Composing Orchestral Music | Cubase Tutorial | How To Compose Music | Spitfire Appassionata Strings
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- เผยแพร่เมื่อ 5 ก.ย. 2024
- In this Composing Tutorial we will create a huge orchestral track starting with a simple piano melody. I will show you some usefull features of Cubase, the libraries that I used and also some mixing plugins during the video!
You can download the MIDI File here: www.buymeacoff...
The tutorial is intended to anyone who is passionate about music composition but also to other composers to give some insight in my personal workflow.
This is part 1 of 2 and I will soon add the second part...
I hope you will enjoy the video! :)
If you have any questions or suggestions, please comment below!
🤗 You are always welcome to connect with Phantasia Music:
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📸 Instagram - / phantasiamusic
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🎻 Sample Libraries:
- @spitfireaudiollp Spitfire Appassionata Strings
- @spitfireaudiollp Spitfire Symphonic Strings
- @NativeInstruments Noire
💿 DAW: Cubase Pro 11
🎹 Midi Keyboard: Akai MPK249
You amazing man. Simple and Easy to understand.
That’s so good to hear!!:) Thank you for your positive feedback - I really appreciate it!😊
Strings sound better layered. Thanks for tutorial! Can't wait part 2
That’s exactly what I think!😊 Thanks for your comment Maksym!
Great job Tom love the melodic structure and pacing best wishes Phil 👍
Thanks Phil!!😊🎉 Always a great pleasure to hear from you!;)
Very nice use of notes 🙂
Beautiful progressions. Well done.
I’m new to orchestral composing so will add the instrument layout to my template 🙂
That’s great to hear!:) Thank you so much for your valuable feedback!!😊
Hi, very good tutorial. Monophonic orchestration is a good place to start when you're first learning. I would be very interested in how your melody would sound in polyphonic or homophonic orchestration.
Thanks a lot Frank!! Great to hear that you like the Tutorial!;)
really helpful. Thanks
Thank you Craig!!;)
Thankyou.. Really good and informative video. Could have also shared about the negative track delays that were set up in the long patches!! -150 ms for longs as far as I could see 😊
Thanks - great to hear that!:) Yes the track delay depends on the library. For Appassionata I‘ve set it to -150 ms.
Really helpful! Thank you!👍
Thanks for your kind feedback! You’re welcome mate!;)
Great tutorial and very nice track ❤
Many Thanks Mark!! Great to see you around!:)
Great Job thanks Tom! 😁
Thanks Ezra!;)
geiles Zeuch...bitte mehr davon......great Stuff ;)
Haha Danke Dir!!😅
@@PhantasiaMusic gerne, bin selber anfangender Anfänger da is so zeuch sehr hilfreich und gut..daher gib gib gib...;)
Awesome 👏😍
Thank you Elizabeth!😊
great work !Now i gotta watch a tom hanks movie
Haha Thanks a lot Lopez!;) That’s always a great choice!😊👍
Thanks for your tutorial, very informative! I was also thinking about getting the Appassionata Strings. I think layering them with the BBCSO will sound amazing!
Hi Juliano,
I can definitely recommend the Appassionata Strings! I don’t have BBCSO but I‘m sure they blend well! Thanks for your kind comment!:)
Cool, Danke !
Gerne! Danke für dein positives Feedback!!:)
Laying always sounds better unless you’re going for a chamber vibe😊
That’s true!:)
Great melody! Just try to use less parallel motion. Strings should move in opposite directions to the bass line when possibile. Use some counterpoint inside the voices to try create more movement inside the chords. Parellel motion is great in some epic scenarios, but it sounds a bit boring and scholar otherwise. :)
Thanks a lot for your feedback Lindsey! I really appreciate it!:)
Nice ❤️❤️❤️👌👌👌
Thank you!!:)
21:36 The "M" mix, that's just "Tree" in the newer version of the library?
No unfortunately not! The Medium Mix is not the same as the Tree mic and not available in the newer Spitfire Symphony Orchestra. These mixes only exist in the Professional version of SSS.
❤❤❤
Thank you Ilya!!🤗
Great job! Kindly show me the Chord Progression pattern. I'm purey new learner.
Thanks a lot for your kind comment!🤗 You can see the chord progression at the beginning of the video on my piano track!;)
Vielleicht wechsel ich auch wieder zu Cubase. Welche Einsteigermöglichkeiten gibt es bei Steinberg? Und noch eine Frage: kann man die angeschlagenen Tasten in der Pianoroll auf der Tastatur sichtbar machen?
Dies zu den Fragen ;)
Klasse Piano-Sketch und ich bin gespannt, wie's weitergeht! Echt sehr hilfreich dein Tut! 😉😍
Doch noch eine zweigeteilte Frage (deswegen ist dieser Kommentar bearbeitet): a.) wie viele Instanzen kannst du laden, bevor dein Computer schlapp macht - und b.) ich finde es für mich persönlich besser, wenn nach und nach die einzelnen Instrumente die Bühne betreten. Weißt du, was ich meine? ... So, jetzt bin ich still und höre zu 🙂
Hi Frank,
bei Cubase gibt es noch die Elements und die Artist Version, ich weiß aber nicht genau, welche Features diese bieten, da ich schon immer mit der Professional Version arbeite.
Und ja die angeschlagenen Tasten siehst du in Cubase schon, wenn du in dem jeweiligen Key Editor bist - falls ich dich richtig verstehe.
Danke für dein positives Feedback!🤗 Freut mich zu hören!:)
Und ich gebe dir völlig Recht - in einem normalen Stück kommen die einzelnen Instrumente natürlich nach und nach, aber in dieser Sequenz wollte ich die volle Power auf einmal entfesseln!😅
Mittlerweile habe ich meinen PC upgegraded und stoße seitdem nicht mehr an ein Limit bezüglich der Spurenanzahl!;)
@@PhantasiaMusic Danke dir für die ausführliche Antwort : )
Ich würde den Track gerne als Übung nachbauen.
Kannst du mir sagen welche Tonart das ist, die Auflösung ist nicht so dolle und daher kann ich das nur schwer entziffern, oder noch besser hast du Noten für den Piano part ? Grüße.. :-)
Hi Bernd, der Track ist in E-Dur. Du kannst aber die Auflösung einfach höher stellen, dann solltest du die einzelnen Pianonoten problemlos lesen können!;)
Hi, i answer in english now, so to serve more people access to my question and your answer: I have the plan to rebuild your track just for exercise reasons. I am quite an experienced piano player ( not a professional musician ) I inputtet the exact notes i see in the video in your editor-, in my cubase editor via step input but the result sounded not very pleasing. It sounded somewhat robot-like, i also did set the same setting for quantization. but it still doesen`t sound like your very beautiful piano part. I know this video is more about orchestrating and developing the entire track, but is there a chance, you can make a video on how you start the piano track only from scratch. ? You said that you use the NOIR Piano from NI, i did the same but it sounded very diffrent, also in your editor there is a g and a gis ( g# ) and a f and a fis ( f#) written out, but they are on the exactly same editor-line. When playing in e-major there is not really g or f to be used !?! I think many people would be intrested in how exactly you really construct the piano part only.. do you use step input , or do you play it in with a midi controller ? Please don`t get me wrong i really love your work, but i want to fully understand the process to be able to tecnically develop my own ideas once they are worked out on the real acoustic piano.. Thanks a lot and best Regards.. Bernd 🙂@@PhantasiaMusic
Hi Bernd, I don’t think that I will make another video only for the piano part at the moment. But maybe I can show my process on the piano in my next composing tutorial in more detail!;) Have you tried to use the sustain pedal as well? I always record my instruments using a midi controller (mostly CC 1 and CC 11).
1:50 I think you meant disable :)
😅😅 Yes absolutely!!🙈
@@PhantasiaMusicHi Thomas! Render in place is also one solution for less cpu stress. How are you?
Thanks for that tip Daniel!😊 I‘m doing fine - hope you too?;)
@@PhantasiaMusic Thank you for the question! I am able to be normal. That's unpopular and safe. Yes! Regarding the topic...no matter how great the Cpu or the SoC is, always the bouncing keeps it down.