Between filming and releasing this video a few people mentioned running into bugs with this plugin, for instance the sound altering when enabling oversampling. From what I’ve read, these bugs are platform, OS and DAW specific. If you are considering to buy this plugin, proceed with caution, and do a good rundown with the demo version before putting down your hard earned money towards it.
@@atodak_ Yeah, like cutting one's head of as a personality trait. No really, I challenge you to present me a song where aliasing demonstrably gives something to the song instead of takes away.
@@pjuliano9000is there actual harmonic emulation in this (because in their EQ they specifically mention “it’s just the same slope curves” not actual analog modeling)?
Sam from the oversampling vid here, glad to see more devs embracing ADAA! It can be tricky combining it with oversampling and getting all the combos right, but it's really promising to see stuff like this happening. Let's get more mathematicians obsessed with DSP!!
Tested this and I've never got on so well with compression before. Not sure if it's the interface, the lack of aliasing, the transient controls... I could get to the sound i wanted quicker than any other plugin I've used. Love it
I have their Kirschoff EQ... and I can see they've included Lookhead, which can be amazing in shaping the envelope of how it all works. amazing that other companies don't include this.
Thing is, Im going straight to buy this, not just because it looks like the ultimate compressor, but because the stamp of approval from Wytse holds so much value. cant really say that about many audiotubers these days. Keep rocking!
The one thing that I can say about this and the Kirchhoff EQ is that they are both much less CPU efficient compared to Fabfilter. This and the missing overlapping spectrum and EQ matching features are some of the only reasons to still use Fabfilter over TBT, imo
I demoed this today and A n B’d it with a few compressor plugins. I concluded that I don’t need it and there are a ton of amazing sounding compressors in the box that I own that sound better and much easier to use. I think if you were much more into plugins, top quality ones, and knew the great sounds of all of the available plugins out there…you would realize that this plugin isn’t a big deal. Also for me personally, any plugin that comes through plugin alliance, which I own many of, never ends up in my workflow and they don’t sound good to me for some reason. Who ever’s ears are deciding what sounds good in that company…I think has bad taste. Just my opinion.
haha I totally agree with you on the PA "sound." It never makes it to my mix bus, and I have a few. Have you tried Acustica Tiger ultra for compression? I have Tokyo Dawn and like it, but the thing that's interesting about the acustica compression is how it includes multiple models of compression to experiment with. For me, it's a lot about workflow and that is not something acustica is good at.
@@HZZKN I think of it by companies. PSP, UAD, McDSP, SONNOX, Metric Halo, Fabfilter, Kush, Softube, Overloud, Pulsar, Waves, etc etc. All these companies are great and forgetting some. As for a transparent Mix bus compressor/limiter. I use different ones. ML4000 (Mcdsp), Oxford Limiter (Sonnox), Bus Compressor (Ik multimedia), PSP Old Timer MB, PSP Xenon, Fabfilter L2, and some others I’m forgetting. A new one I like a lot is by Tone Projects called Unisum, extremely transparent in a musical way…like that one a lot. I use one or two of these very lightly on the mix bus with a few tape/saturation plugins that also are doing some tape like compression and saturation, and some subtle mastering eq.
Hi Wytse, your videos are so helpful and fun to watch. At 1:22, you refer to 'this video', (upper right corner of screen,) but there doesn't seem to be a link there, to reach the video.
youre just the most amazing and perfect plugin and gear reviewer ive come across!!! just wish sometimes you would offer more mainstream music like when you demo products.. no complain after all! enjoy your content!!
clamping is a technique to set a range where compressor is told to dial in, for example when you attenuate 30%, it only compresses 30% of this amount in a specified frequency range, I could be wrong, but this is how I would explain it most commonly, correct me if I'm wrong, comment for more clearance please
Thank you for the quick overview review - helpful! It’d be good if you could compare it, at least your thoughts, with its obvious alternatives (Sonible, Fabfilter) like what is better/worse for example. Anyway - another helpful video, thank you!
I've been following you for a few years and this is the first time I've see your desk. Beautiful! May I ask, what is the name of you desk? Brand and model?
Bug testing pending it seems... this plugin, if you are starting out, should become your in-box compressor. If you can take the time to learn it, you'll very very rarely will need another compressor. I have to test it properly myself first, so my opinion is on what I'm hearing now, and White Sea's opinion. I'm going to be starting a setup again... really must put this one to the test
Had an overhead where the floor tom had this really loud "click" on every hit for some reason. I had played around to fix it for a while, without being able to completely remove this clicky transient. I got this and I was able to remove the click in like 5 minutes. Now I think I have to buy it...
the plugin doctor video has some "issues" (via: White Noise Studio in his video) but i feel like he was reaching.. wed love to see a revisit of this and let us know your longer term thoughts and the function/use.
Every plugin that the little TBT team has made is AWESOME, the most recent proof is Kirchoff EQ, and now they complement their EQ Swiss Army knife, with this compressor. But they don't only make plugins, but also virtual instruments, despite the fact that, it seems they have abandoned that section (unfortunately) their instruments, even today, they sound SUPERIOR to most alternatives... Especially his virtual guitar Heavier7Strings makes a mockery of solutions such as Ample Sound, Orange Tree and Shreddage
I see they make a saturation plugin but it looks extremely old, like an old 32 bit plugin. If they’d either update this or better yet, build a new one- and maybe a Limiter than incorporates this technology, then they could be very well positioned against FF and even Sonible as an industry standard toolset. I could also imagine a stripped down version of this very plugin as a de esser, and now we have a whole suite of
The first 2 bars without compression was indeed too much at around 250hz for the bass. From my prospective it was compressed too much until the end.. transients didn't break through.. anyway thanks for the test and seems to be a great plugin.. definitely to try and buy
This looks really cool! Think I'm gonna check this out even though I had a lot of issues with Plugin Alliance plugins, but I think these guys coded the plugin themselves
I agree it's worh checking out - and btw ti have issues with PA plugins is rather too unspecific as PA plugins actually come from different companies under the hood of PA.
iIthink its the same company that makes the Kirchhoff EQ wich is AWESOME in my opinion ,so im expecting great results with the compressor unit as well:) Have not tried it yes, but def will!!!
I'm so stoked to see finally a plugin from my home country China could be recognized by the world. Three-Body Technology are super technical and serious about details, and they are integrating a universal mixing concepts, whether it's analog modelling or pure digital precision, makes it suitable for any genre and any scenerieos. Their Kirchoff EQ is also amazing.
If it's too hard for you to read 2 sentences for 4 knobs in a manual, then I understand your concern. Nobody has time in 2024 to read how things work. It's better to keep buying "the magic" every 6 months from a different developer.
I've already read the whole manual. I'm trying to get stuff done, not spend half an hour tweaking a single compressor instance. Also, why even bring up that last point? I'm quite clearly _not_ buying the shiny new thing, I'm using the industry standard. What are you on about?
@@tonogramif you read the manual, you should FULLY understand this plugin. It's not rocket science. The plugin itself literally has tooltips that tell you what each thing does, when you hover over it 😂
@@tonogramWhat's your point? There's no such thing as an "industry standard" compressor. And it takes only 2 minutes to figure out what those additional options do...
Only for the 2x and 4x. Even with Reaper's oversampling, the 8x and 16x shows problems between the 9-10 and 1-2 o'clock position on the dry/wet mix. TBT is working on it though.
And this is it. That's what you said when you tested DMG Trackcomp because you loved it's simplicity. No knobs. "Simple, streamlined interface". Did someone finally do it right?, you titled the video. And now, facing a high time consuming learning curve plugin, for a compressor, you do not throw it directly to the bin, and even ask for more time? 😮
From another site: Buggy AF. 1. Something weird with the Oversampling. Only 2X working. a) 4X starting to sound a little weird, can be heard in delta. high end bump or something. b) 8X, there's some obvious high frequency artifact. Filtering problem. b) 16x, now it affect low end too, huge portion of low end gone. the high-end artifact still there. 2. Hold will reset its value upon closing and reopen the GUI. The value reset itself on the GUI only. The settings somehow stays. (Confirmed it with Reaper non-graphic UI view) Note that it's v1.0.0 here. ------------------------------------------------------------------------------------------------------------- About the modeled compressor all of them sound pretty decent and has that specific character of each of those comp. The saturation is different for each, I'm guessing the default minimum value of Odd/Even is the modeled saturation of the unit. User can add Even harmonics on top of it, some tube comp has Even harmonics by default, adding more Even on top of it will create interaction that will simulate a "pushed tube" style of saturation where the Odd starting to come out as well. Apart from that each modeled compressor has static transfer curve. The ratio, attack, release wont affect the shape of it at all, the knee are all static. As an example, you can't get the "Opto" mode of Distressor at Ratio=10, the G-Bus knee static and wont soften/harden when you change the ratio, pushing levels or threshold doesn't affect tube comp like Fairchild and Vari-Mu ratio/knee as well. No Thrust for the 2500 but you get both FF/FB mode. You get at the very basic of their characters, not full behavior. I think only the LA2A gets its multi-stage att/rel behavior according to the video at PA yt channel. A dBx still pop out the transient like a dBx should, 1176 smashing but full of discipline, Distressor on snare sounds like a Distressor on snare. The Neve phat as usual. I'd say it gets atleast 70% of the sound of them right. It's good enough for me. I like it. Compression character is polite and clean, if compared with other vintage hardware emulations. It sounds pretty decent and very much usable for everyday mixing task. You get to experiment and it might add some fun value to it as well. CPU usage is low. Easy to use. Comes with some handy controls like Punch, Pump and Hold that Pro-C2 doesn't have. Interesting new transient management functions like Clamp and De-Click are fresh innovation for compressors in plugin land. There are 12 other unique modes that is task specific, didnt try them just yet. Maybe some other day. Autogain still suck ass, but it will improve in the future I think.
Between filming and releasing this video a few people mentioned running into bugs with this plugin, for instance the sound altering when enabling oversampling. From what I’ve read, these bugs are platform, OS and DAW specific. If you are considering to buy this plugin, proceed with caution, and do a good rundown with the demo version before putting down your hard earned money towards it.
Do we know which OS and DAW are problematic?
@@AokiKatsumata no
I’ve passed this feedback to the engineering team for them to look into.
Update: the developer is working on a couple of bugfixes based on this feedback and input from other customers.
Thank you both
5 years from now: "Is your sound too clean? Add the warmth of vintage aliasing and classic undersampling with our toaster- emulation plugin.
🤣
I really hope aliasing never gets the same cult or legend status as analog distortion and crackling.
lol oh honey that's literally the past 5 years. the kids love their 12-bit sampler grit.
it's me. i'm kids. i've been kids all along.
Aliasing could also be considered character
@@atodak_ Yeah, like cutting one's head of as a personality trait. No really, I challenge you to present me a song where aliasing demonstrably gives something to the song instead of takes away.
We need Dan Worall on this
agreed
Indeed.
I own many outboard compressors, and I was not hearing the colors change
@@pjuliano9000is there actual harmonic emulation in this (because in their EQ they specifically mention “it’s just the same slope curves” not actual analog modeling)?
Mixing with Mike has a very detailed tutorial.
Sam from the oversampling vid here, glad to see more devs embracing ADAA! It can be tricky combining it with oversampling and getting all the combos right, but it's really promising to see stuff like this happening. Let's get more mathematicians obsessed with DSP!!
The team has now shipped a bugfix update (v1.0.1 which fixes an issue with the oversampling feature)
That sandstorm track keeps on being better each video 👌
Glad you like it 🙂
Tested this and I've never got on so well with compression before. Not sure if it's the interface, the lack of aliasing, the transient controls... I could get to the sound i wanted quicker than any other plugin I've used. Love it
I have their Kirschoff EQ... and I can see they've included Lookhead, which can be amazing in shaping the envelope of how it all works. amazing that other companies don't include this.
Thing is, Im going straight to buy this, not just because it looks like the ultimate compressor, but because the stamp of approval from Wytse holds so much value. cant really say that about many audiotubers these days. Keep rocking!
It does seem like everybody says don't get addicted to plugin buying and then another compressor appears and everbody is going delirious! 😁
That's how he makes money..
who said we are buying? xD
I wouldn’t say “everybody”. It’s his job to do this
Another Compressor. Or another Delay. Or another Reverb...
i'm surpised it sounds really, really smooth. In a very natural way. Will check it out!
The one thing that I can say about this and the Kirchhoff EQ is that they are both much less CPU efficient compared to Fabfilter. This and the missing overlapping spectrum and EQ matching features are some of the only reasons to still use Fabfilter over TBT, imo
Love to see more content about this plugin
My alarm goes off whenever I hear the word "ultimate" 😂
was using this word before releasing, but finally choosed to use "most advanced" ... 🤣
I bought this yesterday, the main attraction was fast release times with little distortion. Very intriguing!
Is it better than fircomp?
@@ThalamusGhipopotamus i have no clue. I have Firecomp, but havent used it yet. I need to though so I know!
Really like the different shot angles
I’m actually more curious about your use of this vs Smart:Comp (or maybe your use of Smart vs Manual comps in general).
I love how it’s utilizing all the screen real estate with useful metering or detailed parameters.
Try the glue preset and tweak from there, amazing compressor indeed.
I don't use any presets except my own. Can only become better by doing everything myself.
Cool track. I'm not sure it was identified correctly. It's "Do you want to come over?" by Andreas Dahlbäck. -Tom
Wow! Something you like...I am blown away and you are actually smiling bigly! Ow'kay...I am sold!
I wouldn’t mind seeing a tutorial from you man. It’s fun to watch you work.
I demoed this today and A n B’d it with a few compressor plugins. I concluded that I don’t need it and there are a ton of amazing sounding compressors in the box that I own that sound better and much easier to use. I think if you were much more into plugins, top quality ones, and knew the great sounds of all of the available plugins out there…you would realize that this plugin isn’t a big deal. Also for me personally, any plugin that comes through plugin alliance, which I own many of, never ends up in my workflow and they don’t sound good to me for some reason. Who ever’s ears are deciding what sounds good in that company…I think has bad taste. Just my opinion.
haha I totally agree with you on the PA "sound." It never makes it to my mix bus, and I have a few. Have you tried Acustica Tiger ultra for compression? I have Tokyo Dawn and like it, but the thing that's interesting about the acustica compression is how it includes multiple models of compression to experiment with. For me, it's a lot about workflow and that is not something acustica is good at.
What are somebof your favorites IT B that beat this sonically?
@@HZZKN I think of it by companies. PSP, UAD, McDSP, SONNOX, Metric Halo, Fabfilter, Kush, Softube, Overloud, Pulsar, Waves, etc etc.
All these companies are great and forgetting some. As for a transparent Mix bus compressor/limiter. I use different ones. ML4000 (Mcdsp), Oxford Limiter (Sonnox), Bus Compressor (Ik multimedia), PSP Old Timer MB, PSP Xenon, Fabfilter L2, and some others I’m forgetting. A new one I like a lot is by Tone Projects called Unisum, extremely transparent in a musical way…like that one a lot. I use one or two of these very lightly on the mix bus with a few tape/saturation plugins that also are doing some tape like compression and saturation, and some subtle mastering eq.
Tutorials are always good, when it comes to worthwhile tools like this. Thanks for another great video.
Thanks for the look at this - love the channel and your perspective. Well done as usual
Hi Wytse, your videos are so helpful and fun to watch.
At 1:22, you refer to 'this video', (upper right corner of screen,) but there doesn't seem to be a link there, to reach the video.
Pönch ör Pömp that's the question
youre just the most amazing and perfect plugin and gear reviewer ive come across!!!
just wish sometimes you would offer more mainstream music like when you demo products.. no complain after all! enjoy your content!!
clamping is a technique to set a range where compressor is told to dial in, for example when you attenuate 30%, it only compresses 30% of this amount in a specified frequency range, I could be wrong, but this is how I would explain it most commonly, correct me if I'm wrong, comment for more clearance please
Yes please make a tutorial on this, that would be much appreciated !!!
Sounds a bit like an FIR compressor with well thought out work flow. Having FF/FB on a knob is aces (as is channel linking).
Thank you for the quick overview review - helpful! It’d be good if you could compare it, at least your thoughts, with its obvious alternatives (Sonible, Fabfilter) like what is better/worse for example.
Anyway - another helpful video, thank you!
does the lookahead have fir smoothing?
This is madness, this is genius!
This compressor is incredible, it sounds fantastic and the clutch feature is just beautiful!!
From the distance it sounds smooth and natural
I've been following you for a few years and this is the first time I've see your desk. Beautiful! May I ask, what is the name of you desk? Brand and model?
Custom built
Speaking of compressors, is LOLcomp snake oil?
Bug testing pending it seems... this plugin, if you are starting out, should become your in-box compressor.
If you can take the time to learn it, you'll very very rarely will need another compressor.
I have to test it properly myself first, so my opinion is on what I'm hearing now, and White Sea's opinion.
I'm going to be starting a setup again... really must put this one to the test
So they just released a 3body problem TV series and now we get software with the same name.
So what's going on here then?
Think this is well worth a try , very impressive setup
i don't see rme adi-2 pro fsr in your studio, did you drop it for something else, and if yes, why? Planning of buying one to upgrade my sound
I saw the length of the video and immediately got the demo 😂
Had an overhead where the floor tom had this really loud "click" on every hit for some reason. I had played around to fix it for a while, without being able to completely remove this clicky transient. I got this and I was able to remove the click in like 5 minutes. Now I think I have to buy it...
4:06 a what? omg that's so good
Finally someone made a compressor plug-in!
I agree with everything, this thing is really, really good and it´s still easy to use.
Yes. This is Actually the BEST. Wow.
the plugin doctor video has some "issues" (via: White Noise Studio in his video) but i feel like he was reaching.. wed love to see a revisit of this and let us know your longer term thoughts and the function/use.
Danworrallize it! Thx for all these reviews, you're awesome. Greatings from Argentina!!
You should make another video where you compare this with Sonible's Smart Comp
I would also like to see a guide for this polagin, because it is interesting, thx for vid
Every plugin that the little TBT team has made is AWESOME, the most recent proof is Kirchoff EQ, and now they complement their EQ Swiss Army knife, with this compressor. But they don't only make plugins, but also virtual instruments, despite the fact that, it seems they have abandoned that section (unfortunately) their instruments, even today, they sound SUPERIOR to most alternatives... Especially his virtual guitar Heavier7Strings makes a mockery of solutions such as Ample Sound, Orange Tree and Shreddage
I see they make a saturation plugin but it looks extremely old, like an old 32 bit plugin. If they’d either update this or better yet, build a new one- and maybe a Limiter than incorporates this technology, then they could be very well positioned against FF and even Sonible as an industry standard toolset. I could also imagine a stripped down version of this very plugin as a de esser, and now we have a whole suite of
Yes please to a tutorial. Thanks! Pax
Was there any autogain on/off in this video?
you mess with any red sound plugins?
The first 2 bars without compression was indeed too much at around 250hz for the bass. From my prospective it was compressed too much until the end.. transients didn't break through.. anyway thanks for the test and seems to be a great plugin.. definitely to try and buy
This is the same people that did Kirchhoff EQ.
I have this plugin as part of the Plugin Alliance Mega Bundle subscription but I have to play with it more
Insert Dan Worrall video now!! Thanks for the video
what display are you using in your studio?
Oh sh... this I am actually going to buy.
I'm hoping Sonible can incorporate some of this anti aliasing tech into their smart comp
thank you for this, and yes: another video about it!!!
This looks really cool! Think I'm gonna check this out even though I had a lot of issues with Plugin Alliance plugins, but I think these guys coded the plugin themselves
I agree it's worh checking out - and btw ti have issues with PA plugins is rather too unspecific as PA plugins actually come from different companies under the hood of PA.
iIthink its the same company that makes the Kirchhoff EQ wich is AWESOME in my opinion ,so im expecting great results with the compressor unit as well:) Have not tried it yes, but def will!!!
Would have loved to hear about CPU load and stuff
Super Low. Basically none.
Noob question here but don’t we want distortion so we get a phatter sound like on the analog compressors?
Yes, but you want to choose which kind of distortion. Which is the reason why there's a billion saturators and colorbox plugins out there.
I'm so stoked to see finally a plugin from my home country China could be recognized by the world. Three-Body Technology are super technical and serious about details, and they are integrating a universal mixing concepts, whether it's analog modelling or pure digital precision, makes it suitable for any genre and any scenerieos. Their Kirchoff EQ is also amazing.
i saw this on beta dl a bit ago and have been waiting for you to do this lol with a quick demo on the beta i thought it was very promising
hooooooow did you find it???!!! Incredible!!!
This plugin made me appreciate the simplicity of FabFilter's designs.
If it's too hard for you to read 2 sentences for 4 knobs in a manual, then I understand your concern. Nobody has time in 2024 to read how things work. It's better to keep buying "the magic" every 6 months from a different developer.
I've already read the whole manual. I'm trying to get stuff done, not spend half an hour tweaking a single compressor instance.
Also, why even bring up that last point? I'm quite clearly _not_ buying the shiny new thing, I'm using the industry standard. What are you on about?
@@tonogramif you read the manual, you should FULLY understand this plugin. It's not rocket science. The plugin itself literally has tooltips that tell you what each thing does, when you hover over it 😂
@@tonogramWhat's your point? There's no such thing as an "industry standard" compressor. And it takes only 2 minutes to figure out what those additional options do...
Jeez, all he said was he liked the simplicity of fabfilter's design. Calm down 😂
please review the BBE Sonic Maximizer Plugin !!
Tutorial sounds fun
Reminds me of DMG’s “Compassion”.
Crhis may' can clearify (from AirWindows) what clamp means he made comp-saturatior which also have clamp... I also did'nt know...
Excellent review just bought thx
He finks he found the ultimate compressor plugin
Could I humbly request you mention latency when reviewing plugins? Latency may not matter when mixing. But when producing it’s a deal breaker.
Boottom line, Fab C2 sound much better. After that comparison, I stopped even thinking about the plugin
When they come up with the Reverb…👌
It wont be long before hardware catches on.
Imagine the sounds from phsical componants?
Nice track, who was the artist and track name? Darude Sandstorm is quite different the track in your video. Thanks!
I can't remember the name long enough to ever find it... back to C-2
Whats your new plugin named?
Lessbass?
Shimverb?
....
NDKOUGENK!
😂😂😂😂😂
Is coool but i have to spent to much time for have The sound i want.
A comment: The Reaper DAW has oversampling per FX or per track built in. It seems to work very well, if your CPU can deal with it.
Only for the 2x and 4x. Even with Reaper's oversampling, the 8x and 16x shows problems between the 9-10 and 1-2 o'clock position on the dry/wet mix. TBT is working on it though.
Manic Compressor...yum yum...etc
Please make an in-depth video!
And this is it. That's what you said when you tested DMG Trackcomp because you loved it's simplicity. No knobs. "Simple, streamlined interface". Did someone finally do it right?, you titled the video. And now, facing a high time consuming learning curve plugin, for a compressor, you do not throw it directly to the bin, and even ask for more time? 😮
Awesome, yes please tutorial would be great!
You found the 'ultimate'...until the next 'ultimate' comes along 😂
From another site:
Buggy AF.
1. Something weird with the Oversampling. Only 2X working.
a) 4X starting to sound a little weird, can be heard in delta. high end bump or something.
b) 8X, there's some obvious high frequency artifact. Filtering problem.
b) 16x, now it affect low end too, huge portion of low end gone. the high-end artifact still there.
2. Hold will reset its value upon closing and reopen the GUI. The value reset itself on the GUI only. The settings somehow stays. (Confirmed it with Reaper non-graphic UI view)
Note that it's v1.0.0 here.
-------------------------------------------------------------------------------------------------------------
About the modeled compressor all of them sound pretty decent and has that specific character of each of those comp. The saturation is different for each, I'm guessing the default minimum value of Odd/Even is the modeled saturation of the unit. User can add Even harmonics on top of it, some tube comp has Even harmonics by default, adding more Even on top of it will create interaction that will simulate a "pushed tube" style of saturation where the Odd starting to come out as well.
Apart from that each modeled compressor has static transfer curve. The ratio, attack, release wont affect the shape of it at all, the knee are all static. As an example, you can't get the "Opto" mode of Distressor at Ratio=10, the G-Bus knee static and wont soften/harden when you change the ratio, pushing levels or threshold doesn't affect tube comp like Fairchild and Vari-Mu ratio/knee as well. No Thrust for the 2500 but you get both FF/FB mode. You get at the very basic of their characters, not full behavior. I think only the LA2A gets its multi-stage att/rel behavior according to the video at PA yt channel.
A dBx still pop out the transient like a dBx should, 1176 smashing but full of discipline, Distressor on snare sounds like a Distressor on snare. The Neve phat as usual. I'd say it gets atleast 70% of the sound of them right. It's good enough for me. I like it. Compression character is polite and clean, if compared with other vintage hardware emulations. It sounds pretty decent and very much usable for everyday mixing task. You get to experiment and it might add some fun value to it as well. CPU usage is low. Easy to use. Comes with some handy controls like Punch, Pump and Hold that Pro-C2 doesn't have. Interesting new transient management functions like Clamp and De-Click are fresh innovation for compressors in plugin land.
There are 12 other unique modes that is task specific, didnt try them just yet. Maybe some other day.
Autogain still suck ass, but it will improve in the future I think.
Mmm i'm still prefer pro-c, smartcomp2, manic, and others.... Nice compressor.. but, not for me...
I AGREE BIG TIME THREE BODY ALL DAYYYY
Every time I hear ADAA I think of the American dodgeball association of America 🤣
Gonna stick with good old fashioned stock i think.
At the highest level of oversampling the plugin does strange things to me! logic pro x
I missed the Darude joke 🥲
I was incredibly skeptical until Three Body Technology's name popped up. If anyone can do an "ultimate" compressor, it might as well be them.