Great review, hit all the points. As a FOH guy ( mixing monitors from FOH as well ) having no floor monitors is fantastic for the overall mix.. No phasing problems with FOH no slap back from the back wall, messing with the mix no feedback from the singer dipping the mic into the monitor, more volume for the drummer without wrecking the mix. Its an all around win ( not to mention the sound quality vs iffy floor monitors ). In a small venue ( sub 500 ish ) its the difference between a studio mix and a high school gym show.
We did try this unit and I built a rack with it, however the dropouts were just too distracting, it was a jarring experience just for a rehearsal let alone a show, so we decided to stick with a wired solution. We're in NJ so probably crowded frequencies here. However, I encourage anyone to try them, just make sure you put it through its paces during the time frame you have to return them
I got the PTM 22 unit with 4 body packs and I can't seem to get the audio to sound right. It's distorted in the highs and lows, it's almost like the audio has a gate on it, and the audio seems like it's modulating to me. I've tried multiple different types of cables, channels, groups, volume levels, etc. Have you had any experience like this with your units? Any ideas on what the issue might be?
Great review! Are you still using this system? I've been using 3 Galaxy Audio systems and I'm looking to streamline my setup - this system looks really good.
Stupid question. I've never used monitoring systems before. Can I use this plugging Into a Fender GTX100 and with that I run a wireless shure pedal and transmitter with that
you should keep both antennas upright, that is not a mic reciever with diversity system. both antennas are transmitting, one for each pair of channels. omni-directional antennas transmit around itself like a donut shape. diversity mic recievers like to have their antennas spread in 45 degrees because each one will have a slightly different polarization this way.
Great review, hit all the points. As a FOH guy ( mixing monitors from FOH as well ) having no floor monitors is fantastic for the overall mix.. No phasing problems with FOH no slap back from the back wall, messing with the mix no feedback from the singer dipping the mic into the monitor, more volume for the drummer without wrecking the mix. Its an all around win ( not to mention the sound quality vs iffy floor monitors ). In a small venue ( sub 500 ish ) its the difference between a studio mix and a high school gym show.
Love the vids man, keep rocking and the effort. Much love.
Thanks! 🤘🤘🤘
Nice review, thanks!
We did try this unit and I built a rack with it, however the dropouts were just too distracting, it was a jarring experience just for a rehearsal let alone a show, so we decided to stick with a wired solution. We're in NJ so probably crowded frequencies here. However, I encourage anyone to try them, just make sure you put it through its paces during the time frame you have to return them
What would u recommend the xvive 4 or these ?
I got the PTM 22 unit with 4 body packs and I can't seem to get the audio to sound right. It's distorted in the highs and lows, it's almost like the audio has a gate on it, and the audio seems like it's modulating to me. I've tried multiple different types of cables, channels, groups, volume levels, etc. Have you had any experience like this with your units? Any ideas on what the issue might be?
hey Jon! It could be the antennas for different MHz. Had a friend with similar issues.
@@henriquecepulveda6117 Awesome! Thanks so much.
Great review! Are you still using this system? I've been using 3 Galaxy Audio systems and I'm looking to streamline my setup - this system looks really good.
Will the sound change at all if you combine the XLR from the mixer into dual 1/4” jacks and use the L and R inputs on the PTM-33?
Hi... where can I buy the syntech rack?
Stupid question. I've never used monitoring systems before. Can I use this plugging Into a Fender GTX100 and with that I run a wireless shure pedal and transmitter with that
you should keep both antennas upright, that is not a mic reciever with diversity system. both antennas are transmitting, one for each pair of channels. omni-directional antennas transmit around itself like a donut shape. diversity mic recievers like to have their antennas spread in 45 degrees because each one will have a slightly different polarization this way.
Price pls sir shop wher
In the video description