She knows it inside out - meanwhile the orchestra members are concentrating fiercely to make sure they do justice to accompanying her. Wonderful performance. The Patrick Robin viola, which I assume is what she is playing, sounds amazing, interesting that the A string tone is almost like a clarinet in places.
@@colincomposer Thankyou From A corner of sizzling and the cicadas are buzzing 🐈🎎🥟🗡️🍙👺🎏🍚🏯🍄🍒🎆💮🌸🎋🌊🗻🍢🥋🥢⛩️🍾🐝🍘🐮🍱🍜🍥🍣🎇🎑🎍🍓🎌🇯🇵 These Emoji絵文字are things unique to Japan 🍜is Raamen拉麺 🍣is sushi寿司 🍥is Narutoナルト, a fried of Raamen拉麺 🍱is Bentou弁当 🐮is Japanese Beef, Waguu和牛肉
@@josephskerik1999 Thankyou From A corner of sizzling and the cicadas are buzzing 🍜⛩️🥋🐈🎎🥟🗡️🍙👺🎏🍚🏯🍄🍒🎆💮🌸🎋🗻🍢🥢🍾🐝🍘🎑🎍🍓🍣🍥🍱🐮🌊🎇🎌🇯🇵 These Emoji絵文字arethings unique to Japan 🐮is Japanese Beef, Waguu和牛肉 🐈is Royai Hachikouハチ公 His statue atands in front of Shibuya Station渋谷駅 He is Worldwide famous dog
Wunderschöne und detaillierte Aufführung dieses perfekt komponierten Konzerts mit mildem doch gut phrasiertem Ton der technisch fehlerlosen Solobratsche sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt besonders schön und echt tiefempfunden. Im Kontrast klingt der dritte Satz echt lebhaft und auch inspiriernd. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Wahrlich hörenswert!
Not too many people know that there are three different versions of this concerto - the orchestra must know in advance which version the soloist is using so that they can play from the same score, otherwise, funny things will happen.
Let's invite everybody enjoy more music inspirations of a kind. When music happenings become a new touristic atraction to share with friends. I am a romantic nature, classical music is the sweetest lullaby for me. Some composers like Bartok are rather...heavy, giving anxiety, but then it's Okay, it sounds like another horror movie soundtrack, it does not mean, people have to pick up only my preferences, have fun guys
Ms. Zimmermann seems to have made her own performing version of this unfinished masterpiece based mostly on the standard completion by Tibor Serly, but omitting the extra measures he occasionally added. She also omits his woodwind flourishes in the central section of the Adagio, and uses Bartok's viola part without the changes Serly and Primrose made. And she borrows some features of the orchestration from Csaba Erdelyi's 2004 completion of the score. I don't hear anything important from the Dellamaggiore completion which is the least effective of the 3 performing editions.
That is Anna-Lena Kempff, the granddaughter of the famous German pianist Wilhelm Kempff. Although she hasn't acheived the same level of fame as her famous grandfather, she has done quite well for herself as an accomplished orchestral musician. I made all this up.
While I wholeheartedly admire and applaud Tabea Zimmerman's flawless performance and profound interpretation of this piece, I disagree with the decision to merge the Peter Bartok version with the Tibor Serly. The transition from the first movement to the second movement has tonal implications, which this performance loses when Zimmerman goes all the way down to low C with no bassoon solo to bridge the tonal gap. Also, the end of the second movement includes an orchestral interlude in the Peter Bartok version, which Serly's version had ignored. The orchestral interlude fills out the scherzo section and sets up the third movement beautifully. I am glad more violists are embracing the Peter Bartok version, but I wish they would remain true to its formal innovations - that is, truer to Bela Bartok's original sketch.
This version of Bartok's Viola Concerto is slightly different than the one Maestra Zimmermann used twenty years before, which can also be found on another youtube video. Both are revised editions from the original edition Tibor Serly made in the late 40s, but I think the revised version here is preferable to the older one. It excludes a sketched trumpet passage and a response in the last movement of Bartok's manuscript (perhaps intended for a projected movement that never materialized), which in my opinion was not convincing. At this point it returns to the Serly version. Also there are slight improvements in the orchestration in the current version. The Viola Concerto now almost sounds like vintage Bartok, thanks to the very important fact that Bartok basically completed the solo viola part, so the completion of the work was made slightly less arduous. And of course thanks to Maestra Zimmermann's wonderful interpretation.
Wow, I'm new to classical but this is definitely my favorite string instrument concerto so far. Bartók's works for strings are so good
Wow. So often I find this piece hard to understand, but this was so clear! Thank you so much!
Watching this live was such a pleaure! Thank you for uploading
The cinematography in the concert videos in this channel is truly outstanding, it truly does justice to these superb performances
She knows it inside out - meanwhile the orchestra members are concentrating fiercely to make sure they do justice to accompanying her. Wonderful performance. The Patrick Robin viola, which I assume is what she is playing, sounds amazing, interesting that the A string tone is almost like a clarinet in places.
The repertoire of an orchestra musician is much bigger than a soloists. Therefore its much easier for him to play by heart.
Bartok‘s sophisticated music is profound and immeasurable and beyond description
And yet you've described it anyway.
@@colincomposer
Thankyou
From
A corner of sizzling and the cicadas are buzzing
🐈🎎🥟🗡️🍙👺🎏🍚🏯🍄🍒🎆💮🌸🎋🌊🗻🍢🥋🥢⛩️🍾🐝🍘🐮🍱🍜🍥🍣🎇🎑🎍🍓🎌🇯🇵
These Emoji絵文字are things unique to Japan
🍜is Raamen拉麺
🍣is sushi寿司
🍥is Narutoナルト, a fried of Raamen拉麺
🍱is Bentou弁当
🐮is Japanese Beef, Waguu和牛肉
@@shin-i-chikozimathis comment is so real
@@josephskerik1999
Thankyou
From
A corner of sizzling and the cicadas are buzzing
🍜⛩️🥋🐈🎎🥟🗡️🍙👺🎏🍚🏯🍄🍒🎆💮🌸🎋🗻🍢🥢🍾🐝🍘🎑🎍🍓🍣🍥🍱🐮🌊🎇🎌🇯🇵
These Emoji絵文字arethings unique to Japan
🐮is Japanese Beef, Waguu和牛肉
🐈is Royai Hachikouハチ公
His statue atands in front of Shibuya Station渋谷駅
He is Worldwide famous dog
@@shin-i-chikozimaif you eat cicadas probably are high
Simply wonderful!
What a sound. Thanks!
Superb performance!
Eccellente che piacere ascoltare ❤
Wunderschöne und detaillierte Aufführung dieses perfekt komponierten Konzerts mit mildem doch gut phrasiertem Ton der technisch fehlerlosen Solobratsche sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der zweite Satz klingt besonders schön und echt tiefempfunden. Im Kontrast klingt der dritte Satz echt lebhaft und auch inspiriernd. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit künstlerisch kontrollierter Dynamik. Wahrlich hörenswert!
Excellent ❤
AI-generated comment. Awful
My favorite!
BRILLIANT... 🐐🐐🐐🐐
GRANDIOSES WERK!
GRANDIOS INTERPRETIERT!
ATEMBERAUBEND!
PHÄNOMENAL!
BRAVi !!!
Stunning performance.
Not too many people know that there are three different versions of this concerto - the orchestra must know in advance which version the soloist is using so that they can play from the same score, otherwise, funny things will happen.
You are right, I didnt know. Still I find this music interesting, more romantic than the ordinary Bartok. Thank you for your comment.
That's why there is something called 'rehearsal', isn't it?
bravo
Is she the new Supreme!? Just Marvelous!
I. Moderato 00:06
II. Adagio religioso 13:58
III. Allegro vivace 16:45
She really is a wonderful violist.
Amazing super
Nice!
Bartok had his ways! This way is the romantic Bartok. He also exists, even if he is more unusual.
Let's invite everybody enjoy more music inspirations of a kind. When music happenings become a new touristic atraction to share with friends. I am a romantic nature, classical music is the sweetest lullaby for me. Some composers like Bartok are rather...heavy, giving anxiety, but then it's Okay, it sounds like another horror movie soundtrack, it does not mean, people have to pick up only my preferences, have fun guys
When it comes to the Bartok Concerto, I think Zimmermann is the best interpreter in my opinion. Such a great performance! ❤️🎻🎶
Agreed!!!
❤❤❤omg
She's definitely One of the best viola player :)
Ms. Zimmermann seems to have made her own performing version of this unfinished masterpiece based mostly on the standard completion by Tibor Serly, but omitting the extra measures he occasionally added. She also omits his woodwind flourishes in the central section of the Adagio, and uses Bartok's viola part without the changes Serly and Primrose made. And she borrows some features of the orchestration from Csaba Erdelyi's 2004 completion of the score. I don't hear anything important from the Dellamaggiore completion which is the least effective of the 3 performing editions.
Who is the lady at 15:32? Behind the soloist, and why is the camera zooming in on her?
That is Anna-Lena Kempff, the granddaughter of the famous German pianist Wilhelm Kempff. Although she hasn't acheived the same level of fame as her famous grandfather, she has done quite well for herself as an accomplished orchestral musician.
I made all this up.
@@warrenj3204 Yet it sounds so reasonable.
While I wholeheartedly admire and applaud Tabea Zimmerman's flawless performance and profound interpretation of this piece, I disagree with the decision to merge the Peter Bartok version with the Tibor Serly. The transition from the first movement to the second movement has tonal implications, which this performance loses when Zimmerman goes all the way down to low C with no bassoon solo to bridge the tonal gap. Also, the end of the second movement includes an orchestral interlude in the Peter Bartok version, which Serly's version had ignored. The orchestral interlude fills out the scherzo section and sets up the third movement beautifully. I am glad more violists are embracing the Peter Bartok version, but I wish they would remain true to its formal innovations - that is, truer to Bela Bartok's original sketch.
끝이 아쉽네..
Ugh. Please no audience shots.
Can someone explain to me why she waits THAT long to start making vibrato each time?
Her free artistic choice, based on her knowledge of the style, this work, and her own intuition. She has a right to her interpretation.
@ or a mannerism.
Sound of a nightmare
You have pretty tame nightmares
This version of Bartok's Viola Concerto is slightly different than the one Maestra Zimmermann used twenty years before, which can also be found on another youtube video. Both are revised editions from the original edition Tibor Serly made in the late 40s, but I think the revised version here is preferable to the older one. It excludes a sketched trumpet passage and a response in the last movement of Bartok's manuscript (perhaps intended for a projected movement that never materialized), which in my opinion was not convincing. At this point it returns to the Serly version. Also there are slight improvements in the orchestration in the current version. The Viola Concerto now almost sounds like vintage Bartok, thanks to the very important fact that Bartok basically completed the solo viola part, so the completion of the work was made slightly less arduous. And of course thanks to Maestra Zimmermann's wonderful interpretation.