You might be interested to know that the first lick, played by Bartley and Cannonball, is part of the melody of Duke Ellington’s “East St. Louis Toodle-oo”, and the second, played by Herbin and Bird, is one strain of the march called “High Society” which became a New Orleans standard. The piccolo obbligato in a 1901 recording was adapted by clarinettist Alphonse Picou as a clarinet solo. It is this that Bird quoted- whether Herbin is aware of its origin or just quotes Bird, I don’t know. This kind of proves your point that everything comes from something else.
Thanks a lot. I'm using a vandoren v16 6S+ mouthpiece, and I'm currently on a reed journey so I'm using between a v16 2,5. Java green box 3 or D'addario hemkee 3s
Good examples of successful transcriptions. I agree that one has to spend the time listening. I have to do more of that, make time and apply what I hear. I did look for your email but couldn’t locate it. I wouldn’t mind seeing what you have picked up and maybe add some to my meagre list. Thank you, sir.
I'm using V16 6S+ mouthpiece, and Java green box 3 reeds, and I have no idea what ligature I'm using, it was gifted to me by a teacher when my previous ligature broke
It's always good to make everything complicated for some as Jazz. Licks are a language or staple of jazz. If you don't do any, probably you won't sound jazzy. I believe everybody in music is a thief, but stealing phrasing of other musicians, not money!!!
You might be interested to know that the first lick, played by Bartley and Cannonball, is part of the melody of Duke Ellington’s “East St. Louis Toodle-oo”, and the second, played by Herbin and Bird, is one strain of the march called “High Society” which became a New Orleans standard. The piccolo obbligato in a 1901 recording was adapted by clarinettist Alphonse Picou as a clarinet solo. It is this that Bird quoted- whether Herbin is aware of its origin or just quotes Bird, I don’t know. This kind of proves your point that everything comes from something else.
i love how personal this channel is, it's like a real lesson when i watch your videos
Thank you so much for watching. Let me know if there is anything you'd like me to cover in this channel
@@gilsonamaral6595I want to learn circular breathing please
I unfortunately do not know how to do that lol
Dang man, thanks so much.
Thank you for watching the video ❤
Great tutorial- where can I find the dictionary? Appreciate that 👍
Thank you. Send an email to gilsonamaral225@gmail.com
I'm enjoying your videos. Sorry but I have to ask your mouthpiece/reed setup if that's okay. Thanks.
Thanks a lot. I'm using a vandoren v16 6S+ mouthpiece, and I'm currently on a reed journey so I'm using between a v16 2,5. Java green box 3 or D'addario hemkee 3s
Thanks again.
Cool! Sounding great!
Thanks a lot!
Good examples of successful transcriptions. I agree that one has to spend the time listening. I have to do more of that, make time and apply what I hear.
I did look for your email but couldn’t locate it. I wouldn’t mind seeing what you have picked up and maybe add some to my meagre list. Thank you, sir.
Hey thanks for watching. My email is gilsonamaral225@gmail.com . I forgot to put it on my description lol
Thats good stuff. Thanks for sharing.
Thanks for watching!
thanks :) Cliche question: but do you mind saying what mouthpieces/ligature/reed you're using?
I'm using V16 6S+ mouthpiece, and Java green box 3 reeds, and I have no idea what ligature I'm using, it was gifted to me by a teacher when my previous ligature broke
thank you!
Nice demo. Thanks
Thanks for watching!
I love your contents here. Are you on tiktok? I want to watch you live
Hey man, nah I'm not really on tiktok, Im on instagram @gilsonamaralmusic
It's always good to make everything complicated for some as Jazz. Licks are a language or staple of jazz. If you don't do any, probably you won't sound jazzy. I believe everybody in music is a thief, but stealing phrasing of other musicians, not money!!!
I could not agree more. Thank you for leaving a comment