The second half gives a good impression of invisible but valuable VFX. You don't realize, how necessary that work was, until you see how it looked before.
That's what I tell all aspiring visual effects artist. Everybody wants to make the glamorous and super high budget looking visual effects, but if you're looking to get into visual effects, people are going to be looking for hidden visual effects, talents like cleanup, and wire removal as well. it might not be as cool looking, but it's what many companies are looking for for beginner level artist
Incredible work! One thing though, I am not sure if the heli would be that much washed out against the sun bloom... Then again not many references I can remember of such a configuration.
Damn it man, this is such a good job. Haven't you ever thought about teaching Render because looking at your jobs, they look amazing, I would pay for that :)
As much as I'd love to provide you guys with longer form content and the materials I use to make my stuff, I don't own the rights to give away the materials. I try to provide people the resources to grow their skills and creative minds, but if I give you the perfect recipe to make a shot, it'll compromise my ownership over my work and won't be the best for learning. I suggest going to pexels.com for some free stock footage, find one that interest you, and attempting to do something with it. Even though it might not be good, it's about the journey and it has to start somewhere. Thanks and I hope that helps!
Hey buddy, I remember watching your videos from a few years ago and it’s amazing how far you’ve come. With my schedule it’s really difficult for me to be able to make time to practice visual effects but it’s really my passion. You’re using all the same programs I’m using as well, nuke, blender, and unreal engine. It would be awesome if you had a program teaching people how to use all three to composite visual effects shots. I know that there are some people out there that do mentorships or Patreon‘s where they actually will work with people one on one. Just wanna let you know that if you ever come up with something like that, you’ve got one paying customer here. Keep up the good work, and I will keep watching to see what you do in the future.👍
I've been thinking about doing one for a long time, but I never got around to it. Just out of curiosity what are you mostly looking for if I were to do a longer style course like you had mentioned? Also thanks a ton it means a lot to me!
@@Jacob_Zirkle I don’t see a lot of people putting out VFX shot tutorials with the project files included. If you did tutorials for some of the VFX shots in your show reel, showed us how you created/found the assets, included the footage for download and took us from beginning to end that would be amazing. But honestly whatever you put out, I will watch, keep it up.👍
@@nihilusedit1447 it’s certainly a relatively easy fix and I’m not taking anything away from the abilities he’s demonstrated but a VFX compositing artist is very much is a lighting artist. If the person compositing visual effects doesn’t get the lighting accurate, no one will do it for them.
How are these kind of videos made? I don't mean the VFX, I mean more-so the 'reveal' swipes that show things that were added or composited etc. I'll have a full edited scene but not really sure how the best way to show something like this would be. Is it just a matter of playing your scene back, but editing the source so you are essentially wiping in each effect with a mask? Also, sometimes in these kinds of videos they are like hyper-timelapses. I don't understand how those are made either, are people just recording their screens while they make their scene? Some projects can take weeks so I cant imagine having your computer screen record is good for memory etc...
Lol I’m glad someone finally noticed! I camera tracked the scene and then just using a tree model, placed the trees to follow the outline. Took some trial and error but was able to get something pretty close. There was still a line we’re you could tell so I basically just color corrected the footage just on that area to match the tree color and it blended it in very nicely. It helped that I had a dense city there to hid the ground so I could get away with it.
Just takes some good camera tracking and lining the CG scene floor up with the floor of your Green Screen. Check out my recent camera tracking tutorial on my method. Hopefully that helps!
Nice work. A suggestion if you’re using the reel to get work at studios I’d cut at 56 seconds and jump to your last shot. As I was watching I was thinking “wow so cool” then got to the helicopters and went “hmm a bit amateurish” and then when it got to the easy clean ups with wobbly roto I was like “hmmmm. Why is he showing that on the reel?” Then the last shot I was like ok yeah cool back on track. If you’re worried about it being too short don’t be. It’s about the work not the run length. Good luck with everything. You’ve got a lot of talent.
Thanks so much for the feedback it’s greatly appreciated! I agree with the helicopter shot but I’m curious what you might think based on my reasoning for the clean up shots. Since I haven’t worked at a studio, I’m sure I would be coming in at entry level or maybe even junior level so I figured I wanted to showcase some more of the type of work that would be expected from me at those levels. My idea was to showcase a wide array of types of shots to showcase my abilities. Would love to know your thoughts based on that!
First of all, great work! I'm interested in compositing real Elements into 3D Environments but struggle with one question: how to do get shadows of people into the 3D Environment? Can you give me some guidance or recommend good videos that explain this concept?
Invisible dude in same spot or using the person as a card which is playing the video and the camera lines up so he can use it to cast shadows and have it be in reflections
@@yellow6 Let's take the example of a head on Shot of a Person walking towards the Camera with light coming from the left or right side. If you just take the plate/card of the Person, it will not cast shadows as the plate is not 3D and therefore the light will only interact with the 90 degree edge of the plate and cast a single line on the ground. If I have to make an invisible character, i would have to rig and match move this Character to everything the Person in the Video does which is extremely time consuming. Is there not a way/addon to get acceptable shadows without 3d animate all the characters in the Scene ? :)
@@mariuswickli3206 either add a model that casts shadows invisible or get lucky with angle with the plate i reccomend looking at ian hubert if u wanna see how it would look with a 2d plate casting shadows but if the plate has alpha the shadows should cast from the visible edges only.
Yeah it is one of the demo maps, electric dreams if I remember right. I added a few assets to help with the scene but I mainly wanted to figure out a workflow from unreal to nuke. I’m in the process now of learning how to make my own scenes so hopefully I can make photoreal shots with unreal. Still learning the best method to import motion tracking though then I might make a video on it!
💥Do you what to LEARN VFX? Check out my Full Course Out Now!💥 th-cam.com/video/_Db_K0iL4n8/w-d-xo.html
Yes
Chill heb een Gmail gestuurd lol❤🎉😂
Okay - the shots where you added details that you would never guess are added, are amazing.
Thanks! Those were always my favorite type of shots when I was interested in becoming a VFX artist. Love me some David Fincher and hidden VFX
absolutely amazing work jacob !!!
¡Incredible! We need a tutorial for this. ¡Love it, Jacob!
Awesome work as always Jacob!! Can't wait to see what the future holds.
The second half gives a good impression of invisible but valuable VFX. You don't realize, how necessary that work was, until you see how it looked before.
That's what I tell all aspiring visual effects artist. Everybody wants to make the glamorous and super high budget looking visual effects, but if you're looking to get into visual effects, people are going to be looking for hidden visual effects, talents like cleanup, and wire removal as well. it might not be as cool looking, but it's what many companies are looking for for beginner level artist
Great video content to learn from, hope to see tutorials soon
Absolutely phenomenal work, great job 👏
Dope work man!
My goodness this is amazing.
Why thank you so much!!!
@@Jacob_Zirkle love your channel
That 0:29 shot and the reveal blew me away, good stuff!
Thanks so much!!!
Incredible!!!
Fantastic work!
Thanks a lot!
awesome work!
Nice one, Subscribed. Please keep'em comin...
Im blown away ❤ great work
great work!
😍❤ next level
Nice work!
So good!
Incredible work! One thing though, I am not sure if the heli would be that much washed out against the sun bloom... Then again not many references I can remember of such a configuration.
That was really good.
I paused so I could comment - AMAZING!!! What the heck, dude? This is so cool.
Thank you Thank you!
Good working
Cool comps
wow! impressive work!!!
❤incredible work
Great work. The Ballet one in particular is excellent.
It was amazing , really inspired !!
nice work
Youre truly gifted. I wish I knew how to make those kind of effects,.
Great work
Nice work!
Well done to you!
Great video
Inspired ! Thanks for sharing !
this is nuts
Damn it man, this is such a good job. Haven't you ever thought about teaching Render because looking at your jobs, they look amazing, I would pay for that :)
I'm gonna need to learn this pal!
Prabéns cara vc é fera.
Saudações do Brasil.
Exelente trabajo
very nice good job
Good job.
Nice!
Very nice 😊❤
very cool
Please make a full length tutorial on this and provide us all the required materials.
As much as I'd love to provide you guys with longer form content and the materials I use to make my stuff, I don't own the rights to give away the materials. I try to provide people the resources to grow their skills and creative minds, but if I give you the perfect recipe to make a shot, it'll compromise my ownership over my work and won't be the best for learning. I suggest going to pexels.com for some free stock footage, find one that interest you, and attempting to do something with it. Even though it might not be good, it's about the journey and it has to start somewhere. Thanks and I hope that helps!
U r amazing...
Thank you so much 😀
I like how ever since the first Doctor Strange came out, all the portals look the same lol 0:52
Amazing work man
Nice work 🎉
Great work!
Indcredible
thats crazy bro
Electric Dream!
going to forsure hire you for our next project
nice!
Hey buddy, I remember watching your videos from a few years ago and it’s amazing how far you’ve come. With my schedule it’s really difficult for me to be able to make time to practice visual effects but it’s really my passion. You’re using all the same programs I’m using as well, nuke, blender, and unreal engine. It would be awesome if you had a program teaching people how to use all three to composite visual effects shots. I know that there are some people out there that do mentorships or Patreon‘s where they actually will work with people one on one. Just wanna let you know that if you ever come up with something like that, you’ve got one paying customer here. Keep up the good work, and I will keep watching to see what you do in the future.👍
I've been thinking about doing one for a long time, but I never got around to it. Just out of curiosity what are you mostly looking for if I were to do a longer style course like you had mentioned? Also thanks a ton it means a lot to me!
@@Jacob_Zirkle I don’t see a lot of people putting out VFX shot tutorials with the project files included. If you did tutorials for some of the VFX shots in your show reel, showed us how you created/found the assets, included the footage for download and took us from beginning to end that would be amazing. But honestly whatever you put out, I will watch, keep it up.👍
You just nailed it ❤❤❤❤❤❤❤
You doing it well - great work bro 😎
nice work man!
Yes
This is a teaching
Very nice
Required some other projects ❤
wow, the first shot is insanely well matched, good job !
The color tone is good, but the lighting direction is very inaccurate to the background he chose.
@@ChristopherCopeland Yeah but he's a compositing artist not a lightning artist so, that's already pretty cool
@@nihilusedit1447 it’s certainly a relatively easy fix and I’m not taking anything away from the abilities he’s demonstrated but a VFX compositing artist is very much is a lighting artist. If the person compositing visual effects doesn’t get the lighting accurate, no one will do it for them.
Blud saying grow trees otherwise we have to use vfx and CGIs to imitate forests and jungles
Inpiring
Masha Allah
cool
That was so inspiring! Thank you sharing 🥹 would love to see more content from you
Good
Very nice
Amazing☄️
May I know which application you are using?
How are these kind of videos made?
I don't mean the VFX, I mean more-so the 'reveal' swipes that show things that were added or composited etc. I'll have a full edited scene but not really sure how the best way to show something like this would be.
Is it just a matter of playing your scene back, but editing the source so you are essentially wiping in each effect with a mask? Also, sometimes in these kinds of videos they are like hyper-timelapses. I don't understand how those are made either, are people just recording their screens while they make their scene? Some projects can take weeks so I cant imagine having your computer screen record is good for memory etc...
Yes
How long did it take you to get this good?
Hello, I would like to learn how to do it too. However, I have no knowledge of 3D apart from classic video editing. I am very interested
❤❤❤❤❤
amazing job. I'm a film student, I really wanna get into VFX
How did you menage to create that perfect forest alpha in the castle shot?
Lol I’m glad someone finally noticed! I camera tracked the scene and then just using a tree model, placed the trees to follow the outline. Took some trial and error but was able to get something pretty close. There was still a line we’re you could tell so I basically just color corrected the footage just on that area to match the tree color and it blended it in very nicely. It helped that I had a dense city there to hid the ground so I could get away with it.
Show us your journey, where can someone start to learn?
wooooooooowswswwwwww
Bro how to place green screen footage properly in 3d environment So that it feels like the person's feet are touched by the 3d ground?
Just takes some good camera tracking and lining the CG scene floor up with the floor of your Green Screen. Check out my recent camera tracking tutorial on my method. Hopefully that helps!
cool
I am also a creator, could you please tell me how you added the moving vfx effect? While you move your camera how the vfx blend with that
Great reel!. You are really an inspiration. Would love to see a tutorial.. especially those additional scenes added. Great work mate :)
a++++
Nice work. A suggestion if you’re using the reel to get work at studios I’d cut at 56 seconds and jump to your last shot. As I was watching I was thinking “wow so cool” then got to the helicopters and went “hmm a bit amateurish” and then when it got to the easy clean ups with wobbly roto I was like “hmmmm. Why is he showing that on the reel?” Then the last shot I was like ok yeah cool back on track.
If you’re worried about it being too short don’t be. It’s about the work not the run length. Good luck with everything. You’ve got a lot of talent.
Thanks so much for the feedback it’s greatly appreciated! I agree with the helicopter shot but I’m curious what you might think based on my reasoning for the clean up shots. Since I haven’t worked at a studio, I’m sure I would be coming in at entry level or maybe even junior level so I figured I wanted to showcase some more of the type of work that would be expected from me at those levels. My idea was to showcase a wide array of types of shots to showcase my abilities. Would love to know your thoughts based on that!
It's your conclusion to course final exam...??
Some are from a film I did as my final project for university while others are just my own personal projects!
what's more amazing is the hotmail account lol
but good stuff
First of all, great work! I'm interested in compositing real Elements into 3D Environments but struggle with one question: how to do get shadows of people into the 3D Environment? Can you give me some guidance or recommend good videos that explain this concept?
Invisible dude in same spot or using the person as a card which is playing the video and the camera lines up so he can use it to cast shadows and have it be in reflections
@@yellow6 Let's take the example of a head on Shot of a Person walking towards the Camera with light coming from the left or right side. If you just take the plate/card of the Person, it will not cast shadows as the plate is not 3D and therefore the light will only interact with the 90 degree edge of the plate and cast a single line on the ground. If I have to make an invisible character, i would have to rig and match move this Character to everything the Person in the Video does which is extremely time consuming. Is there not a way/addon to get acceptable shadows without 3d animate all the characters in the Scene ? :)
@@mariuswickli3206 either add a model that casts shadows invisible or get lucky with angle with the plate i reccomend looking at ian hubert if u wanna see how it would look with a 2d plate casting shadows but if the plate has alpha the shadows should cast from the visible edges only.
Nice amazing video editing..Its hard for me to edit videos 😅😅
I though i knew where each time but was wrong 😂
Bro antha show reel vara first green matte shot la camera rotation track ah epdii short out Paninganu oru tutorial podunga bro pls bro.
jacob can you break down the first shot
Like a video about how I made it?
How many software used for first video
was the shot at 0:06 done in blender or unreal,great job man,i have really seen the amount of effort you have put in,you have really improved a lot
unreal as the looks of it, I think it's one of the demo maps for Unreal Engine 5
Yeah it is one of the demo maps, electric dreams if I remember right. I added a few assets to help with the scene but I mainly wanted to figure out a workflow from unreal to nuke. I’m in the process now of learning how to make my own scenes so hopefully I can make photoreal shots with unreal. Still learning the best method to import motion tracking though then I might make a video on it!
@@Jacob_Zirkle please would be interested in seeing your workflow,it really blended well with the cg element
Software konsa hai
What about the woman's shadow ?
can you make tutorial how to export nuke 3dtracking to unreal ?
What software did you use for this? blender?
I used Nuke for all of the compositing and Unreal, Cinema4D, and Blender for the 3D for the other shots.
невероятно