yo thanks for this fix man, literally couldn't understand why my 120p b-roll was stuck at frames and went on a wild goose chase tryna change different settings. Thanks man, and hope to see new stuff from you posted up soon!
@@Hantography real quick, I found an alternative method to bringing 120p footage to 24p for slow mo: bypassing ‘interpret footage’ and using Speed/Duration options instead. This method respects proxies too, and apparently an adobe dev mentioned that interpret footage wasn’t originally intended for slow motion conversion (hence the proxies incompatibility). Ever tried the speed/duration method and which works better for you? I appreciate man and cheers!
I'm suprised no one else is mentioning this, but you are NOT supposed to slow footage down by using "interpret footage." That isn't the intended funcion of that feature and hence why people have so many problems with it. Rather, right click the footage in your project folder and select "Speed/Duration." Slowing 60fps to 24fps = 40% speed, 120fps to 24fps = 20% speed. You might notice that the proxy footage looks "choppy" when slowed down and played back. If so, click the settings wrench icon in your Program Monitor window, and enable "High Quality Playback." If your proxies are still dropping frames, make a lower quality proxy.
hmm what is the main purpose for interpretting footage? This is my first time hearing this, but it would make sense if its not the intended use because I can't see premiere having this issue for so many years. Also how would you slow down multiple clips at once?
@@trayneadjeifilms You can select multiple clips in your project folder, right-click, and click "speed/duration". If I have a project with a mix of frame rates (24, 30, 60), I will sort the clips by frame rate and do all the 30fps clips at once, the 60fps clips, etc
After years of doing it I'm just learning interpret footage is not the way to go either! I used the speed/duration method (40% for 60fps) in the project folder for all my high frame rate footage and the footage works fine with the original proxies I made. Thank you!
Thought this was the solution to my problem but it doesn't seem like it. I'm working with mixed frame rates, but I want the project to be at 30fps. So, I interpret all the non-30fps footage to be at 30fps. However, I want them to be playing at "normal" speed, so I have to adjust their speed accordingly using Speed/Duration. But then the problem occurs after making the proxies. I make the proxies like the way that you show in the video, interpreting them in Media Encoder as well, but the when I get back to my project in premiere, all of the proxies for the non-native-30fps footage is back at the original speed because you can't speed up (or slow down) a proxy... any solution to this?
For anybody finding that Premiere pro has "greyed out" the interpretate footage setting, go and un-update your software in the creative cloud, reverting back to the first 2022 version of premier pro and Media Encoder and BAM, the setting is back :)
Ahh this is so helpful. But I'm running into an issue when trying to interpret in Media Encoder. "Interpret Footage" is greyed out when doing this is Media Encoder. Anyone know how to solve this?
You could just drag your footage into the Media encoder then link the proxies in premier to lol but no My footage at 120fps is already slowed in camera, whats the proper way to bring it back to normal speed?
Can I interpret my footage to the desired fps (AND COMPENSATE THE SPEED DURATION PERCENTAGE TO BE AT NORMAL SPEED) before create proxies? Or do I have to do: Interpret Footage > Create Proxies > Change Clip Speed/Duration? What is the best way to this issue don't happen anymore? Thank you in advance!
hmm interesting... did you interpret your footage to a different frame rate recently. Also, adobe updates are ass, so it could be that. Let me know if this video helps or not.
This is the solution that I've been looking for, thank you! I had just kept editing thru the stutter and glitch, very frustrating and slow. Do you think this would work if I were to delete the existing proxies in the current project and then re-proxy using your advice? I've spent so much time already and don't really want to start from zero again, ha. Thanks again! Jh
Hi bro.. just have a doubt.. i have 4K 100fps footages to be edited for TH-cam. So which is the best frame rate to work in Premiere pro.. i tried 24fps sequence but when i slow down the clips again to ultra slow motion, the frame jumps !! I need to make Cinematic 24fps 4K video for TH-cam, no need of 100fps !! Kindly please help !!
How to do a proxy of a 23.976 project, with 60fps videos? I just want to use same 60 fps of some videos because these were talking head videos. I don’t want to make slowmotion of me talking 🤣
What happens if I want the footage to stay in 60 or 120fps? I'm not understanding why you'd interpret a 120 into 23.976 when the sequence does that for you? I don't want the footage slow me unless I make it slow-mo. I want the footage to run normal until I do my speedramps on it.
That works fine too. This is mainly for people that want to view their footage slowed down first, and then speed it up when they want. Depends if you want to go from fast to slow or slow to fast. Technically viewing it slowed down first would give you the correct "motion blur" for the 23.976 timeline.
I have clients who do real estate and they record everything in 60fps, including the walking and talking about the home. I wouldn't want that in slow-motion. I would want it to play normal.@@Hantography
Also, I've attempted this process and it doesn't slow down the footage which is great. However, the problem is still happening. The frames freeze and lag the project when I try to run playback on a proxie file that is over 23.976 fps.@@Hantography
You take the original frame rate of the clip, divide by the sequence's frame rate, and multiply by 100. That'll tell you how much to speed up the clip by. So if you have a 120fps clip already interpreted in a 24fps timeline, you would do 120/24 x 100 = 500. So you should speed up that clip by 500% to play it back at normal speed.
@@usmanmajid7837 what if I have a 23,976fps timeline with 30fps footage? Would be 125,125% speed duration after interpreting to really sync to the real time? (cuz the fps isn't round)
I am trying to edit on timeline with 1080p but I have hundreds of footage in 4k 30 fps and I want to export it to 4k 24 fps. Is there a faster way to do this?
Hello! Do you know the reason why premiere renders the clip with weird ghosting effects when reinterpreting from higher fps than 24fps to 24 fps? This fail is visible in when some fast movement is recorded.
I believe since the new encoder doesn't output 120fps files into 120fps but is capped at 60fps, the ghosting is a result of a shortage of half the frame. Like premier thinks the footage is 120fps interpreted to 23 but the proxy is actually a 60fps interpreted to 23. so that might be the case.' In here the fix is encoder interpreted the footage down to 23 before encoding so results in no capping in the frames.
Hey! Separate the clips into folders of the same frame rates, and you should be able to use these techniques. But you'll have to run this process for each different set of FPS you have.
24 FPS gets that cinematic look, if you leave it in 120 FPS, it looks unnaturally smooth to your eyes unless you slow it down. You can just change the speed to slow it down but interpreting the clip will get the correct speed faster (and you can do multiple clips at a time). 👊
Absolute Legend i can't believe no one else has a video on this you're a life saver
Dude. This is huge. Been hurting me for awhile and couldn't find the answer. Thank you!
Yay! Glad it helped my friend
yo thanks for this fix man, literally couldn't understand why my 120p b-roll was stuck at frames and went on a wild goose chase tryna change different settings. Thanks man, and hope to see new stuff from you posted up soon!
Appreciate it Ron! Glad it worked for you :)
@@Hantography real quick, I found an alternative method to bringing 120p footage to 24p for slow mo: bypassing ‘interpret footage’ and using Speed/Duration options instead. This method respects proxies too, and apparently an adobe dev mentioned that interpret footage wasn’t originally intended for slow motion conversion (hence the proxies incompatibility). Ever tried the speed/duration method and which works better for you? I appreciate man and cheers!
You have no idea how much trouble you saved me, I really appreciate this video!
You're welcome! Super glad it helped
Holy crap you're the man! I've been trying to figure out how to resolve this forever now
You're a genius bro! I was going crazy trying to get this to work. Tried using Shutter Encoder but ran into the same issues. Thanks so much!
THANKS SOOOO MUCH!!! you saved me a lot of time!!! ❤
So damn helpful man.. kudos to you.... previewing 120fps content like an absolute boss.. thanks a lot dude.
Exactly what I was looking for man! Big thumbs up. thank you
Thanks for the video. I used to do that, but now interpret footage in Media encoder is grayed out. Any help would be appreciated
Thank you so much! I have been having this issue for months and I couldnt find an answer!!
1:51 No me sale el video en media encoder, solo le puedo dar en stop, pero no hay video ahí.
I'm suprised no one else is mentioning this, but you are NOT supposed to slow footage down by using "interpret footage." That isn't the intended funcion of that feature and hence why people have so many problems with it.
Rather, right click the footage in your project folder and select "Speed/Duration." Slowing 60fps to 24fps = 40% speed, 120fps to 24fps = 20% speed.
You might notice that the proxy footage looks "choppy" when slowed down and played back. If so, click the settings wrench icon in your Program Monitor window, and enable "High Quality Playback." If your proxies are still dropping frames, make a lower quality proxy.
hmm what is the main purpose for interpretting footage? This is my first time hearing this, but it would make sense if its not the intended use because I can't see premiere having this issue for so many years. Also how would you slow down multiple clips at once?
@@trayneadjeifilms You can select multiple clips in your project folder, right-click, and click "speed/duration".
If I have a project with a mix of frame rates (24, 30, 60), I will sort the clips by frame rate and do all the 30fps clips at once, the 60fps clips, etc
After years of doing it I'm just learning interpret footage is not the way to go either! I used the speed/duration method (40% for 60fps) in the project folder for all my high frame rate footage and the footage works fine with the original proxies I made. Thank you!
amazing narrative dude, great video.
Thought this was the solution to my problem but it doesn't seem like it.
I'm working with mixed frame rates, but I want the project to be at 30fps. So, I interpret all the non-30fps footage to be at 30fps. However, I want them to be playing at "normal" speed, so I have to adjust their speed accordingly using Speed/Duration. But then the problem occurs after making the proxies. I make the proxies like the way that you show in the video, interpreting them in Media Encoder as well, but the when I get back to my project in premiere, all of the proxies for the non-native-30fps footage is back at the original speed because you can't speed up (or slow down) a proxy... any solution to this?
man, you saved my life... a massive thanks for this hack!!
Thank you so much, you're a genius, you explained exactly what I was looking for.... Good job
this helped me so much i was getting so frustrated with this issue
Oh my brother i love you!! thank you so much!! greetings from argentina!!
Of course man! Thanks brotha. haha 👐
For anybody finding that Premiere pro has "greyed out" the interpretate footage setting, go and un-update your software in the creative cloud, reverting back to the first 2022 version of premier pro and Media Encoder and BAM, the setting is back :)
Thank you! Why would they disable this function in the update???
Thank you SO much for this thorough and helpful video! It saved me!
Man I must say, that thumbnail cracked me up so hard. As in, I feel your pain bro 😅😂
Ahh this is so helpful. But I'm running into an issue when trying to interpret in Media Encoder. "Interpret Footage" is greyed out when doing this is Media Encoder. Anyone know how to solve this?
Interpret footage in Media Encoder is greyed out and I can't click it, any thoughts/advice?
I have the same problem!!! I hope you find a solution.
That's just incredibly helpful! Thank you!
Thanks m8! Great video!
Thank you! Glad it Helped.
How do you get the proxy files to play at regular speed in premier?
Set speed at 200%
Goddamn just finding this. Crazy that the proxy menu doesn't just have options for different framerates.
You could just drag your footage into the Media encoder then link the proxies in premier to lol but no My footage at 120fps is already slowed in camera, whats the proper way to bring it back to normal speed?
Hi! Any idea how I can Interpret Footage in media encoder latest version? Can't choose Interpret Footage any more. :(
Can I interpret my footage to the desired fps (AND COMPENSATE THE SPEED DURATION PERCENTAGE TO BE AT NORMAL SPEED) before create proxies? Or do I have to do: Interpret Footage > Create Proxies > Change Clip Speed/Duration? What is the best way to this issue don't happen anymore? Thank you in advance!
hey you are a life saver. Thanks subbed
why is my interpret footage in encoder greyed out?
I tried to do that but why is interpret footage greyed out in Media Encoder? How can I enable the option again? Thank you!
ive been making proxies with 4k 120fps footage for months without any issues. why all of a sudden has it stopped working for me
hmm interesting... did you interpret your footage to a different frame rate recently. Also, adobe updates are ass, so it could be that. Let me know if this video helps or not.
thanks man, that was driving me crazy! :)
Thanks dude! It was great tip! I hated this bug in Premier. I was driving me crazy...
No problem! :) Glad I could help you.
awesome bro, thanks right to the point!
thanks fo this! had to learn the hard way. When you choose the type of proxy what seems to be your favorite for smoothest playback?
You're welcome! I used to do h264 but after looking around people said that prores was better. Less compression so the playback is smoother.
You are awesome my friend!
You saved my video thanks g 👌🏻
Hi mate, my interpret footage is greyed out. Any ideas?
Thank you for this! It's been a pain in my ass for over a year lol
Thanks for the video. Its really usefull.
Is there a way we could make an ingest preset with 24fps by default and use it to avoid that stop reset status thing.
it is really works )) thank you. i spoke with adobe today they can't fix it )) lol
They never help with anything haha
@@Hantography lol you right
This is the solution that I've been looking for, thank you! I had just kept editing thru the stutter and glitch, very frustrating and slow. Do you think this would work if I were to delete the existing proxies in the current project and then re-proxy using your advice? I've spent so much time already and don't really want to start from zero again, ha.
Thanks again! Jh
I believe if you create proxies without deleting. Just by proxying again, it will just replace the old ones and work as is.
Yes! thank you!!!
Hi bro.. just have a doubt.. i have 4K 100fps footages to be edited for TH-cam. So which is the best frame rate to work in Premiere pro.. i tried 24fps sequence but when i slow down the clips again to ultra slow motion, the frame jumps !! I need to make Cinematic 24fps 4K video for TH-cam, no need of 100fps !! Kindly please help !!
How to do a proxy of a 23.976 project, with 60fps videos? I just want to use same 60 fps of some videos because these were talking head videos. I don’t want to make slowmotion of me talking 🤣
What happens if I want the footage to stay in 60 or 120fps? I'm not understanding why you'd interpret a 120 into 23.976 when the sequence does that for you? I don't want the footage slow me unless I make it slow-mo. I want the footage to run normal until I do my speedramps on it.
That works fine too. This is mainly for people that want to view their footage slowed down first, and then speed it up when they want. Depends if you want to go from fast to slow or slow to fast.
Technically viewing it slowed down first would give you the correct "motion blur" for the 23.976 timeline.
I have clients who do real estate and they record everything in 60fps, including the walking and talking about the home. I wouldn't want that in slow-motion. I would want it to play normal.@@Hantography
Also, I've attempted this process and it doesn't slow down the footage which is great. However, the problem is still happening. The frames freeze and lag the project when I try to run playback on a proxie file that is over 23.976 fps.@@Hantography
How to speed up those footages to play at normal speed?
I have the same question
For 120 fps footage, speed up to 500%
You take the original frame rate of the clip, divide by the sequence's frame rate, and multiply by 100. That'll tell you how much to speed up the clip by.
So if you have a 120fps clip already interpreted in a 24fps timeline, you would do 120/24 x 100 = 500. So you should speed up that clip by 500% to play it back at normal speed.
@@usmanmajid7837 Amazing
@@usmanmajid7837 what if I have a 23,976fps timeline with 30fps footage? Would be 125,125% speed duration after interpreting to really sync to the real time? (cuz the fps isn't round)
How do you export this clips?
I am trying to edit on timeline with 1080p but I have hundreds of footage in 4k 30 fps and I want to export it to 4k 24 fps. Is there a faster way to do this?
Hello! Do you know the reason why premiere renders the clip with weird ghosting effects when reinterpreting from higher fps than 24fps to 24 fps? This fail is visible in when some fast movement is recorded.
Hmm, I've never had that problem even doing 120 FPS :( I'm sorry. Are you talking about just playback in the program or even when you're exporting?
I believe since the new encoder doesn't output 120fps files into 120fps but is capped at 60fps, the ghosting is a result of a shortage of half the frame. Like premier thinks the footage is 120fps interpreted to 23 but the proxy is actually a 60fps interpreted to 23. so that might be the case.' In here the fix is encoder interpreted the footage down to 23 before encoding so results in no capping in the frames.
Thanks!
Thanks bro
👊😊
I can't believe this is STILL an issue
What if i have my clips with differnt frame rate in 1 project
Hey! Separate the clips into folders of the same frame rates, and you should be able to use these techniques. But you'll have to run this process for each different set of FPS you have.
Thank you very much!
No problem Friend!
Gracias genio!
Helpfull video
all I needed
Glad it helped!
what's the point in interpreting your 120fps to 24fps?
24 FPS gets that cinematic look, if you leave it in 120 FPS, it looks unnaturally smooth to your eyes unless you slow it down. You can just change the speed to slow it down but interpreting the clip will get the correct speed faster (and you can do multiple clips at a time). 👊
@@Hantography and what proxy setting are you using? I've been struggling all day at proxying my 120fps, it's still very laggy.
slomotion....
I'm also creating viedo. your video is very helpful!
Where do I send the $25 Starbucks gift card? :). Epic video! Thanks!
Thank you very much!!!!!!!!!!!!!!!!!!
You're very welcome!!!
it seems this is not working anymore.
Thanks! This was killing me in pp
saved my life lol
Don't work on 2022
w