DOWNLOAD FREE PDFs and PLAY ALONGS FOR DRUM SET HERE: Quincydavisjazz.com LESSON TIME STAMPS 00:00 - Lesson Intro 00:26 - Are you ready!? 00:37 - Playing Intro 01:09 - Drum Roll Component #1 04:01 - Drum Roll Component #2 07:52 - Drum Roll Component #3 10:04 - Lesson Summary
You just taught TH-cam how to play a 3-DIMENSIONAL drum roll!! AWESOME lesson. Very concise, very clear, very efficient! I've been doing this by feel for years, but never figured out how to break it down and describe it. You're such an important resource for today's drumming students!
Best drum roll educator I’ve seen anywhere! As you break down the concepts, a beginner will be able to quickly identify where they are having trouble doing a smooth roll and then find the solutions needed to correct those issues.
Man, this is quite a lesson. I've been using Accents & Rebounds for a year and a half. I had to go as low as 35 bpm to find some control in the beginning. I have it up to speed. But I knew something was missing. Thanks for these components Q. Really love this classical side of drumming. Firmness/Looseness, Rate, Dynamics Holding it down as always.
Good lesson. You really "drumb it down" for me. I haven't got a good roll in the last 50 years, but maybe now there's hope? Thanks, I'll watch this another 35 times.
Aw, man! Ive been looking for someone to teach me to play this and there you are! You said it, you played it and demo’d it and I get it! Thank you!❤ you have a new subscriber!
That was amazing. Thank you so much. You broke everything down and made it clear. I've never seen a drum roll explained in such detail. I shall be practicing all those components. Thanks, again.
Thanks for explaining so clearly. As a drummer starting in my adulthood, these types of techniques often feel unnatural and logical explanations such as these (rare to find imo!) are very helpful. Now hopefully it’ll help me play Yes’s Siberian Khatru roll part 🙏🙏🙏
Fantastic lesson by a phenomenal drummer. I thought I had a great roll. In actuality, I have a good roll that will improve thanks to your incredible lesson. Blessings to Quincy.
Very much appreciated. It has been very well exposed. I had worked for a long time in my roll and I had improved very slowly and haven’t achieved something worthy of the name. I’m going to work throroughly with the technique you have explained and broke out so clearly. Many thanks.
Great lesson. Wish my Gen z and younger students had the patience for your videos. You really have all the info in there, but they can’t make it past the long intros. (Which I personally enjoy)
Hey I'm not a drummer but your help allowed me to roll three times in quiet church before taps on the organs trumpets for memorial day thanks for the know how
Fabulous lesson. Love how you broke the roll down. Great job explaining and demonstrating. Plus, your manner and personality are so friendly and encouraging. I love your videos.
We start with one drum, we learn the roll and we spend our whole life searching for perfect seamless rolls, so we can roll in rhythm,and swing with the roll as the backbone for the ride tempo.As with 40s big band solos, the solo story was told initially by the snare then moved onto the toms and bd.Quincy could show us how you integrate rolls into your musicality and the dynamic builds with rim shots etc. from your be-bop roots encylopedia of ideas , you are serving our drum community through exellence...Bra vo.
Great lesson! Wonder if you could do a part 2 that shows how to do a good press roll while swinging, like Art Blakey in the song "Blues March" ? Thanks
AHA!!!!😉 Crescendo & Decrescendo perfect lesson Quincy many thanks😊I find my pressed roll is way better with traditional grip which I have been learning for a couple of years now than matched which I have used all my drumming life....Still working on the pressed roll as it's one of my favourites and inspired by all the jazz drumming greats 🥁
Great video!! Oddly, I play more traditional grip than match grip, but when I want to play a quiet roll, I just tend to switch to match grip. No idea when or why I started doing this, but it's what I tend to do. Thanks again!!
Quincy...been a big fan of your videos for a long time. 1st time commenting on one. This was exceptional: no-nonsense, concise, easy to grasp. I'm more of a symphonic/musical theater drummer (even though I love to play drums in a piano trio setting), so rolls are a HUGE part of my vocabulary. You hit it out of the park with the breakdown of the 3 components. Might I be so bold as to add one more component that needs to be addressed in order to have a world-class roll, and not many people discuss it: buzz consistency. That is each buzz on each hand MUST be an exact duplicate of each other in terms of length, number of buzzes per stroke, and volume. You might want to consider this as "Component 0", since it has to be applied to each of the other 3 components individually as well as combined. Here are a couple of exercises that hopefully everyone will find useful. The first one is covered in one form or another in a number of books. Just simple 1/4 note buzzes. i.postimg.cc/7ZTjybr5/Buzz-Rolls-1.png The next one is for the more adventurous/accomplished. This I got from Buster Bailey who was the snare drummer with the NY Philharmonic (sorry...didn't mean to name-drop, just wanted to give credit where credit is due). i.postimg.cc/k53zM97f/Buzz-Rolls-2.png I included notes in both exercises that might keep things clear. ...And...speaking of Buster...here he is playing a ridiculous decrescendo-crescendo roll (audio only): th-cam.com/video/z-pMmSe7JpI/w-d-xo.html Here is a video of him putting into practice all 4 components. Notice the change of hand speed/number of buzzes as he crescendos (Buster is the rotund, follicley-challenged player): th-cam.com/video/LmaR0h6-giE/w-d-xo.html Again, Quincy thank you so much for this fine tutorial.
Quincy, I began playing the buzz roll where the sticks were approaching the snare drum from a wider circumference almost from the 10 o'clock and 2 o'clock positions and then coming inside so that the sticks were closer together, side by side. The rates and stuff are all exactly as you teach here... the only thing that changes is the first touch. Papa Jo and many others used that technique often. Thanks again, this is an awesome lesson!
Reallly good, I played this roll to a teacher when I was around 18 and he told me it was cheating, so I stayed away from it, I am now 64 and played it again and it sounds good to me, Have you posted a video where you incorporate toms too?
Hey Quincy, I heard one of the most important keys to success is setting clear goals. I just realized I have no idea what my goals are for jazz drums: comping? Solos? More grooves? Question: How do I set goals as a drummer? What are good goals for beginners, intermediate, and advanced (even pro) drummers?
Hey Quincy. I really enjoyed this video, I think it’ll help me get my rolls to the next level. Do you think you could do a video on how to get better flam taps? I’ve been finding that my right hand is good but my left hand can’t keep up
Excellent, Q! and also important (and cool) to be able to include rolls within fills that include other non roll rudiments. Have you done a video on incorporating rolls into fills? If not, might be cool to follow this video up with that. I love doing that from time to time in my own playing. I love your playing AND your videos. Always very clear, (humorous) and inspiring. THANKS!
@@drumqtips Working on this now. It's trickier than it seems. My standard rolls are basically 1/8 note triplet strokes, so I have to get comfortable with breaking out of the grid for the crescendo.
Really great breakdown Q! I only ever paid attention to the rate and tempo. So at a slower tempo I would go from say 16ths to 16th note triplets so that I didn't have to adjust the looseness of my grip very much. Also I was taught to play press rolls nearer the outside of the drum. Do you think that has an impact on the sound quality and difficulty playing the roll? Thanks for all the detail... off to the practice room 😎
Really interesting lesson!😊 Quincy I have a question for you: about the third component, how do you mentally determine the TIME SIGNATURE AS YOU PLAY a crescendo to then arrive (whit precision) on one of the measure? Is it simply a matter of practice and practice and practice, or can you advise me on the best way (technically, theoretically) to achieve this? Thanks Quincy, I love your tips!!! ❤️🥁
Awesome question ‘Man! I regret not going into more depth on that one and providing 1 or 2 exercises. Practice playing rolls at different tempos and different dynamics. Over time you will start making automatic adjustments to components 1 & 2 to achieve the best sounding roll. Same thing goes for crescendos and decrescendos. Have fun!
Great lesson Q, never heard anyone assimilate the rate with the pressure before - bit of a light bulb moment for me! Agree with the below comments on context, I struggle to play in and out of these rolls in a groove setting, would be good to cover that. Also can you do the same type of lesson on single strokes please? Mine are garbage at the moment
Something occurred to me while watching this lesson. The press roll, or what I usually call a buzz roll, is something that we worked a lot on in college for classical percussion training. Almost every drum set teacher I've ever had concentrated more on double stroke rolls. Maybe because my buzz was better than my double I don't know. But I found it interesting to note that what we learn in one genre can translate so nicely to another. You could have dubbed this lesson "The Rolls Royce of Pressed Rolls" FP
@@drumqtips You’re welcome…I’ve been listening and subbed for a while. Great content. I have purchased a few of your lessons and play along tracks. I’m getting back in to what I am passionate about, drums, and your vids are helping with that.
Which microphone John? I’m using lots. The one for my voice is the headset mic you can see in the video. The drums are being picked up by separate mics.
Hello q , do you use this kind of roll for soloing with roll (between accented noté on tom or other) , or do you use fast doble Stoke (with thf help of fingers to accentuate the second note so its even). And in this technique you describe , there is no uses of fingers at all ? Thanks
So I have what I consider a few different rolls Buzz roll. Aggressive stroke rolls that are counted. Like a nine stroke roll. Then accented rolls. I’m self taught and copy what I hear in music. I try to stay loose but when doing certain songs and trying to copy certain artists I can get more aggressive. I guess it’s what you call a press.
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DOWNLOAD FREE PDFs and PLAY ALONGS FOR DRUM SET HERE:
Quincydavisjazz.com
LESSON TIME STAMPS
00:00 - Lesson Intro
00:26 - Are you ready!?
00:37 - Playing Intro
01:09 - Drum Roll Component #1
04:01 - Drum Roll Component #2
07:52 - Drum Roll Component #3
10:04 - Lesson Summary
You just taught TH-cam how to play a 3-DIMENSIONAL drum roll!! AWESOME lesson. Very concise, very clear, very efficient! I've been doing this by feel for years, but never figured out how to break it down and describe it. You're such an important resource for today's drumming students!
Thank you “Loaf”:) Glad you find this lesson so helpful!!
Matter for study the rest of my life 😅 first time i hear in depth how to roll. Great!
Damn. Even after one lesson WAYYY BETTER
Excellent lesson and excellent specking skill
this is excellent, I am always struggling and striving to play a nice relaxed roll. This will be my reference, Thank you
Glad it was helpful!
Speaking as a native New Yorker, I especially appreciate the more notable qualities of a buttered roll. 😀🥯🥁
As a former NYCer, I’ll take a butter roll over a buzz roll any day of the week! 🤣🤣
Best video on snare drum rolls I’ve found. And love the fact you use traditional grip. Thank you!
Best drum roll educator I’ve seen anywhere! As you break down the concepts, a beginner will be able to quickly identify where they are having trouble doing a smooth roll and then find the solutions needed to correct those issues.
I second that fact Q is the best!
Great lesson! You broke the roll down beautifully. Will now go practice.
Have fun Pete!
You are my new most favorite drum teacher. Your teaching style and info is perfection!!!
Wow, I appreciate that!
Dear Q, I'm a self taught drummer and this is by far the best video which "explains" stick grip in a buzz roll. It helped me a lot!
Glad it helped!
Amazing lesson ! I had some questions about this and searched if you had covered it and as always! Amazing!
Glad I could come through for you Joel:)
Man, this is quite a lesson. I've been using Accents & Rebounds for a year and a half. I had to go as low as 35 bpm to find some control in the beginning. I have it up to speed. But I knew something was missing. Thanks for these components Q.
Really love this classical side of drumming.
Firmness/Looseness, Rate, Dynamics
Holding it down as always.
Glad it helped!
Good lesson. You really "drumb it down" for me. I haven't got a good roll in the last 50 years, but maybe now there's hope? Thanks, I'll watch this another 35 times.
It’s so cool how great this lesson is.
Thank you 🙏🏾
Man, I love your lessons.. totally brilliant, you are a natural teacher, your enthusiasm, humour and drumming skill is sooooo goooood, thanks..
I appreciate your kind words very much Stephen🙏🏾
Aw, man! Ive been looking for someone to teach me to play this and there you are! You said it, you played it and demo’d it and I get it! Thank you!❤ you have a new subscriber!
Glad I could help!
That was amazing. Thank you so much. You broke everything down and made it clear. I've never seen a drum roll explained in such detail. I shall be practicing all those components. Thanks, again.
Thanks for explaining so clearly. As a drummer starting in my adulthood, these types of techniques often feel unnatural and logical explanations such as these (rare to find imo!) are very helpful. Now hopefully it’ll help me play Yes’s Siberian Khatru roll part 🙏🙏🙏
Excellent tutorial on the roll . As always Quincy great lesson. Thanks for sharing.
My pleasure Vic! Thanks for watching.
Thanks! I really needed this. For whatever reason my rolls have deteriorated over the past few years. This will help immensely!
Glad this will be helpful to you Tommy!
Thank you for this. It’s just what I need to work on my rolls. 30 plus years of weak rolls now I understand this concept even more!!
Fantastic lesson by a phenomenal drummer. I thought I had a great roll.
In actuality, I have a good roll that will improve thanks to your incredible
lesson. Blessings to Quincy.
That’s what I like to hear👍🏾
Very much appreciated. It has been very well exposed. I had worked for a long time in my roll and I had improved very slowly and haven’t achieved something worthy of the name. I’m going to work throroughly with the technique you have explained and broke out so clearly. Many thanks.
Glad this lesson helped! Let me know how it goes.
I really get a bunch out of your lessons! Thanks!
Great lesson. Wish my Gen z and younger students had the patience for your videos. You really have all the info in there, but they can’t make it past the long intros. (Which I personally enjoy)
Ha!! Started doing YT shorts for the youngsters. Thanks for watching Mike.
Hey I'm not a drummer but your help allowed me to roll three times in quiet church before taps on the organs trumpets for memorial day thanks for the know how
My pleasure!
Great video! I’ve been struggling to build a good buzz roll for so long! Saw INSTANT improvement after finding the right firmness, speed, and dynamic!
Fabulous lesson. Love how you broke the roll down. Great job explaining and demonstrating. Plus, your manner and personality are so friendly and encouraging. I love your videos.
We start with one drum, we learn the roll and we spend our whole life searching for perfect seamless rolls, so we can roll in rhythm,and swing with the roll as the backbone for the ride tempo.As with 40s big band solos, the solo story was told initially by the snare then moved onto the toms and bd.Quincy could show us how you integrate rolls into your musicality and the dynamic builds with rim shots etc. from your be-bop roots encylopedia of ideas , you are serving our drum community through exellence...Bra vo.
Thanks for sharing your words Stix! Maybe I’ll do a follow up lesson on how I use rolls musically. Cheers!
YAY, just purchased the walking bass download from your web site. Excited to practice with it later on today!
Awesome! It’s super helpful.
The best part was the complete lesson.thanks quincy, i learned a lot there.adios amigo
Great lesson been workin on my single strokes and flam triplets thankyou bro
All great points. Thank you.
Great lesson! Wonder if you could do a part 2 that shows how to do a good press roll while swinging, like Art Blakey in the song "Blues March" ? Thanks
I was just going to ask the same thing: how to do in the context of playing time?
AHA!!!!😉 Crescendo & Decrescendo perfect lesson Quincy many thanks😊I find my pressed roll is way better with traditional grip which I have been learning for a couple of years now than matched which I have used all my drumming life....Still working on the pressed roll as it's one of my favourites and inspired by all the jazz drumming greats 🥁
Right on Peter!
Great stuff Quincy…. thank you!
Thank you Quincy, I love ur channel
Great lesson! Thank you!😊
Best drum teacher ever. Of course his name is Quincy (Jones) (Miles) Davis
No relation unfortunately. Lol! Thanks for the kind words👊🏾
Excellent tutorial. Thank you, sir!
Glad you enjoyed it!
Amazing lesson, thank you
You’re most welcome!
Thanks for this great lesson! 👌🏼👏🏻👏🏻
My pleasure Rene!
This is pure gold!! Perfect and to the point explanation!!
Thanks for watching. Glad it was helpful!
Very good…I think I was doing what you described but just didn’t know it!! Now, I’ll practice my snare drum rolls with purpose!!!
Best Lesson on rolls! Thanks!
I appreciate that Idan!
Great the classes on ro roll and the press rolls
Thanks Ray!!
Very useful and a really intelligent approach to the roll - thanks, guv’nor!😎
When i close my eyes, only listening i totally hear Philly Joe's Snappyness in your approach 🙌 got goosebumps, amazing
I. Love. Philly. Joe. Jones. I appreciate that very much🙏🏾
@@drumqtips my pleasure 🙌 thank you very much for sharing your knowledge 🙏
Great lesson
GREAT LESSON!!!!!
Thank you🙏🏾
This was a fantastic lesson. Thank you!
Huge lesson! Thanks!
Glad you liked it!
Very helpful! Thank you
Glad it was helpful Ben!
Great video!! Oddly, I play more traditional grip than match grip, but when I want to play a quiet roll, I just tend to switch to match grip. No idea when or why I started doing this, but it's what I tend to do. Thanks again!!
Art Blakey and Max did the same thing so all good Rob👍🏾
great stuff Quincy been working on traditional grip and this certainly helps
So excited to try this stuff out! Awesome breakdown, so helpful as an intermediate drummer with sub-par technique that I'm trying to improve
Hope it's helping!
Great lesson. Thanks😊
My pleasure!
IL be back to learn more
very great lesson,thank you a lot, superclear!
Glad you liked it Alessandro!
!!!!!!!!!!!!!!!!@@drumqtips
Quincy...been a big fan of your videos for a long time. 1st time commenting on one. This was exceptional: no-nonsense, concise, easy to grasp. I'm more of a symphonic/musical theater drummer (even though I love to play drums in a piano trio setting), so rolls are a HUGE part of my vocabulary. You hit it out of the park with the breakdown of the 3 components. Might I be so bold as to add one more component that needs to be addressed in order to have a world-class roll, and not many people discuss it: buzz consistency. That is each buzz on each hand MUST be an exact duplicate of each other in terms of length, number of buzzes per stroke, and volume. You might want to consider this as "Component 0", since it has to be applied to each of the other 3 components individually as well as combined.
Here are a couple of exercises that hopefully everyone will find useful.
The first one is covered in one form or another in a number of books. Just simple 1/4 note buzzes.
i.postimg.cc/7ZTjybr5/Buzz-Rolls-1.png
The next one is for the more adventurous/accomplished. This I got from Buster Bailey who was the snare drummer with the NY Philharmonic (sorry...didn't mean to name-drop, just wanted to give credit where credit is due).
i.postimg.cc/k53zM97f/Buzz-Rolls-2.png
I included notes in both exercises that might keep things clear.
...And...speaking of Buster...here he is playing a ridiculous decrescendo-crescendo roll (audio only):
th-cam.com/video/z-pMmSe7JpI/w-d-xo.html
Here is a video of him putting into practice all 4 components. Notice the change of hand speed/number of buzzes as he crescendos (Buster is the rotund, follicley-challenged player):
th-cam.com/video/LmaR0h6-giE/w-d-xo.html
Again, Quincy thank you so much for this fine tutorial.
This is great Merrill! Thanks sharing your thoughts and information. Buster Bailey was so incredible. Great examples of his perfect press roll!
Thanks for your kind words, Quincy. It's the least I can do since you so freely share your wealth of knowledge and talent with us.
Awesome lesson never thought about roll's that way
Boom👊🏾
Amazing! Thanks!
Quincy, I began playing the buzz roll where the sticks were approaching the snare drum from a wider circumference almost from the 10 o'clock and 2 o'clock positions and then coming inside so that the sticks were closer together, side by side. The rates and stuff are all exactly as you teach here... the only thing that changes is the first touch.
Papa Jo and many others used that technique often.
Thanks again, this is an awesome lesson!
Awesome John. Thanks for sharing.
Carter McLean plays like that too. His roll is insane
Such a useful and informative video I struggle with snare drum rolls so this gives me a good platform to practice with. Cheers Quincy thanks man
Reallly good, I played this roll to a teacher when I was around 18 and he told me it was cheating, so I stayed away from it, I am now 64 and played it again and it sounds good to me, Have you posted a video where you incorporate toms too?
Thanks for watching Chris! I don’t have a video of me playing rolls on the toms.
Great educator
🙏🏾
Thnx mr Davis, you're awesome coach🤟👏
My pleasure!
Incredible lesson. I subbed immediately. I've always struggled with this so I just avoided them altogether. Now I want to practice them, great job!
Another great one for the books brother
Thnx Warren👊🏾
Thank you!
Hey Quincy, I heard one of the most important keys to success is setting clear goals. I just realized I have no idea what my goals are for jazz drums: comping? Solos? More grooves?
Question: How do I set goals as a drummer? What are good goals for beginners, intermediate, and advanced (even pro) drummers?
Model your playing after a year drummer who you love listening to. That will shape up your goals very quickly.
Hey Quincy. I really enjoyed this video, I think it’ll help me get my rolls to the next level.
Do you think you could do a video on how to get better flam taps? I’ve been finding that my right hand is good but my left hand can’t keep up
Excellent lesson and demonstration. Thanks for elevating the art of drumming!
My pleasure Ricardo!
Another great lesson to do over & over again. Should you do this with a metronome too or just practice it until it sounds good?
With a met is always a good idea Ms. Marcia:)
Excellent, Q! and also important (and cool) to be able to include rolls within fills that include other non roll rudiments. Have you done a video on incorporating rolls into fills? If not, might be cool to follow this video up with that. I love doing that from time to time in my own playing. I love your playing AND your videos. Always very clear, (humorous) and inspiring. THANKS!
Good idea Robert! Thanks as always!
Third component is huge. I hadn't thought of speeding up rather than just increasing stick height and moving toward the center of the drum.
Exactly Rich!
@@drumqtips Working on this now. It's trickier than it seems. My standard rolls are basically 1/8 note triplet strokes, so I have to get comfortable with breaking out of the grid for the crescendo.
Magnificent. ❤
Thank you!
Really great breakdown Q! I only ever paid attention to the rate and tempo. So at a slower tempo I would go from say 16ths to 16th note triplets so that I didn't have to adjust the looseness of my grip very much. Also I was taught to play press rolls nearer the outside of the drum. Do you think that has an impact on the sound quality and difficulty playing the roll? Thanks for all the detail... off to the practice room 😎
Location you play the roll definitely plays a factor in everything, especially dynamics. Thanks!
Really great lesson Q!!
Jaap, thank you as always!
Parabéns Mestre! Obrigado por suas aulas. Um abraço
Very nice sir
You are so welcome!
Really interesting lesson!😊
Quincy I have a question for you: about the third component, how do you mentally determine the TIME SIGNATURE AS YOU PLAY a crescendo to then arrive (whit precision) on one of the measure? Is it simply a matter of practice and practice and practice, or can you advise me on the best way (technically, theoretically) to achieve this?
Thanks Quincy, I love your tips!!! ❤️🥁
Awesome question ‘Man! I regret not going into more depth on that one and providing 1 or 2 exercises. Practice playing rolls at different tempos and different dynamics. Over time you will start making automatic adjustments to components 1 & 2 to achieve the best sounding roll. Same thing goes for crescendos and decrescendos. Have fun!
@@drumqtips Hey Quincy! Great lesson as always. I'm struggling with the same issue and I'd love a couple of exercises that help to adjust the rate.
Thanks for No. 3 :D
Thanks for watching!
Great lesson Q, never heard anyone assimilate the rate with the pressure before - bit of a light bulb moment for me! Agree with the below comments on context, I struggle to play in and out of these rolls in a groove setting, would be good to cover that. Also can you do the same type of lesson on single strokes please? Mine are garbage at the moment
Awesome.
Thank you and cheers!
Something occurred to me while watching this lesson. The press roll, or what I usually call a buzz roll, is something that we worked a lot on in college for classical percussion training. Almost every drum set teacher I've ever had concentrated more on double stroke rolls. Maybe because my buzz was better than my double I don't know. But I found it interesting to note that what we learn in one genre can translate so nicely to another. You could have dubbed this lesson "The Rolls Royce of Pressed Rolls" FP
Very interesting indeed Frankie. Love that alternative title:)
fantastic! now i don't have to practice my matt savage rudimental workshop buzz rolls :L
Practice all of the above Danny! It’s a command from Matt and I. 🤣🤣
Great explanation!
Thank you John!
Hey Q, great lesson as always!
Thank you Dimitri🙏🏾
Fantastic! Liked and subscribed.
I won’t let you down my new friend:)
Hey Q, plis recomend jazz ride cymbals. Witch one do you use? Thanks Q, you are the best! Eres el mejor, saludos desde Chile
Zildjian rides are the best! Check description box for my cymbals.
tremendous
Amazing
Great video lesson 🔥
Thanks bro Keith!
@@drumqtips You’re welcome…I’ve been listening and subbed for a while. Great content. I have purchased a few of your lessons and play along tracks. I’m getting back in to what I am passionate about, drums, and your vids are helping with that.
YEAH THE ROLL
Great lesson Quincy...
Quick question about your microphone.
Is it in ear? How is it set up?
Thanks for your fantastic channel.
Which microphone John? I’m using lots. The one for my voice is the headset mic you can see in the video. The drums are being picked up by separate mics.
@@drumqtips
Yes, for your headset. How do you hear yourself? Through a monitor or are you wearing earbuds?
Thanks Quincy.
@@johndiraimo1444 No need to hear myself for this other than my natural unamplified sound. I’m not playing to any play along tracks.
Hello q , do you use this kind of roll for soloing with roll (between accented noté on tom or other) , or do you use fast doble Stoke (with thf help of fingers to accentuate the second note so its even). And in this technique you describe , there is no uses of fingers at all ? Thanks
I use both kinds of rolls when soloing. This double stroke is without fingers.
Ok, thanks à lot, and cheers from France, bizoux.
So I have what I consider a few different rolls Buzz roll. Aggressive stroke rolls that are counted. Like a nine stroke roll. Then accented rolls. I’m self taught and copy what I hear in music. I try to stay loose but when doing certain songs and trying to copy certain artists I can get more aggressive. I guess it’s what you call a press.