Julian White

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  • เผยแพร่เมื่อ 25 มี.ค. 2020
  • Following his previous COTV Masterclass 'Deconstructing Film Lighting' we welcome gaffer Julian White back to the channel. In this episode, he examines how different types of diffusion (silk, cloth, plastic) influence lighting decisions on a film set. He explains how these different sources of diffusion and light effect colour temperature and what he does to work with this.
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    Cooke Optics TV
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    Website www.cookeoptics.com
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    Thank you to the British Society of Cinematographers (BSC). www.bscine.com/
    Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
    Produced by ImageNova. www.imagenova.co.uk.
    Email cathy@cookeoptics.com for enquires or leave a comment!
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ความคิดเห็น • 75

  • @theSummarizer446
    @theSummarizer446 4 ปีที่แล้ว +333

    Imagine the pressure on the guy lighting this interview

    • @manot8273
      @manot8273 4 ปีที่แล้ว +1

      true!!!!!!!!!!!

    • @Itaketoomanypics
      @Itaketoomanypics 4 ปีที่แล้ว +23

      a bit over exposed
      lol

    • @smackdaddy9802
      @smackdaddy9802 4 ปีที่แล้ว

      agreed

    • @makers_lab
      @makers_lab 3 ปีที่แล้ว

      lol, that was genuinely funny.

    • @carandmel
      @carandmel 3 ปีที่แล้ว

      Hahaha, so true. Amazing comment.

  • @Filmgeek18
    @Filmgeek18 4 ปีที่แล้ว +13

    These are great. I could easily watch a 45 min long video of Julian White deconstructing film lighting

  • @dominey
    @dominey 4 ปีที่แล้ว +7

    Loved the Lee Filter diffusion cloth overview at the beginning. Very interesting.

  • @ThePulp0
    @ThePulp0 4 ปีที่แล้ว +7

    Thank you Cooke! You always deliver with awesome content! Julian is a natural teacher. Such a intelligent and cool guy!

  • @videographiya
    @videographiya 4 ปีที่แล้ว +4

    Such a great seamless explanation of a beautiful craft!

  • @DanielSRosehill
    @DanielSRosehill ปีที่แล้ว

    Wonderful masterclass - thanks for sharing this!

  • @clarkeemalarkee
    @clarkeemalarkee 4 ปีที่แล้ว

    I love these videos! Please keep making them. Lighting is always the best!

  • @reddeye3
    @reddeye3 ปีที่แล้ว

    Love these interviews!

  • @NicoSchrenk
    @NicoSchrenk 4 ปีที่แล้ว +1

    Amazing interview and content. I love this channel so much!

  • @sameerbaria
    @sameerbaria 4 ปีที่แล้ว +6

    Gaffer's are an artist by themselves

  • @wilwilson8146
    @wilwilson8146 3 ปีที่แล้ว

    CTS - this was new to me. Thank you sir and channel

  • @Danumals
    @Danumals ปีที่แล้ว

    Love the episode. Moonlight is blue because night scenes are lit for 32k practicals, making the moonlight blue by comparison since it is a reflection of daylight.

  • @mozinoz_digital
    @mozinoz_digital 4 ปีที่แล้ว

    Many thanks for sharing!

  • @xmarxsham
    @xmarxsham 4 ปีที่แล้ว

    This was a really good video.

  • @buzzcrushtrendkill
    @buzzcrushtrendkill 2 ปีที่แล้ว +4

    I have growing pet peeve with the tendencies to over light night scenes. I really like it when DP's allow darkness and shadows to exist and occupy a large part of the scene. But most want all the background and other areas of the scene to be awash in light as well and it looks very unnatural.

  • @slyasassin
    @slyasassin 4 ปีที่แล้ว +1

    Very helpful thank you for this. My only concern is the timing between this and the last video. A year for the follow up is a long time

  • @VALERYAN581
    @VALERYAN581 4 ปีที่แล้ว

    thank you very much,don't let him go !

  • @theworksfilms
    @theworksfilms ปีที่แล้ว

    I agree with his school of thought & approach.

  • @TheSpecterRanger
    @TheSpecterRanger 9 หลายเดือนก่อน +1

    I'm guessing that night / moonlight was commonly blue in early color-era films because people's eyes were used to being adjusted to a house full of incandescent light bulbs, which are essentially electrical candles, and very warm / orange looking. Those incandescent bulbs were warmer than tungsten halogen, florescent, and LED lights. This means moonlight did seem much bluer in comparison. Also, it's a stylistic way to differentiate between day and night. Older dramas often seem to be lower key and more contrasty than modern ones, and the blue light definitely helps distinguish the night scenes from other daytime scenes with similar lighting. Also, with black & white being the norm for so long, emphasizing the color in an essentially greyscale night scene likely looked more appealing and interesting. I'm still a fan of the bluer moonlight. Too many DPs have lost stylization and go for "clean and accurate." Not my cup of tea. Emphasize the emotion of the film with style, including unique color, and the viewer gets immersed deeper into the world of the film. (I guess DPs use colorists to do that part now. This is also a newer phenomenon.) Tastes and trends will continue to evolve. Do you follow trends or set them?

  • @josephtese5037
    @josephtese5037 4 ปีที่แล้ว +9

    He said the rag trade in LA, but I'm pretty sure he meant The Rag Place, if anyone was curious.

    • @honest_noise
      @honest_noise 4 ปีที่แล้ว +1

      There's also a Rag Place in ATL at Pinewood Studios just an FYI if anyones on the east coast

    • @carlitoshuanes
      @carlitoshuanes 3 ปีที่แล้ว

      I was totally looking that up wondering what he was talking about lol

  • @Artfulscience1
    @Artfulscience1 2 ปีที่แล้ว

    This guy is no BS, at all. Damn 👏

  • @antoniohcine
    @antoniohcine 4 ปีที่แล้ว +2

    May you take a look at the subtitles (caption) please? I don`t speak english very well to understand exactly what he are sayng... the automatic caption ins`t working well.

  • @305kubrick
    @305kubrick 3 ปีที่แล้ว

    How does one go about getting "grey moonlight"?

  • @dundeedolphin
    @dundeedolphin 3 ปีที่แล้ว

    Is the 1/4 CTS going in over the top of the white balance or is the white balance happening after the 1/4 CTS has been added? Anyone have an i formed answer? Thanks

  • @zfarahx
    @zfarahx 4 ปีที่แล้ว +3

    Gaffers are cool.

  • @ralphgeronilla
    @ralphgeronilla 4 ปีที่แล้ว +3

    Where can I find an online Masterclass for this??

    • @jonnynoakes9070
      @jonnynoakes9070 3 ปีที่แล้ว +1

      I dont think there is one. Try "thewanderingdp" that's a really useful source

  • @malikismyname
    @malikismyname 4 ปีที่แล้ว +1

    Coolest guy ever

  • @ngzonghee
    @ngzonghee 4 ปีที่แล้ว +3

    so knowledgeable

  • @TheBiggestMoronYouKnow
    @TheBiggestMoronYouKnow 2 ปีที่แล้ว

    I’m a baby to all of film making. I do actually use tissues for noise muffling and light diffusion lmao
    Seeing experienced people be frank and not hoity-toity about it. Saying things like “use what works” and “your eyes really can’t tell the difference” makes film making seem much more approachable and less serious

  • @alexanderwelsh
    @alexanderwelsh 4 ปีที่แล้ว +2

    Malcolm McDowell knows to much bout lights!

  • @aja220
    @aja220 3 ปีที่แล้ว +2

    The moon is reflecting daylight from the sun and if you put that in contrast to tungsten light yes moonlight is blue

  • @airfox
    @airfox 4 ปีที่แล้ว

    did he say CTS on tungsten not daylight?? warm to warmer?

    • @bjjaszcz
      @bjjaszcz 4 ปีที่แล้ว +5

      Either way, if you set your WB to the temp of the lights, you are effectively neutralizing the source, so the gel is what you will see in the end.

  • @gxrsky
    @gxrsky 3 ปีที่แล้ว

    Does anyone know the movie on 4:19?

    • @jrdhenderson
      @jrdhenderson 3 ปีที่แล้ว

      To Catch a Thief - Alfred Hitchcock

  • @makers_lab
    @makers_lab 3 ปีที่แล้ว +4

    These short videos are great. Shouldn't forget that the final colour and lighting will be the result of the colourist though.

    • @Imbahi
      @Imbahi 3 ปีที่แล้ว +2

      no its not .

    • @makers_lab
      @makers_lab 3 ปีที่แล้ว +1

      @@Imbahi If you don't have one then sure :)

  • @heredownunder
    @heredownunder 4 ปีที่แล้ว +12

    And then they add a LUT in post.

  • @may111910
    @may111910 3 ปีที่แล้ว

    look at those repurposed evian water bottles 🤓😎👍🏽

  • @TinyMaths
    @TinyMaths 3 ปีที่แล้ว

    It's funny, the point that he makes about moonlight not being blue, but but being used to depict a moonlit night in Hollywood movies in a certain period. I suddenly remembered the kids British cartoon of the early 80's called 'Jamie And The Magic Torch'; you can find the intro/outro to the cartoon on TH-cam. The intro and outro were depicted as night time and I remembered it being somewhat Blue. I just went to find it, and it IS blue, really, really blue. The house lights viewed from the street are all some shade of yellow, but anything outside, lit by moonlight is some shade of blue. Fascinating.
    th-cam.com/video/06NHLaSTjOs/w-d-xo.html

  • @liquidmocofilmsllc4915
    @liquidmocofilmsllc4915 3 ปีที่แล้ว

    Referring to using blue light for the moon, he states, "I wonder who thought of that." Anecdotally people just copy famous people. Every "TH-camr/FilmMakers" videos and studios all look the same. People just mimick what a succesful person does rather than trying their own stretch of fate. It really does get boring after awhile. But people are sheeple.

  • @VariTimo
    @VariTimo 4 ปีที่แล้ว +4

    I’m calling BS on that “moonlight isn’t blue” thing. Sure it ain’t as blue as it is in those movies form the 80s and 90s but I’ve been having a lot of direct moon light the last couple of month especially during full moon and I kept thinking two things to myself. One: well that’s a bit blue isn’t it? And two: damn that’s bright, I wonder if I’d be able to get an exposure in that light with a fast enough lens and a high enough ASA without having the image be just noise.
    Of course moonlight isn’t full on blue but the light still has to go through the atmosphere and at the angle at which it does it comes out having a blue hue.

    • @fajumosamuel2616
      @fajumosamuel2616 4 ปีที่แล้ว +1

      I had wanted to ask this same question when I heard him say moon light isn't blue, can we have a precise answer on what color is the moonlight?

    • @VariTimo
      @VariTimo 4 ปีที่แล้ว

      Maybe I remember the next time it’s so extreme and measure it. But I think it’s stronger in the winter where I life.

    • @filmkreation
      @filmkreation 4 ปีที่แล้ว

      th-cam.com/video/s-aepAezfco/w-d-xo.html

    • @VariTimo
      @VariTimo 4 ปีที่แล้ว +2

      I know the video. The Pocket 4K is rubbish beyond 3200 ASA. And when you’ve already got a modded PL mount Noctilux, why don’t you get a PL to MFT speed booster for an extra stop of light. That plus the GH5s at 4000ASA should give you maximum low light performance.

    • @honest_noise
      @honest_noise 4 ปีที่แล้ว +2

      The interesting thing about that statement as well is that most house hold practical sources are going to be 2800K. So when contrasted with the moon outside it's going to appear if anything way cooler instead of neutral grey. I think going for a cooler moon gag just looks better than a flat white.

  • @suhayl5157
    @suhayl5157 3 ปีที่แล้ว

    Didn't understand much.

  • @michaelcoy311
    @michaelcoy311 3 ปีที่แล้ว

    Crazy Rich Asians has some of the worst lighting I’ve ever seen. Just harsh light shining on the backs of people’s heads, and all these great looking actors look sick and sweaty.

  • @4CardsMan
    @4CardsMan ปีที่แล้ว

    This would be a lot more credible if the lighting were good.