@@Streaky_com thank You ❤️ wouldn't be even more accurate if we use sidechain compresion with soothe for example? I belive there is a mid mode hmm 🤔 or any other plugin with sidechain compression affecting only frequencies not db
Multiband compression has changed and elevated my mixing understanding to make vocals sound more polished and proffesional sounding. This is very good and intstructional information that really helped explain why certain frequencies should be ducked out in a mix to make room for other important vocal elements in your mix.
Ironically , I’ve always done the opposite and actually “ increased “ the mids on my back up vox . . BUT , I will DEFINITELY try this on my next song ! Thanks 🙏
As a mixing engineer thats what ive learn and discover by my self. I like to compare my vocals to pro lead mix and along the way my ears get developed and That's called perception you can make vocals warm and clear by cutting or removing nasty mids, without boosting. If you boost too much nasty frequency still there and its sound disconnected in mix. I don't know why many TH-camrs here don't talk about this for a long time. Btw good job streaky. 👍
Just stumbled upon your page and MAN! That tip about sending the backvox to a summing stack in logic will level up my mixes. Subcribed! Thanx for your clear concise explonations. Cheers from Rotterdam✌🏾
Could you do this with Lead Guitars for example? Having them all in harmony with eachother like the vocals upfront and in the same area when vocals arent in play? Panned slight left and right too to allow them to fit in the middle?
Damn this guy is the real goat he actually given us the game.. Most Engineers be giving you a piece of the pie this guy giving u the whole pie plus plates an silver wears with napkins... Thanks a lot man we’ll explain!!!
THANK YOU for explaining why why why about scooping the frequencies! as someone who is learning many engineers skip over the why because they know and assume others know as well
Here's how awesome and robust this tip is. I don't have budget for FabFilter or FabMB. So I tried (imperfectly) to reproduce these using Ozone 9 (got on sale for $49) and Logic Multipressor. With my clumsy approximations it still elevated my backing vocals to the next level. Streaky: if you could provide the settings in Ozone 9 (dynamic filter) and Logic MultiPressor, I'm sure my reults would be even more amazing.
This is so fire! I tried this method on a new song I’m mixing and mastering, and this just took it to the next level! I don’t sound as amateur anymore lol 🥳
Nice thx , Streaky I would definitely buy your course if you can have it on Pro tools . I’m still learning how to use it , having a different DAW will make it harder to learn and follow the idea behind the process
Great product! I think the knob would be more effective if the push and turn functions were swapped. Turning would control volume until a button is pressed. Push would cycle the button layouts... Cycling does not have to be a precise value like volume...
Thank you Great Sir. Your videos are helping my solo production in progress. I couldn't have done this without you and your channel . From the bottom of my heart, Thank you
To the point, (almost) no jargon, very easy to understand, rare in youtube :), you are a perfect teacher material, irrespective of your other accomplishment 👍👍! Thanks for doing this ...
I want a video from you on how to mix the sound like The Weeknd in the album After Horse .. It is a beautiful sound and it deserves to learn how it was produced in detail
This sounded amazing, I tried to do it with the multiband in Ozone and couldn't get anything close. I guess it's that negative range that ProMB gives you. So I bought ProMB and wow, well worth it for this trick alone! Subscribed BTW :)
Why using multiband compression to make this hole around 1 kHz instead of using just regular eq? Could you please explain more about difference between two of these?
the multiband kicks in more the louder you are in those frequencies so that you arent just shaping the overall sound with an EQ cut, but only targeting those frequencies with a compressor when they get too loud.
Do i have any advantage if i process every vocal individually rather than bus? I work with a lot of chorus vocals but this is so confusing which way is best. I believe, as every vocal doesn’t have the same frequency distribution and dynamics, it's better to Process them individually. Cause in Bus you target all frequencies and you don’t have control to adjust specific side of each vocal
@@exssyonatan thank you very much. What about EQ? Say i have 8 chorus vocals, 4 of them sound very dull which should be matched to the rest by boosting mid range or high so that they all sound similar frequency-wise. Should i care?
@@ShehzaadPro its really a case by case basis, generally if it sounds better, do it. Just trust your ears. and you can alsways print things to aufip sp you dont have a million plugins running
you can sidechain the mids of the backing vocal bus to duck around the vocal's mid signal and boost the sides at the same time though, sidechaining for dynamic EQ is judt kind of annoying in Pro Q, it would be way easier with a mid side mode multiband compressor
Thanks for the tip Streaky. 🤩 I have to try it on the next song. Greetings from Robie from Slovenia!😉 That you share your knowledge with us is worth five ⭐⭐⭐⭐⭐
This man has taken my mixing to the next level! I just want to say thank you for what you do for all of us here 🙏
Thx 🙏
Show me something you mixed =))
Diddo
Me too
@@Streaky_com thank You ❤️ wouldn't be even more accurate if we use sidechain compresion with soothe for example? I belive there is a mid mode hmm 🤔 or any other plugin with sidechain compression affecting only frequencies not db
This channel is one of the few that actually teaches you useful info
I agree completely
Multiband compression has changed and elevated my mixing understanding to make vocals sound more polished and proffesional sounding.
This is very good and intstructional information that really helped explain why certain frequencies should be ducked out in a mix to make room for other important vocal elements in your mix.
waow one of the best 5mins I've spent on this website
🙏
This is so good. Just straight forward advice with no pissing about. Love it
totally !
What does pissing about mean? I’m from Seattle and am not familiar
thank you for doing what you do
Thx for watching
PROFESSOR!! APPRECIATE THIS! MIXING SOME VOCALS TODAY!! in an hour...after this espresso
Ironically , I’ve always done the opposite and actually “ increased “ the mids on my back up vox . . BUT , I will DEFINITELY try this on my next song ! Thanks 🙏
Thanks Streaky! Another great learning. Keep on going. I have learnt so much from you
currently working on my first soundtrack for a netflix series that fell in my lap and your channel is helping me out big time.
Great video. Thanks man
I commend you for being so straight forward and practical when delivering this information. 0% bulls**t🎯
As a mixing engineer thats what ive learn and discover by my self. I like to compare my vocals to pro lead mix and along the way my ears get developed and That's called perception you can make vocals warm and clear by cutting or removing nasty mids, without boosting. If you boost too much nasty frequency still there and its sound disconnected in mix. I don't know why many TH-camrs here don't talk about this for a long time. Btw good job streaky. 👍
Just stumbled upon your page and MAN! That tip about sending the backvox to a summing stack in logic will level up my mixes. Subcribed! Thanx for your clear concise explonations. Cheers from Rotterdam✌🏾
You have literally taught me to get my vocals from 1 to 100, god bless you🙌🏻
WOW Brooke! This is fantastic. I wish you were closer, I would have a blast jamming with you. 🎸
Streeeeeeeaaaaakkkkkkyyyyy!
When you A/B'd, you blew my mind 🤯🤯🤯
Man this channel is pure gold!!! ✨
Golden tips as always man! Thank you for what you share!
Would love to shadow you through a whole mixing then mastering process. Class content.
Same
Same
Brilliant Tips that I needed. Thanks Streaky again !
it really works.. thanks..
Sir, you are helping too much with your precised videos. Thanks
I am binge watching your videos. 🎶 There is just so much great information here that I can’t wait to apply. 🙌🏻💎
you speak and explain so so so clearly that's great !!!!
Could you do this with Lead Guitars for example? Having them all in harmony with eachother like the vocals upfront and in the same area when vocals arent in play? Panned slight left and right too to allow them to fit in the middle?
Yeah! Thank you 🎉
Nice one Streaky, as a Brian Wilson/Beach Boys fan, I’m obsessed with adding harmony vocals to music.
Damn this guy is the real goat he actually given us the game.. Most Engineers be giving you a piece of the pie this guy giving u the whole pie plus plates an silver wears with napkins... Thanks a lot man we’ll explain!!!
You are professor right there! Very good! Keep it up!
outstanding....
That's just insane! This dude a dope teacher!
The new editing is nice🔥🔥
Streaky is one of my top 5 man in TH-cam.
This is some next level content. Huge thanks!
What if i use a different multiband compressor that not got a "Range" knob?
Using multiband on vox is a great old time trick - the Dolby a units were known for this sort of magic
Youre a magician! Would love to see you do a video for Tame Impala vocal processing and how he places them in the mix!
Thanks you've taken my mixes next level
What up streaky I would like to do a collab with you I can rap really well in Spanish and English
You are my new fav music production youtuber.
dope, keep dropping them gems
Hi! At the end you added Valhalla and compressor. To Master or ?
This is gold! Thank you!
THANK YOU for explaining why why why about scooping the frequencies! as someone who is learning many engineers skip over the why because they know and assume others know as well
Thanks a lot for this video you are a life saver streaky…. 🎉
Streaky killin the game
It really is golden, thanks Streaky!
Here's how awesome and robust this tip is. I don't have budget for FabFilter or FabMB. So I tried (imperfectly) to reproduce these using Ozone 9 (got on sale for $49) and Logic Multipressor. With my clumsy approximations it still elevated my backing vocals to the next level. Streaky: if you could provide the settings in Ozone 9 (dynamic filter) and Logic MultiPressor, I'm sure my reults would be even more amazing.
ozone is like god tier though, it is so much better than fab imo!
Awesome tutorial. THank U very much!
This is so fire! I tried this method on a new song I’m mixing and mastering, and this just took it to the next level! I don’t sound as amateur anymore lol 🥳
Really cool tips, mate. Cheers!
Streaky. Thank you! 🧡
OUTSTANDING!
Nice thx , Streaky I would definitely buy your course if you can have it on Pro tools . I’m still learning how to use it , having a different DAW will make it harder to learn and follow the idea behind the process
Same way of working on all DAWs
Awesome. Thanks for Sharing.
Brilliant thanks so much.👍
AMAZING STREAKY!!
Love your videos! I’d like to get an Apple computer to run logic any suggestions best bang for buck ??
How much is that medium setting of the the attack and release translated in ms? Thank you, awesome video!!
Beautifully done!
You're great man!
Why did you push the high end upwards if you are trying to control it?
His tips are fier ❤️🔥
Great product! I think the knob would be more effective if the push and turn functions were swapped. Turning would control volume until a button is pressed. Push would cycle the button layouts... Cycling does not have to be a precise value like volume...
Thank you Great Sir. Your videos are helping my solo production in progress. I couldn't have done this without you and your channel . From the bottom of my heart, Thank you
Is this treatment relevant four doubles as well, or just harmonies?
You’re the GOAT streaky
Great tip ! Thanks 💪🏽
To the point, (almost) no jargon, very easy to understand, rare in youtube :), you are a perfect teacher material, irrespective of your other accomplishment 👍👍! Thanks for doing this ...
thanks alot for this trick and I always follow watvch your videos from Belgium
Thank you Streaky, i am learning a lot with you!
Super pro, as always! Thanks Streaky :)
Yeah, dynamic EQ is a beautiful thing!!!
💯💚💥🌴🍵🪐🌈🔥🌊
I want a video from you on how to mix the sound like The Weeknd in the album After Horse .. It is a beautiful sound and it deserves to learn how it was produced in detail
it does sound amazing, in general all The Weeknd's albums sound great
I hear reverb at the end. The reverb is use in stereo-double or only in lead vocal?
Why not just use soothe2 on the Bvox with sidechain from the main vox?
Exactly re Soothe2. Wavesfactory trackspacer is another
Streaky - you share with us the best mixing tips!
Вот это прям круто😊 спасибо за такой пример)
exactly what is needed, thanks a lot!
Streaky rules 🤜🤛 thank you
Right on!
🤘
I was rather skeptical with the golden thing but the video is good. Thanks a lot!
Best tips as always!
This sounded amazing, I tried to do it with the multiband in Ozone and couldn't get anything close. I guess it's that negative range that ProMB gives you. So I bought ProMB and wow, well worth it for this trick alone! Subscribed BTW :)
It would be nice to compare multiband compression with dynamic eq'ing within same frequencies
They are not the same effect…using the compressor crushes them together were a dynamic Eq will just lower the gain
thank you bro i like how you teach
Thanks so much! Preset works like a magic😍
Thank you!
Very, very well done. Thanks for your awesome videos. Tight as a fist.
Pro-MB or SMC-2B from Tube-Tech on master?
streaky for president
thanks! nice!
You kick ass bro!
Why using multiband compression to make this hole around 1 kHz instead of using just regular eq? Could you please explain more about difference between two of these?
Static vs dynamic. You're able to be louder.
The compression blends the sounds together, Eq just adjusts the level
@@Streaky_com THNX
the multiband kicks in more the louder you are in those frequencies so that you arent just shaping the overall sound with an EQ cut, but only targeting those frequencies with a compressor when they get too loud.
Do i have any advantage if i process every vocal individually rather than bus?
I work with a lot of chorus vocals but this is so confusing which way is best.
I believe, as every vocal doesn’t have the same frequency distribution and dynamics, it's better to Process them individually. Cause in Bus you target all frequencies and you don’t have control to adjust specific side of each vocal
honestly wont make a huge difference.
ideally you compress them beforehand this so they respond similarly to the MB
@@exssyonatan thank you very much. What about EQ?
Say i have 8 chorus vocals, 4 of them sound very dull which should be matched to the rest by boosting mid range or high so that they all sound similar frequency-wise.
Should i care?
This is about using one compressor to crush / blend them together if you do it individually then they will not be together
@@ShehzaadPro its really a case by case basis, generally if it sounds better, do it.
Just trust your ears.
and you can alsways print things to aufip sp you dont have a million plugins running
@@exssyonatan what do you mean print to aufip sp?
Here’s another tip: you can just use Pro Q3 to do the multiband processing too. Just use dynamic cuts.
That just sticking level not compressing
you can sidechain the mids of the backing vocal bus to duck around the vocal's mid signal and boost the sides at the same time though, sidechaining for dynamic EQ is judt kind of annoying in Pro Q, it would be way easier with a mid side mode multiband compressor
Thanks for the tip Streaky. 🤩 I have to try it on the next song. Greetings from Robie from Slovenia!😉 That you share your knowledge with us is worth five ⭐⭐⭐⭐⭐
🙏
could this technique be applied to other sounds in the mix or just vocals and backing vocals?
It’s really for blending vocals but synths might work
Thank you so very much!!
Thanks 👍🔥❤️