Do not try and bend the spoon; that's impossible. Instead, only try to realize the truth… there is no spoon. Then you'll see that it is not the spoon that bends; it is only yourself
dang. The blue sky being secondary light source blew my mind a little bit. This was filmed really well and it greatly aided in my understanding of what you were talking about. Having you on screen as the presenter while the lights changed color and you changed environment was a really good choice even though it probably took forever to film. thanks for going the extra mile it really helps.
When I was younger, I would always point out that the shadows outdoors were slightly bluish. Everyone thought I was crazy. 😊 I resonated with this video so hard aaaaaa
I spent 5 ears of my life in an art school, but none of classes there were nearly as interesting as yours! Thank you so much! I hope we get to see more of your color theory/painting/etc videos🥺
an interior designer told me something similar once. she said that the same paint or finish would look different in a room with light coming from different cardinal directions and depending on what objects were outside the window. a big tree or a lawn would cast in a lot of green colour, and that might look cooler in a room with north facing windows during the day versus in a room with west facing windows in the evening, and then adding in multiple windows or doorways, etc. great video thanks!
I had a teacher ask if the warm light makes the shadows cool then what would cool light do to shadows, I said make them warm, and the teacher laughed and said no they become even more cool. This sounded wrong but I was just a student. Years later I asked a better art teacher if they were right and he thought for a moment and said, "their answer doesn't make sense, if something is cooler than cool then than means your cool was really a warm; warmness and coolness are relative in relation to each other, your warmest color is your warm and your coolest are your cool" and I was like damn I wish you were in my class years ago
This has been extremely helpful. All too often I have come across dogmatic statements from artists and art teachers, and it's turned out that their claims apply only in some situations. But because those claims are expressed as rules, all too often people end up painting what they are TOLD is there, rather than what they OBSERVE to be there. This video has certainly taught me to look at both the shadow side of faces and to consider what kind of light is creating the colour seen on the face - the colour temperature of the light source, the direction of light, bounced light, etc. Thank you for the thorough explanation of colours in shadows.
Jeremy, taking it outside is just another level! I've learned so much, having these real life examples makes things in my brain click. Thank you for doing all of that!!
Very helpful, I like the evidence presented to help see the reality. One other thing I noticed that has a big impact on the "shadow" colour, is the colour of the object itself. For instance, a reddish coloured cliff will of course look red on the sunny areas, but there will also be red in the shadow areas, although it may be a bit bluer red or perhaps warmer depending on the reflected light.
As an artist, I only use "warm light; cool shadows" as a shorthand for color relativity and a beginning point for teaching color and light theory. Learning more about how color IS light, and the scientific ways that light changes as it interacts with objects and environments (like the reddish edge that appears right before the terminator angle, called "Diffraction") helps to introduce more complexity and understanding. Love your breakdown of the subject!
Great to see you you post this! I used to find it weird that people always refer to the artistic choice of warm light and cool shadow as some kind of rule, even though, as you mentioned in this video, that the coolness usually comes from the sky. Throughout my career, I realize that art directors use it less as a rule, but more to increase the appeal of an image, because color contrast usually makes an image more pleasing to the eye.
Hi Jeremy, I wanted to take a minute to thank you for sharing this. This "myth" of "warm light/cool shadows" and vice versa is something very widespread, and "most of the time" true and "mind blowing", when examples are on a wide open area. What people don't know is that the reason for that being true in such examples, is the direct light of the sun and the reflected light of the sky, as you explain here in a perfectly clear way. Once again, thank you very much for clarifying this!
Thank you, I learned a lot. I never had a problem with light, I just drew what I saw. When I was in school (1970's) we didn't talk about temperature. One day the instructor told me about reflected light. Never had a problem with it after that. Your doing the same as he did, strait out not hiding behind catch words. I like that, no mysteries just what is.
Sir, I wanted to thank you for your videos. I’ve been trying digital painting for years but you changed my life and opened my eyes. I’ve made more progress in a week than in all those years. Thank you so much!
This kind of content being available for free is just amazing! You are a amazing teacher, Jeremy! Its insane how a good explanation can change the way wee see the world!
I always love ultramarine-blue shadows in the snow in winter. Especially next to the orange of a sunset. No illusions about where the color of the shadows comes from on such days
Thank you for addressing and explaining this so thoroughly. I have had this conversation/argument for years, how the rule of thumb ‘warm light equals cool shadows’ is simply not true. This video is SAVED for future reference. 👍🏻😎
Color concept has been the bane of existence for me. Your channel has helped extremely in trying to understand that complexity. Thank you for all you do to help.
I am a mostly self taught artist looking to find my own path into my desired profession. My dream is to someday make movies and influence people and things through art. I’ve spent a lot of time studying outdoors, the different ways to use colors and how it affects the piece as a whole. When I graduated high school I wasn’t completely sure what it was that I wanted to do but I have found through your videos that this is what I love! Colors and light fascinate me endlessly and I completely admire the way you can use it to set vastly different atmospheres. You’re an amazing teacher! Thank you so much for the effort you put into these videos! I would love to take a course someday but I just haven’t had the time, hopefully one day I can make it happen but until then I am a lifetime subscriber to your channel!
Absolutely amazing. I’ve always had a hard time with these concepts, but you explain them so well. Would love to see a video on how light interacts with dark skin tones! Seriously one of the best TH-cam art channels.
As an art student from an eighties art school, the tutors wouldn't even help you with color mixing, because in their words; if you can't do it intuitively, you are not talented! Thank you so much for this. 😍
Excellent tutorial. As a nature and wildlife photographer, I often wrestle with adjusting White Balance when capturing images of birds and monkeys in dense Forrest cover because of this bounce light and subsurface scattering. Thank you.
Another effect I've noticed is that your brain tends to play tricks on you a bit. This is why a blue will seem brighter if you build a gradient of darker blue around it first. Most people have probably seen the tricks with a grey square in a yellow field and a purple field, and they look different. I think the brightness of the sunlight does something like that with the shadows, too. It shifts their apparent hue a little bit. The brain likes to enhance contrast. And I don't just mean brightness, but also in hue. I'd not be surprised if it were artificially making the shadow shift towards the opposite color of the lightsource, or at least, make you think it is.
That's because color is relative, in regards to how you perceive it. That doesn't mean color or light "tricks" you, YOU trick you, by not grasping the difference between color relativity in regards to perception and actual objective factors affecting color which allow you to perceive it in such a way. It's not some kind of mysticism that makes a gray appear more blue or a blue that would otherwise seem desaturated appear more saturated, bc our impression of color exists relative to other colors in our field of view. That doesnt mean the colors themselves are somehow arbitrarily arranged. This is all provable and explainable, as in the video here whereas you're just positing this kind of wonky mysticism that color makes you think things so maybe it just happens well cuz. Yeah, no. You've made no effort to even explain or demonstrate a point, rather you're just obfuscating the actual insights from this video. Your comment is baseless nonsense.
This short film is really cool and useful, but one slight drawback is that if human faces are used as examples, the semi-transparency of the skin can reveal the color of blood vessels underneath, creating an illusion of warm and cool variations under a single light source. I think it would be better to use opaque materials for the examples, such as a plaster sphere.
you are a godsend sir. I've gone through so many diff tutorials and courses, but your one video helped clear up so much about "shadow" color and temperature in general!!
I am just lucky to have run into your channel. You are one of the few best ones who enlighten me in light subject. And I highly appreciate your giving back what you have learned in those so many years of experience in the field , back into those who need your experience and valuable information into the world , I just simply say " Thank You ",, You touch onto lives somewhere on this earth planet,
When you learn to paint the painting masters will often give you this kind of advice "warm light cool shadows" because the pigment works in subtractive way, the light works exactly in the opposite way: light is additive. So no saturation in shadows. In traditional painting you can get those greys and desaturated black shadow using the subtractive color theory and mixing complementaries... maybe it's this the origin of that false myth "warm light cool shadows "... who knows 😅
Exactly this! You can darken a green with a warm red or a cool red and get very different outcomes depending on what grey you’re going for, and that goes for all the complimentary colors! This is how you shadow! Being aware of the color of the light source helps you understand what temperature you should push the color towards.(warm or cool)
The very thing I've been saying for YEEAAARRRS!!! Oh my gosh, someone else finally says it!! I've been saying shadow "color" is really just ambient lighting, aka anything that is bouncing or scattering light so that it may reach the darker areas. I have thought about doing a deep dive video on it for YEARS, now! If I ever do, I definitely want to guide folks to this video. Your demonstrations and explanations are immaculate!
the moment around 1:28 where you step forward and how it lined up roughly with the end of the previous segment in the most awesome way, that was magic, movie magic!
This is the best video on lighting I've found and sadly you're only the 2nd artist I've seen on YT who properly explains this. Your real life examples were extremely helpful! It was cool to see how much the light bounced from your hand when it was by your face (when you had the warm & blue light) and you immediately see a patch of warm light in the blue. Thank you for making such a great video with such wonderful examples!
being a cg artist for over a decade it was a bit silly for me to hear what the 'myth' was about. But, I loved the explanation on why it's not the case and what to pay attention to. Thanks for sharing your knowledge Jeremy !
Another great video. I think it is also worth mentioning that artists can exaggerate eg the temperature of the shadows in order to make the light more intense.
Once outside it is interesting to see that in the first scene you describe the wall next to you as grey, when it looks quite green - and your face predominantly the opposing colour - Magenta. This is an important concept also: An image is more often defined by what it seems rather than what it is. Perception and how to use colour theory to shape that perception towards the mood you intend is a key concept.
Thank you for your knowledge. You encouraged many people and enlightened new way of learning process every time. I hope every of your videos are hit more than million views. Please keep going and stay healthy, stay hydrated, our mentor!
Doesn't "local color" plays its part as well? Human skin can reflect virtually any color, but, let us say, synthetic vivid blue jacket can not (or can it?). So what if an object can barely reflect whatever secondary color there is?
Reflected light is more or less just a suuuuuper diffused reflection, human skin has sweat and oils and translucency which adds to the effect. So if this synthetic super blue jacket has a glossy finish it would probably show more of a tinted reflection, but best solution is to just get hold of this material and see for yourself IRL.
Yes, local color and material play a HUGE part in this too! Just more things to learn about light and color. It's all so amazing to study in my opinion
Thanks once again for this informative knowledge I'll never forget this and I'm glad I've been corrected because I was also told by many other artist that warm light = cool shadows.
According to Nathan Fowkes in his color and light class, if you have a colored light source the highlights on an object will be the color of the light source and then as the light drops off, it mixes with the local color of the object. So, with a white light source, the colors would obviously increase in saturation as the light drops off if the object isn’t white or gray. But if the light source is colored, such as red, and the object is gray, the color would drop in saturation was it approached the terminator. It appears warmer on your face when you use the yellow light source because of subsurface scattering of the skin and the warmth of blood under the skin.
It's so very kind of you to share your knowledge on this subject! I truly appreciate it very much! Thank you!!! Greetings from someone who always wants to learn🔦..... (I'm from The Netherlands) 🎨
Best description and examples that support what u are saying! Thank you bc I have looked for these answers and was tired of all these supposed rules which I found to be wrong but I am very new to art . Thank you
What a wonderful video, thank you so much! Incredibly helpful, thoughtful, informative. Especially benefitted from your visual examples of bounced, diffuse, etc. light sources.
Wow - i've been painting for 12 years and never "saw" this before. It's so obvious that secondary light makes the difference that I feel really stupid for not having seen it before. Neither have great art teachers seen it! That's astounding!
great video. maybe it’s important to mention/add that light saturation at terminator is much stronger on skin than on other matterials, due to subsurface scattering. Artists frequently add loads of saturated red or orange in that area to make skin feel alive. Of course it’s always an artistic choice :)
Loved the demonstration. Was fun to watch you point at your face and have your hand reflect light back onto the shadow side of your face! Even before you brought in the reflectors.
(Commenting before watching fully) if we take sunlight as pure white light, then the atmosphere splits white light into 2 - yellow/warm light pierces the atmosphere, and the blue/cool light is scattered. At sunset/dawn, when more atmosphere does the splitting, the colors are more pronounced. In nature, this means objects are directly lit by both yellow from the sun and blue light from the sky. Shadows are lit only by the sky. If you use an RGB/CMY color wheel and a dropper tool on a white building in any photo, you can draw a line between the color on the lit side and the shadow side and the line will pretty much always run directly through white in the center. Anything besides outdoor light is artistic, however, our brains have evolved for a very long time in natural sunlight, so we're wired for understanding this color dichotomy.
Great video. Lot of lower level art classes (in public school) teached you whatever... lot of people say "if light is yellow, then shadow is violet color". In images about space you can see it well, when planets, earth and moon are hit by sunlight... the shadow side is pitch black.. because there is no bounce light from the blue sky (or anything else)
The ‘there is no color in the shadow but the secondary light‘ things really enlightens me
Do not try and bend the spoon; that's impossible. Instead, only try to realize the truth… there is no spoon. Then you'll see that it is not the spoon that bends; it is only yourself
unintentional pun moment?
This also answers the question "what color is chrome?" The answer is, "whatever it's reflecting."
Yeah same here, a whole new world opened up 😊
This video blew my mind, I feel like I suddenly understand what I'm painting rather than just trusting a process
Perfect explanation. I was always fascinated by sky blue shadows in the snow
Yellow sunlight
dang. The blue sky being secondary light source blew my mind a little bit.
This was filmed really well and it greatly aided in my understanding of what you were talking about. Having you on screen as the presenter while the lights changed color and you changed environment was a really good choice even though it probably took forever to film.
thanks for going the extra mile it really helps.
1:28 this whole segment helps more than all of the boring spheres we usually use as shadow reference
When I was younger, I would always point out that the shadows outdoors were slightly bluish. Everyone thought I was crazy. 😊
I resonated with this video so hard aaaaaa
And I heard that when we are young our vision is better by detecting the colors, so, maybe for you when you were young it was so clear
How can a short video be so full of information and lessons? Blew my mind, many times, thank you
I spent 5 ears of my life in an art school, but none of classes there were nearly as interesting as yours! Thank you so much! I hope we get to see more of your color theory/painting/etc videos🥺
You spent 5 years at an art school? Ouch.
Cost an arm, a leg and 5 ears 👂 😂 😅
an interior designer told me something similar once. she said that the same paint or finish would look different in a room with light coming from different cardinal directions and depending on what objects were outside the window. a big tree or a lawn would cast in a lot of green colour, and that might look cooler in a room with north facing windows during the day versus in a room with west facing windows in the evening, and then adding in multiple windows or doorways, etc. great video thanks!
I had a teacher ask if the warm light makes the shadows cool then what would cool light do to shadows, I said make them warm, and the teacher laughed and said no they become even more cool. This sounded wrong but I was just a student. Years later I asked a better art teacher if they were right and he thought for a moment and said, "their answer doesn't make sense, if something is cooler than cool then than means your cool was really a warm; warmness and coolness are relative in relation to each other, your warmest color is your warm and your coolest are your cool" and I was like damn I wish you were in my class years ago
This has been extremely helpful. All too often I have come across dogmatic statements from artists and art teachers, and it's turned out that their claims apply only in some situations. But because those claims are expressed as rules, all too often people end up painting what they are TOLD is there, rather than what they OBSERVE to be there.
This video has certainly taught me to look at both the shadow side of faces and to consider what kind of light is creating the colour seen on the face - the colour temperature of the light source, the direction of light, bounced light, etc. Thank you for the thorough explanation of colours in shadows.
Jeremy, taking it outside is just another level! I've learned so much, having these real life examples makes things in my brain click. Thank you for doing all of that!!
Very helpful, I like the evidence presented to help see the reality. One other thing I noticed that has a big impact on the "shadow" colour, is the colour of the object itself. For instance, a reddish coloured cliff will of course look red on the sunny areas, but there will also be red in the shadow areas, although it may be a bit bluer red or perhaps warmer depending on the reflected light.
1:26 that is such a good transition
I read this comment before hand and still wasn't ready. I was LITERALLY startled
It's amazing when Jeremy turns on the secondary light source, the area where the warm and cool light meets, becomes purple-ish in color.
As an artist, I only use "warm light; cool shadows" as a shorthand for color relativity and a beginning point for teaching color and light theory. Learning more about how color IS light, and the scientific ways that light changes as it interacts with objects and environments (like the reddish edge that appears right before the terminator angle, called "Diffraction") helps to introduce more complexity and understanding. Love your breakdown of the subject!
Great to see you you post this! I used to find it weird that people always refer to the artistic choice of warm light and cool shadow as some kind of rule, even though, as you mentioned in this video, that the coolness usually comes from the sky. Throughout my career, I realize that art directors use it less as a rule, but more to increase the appeal of an image, because color contrast usually makes an image more pleasing to the eye.
Hi Jeremy, I wanted to take a minute to thank you for sharing this. This "myth" of "warm light/cool shadows" and vice versa is something very widespread, and "most of the time" true and "mind blowing", when examples are on a wide open area. What people don't know is that the reason for that being true in such examples, is the direct light of the sun and the reflected light of the sky, as you explain here in a perfectly clear way. Once again, thank you very much for clarifying this!
Thank you, I learned a lot. I never had a problem with light, I just drew what I saw. When I was in school (1970's) we didn't talk about temperature. One day the instructor told me about reflected light. Never had a problem with it after that. Your doing the same as he did, strait out not hiding behind catch words. I like that, no mysteries just what is.
Sir, I wanted to thank you for your videos. I’ve been trying digital painting for years but you changed my life and opened my eyes. I’ve made more progress in a week than in all those years. Thank you so much!
This kind of content being available for free is just amazing! You are a amazing teacher, Jeremy! Its insane how a good explanation can change the way wee see the world!
I always love ultramarine-blue shadows in the snow in winter. Especially next to the orange of a sunset. No illusions about where the color of the shadows comes from on such days
Thank you for addressing and explaining this so thoroughly. I have had this conversation/argument for years, how the rule of thumb ‘warm light equals cool shadows’ is simply not true. This video is SAVED for future reference. 👍🏻😎
Color concept has been the bane of existence for me. Your channel has helped extremely in trying to understand that complexity. Thank you for all you do to help.
Tremendous job of explaining light and bounce light in the shadows. Thankyou. Your videos are very helpful.
I am a mostly self taught artist looking to find my own path into my desired profession. My dream is to someday make movies and influence people and things through art. I’ve spent a lot of time studying outdoors, the different ways to use colors and how it affects the piece as a whole. When I graduated high school I wasn’t completely sure what it was that I wanted to do but I have found through your videos that this is what I love! Colors and light fascinate me endlessly and I completely admire the way you can use it to set vastly different atmospheres.
You’re an amazing teacher! Thank you so much for the effort you put into these videos! I would love to take a course someday but I just haven’t had the time, hopefully one day I can make it happen but until then I am a lifetime subscriber to your channel!
Great video as always. Learning 3D Rendering/Lighting taught me a ton regarding light and shadows for painting.
I did the opposite.. I learned a lot about colors .. light n shadow from painting to improve my 3D renderings 😊
Absolutely amazing. I’ve always had a hard time with these concepts, but you explain them so well. Would love to see a video on how light interacts with dark skin tones! Seriously one of the best TH-cam art channels.
This is a very precious, enlightening video. Thanks so much!
As an art student from an eighties art school, the tutors wouldn't even help you with color mixing, because in their words; if you can't do it intuitively, you are not talented!
Thank you so much for this. 😍
Excellent tutorial. As a nature and wildlife photographer, I often wrestle with adjusting White Balance when capturing images of birds and monkeys in dense Forrest cover because of this bounce light and subsurface scattering. Thank you.
Another effect I've noticed is that your brain tends to play tricks on you a bit. This is why a blue will seem brighter if you build a gradient of darker blue around it first. Most people have probably seen the tricks with a grey square in a yellow field and a purple field, and they look different. I think the brightness of the sunlight does something like that with the shadows, too. It shifts their apparent hue a little bit. The brain likes to enhance contrast. And I don't just mean brightness, but also in hue. I'd not be surprised if it were artificially making the shadow shift towards the opposite color of the lightsource, or at least, make you think it is.
That's because color is relative, in regards to how you perceive it. That doesn't mean color or light "tricks" you, YOU trick you, by not grasping the difference between color relativity in regards to perception and actual objective factors affecting color which allow you to perceive it in such a way. It's not some kind of mysticism that makes a gray appear more blue or a blue that would otherwise seem desaturated appear more saturated, bc our impression of color exists relative to other colors in our field of view. That doesnt mean the colors themselves are somehow arbitrarily arranged. This is all provable and explainable, as in the video here whereas you're just positing this kind of wonky mysticism that color makes you think things so maybe it just happens well cuz. Yeah, no. You've made no effort to even explain or demonstrate a point, rather you're just obfuscating the actual insights from this video.
Your comment is baseless nonsense.
Calm down honey
@@MM-qm9ldcalm down
Sooooo helpful! I have a Studio art degree since 1974 and nobody ever explained shadows to me like this!
your teaching is so good and well done! thank you so much for making this a public video for all people around the globe! :)
This short film is really cool and useful, but one slight drawback is that if human faces are used as examples, the semi-transparency of the skin can reveal the color of blood vessels underneath, creating an illusion of warm and cool variations under a single light source. I think it would be better to use opaque materials for the examples, such as a plaster sphere.
you are a godsend sir. I've gone through so many diff tutorials and courses, but your one video helped clear up so much about "shadow" color and temperature in general!!
i love you so much. i love how passionate you are when explaining this stuff. ❣
I am just lucky to have run into your channel. You are one of the few best ones who enlighten me in light subject. And I highly appreciate your giving back what you have learned in those so many years of experience in the field , back into those who need your experience and valuable information into the world , I just simply say " Thank You ",, You touch onto lives somewhere on this earth planet,
I genuinely love how you explain things, there's a reason I always refer people here lol
One of the best explanations i've seen ever about this subject matter. Really enlightening😁
Legendary channel
When you learn to paint the painting masters will often give you this kind of advice "warm light cool shadows" because the pigment works in subtractive way, the light works exactly in the opposite way: light is additive. So no saturation in shadows.
In traditional painting you can get those greys and desaturated black shadow using the subtractive color theory and mixing complementaries... maybe it's this the origin of that false myth "warm light cool shadows "... who knows 😅
Exactly this! You can darken a green with a warm red or a cool red and get very different outcomes depending on what grey you’re going for, and that goes for all the complimentary colors! This is how you shadow! Being aware of the color of the light source helps you understand what temperature you should push the color towards.(warm or cool)
Love your channel learning so much! Thank you! 🙏🏻
The very thing I've been saying for YEEAAARRRS!!! Oh my gosh, someone else finally says it!! I've been saying shadow "color" is really just ambient lighting, aka anything that is bouncing or scattering light so that it may reach the darker areas. I have thought about doing a deep dive video on it for YEARS, now! If I ever do, I definitely want to guide folks to this video. Your demonstrations and explanations are immaculate!
please never stop spreading your knowledge. an amazing teacher.
I think deep down I knew this but not actively enough to understand its implications. Tysm!
the moment around 1:28 where you step forward and how it lined up roughly with the end of the previous segment in the most awesome way, that was magic, movie magic!
I love your channel, I love lighting and I learn so much from your videos. Great work!
I always learn so much from your videos. You are a great teacher
This is the best video on lighting I've found and sadly you're only the 2nd artist I've seen on YT who properly explains this. Your real life examples were extremely helpful! It was cool to see how much the light bounced from your hand when it was by your face (when you had the warm & blue light) and you immediately see a patch of warm light in the blue. Thank you for making such a great video with such wonderful examples!
being a cg artist for over a decade it was a bit silly for me to hear what the 'myth' was about. But, I loved the explanation on why it's not the case and what to pay attention to.
Thanks for sharing your knowledge Jeremy !
Really awesome to see so many practical examples in nature, I still got so much to learn. Such a helpful demonstration!
You are always such a good teacher. You break down complex subjects so well in a way that they make sense. Thank you!!!
Another genuinely insightful and helpful lesson! Thank you!!!
As a non-artist - this is the most helpful video on light and shadows that I have seen. Thank you.
you always say things that really change our view entirely I never thought of it that way till now, thank you so much Jeremy 🙏❤
I'm so glad to be alive to see this video! Thank you for making it, brilliant and very helpful!
Another great video.
I think it is also worth mentioning that artists can exaggerate eg the temperature of the shadows in order to make the light more intense.
Once outside it is interesting to see that in the first scene you describe the wall next to you as grey, when it looks quite green - and your face predominantly the opposing colour - Magenta.
This is an important concept also: An image is more often defined by what it seems rather than what it is. Perception and how to use colour theory to shape that perception towards the mood you intend is a key concept.
Thank you for your knowledge. You encouraged many people and enlightened new way of learning process every time. I hope every of your videos are hit more than million views.
Please keep going and stay healthy, stay hydrated, our mentor!
Doesn't "local color" plays its part as well? Human skin can reflect virtually any color, but, let us say, synthetic vivid blue jacket can not (or can it?). So what if an object can barely reflect whatever secondary color there is?
Reflected light is more or less just a suuuuuper diffused reflection, human skin has sweat and oils and translucency which adds to the effect. So if this synthetic super blue jacket has a glossy finish it would probably show more of a tinted reflection, but best solution is to just get hold of this material and see for yourself IRL.
Yes, local color and material play a HUGE part in this too! Just more things to learn about light and color. It's all so amazing to study in my opinion
I would love to learn more about the different kind of lights and how to better use the soft light! Thank you
Thanks once again for this informative knowledge I'll never forget this and I'm glad I've been corrected because I was also told by many other artist that warm light = cool shadows.
Thank you for what you do. You’re really helping me be more intentional with my color and lighting choices!
Very helpful. Thank you.
Excellent tutorial!!! Covered so much as efficiently as possible. I want to know what lighting system you’re using!?!? Incredible demonstrations 👏
excellent demonstrations, great stuff Jeremy 👏
Extremely helpful. I need to rewatch about 50 times.
What "warm light cool shadows" or vice versa does do, is provide additional contrast, which is a solid artistic choice
what a gorgeous and so well made video. I'm in awe. Thank you so much for spreading your invaluable knowledge!
Oh gosh this is the BEST color-lighting theory explanation video I’d ever seen!!!
Thanks so much for the video!!❤
Love your video! Thank you so much for sharing your knowledge.
Excellent, live-example way to demonstrate the concept!
Fantastic! I love the hands on and practical applications to your explanations
This was fascinating. And the explanation of real examples was highly instructive. Thank you very much for this excellent tutorial.
According to Nathan Fowkes in his color and light class, if you have a colored light source the highlights on an object will be the color of the light source and then as the light drops off, it mixes with the local color of the object. So, with a white light source, the colors would obviously increase in saturation as the light drops off if the object isn’t white or gray. But if the light source is colored, such as red, and the object is gray, the color would drop in saturation was it approached the terminator. It appears warmer on your face when you use the yellow light source because of subsurface scattering of the skin and the warmth of blood under the skin.
It's so very kind of you to share your knowledge on this subject! I truly appreciate it very much! Thank you!!! Greetings from someone who always wants to learn🔦..... (I'm from The Netherlands) 🎨
amazing and valuable knowledge for visual artists :)
Absolutely amazing teaching. This finally made it click. Thank you soooooo much!
Best description and examples that support what u are saying! Thank you bc I have looked for these answers and was tired of all these supposed rules which I found to be wrong but I am very new to art . Thank you
awesome, thanks for taking us on a little lighting adventure in the forrest!
Excellent analysis! You have destroyed the myth!
Fantastic presentation aids in the video, really drove the point home so easily.
What a wonderful video, thank you so much! Incredibly helpful, thoughtful, informative. Especially benefitted from your visual examples of bounced, diffuse, etc. light sources.
Wow - i've been painting for 12 years and never "saw" this before. It's so obvious that secondary light makes the difference that I feel really stupid for not having seen it before. Neither have great art teachers seen it! That's astounding!
great video. maybe it’s important to mention/add that light saturation at terminator is much stronger on skin than on other matterials, due to subsurface scattering. Artists frequently add loads of saturated red or orange in that area to make skin feel alive. Of course it’s always an artistic choice :)
This is the channel I've been looking for. Thank you.
This was helpful! Really useful information
Fantastic explanation. Love the shadows are black until a light source effects those shadows introducing color. Great video.
Loved the demonstration. Was fun to watch you point at your face and have your hand reflect light back onto the shadow side of your face! Even before you brought in the reflectors.
More knowledge in this video then i ever got in 3 years of art college. Hope this video blows uo your channel
Thank you so much for your efforts in making and sharing this. Your profundity on the subject shines through your words (pun intended).
Great content, very well presented. The excellent demos also helped me realise that secondary lighting is critical to the mood of a piece.
I think you just blew my mind
This video is a pure miracle. Thank you so much!
(Commenting before watching fully) if we take sunlight as pure white light, then the atmosphere splits white light into 2 - yellow/warm light pierces the atmosphere, and the blue/cool light is scattered. At sunset/dawn, when more atmosphere does the splitting, the colors are more pronounced.
In nature, this means objects are directly lit by both yellow from the sun and blue light from the sky. Shadows are lit only by the sky.
If you use an RGB/CMY color wheel and a dropper tool on a white building in any photo, you can draw a line between the color on the lit side and the shadow side and the line will pretty much always run directly through white in the center.
Anything besides outdoor light is artistic, however, our brains have evolved for a very long time in natural sunlight, so we're wired for understanding this color dichotomy.
This video is brilliant oh my god, I really appreciate the way you demonstrate the things you talk about
Thank you very much for sharing some light.
The kind of light you share is very bright 👌🏻.
This is super cool, I'm going to watch more of your vids from a filmmaking perspective! Loved the examples
Great video. Lot of lower level art classes (in public school) teached you whatever... lot of people say "if light is yellow, then shadow is violet color". In images about space you can see it well, when planets, earth and moon are hit by sunlight... the shadow side is pitch black.. because there is no bounce light from the blue sky (or anything else)