There's something so hauntingly mesmerizing about Spector's wall of sound. Even though Phil ended up a murderous lunatic. God keep Lana Clarkson well in heavenly peace .Amen.
First heard this on the Back to Mono box set. Later I got to know the Beatles original, and always assumed it was a cover like others they did from that period. Only today did I learn it was the Fabs with the Treasures covering them! They took a so-so Beatles thrasher and gave it soul and that sound.
The 1st, but not the last, connection between Spector and The Beatles. In my "Beatles covers and 'uncovers' ". playlist. Thanks for uploading -- I never knew this existed!
yeah... mind blown when I heard this and was so confused if the beatles had covered this or vice versa. (kinda when Phil's production got in the way, because this is so muddled in the mix and reverb, it sounds about 8 years old in technology... which was maybe done on purpose, maybe it wasn't).
@@beatlejim64 ya, Jim... I am well aware of the track by The Beatles. My point was: The Spector version is so out of date sounding... it almost sounds like it was first and the Beatles covered it... which the beatles did cover a lot of that stuff. Chuck Jackson and other reverb laden R&B artists of the early 60's.
@@urwholefamilydied It was on purpose. It's the wall of sound and Phil Spector created different versions of it over the years. The early Crystals era work had a much more rock and roll style to it. The Ronettes are where he started adding the strings and the orchestral backing. After the Ronettes, he started producing various other groups and during this time he really started cranking up the epic reverb effects. Then he went into hiding for a while, and came back with John Lennon/Plastic Ono Band and Instant Karma and a bunch of other John Lennon stuff that didn't really sound very wall of sound-y, then he made George Harrison's record and that's where his 70s sound came from.
There's something so hauntingly mesmerizing about Spector's wall of sound. Even though Phil ended up a murderous lunatic. God keep Lana Clarkson well in heavenly peace .Amen.
このスペクターのアレンジは後で大滝詠一師匠の白い港で使われますね
i agree,just heard this by accident yesterday on my sirius radio in my car and its wonderful,i knew it was phil spectors doing....
Written by two guys from Liverpool………but Spector transformed it !
This has to be one of Spector’s best ever recordings.
A 1960s nod to the 1950s done beautifully. Spector was truly a genius.
You are so right with your comment .
First heard this on the Back to Mono box set. Later I got to know the Beatles original, and always assumed it was a cover like others they did from that period. Only today did I learn it was the Fabs with the Treasures covering them! They took a so-so Beatles thrasher and gave it soul and that sound.
❤ best version.
exceptionnel
Those Hal Blaine drums.......fantastic.
He had no peer. There was Hal Blaine and then there was everybody else. Thank you, Hal. You were always music to my ears :-)
Most likely Earl Palmer on this. Hal isn't on record for playing on this session.
@@richieluckenbill1590 Hal Blaine or Earl Palmer, I don’t know, but they were both two of the most in-demand session drummers back then.
One of my favorite Beatles "cover" versions...
This song embodies the essence of 60s rock. Truly amazing! A throwaway that never charted. Truly amazing!
The voice of the singer is awesome. The chords progression extremely unbelievable. This song is unique !
Best version of this song. Better than the Beatles...which had bad reviews.
Released on the "Shirley" record label in 1964...
R.I.P PHIL Spector.
The 1st, but not the last, connection between Spector and The Beatles. In my "Beatles covers and 'uncovers' ". playlist. Thanks for uploading -- I never knew this existed!
Spector . great
I like both!!!!!!
R.I.P. Hal Blaine...
Most likely Earl Palmer on this. Hal isn't on record for playing on this session.
Hal Blaine...@@richieluckenbill1590
Genius???
Why are so many songs being removed
Paul McCartney wrote this song.
How long do incubator babies stay there? Off the wall statement. But an intriguing song.
Doo Wop's Last Breath.
The Beach boys should have covered this...
They did a couple of their songs on the "Party!" album, one during the "Wild Honey" sessions" and one live in the 70's.
Why would they after Spector’s version.
Damn, Beatles' Doo Wop
yeah... mind blown when I heard this and was so confused if the beatles had covered this or vice versa. (kinda when Phil's production got in the way, because this is so muddled in the mix and reverb, it sounds about 8 years old in technology... which was maybe done on purpose, maybe it wasn't).
@@urwholefamilydied Written by Lennon/McCartney. It was on the "Meet The Beatles" album here in the US in January 1964
@@beatlejim64 ya, Jim... I am well aware of the track by The Beatles. My point was: The Spector version is so out of date sounding... it almost sounds like it was first and the Beatles covered it... which the beatles did cover a lot of that stuff. Chuck Jackson and other reverb laden R&B artists of the early 60's.
@@urwholefamilydied
It was on purpose. It's the wall of sound and Phil Spector created different versions of it over the years. The early Crystals era work had a much more rock and roll style to it. The Ronettes are where he started adding the strings and the orchestral backing. After the Ronettes, he started producing various other groups and during this time he really started cranking up the epic reverb effects. Then he went into hiding for a while, and came back with John Lennon/Plastic Ono Band and Instant Karma and a bunch of other John Lennon stuff that didn't really sound very wall of sound-y, then he made George Harrison's record and that's where his 70s sound came from.
大滝詠一の白い港から来ました😅