The Marshall JTM45: A Short History, featuring Jeff McErlain
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This is the five watt world short history of the Marshall JTM45. Amp histories are very hard to make because some folks would rather it be very technical, about circuits and tubes where others just want a run down of all the great players that used them. I try to walk a line somewhere between which is where my own interest lies. Please add what you wished I'd covered in the comments for everyone to enjoy.
Jeff McErlain has become a good friend and collaborator. Players of all levels can learn a lot from Jeff. Here's the link to his website:
jeffmcerlain.com/
And his excellent TH-cam channel:
/ mcerlain212
Johan Segeborn has a great classic rock gear TH-cam channel you should check out:
/ johansegeborn
Premier Guitar allowed the use of an article and an old video from 2013 with Jeff McErlain playing a 100 watt plexi. I think you can hear the fact that he had a screaming headache on that hot day in NYC for the video. :)
• 1968 Marshall JMP Plex...
www.premiergui...
I always rely on Dave Onoratos expertise. I don't wear many shirts with writing on them but I own Dave's. Support him here:
flatfiv.co/pro...
Thanks for watching. Until next time. Thanks for being a part of the five watt world.
Keith
***Five watt world participates in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn commissions by linking to Amazon. In simpler language, this means that whenever you buy something from Amazon from a link on here, I receive a small percentage of its price. - เพลง
Im a simple man. I see a Short History, I click.
Bless you. Let me know the things you wish I'd covered Fluff.
Legend!
same.
Saem.
Once again Hypes, I learned so much about my favorite amps!
Thanks Hypes. The goal is to always come up with something you haven't heard.
Hey! That is Rick Beato and this is What Makes This Amp Great. The brand is Marshall, and the Amp is JTM45 [intro music]
Ordered a 1959HW/1960AHW/1960BHW two days ago. Now i know who to blame if i get deaf.🤣
@@grilledspaghetti Love It!!!
Just imagine the money you saved not buying them all 🙂
YESSSSSSS!! Excited every single time I see a new 5 watt world video. If you ever need an old JCM 800 for a video just let me know my man.
I’ll remember that for the 800 vid. Thanks Robert!
@@fivewattworld I have a JCM 800 (2203) in original white tolex with accompanying 1960A cabinet loaded with (original) Celestion G12-65 speakers. It is from a similar timeframe as the white 20th Anniversary versions (1982, mine is 1983), but mine has no 20th anniversary badge/plate. Maybe they had too much leftover white tolex that they wanted to use up?
I've got a Marshall JCM 800 combo - it's the 4212 model, 50w and 2x12 (2x 1x12 Celestion G12T-75's) I bought in 83. I had it modded awhile ago to get rid of some inherent fizziness and it is just a monster amp in almost immaculate condition. It sounds like the 80's.
I don't have a JCM800 but I have a fender Mustang LT25. Beat that with your $2000 fancy looking amp😎
@@davidkirk1781 I have the two matching white 4/12s
“Politically Correct Wattages” that killed me.
Lololol
Me too, ha ha.
So true, tho. No one wants 22 watts blazing in a club, let alone 100 ...
Brilliant
@@charliepin4501 I do! Who the fuck wants polite, politically correct, corporate approved Rock? I go to a live band club to hear and experience the music... NOT the people chattering next to me. That's what Jukeboxes and Muzak are for.
I know it's probably a big undertaking, but a history of Orange Amplification would be dope.
I 2nd this.
It’s on the list
So glad your view of Marshall isn't distorted.
🤣🤣
He's clearly a driven individual. ;-)
Not sure what you hope to gain with that comment
@@SlickWilly79 this could cascade into something epic...
@@SlickWilly79 dont need to be speaking with that tone of voice
FIVE WATT WORLD HISTORIES ARE BACK!! AS a young player, your histories are invaluable. Thank you so much!
As an old player , I enjoy them too 😊
This was always mysterious and dark territory. The short histories bring light and understanding.
@@shaunw9270 Haha. Me too :P
As an old new player, I also enjoy them.
As a really old new player, I enjoy them too
I am happy with my DSL 40....really happy. Its a Marshall...it makes my Les Paul do what it does.
I would call this video: The rock history viewed from an amp
Well said
Keith thanks so much for having me involved. So much fun and such great info! You’re the man!
Thank YOU Jeff. You always add a lot.
Jeff your playing is on fire pal . I'll be checking out your channel soon 😊 Keith made a great choice inviting you on board !
G Man thank you!!!
Jeff, I noticed a knob in place of your normal input 2. Is that a blend? MV? The thing howls! Helps when the playing is stellar, as well.
Great player fresh licks so great to hear
I’ve been blow drying my hair with Marshalls for decades.
Five Watt World JTM episode +TPS Automatone vid + JHS vid in a few hours with a glass of Rijoja and my guitar on my lap............. Tonight is going to be good.
Same playlist here
It’s a great day!!
My exact thoughts!
Agree with your 'decision fatigue' intro... a Strat, a Tele and a Les Paul covers 90% of guitar tones, and a Deluxe, an AC-30 and a JTM45 deals with most of the amps.
Thanks for returning with yet another great video Keith! I just bought a Marshall JCM 800 Studio SC combo at the beginning of the summer and couldn't be happier pairing it up with my Fender Blues Deluxe AB-Y'd. Cheers!! Looking fwd to more from your channel, always a treat.
The thing that always strikes me whenever I hear about the early history of British rock is just how *small* the scene was until the late 60s when it exploded. It was literally just a few dozen guys playing in bands in West London and hanging out in Jim Marshall's shop who all knew each other and were all creating something truly unique between them. Makes you wonder if there's another scene like that somewhere in the world today that's winding up to take the music world by storm with something new.
Sadly I doubt that man. It seems these days only corporate sponsored dogshit gets any airtime 😠
Sure, I live roughly 20 miles from Mojotone in Burgaw, NC that built the Lerxst for Alex Lifeson, as well as their own line of Mojotone amps and of course Marshall and Fender Clone kits that you can build or have someone build for you.
Also Ed Quidley that built Quidley amps and the 7 Sins series is in our neighborhood.
The Wilmington Area is a Tourist/College/Retirement Area that has a lot of places to play on every level and so we have a large Music Community.
We are not California, Home of Fender, Soldano and Mesa, but you can see musicians from all over the world jamming in the Wilmington Area. Not bad for a town this size.
Previously, I've owned a Marshall Super Lead Stack(I bought new from Al Nalli Music in 1972), JTM 602 Combo, and a Marshall JCM 900 50 watt SLX and many other amps
Currently I'm using a Marshall JCM 900 50 watt 2500, Laney GH50L and a Laney VC 50 Combo
We also have several Recording Studios. I used Low Tide for my Demo, and Cape Fear, Hourglass, Karen Kane and a few others that are professional studios and of course Screen Gems Movie studio and sound stage.
So as I mentioned "Al Nalli", I was from Southern Michigan and the Ann Arbor/Detroit thing is what we all grew up on.
and
Long before Seattle gave us Grunge, It gave us Heart, Hendrix, The Kingsmen, Paul Revere and the Raiders and Sunn amplifiers
So there are pockets that have their day, then poof!
In my area, there is an amp builder that just put out a notice that he needs a backer so Mojotone will have some Competition.
@@gman2380 if you're listening to radio, you're listening to whoever paid iHeartMedia the most this month. You literally may as well be listening to that radio station in the movie Demolition Man that plays nothing but commercials. If you're finding your own music through YT and social media then I think there's plenty of good new stuff out there. You've just got to know where to look, and have an open enough mind to not just be looking for something that sounds the same as what you're used to.
@@yetanotherbassdude I don't listen to radio or watch TV. I find new music as you mention, via YT etc, and also friends. I have numerous albums, CD's, DVD's of concerts to listen to of music I already know and love , I have over a thousand songs on my phone even . I get what you're saying of course and am aware how it works . My ears are always open to something new bro 😊
@@harrysachs2274 I let most of my albums go years back. Fell on very hard times and sold most of them , so I could eat lol. Thank god for downloads as I have them back now, albeit digitally . Gotta respect a dude that spends more on a stereo than a car ! 🤘🤘🤘
Greatest thing about these types of amps is it let's the artist sound like themselves.
They can all plug into the same amp and get different tones out of it.
It's so organic. And challenges a little layer to get better because nothing can be hidden.
Every nuance comes out.
When James Marshall meets James Marshall Hendrix, sparks fly.
Even though I've never myself been interested in purchasing authentic Marshall products (always been satisfied with modeled interpretations of the sound), I can definitely acknowledge my reverence for how people plugging into them have helped to shape the music I love.
I was a Weekend warrior for years and my 2204 was fantastic. All you need is 50W.
Molders do a really good job at super clean sterile tones, and really compressed really dirty tones. The in between overdriven sounds where plexi's and JMP's live is where they fall the most flat, particularly in responsiveness, dynamics, and overtones. There's no replacement for a cranked marshall.
Man, you do not know what you're missing.
I have plugged into them at retailers, @@kurtbader9711. I know how awesome they can be.
I used to play with stacks when I lived in England in the 70's but now in the US I love the sound of my sons Gibson Les Paul Standard thru a Marshall DSL 40 with an upgraded Celestion in our music room,, SWEET.
At 16:30 the picture of John Mayall and Clapton is with drummer Hughie Flint second from left (incorrectly labelled as McVie) and John McVie far right (not Hughie Flint). Anyway, loved the video and I also have the great book The British Amp Invasion that you quoted from!
Thanks, David Garrett, for the correction. My head temporarily exploded!
@@robertmiranda8587 I couldn't let it rest... Haha.
@@davidpggarrett Thank God! We can't let that stuff slip.
@@robertmiranda8587 I'd expect McVie would have had a chuckle
I luckily picked up a Marshall Class 5 when they were in production. Such a great amp, perfect for home use!!
You have become the Rick Beato of music history... :):)
No clickbait though
he's way more interesting and humble than Beato though lol
I would say that Rick Beato has tried to become the Five Watt World of music theory. The difference being I can make it too the end of a Five Watt World video feeling more informed.
Such lore is invaluable for guitar players in a tone quest , thank you, thank you for that ! this is an amazing channel !
My Ceriatone Marshall JTM45 has a matched pair of made in England KT66 tubes made in 1955...
Another great video and gawd bless for sneaking that other British icon, John Inman, at 3:40.
"I'm freeee !!!"
I have the Studio VIntage 20W head.....it is the real deal (I mean the tone...to have a real deal..you'll have to get an original old Marshall), but it does what it is supposed to. Marshall Origin...not quite in the same league as the Studio VIntage head 20W..but all in all...Thank God that Marshall Exists! amazing video, very informative and super cool narration.
Great video. Mid 90's I stopped at a pawn shop before work and a Marshall plexi head that read JTM45. I knew what a plexi was but never heard of this model before. I was about 18 at the time and living with my girlfriend so money was extremely tight. I wanted to buy it more than anything but I knew the price tag would be $1K or more. It was $330, my heart actually jumped. "They miss priced it? I gotta get this fast." The very next day I walked out of a pawn shop with a mint JTM45 and payed $321 tax and all. Eventually years later traded it for a bigger Marshall but I do regret letting her go. So much tone with so many options, clean or dirty, I highly recommend getting one or trying one out.
Short history of Rickenbacker guitars would be ace!
We know it's coming..... waiting for that 12-string jangle!
Would make a great video!
@@allmodcons8578 I'd like to get my hands on a 360/12c63 which I hear has a different radius to the usual 360s.
Oh yeah, there'll need to be a good portion (or a seperate episode) dedicated to their basses too
@@alexdavis5360 absolutely
Great video.. I think that's John McVie on the far right in the photo @ 16:25
I make most of my business building hand wired amps like these. Also specialize in duplicating the awesome mods that were done by Jose Arredondo and other pioneers in the amp modification business. I have had the the pleasure of working on and resorting all types of amps but including Early Marshalls going back to at least 1964. Recently one of those first Bluesbreaker combos. I have worked on at least one of every year and model from 1965 until 1985 at least. I absolutely loved the video and thank you again for the content.
KEVIN!! You could be the man with the information I need! I played a Les Paul Classic through a Marshall JTM30 2x10" Combo yesterday and just fell head over heels in love with it. I already have an Origin 50c which in truth is probably more "flexible" in it's range but I just couldn't wipe the smile of my face after playing through the JTM. Trouble is, I've read repeatedly in the comments here on YT that they're unreliable, overheat and blow transformers and circuits. Is this true? Some people suggest a plate over the tubes is enough to deflect heat and fix the problem without too much expense. The dealer is after a swap with my Origin 50 plus a couple of hundred (NZ) dollars his way. What do you think? P.S. The only way I could afford to buy a "proper" Blues Breaker would be to sell my LP and that would just leave me in a different kind of hole. Cheers.
Awesome video! In the late '70s/early '80s I had a mint condition Major as my bass head...wish I still had it!
god i just love my marshall even though it has 95 watts to much
Jeff's playing and tones are awesome! Thanks for another great history Keith!
Thanks man!
"Decision fatigue". What a great term and you are absolutely right. It's the reason I don't have a single modeling amp. I bought one a few years ago thinking it would be good to have so many amp and pedal sounds in one box. But I ended up hating it for exactly the reason you suggested. Too many choices, plus the feeling that you were "wasting" the amp if you only used one or two favorite settings out of the thousands available.
Never again will I buy this kind of amp. I'm thinking about buying a Fender Deluxe Tone Master. What I love about the amp is that they focused on one classic tone, didn't add a bunch of features or controls, and got somewhere in the ballpark of the Deluxe sound. And it's so light in weight. Haven't pulled the trigger yet (because I don't really need another amp) but it's appealing.
I still can't warm up to any non tube amp, but in the end it's all in your fingers.
@@stratcat4450 Yes, I agree. Solid state amps can be quite musical, and a few of the high end modeling amps can replicate tube tone so well, I don't think I could tell them apart in a blind test. But a really good tube amp has its own spirit and behavior. It's not 1 + 1 = 2. A solid state amp is like that solid girlfriend who is reliable, predictable, and fun to be with. The tube amp, on the other hand, is like that weird girl who doesn't seem that into you, but if you play your cards right, will take you places you've never been.
This is my stance on it too. For a long time I didn't understand the appeal of a single channel tube amp until I started using them. Then I just stopped worrying about switching sounds or flipping effects or whatever, just plug it in and go. You get a decent sound within a few minutes and then call it a day. Now I don't like Kemper or Line 6 etc. at all. Constantly tweaking settings to get a sound I can get by just turning on a Twin Reverb, AC30, or JTM45 doesn't seem like any fun to me. I want to play guitar, not program a computer.
I would gladly exchange thousands of modeling tones for one great tone. Seems like all I do when I plug into one of those things is turn knobs not play
I've got real vintage Marshalls, why would I ever waste time with a modeling amp?
Nice run through of JTM history ... my 60's plexi Model 2245 is still my favourite Marshall
An American Les Paul and a British Marshall stack - the ultimate special relationship! :)
An American Strat (and doesn’t even have to be Fender branded) works too!!
@@RalphKramden-q4t Agreed - Blackmore is my personal favourite, but the LP "burst" & Marshall combination is the ultimate late 60's - mid 70's guitar god cliche, that still resonates today.
@@pulaski1 No disagreement here. I definitely like to hear both!
Page played on a Tele remember ...?
Weren't Marshall a Fender ripoff just changing power supply plus a tweek or two or maybe three
I looked up 'comprehensive' in the dictionary and your pic came up. Fascinating history lecture.
The Jim Marshall story always makes me feel warm and fuzzy.
Lolol
Nice! lol
Your videos are great Keith, but this one was really really great. I did have a starter's knowledge of the early Marshall story, but your great storytelling skills made it both engaging and fruitful. Thanks.
I feel like I'm at band practice and you're trying to tell me something but the guitarist won't stop playing... lol. Love these videos though
Speaking of Line 6, I noticed that Buckethead loves Line 6 stuff. Hes known to use all, sorts of pedal things from them. I was quite surprised at just how many he uses and makes them sound absolutely incredible.
My favorite five watt world vid yet! I knew all of this history and trivia but have never seen it presented so concisely and professionally! This channel remains an absolute gem for guitarists everywhere. And I could argue that any decent fan of American music and manufacturing history would get a lot out of this channel too. Cheers from St. Louis! And I second the commenter about the JCM800. I have a vintage '87 2210 for your reviewing pleasure as well!
I just bought a JCM 900 SL-X 50 watt. It seems really cool so far. I also have a 2203, 900 DR, and 2000 TSL. I love them.
I'm not sure of the guitarist but it was said that Marshalls are practically 'overgrown Bassmans' since that Fender amp was the sole foundation it was built on...great video!
Hey Keith, a Boss Compact Pedal episode would be awesome
Good idea
54321 Skip add! I still wake up with my FWW coffee mug and a pot of coffee looking forward to your next short history videos!!
I believe they (Davies) pronounce it "Davis".
Your "fatigue" analogy is spot on. It reminds me of my conversation with a Fender rep who was bragging they have 8 different colors of white. I said, "Why? Do you not think someone could choose between 3 or 4 options?" "Oh, I like that one...ooh...no, that one is better. However, that lighter color...no...I think I'll just go home and think about it."
That's more watts than most people need! Do the watkins dominator/marshall 18 watts for the happy medium
There's a reason that those three amps are the three in the Iridium. I build amps, and my main amp is a Plexi clone. But goddamn that Iridium records wonderfully.
Great Marshall history Keith, and excellent research behind it as usual! Thanks.
Thanks Joe
Great vid. Loved every minute. You do have Flint & McVie backwards on the pic.
Yes - McVie and Flint incorrectly captioned.
Great job Keith!!! Absolutely love all your short history videos! Keep it up man👍
Thanks Jordan!
Without wishing a gratuitous major name drop, I used to play at Terry Marshall's (Jim's son and the T in the JTM45) jazz and blues jam. Generous with his knowledge, rock 'n'roll war stories that are wonderful, I learnt so much from Terry about playing music. Terry gave me a photo copy of a letter he had received from Eric about the payments on 'The' Bluesbreaker amp...frantically hunting for it. Great job on the video btw.
You'r a gem, excellent videos!Just joined Five watt world in support of your work😁👍!
Welcome to five watt world Lars!
@@fivewattworld thank you!
This was so well done, thank you. I personally never have know any real details about Marshall history. Decades ago my favorite tones were cranking a twin reverb all the way up with either a strat or my es175. Anymore my 15 watt champ is to damn loud!
I had a Marshall 50 watt half stack in a peach color vinyl rumored to have been once owned by Joan Jett, that amp sounded very buttery when cranked
I acquired a JMP type, a Germino Lead 55 LV, and all my Soldanos, Hughes & Ketttner, EVH all are gathering dust. Pushing this old design is IT.
You can't get that same type of harmonics, or reaction from ANY preamp cascaded section... It truly is the HOLY GRAIL of hard rock/heavy metal sound...using boosts or overdrives up front assist to get modern sounds.... took me 30 years to figure this out LOLOLOL
Damn good rocking out to this intro, get it Jeff! Thanks for the vids !
The intro to this video says a lot. Yamaha and Line 6 has made life easier to for me to pull double duty with piano and guitar.
You’re doing Gods work, or maybe the Devils. Either way we all just came to play.
Cheers from Nashville brother. Thank you
"Living in the long shadow of black and gold". YES!!! haha
I recently had to convince the wife to let me buy an american stratocaster, even though i have a bunch of guitars, your strat history convinced her that 750$ actually IS a good deal for a 2012 American Standard, thanks for the help!
You did good! Hope your enjoying it. I have a 94 40th anniversary american standard and you could surf with it and it would stay in tone and keep perfect intonation. Any more I have become tele man....
stratman 1966 i sold a tele to get this. But it was the modern player series. Not bad, but made in china. It was a worthy upgrade
@@Ottophil that's what I have as well. The modern player is an awesome guitar. Mine is 4-5 years old. The way things have gone I now go out of my way to buy NOTHING made in china. Nothing against the people but the ccp can burn in haites.
As I own one, I'm happy to say, a PA MK II JTM 45 with 2 4 X 10" Marshall speakers that got blown away through time, and replaced since with identical Celestion 10 " speakers
I never used it as a PA amp, but as a guitar amp, and still do today with a Gibson TV special 1959 2 cutaway and two single coil original pick-ups and no modification on the original electronics
but the original yellow TV color got away, sorry
Please, please, PLEASE make a "Short History of Mesa Boogie"
They’re on the list
@@fivewattworld That will be amazing!
@@fivewattworld Great !!! know of Prune Music and Metallica.
Current inspirer, Eddy Shaver.
One wouldn't associate Americana with a Mesa but I guess he used one as a half stack with a Matchless 4x10 amp.
@@fivewattworld Would love to see that list x
Dual rec dual rec dual rec! I still have mine!
Once owned a JTM45 clone, was called a Gunn 50, had a full 800vdc on the EL34 plates.The clean tone was bar none!
I had the pleasure of meeting Jim Marshall and I'll never forget how nice he was. I bought my first Marshall when I was 16 and never looked back. I have played through just about everything either in the backline or the studio and I always go back to Marshall. Great video about this legendary amplifier.
Love your short history stories. Keep it up
First. You guys should do Vox ac30!!!
Oh, its on the list to be sure.
@@fivewattworld that amp has an incredibly long and important legacy so it's gotta be one of the most overwhelming to sort through the story behind that instantly recognizable sounding amp.
For 2 decades (as of 2020), I’ve been pursuing a close duplication of the Tom Scholz guitar tone but was never satisfied with the Rockman presentation. Ironically, the core of Tom’s tone on the first 2 Boston records was a Marshall, probably a JTM45, to which he added all his equalization tricks.
People have asked why I would pursue the Boston tone, calling it a “one-trick pony”. Ironically, I found (most of) what I’m looking for in a simulation of the Boss Metal Zone, which sounds vastly different than people are used to if you scale back the gain nearly to zero.
Exactly how many people in Great Britain during 1967 had the same reaction to Jimi Hendrix as Eric Clapton? I’ve heard interview snippets from Jeff Beck, Pete Townsend, Peter Noone and others about how so many of them thought that Hendrix was going to eat them alive. One of my favorite American musicians, Terry Kath, was also totally blown away by what Jimi Hendrix did, but he tried living up to it instead of shrinking away.
Another brilliant episode....
Excellent excellent history on the Marshall kieth . I've always been either a vox ac30 guy in blackface bassman. But after watching Johan's video on the the jtm 45 and jtm offset 45 with kt 66 and mullard ecc83 I'm lusting after 1 and I'm going to have one soon! They really are a much warmer and touch-sensitive in detailed compared to the Jmp and master volume models . I like them more than the plexi"s . Also I prefer the semi-open back cabinet sound much more over a closed back cab . I also discovered I much prefer running just one 12 instead of 4 return is much better and Fuller sounding . And if you really want good tone try just two celestion/vox silver bell alnico and put them into a late sixties fender bassman or bandmaster pine big box cabinet and make it semi-open back! Fire better-sounding in my opinion in the stock Marshall cabinet. Ever going to have a Marshall please don't use those Chinese or Russian tubes. Combination of the mullard ecc83 and tellefunken long smooth plates ecc83 or you can even mix a RCA long black plate and for better clarity in V1. I've had a klon centaur silver horses since the 90s. It's still in my opinion is the very best overdrive out there. The gold ones maybe a little bit warmer. 😊
And another excellent show. No fanboy gushing, just straight ahead facts with concise narrative. Top notch. Thanks for sharing. Stay safe everyone.
Really love the well researched historical deep dives and the occasional reflective musical soul searches. On the other hand I struggle mightily with my compulsive nature to acquire the musical tools you feature. Keeping it simple is in fact not so simple🙄.
Looking forward to the next feature. Blessings!
I think George Metropoulos and Germino deserve the credit of being the real torch bearers of current classic Marshall repros as their attention to detail and passion for vintage Marshall tone surpasses even the re-issues Marshall is cranking out.
Everytime I here a Metropoulos demo, I am in awe.
Wow! Learned so much! Never realized JM’s initial fame was as a drummer!
Not forgetting Marshall's 8008 valve state rack mounted transistor stereo power amp. I've got one and it''s really rather good.
My buddy has one of those heavy gold things.
An excellent video. I own a Marshall 1962 (blues breaker) combo (among other vintage Marshall amp) for the last seventeen years, it works perfectly, what is it’s current value. Thank you and stay well
I’m not sure about current values, but the folks at Carter vintage would know immediately.
Thanks for watching.
NAILED IT KEITH!
When I personally heard that sound for the first time, my mind was blown.
I love your channel...thank you for what you do.
George Metropoulos used to sell kits ("Metro Amp"). I'm so glad I bought one and built it. My son and I built the JTM 45 clone in 2009. I use a Rivera Rock Crusher to get the tone without losing my hearing. I run it through a Marshall twin cab with two Celestial green backs. It's easy to move about and gets the job done. This was an amazing video that made me smile - I've got an amp that's part of the legacy. In my experience, this was the most comprehensive and easy to follow history on this amp. I'm sure I'll watch it several times.
Congrats on the Metro's Great amps He was the OG of the Plexi clone Good stuff 👍
Nice video.. Enjoyed very much.
This circuit type is just about my favorite of all time. I play a bassman and as far as a catch-all, jazz/rock/blues/metal amplifier, there’s nothing better, imo.
If I need a PURELY metal amp, my engl is better. If I need an amp SOLELY for rock, my classic 30 really does the trick. But if I’m on a gig that needs it all, the bassman will take anything that any pedal has to offer. There’s not even a close second (at least in my amp collection). These jtm designs are obviously of similar ilk...one day I’m sure I’ll pick one up. As with any amp, though, it’s a matter of the right place, right time, right amp.
That was fantastic.
I was expecting a prank: “see link to fender Bassman video”
I miss my 1984 Marshall JCM 800 20th anniversary 50 Watt 2X12 combo, that amp was incredible especially when I played my 1984 Gibson Explorer with the 498 & 500 pickups through it straight up, no effects. Biggest mistake of my life was selling that amp because I had become too busy working my day job to play very often.
Will you make more vids about more pedals like the vox/dunlop wahs and the Big muff Pi?
YES! A CRYBABY EPISODE WOULD KICK ASS
They’re both on the list Steven
Have you considered doing a video on the strymon iridium? At the beginning of this video you basically described it. It's an amp model and cab sim of only the fender deluxe, ac30 and marshall super lead (might have the exact models wrong, if so my bad)
I love diving in the deep end and nerding out on amp history. That was a good trip.
76 Uxbridge Road Shepards Bush in London is now a Luggage shop (according to google maps)
I wonder if the current occupier is aware of the history of the place and the magic that surrounds it.
I wonder when did Marshall amps move to Milton Keynes
"Formuler?" Was the a hint of a Staten Island or Long Island accent peeking through there?
Upstate...and tired
You know how create some compelling content. Luv it thank you
The history of Marshall amplifiers goes hand-in-hand with the history of rock n’ roll. I need to do some more research but one of the best guitar tones I have ever heard was Alex Lifeson of Rush on the 1978 Farewell To Kings tour in England. This is documented on their live compilation called Different Stages with tinker toys on the cover. I believe it is a Marshall half or full stack with a semi-hollowbody guitar, possibly his white Gibson ES-355 or an ES-345 he also owned early on in the band’s career. Rush nerds help me out here. I just remember this tone as being full, rich, and very loud. And it got better as the show went on. Alex is definitely part of the Marshall legacy and his new Lerxst amps and cabs are based on the Marshall Silver Jubilee series of amps. Great amps for a great guitar player!
They're playing La Villa Strangiato aren't they? Great performance and sound.
rdmkeytohwy - I’m might be wrong, but I think that Lifeson was using Hiwatts at that time. The Hiwatts that we’re imported to Canada at that time received a “Canadian Mod” when they arrived at the distributor in Montreal (Erickson Music?). The mod gave them more gain, which was meant to compete with Marshall’s at the time. I have two of these Canadian mod Hiwatts, and I have to say that I can nail the Hemishperes tone with the DR-103. I’m going off memory so take this with a grain of salt, but I think I’m accurate.
Reg Rock you may be right. Someone who was at that show could probably tell us what he was using. At the time we weren’t as obsessed with gear as we are now. I just know that tone was beautifully overdriven, loud, and powerful. Alex could play with a lot of touch and finesse and also be quite aggressive. And it’s all good. Thanks for your recollection and input. Very interesting.
rdmkeytohwy - check out rush.fandom.com, it lists all his gear on their tours. So in 1978 on the Farewell to Kings Tour, he used H/H amps into Marshall cabs, and a Marshall Super Lead as well. Also in 1978 on the Hemispheres Tour (which I saw), he used the Hiwatts I mentioned. To be honest, his amps were a big part of his tone but when you use pedals like he has/does the amp becomes more of a platform and a part of the recipe rather than the main ingredient.
Had to rewatch this video after building my mojotone British 45 amp which is a jtm 45 clone with EL34 power amp tubes and a GZ34 rectifier tube. I love the way it sounds and have finally found the sound I have been looking for. I pair it often with a tone bender MKII clone I built with NOS OC75 transistors and some nos parts into a hand painted enclosure. This thing sounds amazing, I can get the Led Zeppelin danish tv set sound with it easily which I love.
I've got to take some exception to your advice to Line 6. What makes the Helix a really interesting piece of gear are the custom amps like the Cartographer (Ben Adrian's highly customized Traynor), the 'officially modeled' Revv amps, and the 'official' Grammatico La Grange.
The classics are great, but I love it when a classic is tweaked by the obsessed tone chaser.
I love a world full of differences. :)
Just 30 minutes? One of the best Marshall "history" videos ever. Very nice man. Diggin your page. I plugged into a Marshall for the first time in the summer of 1976. I was working part time at the local music store in Muncie, IN. We only saw that one Marshall the time I worked there. I was scared of the volume, but turned it up and hit the opening chords of "Communication Breakdown" Holy shit! It would be a few years before I finally got a Marshall combo, it's been Marshall since. I got a JVM series now days.
I grew up around Fender amps and loved them. However I was 12, started playing clubs at 10 years old, when I plugged into a Vox and later a Marshall. That was it! Even clean, which meant low volume, I loved the sensitivity and feel. Turned up was just amazing! Barry Bailey of the Atlanta Rhythm Section was an influence. I currently play in a country band, we do other stuff, my rig is a 100 watt Marshall. The cab is turned backwards and mic’d up. Volume is on four and it is a tone I cannot get with pedals or modeling amps. It is clean just turn down the guitar. I have owned every type of amp and still come back to 100 watt tube Marshall.
Great video as always, but one minor nitpick:
According to Andy Babiuk's Beatles Gear book, they never owned AC15s, and traded in John's Fender Deluxe and George's Gibson GA40 to get their AC30s. "Contrary to popular belief, The Beatles never used AC15 amplifiers. 'They never did' confirms [Reg] Clarke. [He] can remember getting Lennon's tweed colored Fender amp as part of the trade". (pg 67, first ed.)
Albert Lee, when asked about his rig and settings, "dunno mate, I plug in and switch on"....
He still has the Les Paul given him by E.C. Maybe the one in the picture you featured.
Pure gold as ever K.W.
Thank you sir.
Thanks Ian
Ian Bunyan I’m pretty sure EC gave Albert a black Les Paul Custom....he shows it in his 80s Starlicks video. th-cam.com/video/kRPkrooHZY8/w-d-xo.html
This has hands down become one of my favorite channels. I can never hit play fast enough when a new video comes out. Keep it up!!
Love these videos
I love my '73 JMP 50w, snagged from Black Market Music in LA in the mid '90's. Ya gotta have a Variac (thanks, Eddie - R.I.P.) to get the right amount of sag, and since the amp sounds best plugged straight in and fully dimed (can you say Angus?), an attenuator (currently a Power Brake) is also a must for home use. When not on 11, the amp is relatively clean, making it a decent pedal platform. Every great sounding amp has a great tech tweaking the innards, so a big shout out to Bird Dog Bobby at Bird Dog's Music House and Vintage Repair in Chuluota FL for making this one mean tone machine!!
Many Years ago, my father told me a story, where his band were doing a gig with The Who in London in the early to mid 60’s. When they saw all The Who’s Amplifiers, they went up to Pete Townshend and asked if they could all use Their amps, instead of their own? That way, they didn’t have to unload the Band gear. Unfortunately, Pete said “Err, No. Sorry. We let someone else to that a while back and they damaged our gear, because they didn’t drive it hard enough!”
did you know a lot of gear the who smashed up where empty cabinets
your statement that 3 amp tones and a few cab variations is all you need to get almost all historic tones is spot on. with the likes of boss katanas, helix, and other solid state and modelling amps far too many people are asking for specific song tones when they fail to realise there is only a hand full of variations