I like your video. I want to use your sound track of your video and re-edit a new version video. I can sent my copy when I finished. I hope I can use in my channel. OK？
Very nice. I'm in road to buy one. But he have only on mong string, wich make twice strings. I found that there is at less three tuning way, D-A, D-G and D-D so i will try the DD until i buy one or two new strings. How did you tune yours? Thank you
Al-Andalus was arguably just a route of transmission for a number of Near Eastern musical instruments used in European music, such as the lute, the rebec and the guitar. Before arriving to Spain, bowed instruments similar to the rebab were known within a large area including Central Asia, Persia, Syria, Egypt and the Byzantine empire. The modern violin was invented in Italy during the 16th century when Al-Andalus was long-time dead. Calling the Andalusian rebab THE ancestor of the Stradivaris and the Amatis is both simplistic and far-fetched.
It's definitely true that my small text was simplified 🙂 I did not intend to make history easier. There are many ancestors to the violin and which one developed to a certain time is definetly hard to tell. There a probably a number of instruments in between that already are sadly forgotten.
In Andalusian music the predecessor of the violin was played, like it is played in classical Spanish pieces. I think it's called the lira?... I forgot. But it would be included later in the Andalusian tradition.
The encyclopedia Britannica itself lists the Arabic rebab as the ancestor of ALL European bowed instruments, violin obviously included. Fail on your part
The fall of al andalus and the racialist inquisition that followed has caused massive suffering to humans in the world....amerinidians,aboriginals,africans,maori,asians,arabs etc...
@@sean668 That's completely wrong. Modern racism was based on 'biological' i.e. pseudo-scientific, not religious, ideologies. Nazis -- who were deeply rooted in Anti-christian thought as much as Voltaire, French revolutionists, Freemasons and self-styled 'rationalists' in the 19-early 20th century -- imprisoned and massacred Jews irrrespective of their previous conversion to Christianity. Suggested reading: Paul A. Erickson, Liam D. Murphy,_ A History of Anthropological Theory_ (2008).
@@timur-i-lenk5526 While that’s true for the medicalized scientific racism proliferated in Europe, it is not true for the racism of the earliest colonial societies in the Americas, which provided the groundworks for those later theories you correctly describe. Suggested reading: Golash-Boza, Tanya M. _Race and Racisms: A Critical Approach_ (2021)
@@sean668 Then you should talk about *pre-modern* racism -- and no, there is no such thing in it as a "groundwork" for later theories. Despite the propaganda bubbles of the Critical Race Theory, those are different phenomena. No programmed genocide of aboriginals took place in Latin America, rather a mix of cultures and ethnic groups in both high and low social strata. Visit any of those countries and you'll see. The situation is quite different in the USA and Australia, where the Inquisition was obviously non existent, yet the aboriginals were exterminated and locked-up into reservations. Although I'm not a Catholic, I must avow that colonialism was more lenient and integration-oriented in Spanish and Portuguese colonies than, say, in their British or Dutch counteparts. Serious historians must take complexity into account and discard bigoted myths such as the fabricated "Paradise of al-Andalus". Suggested reading: Dario Fernández-Morera, _The Myth of the Andalusian Paradise: Muslims, Christians, and Jews under Islamic rule in medieval Spain_ (2016).
= simplified Indian Saranghi without taraf resonating strings. You can tell by how the skin of the knuckles plays it. Now who can make the connection between this instrument and the traders that first brought it? Was it arriving with Indian concubines for Muslim slave trade in the Magreb? Because it was the concubines in India who mastered the art of the Sarangi to express their sorrow.
I actually adopted the playing technique from Sarangi and turkish Kemence. The traditional way of playing this Rebab is with fingertips touching the strings.
@@pseudojabir1136 No, the Moors were western themselves. I mean Persian migrants who went to Moorish lands and integrated. Although there number was small, they did have some influence. There's even a famous Spanish wine that's actually of Persian origin.
What a beautiful gentle instrument.
I love the hoarse tonality from this way of playing a bowed strin instrument - like the Bulgarian Gadulka.
Underrated channel, thanks Markus and friends for uploading these cool pieces and sharing with us ♥
Thank you so much! ❤️
@@markuswach ♥
Soul song I m crying
Beautiful 💕 !!!!!....
Thank you really really much for your lovely words!
I like your video. I want to use your sound track of your video and re-edit a new version video. I can sent my copy when I finished. I hope I can use in my channel. OK？
Wow... My soul danced with the music 😍
Thank you so much Ranim!!
Beautifully played! Thank you!
Thanks!
Very beautiful! Very atmospheric!
Spasibo bolshoje, dorogaja Alla! ❤️
Filmed from all angles, fantastic
Thank you so much!
So schön 😚😚😚
Very nice. I'm in road to buy one. But he have only on mong string, wich make twice strings. I found that there is at less three tuning way, D-A, D-G and D-D so i will try the DD until i buy one or two new strings. How did you tune yours? Thank you
I use gut strings tuned D G or A D
@@markuswach thank you
Nice
Thanks!
Al-Andalus was arguably just a route of transmission for a number of Near Eastern musical instruments used in European music, such as the lute, the rebec and the guitar. Before arriving to Spain, bowed instruments similar to the rebab were known within a large area including Central Asia, Persia, Syria, Egypt and the Byzantine empire. The modern violin was invented in Italy during the 16th century when Al-Andalus was long-time dead. Calling the Andalusian rebab THE ancestor of the Stradivaris and the Amatis is both simplistic and far-fetched.
It's definitely true that my small text was simplified 🙂 I did not intend to make history easier. There are many ancestors to the violin and which one developed to a certain time is definetly hard to tell. There a probably a number of instruments in between that already are sadly forgotten.
In Andalusian music the predecessor of the violin was played, like it is played in classical Spanish pieces. I think it's called the lira?... I forgot. But it would be included later in the Andalusian tradition.
The encyclopedia Britannica itself lists the Arabic rebab as the ancestor of ALL European bowed instruments, violin obviously included. Fail on your part
We call it Rababah in Almashriq 😮 Saudi Arabia, Jordan,Iraq ,and gulf countries
Yes, you can find it in many countries under different names
The fall of al andalus and the racialist inquisition that followed has caused massive suffering to humans in the world....amerinidians,aboriginals,africans,maori,asians,arabs etc...
crap narrative for woke kids.🥳
It’s true. Modern racism was born when the Inquisition decided converting wasn’t enough, because “morality” was hereditary
@@sean668 That's completely wrong. Modern racism was based on 'biological' i.e. pseudo-scientific, not religious, ideologies. Nazis -- who were deeply rooted in Anti-christian thought as much as Voltaire, French revolutionists, Freemasons and self-styled 'rationalists' in the 19-early 20th century -- imprisoned and massacred Jews irrrespective of their previous conversion to Christianity. Suggested reading: Paul A. Erickson, Liam D. Murphy,_ A History of Anthropological Theory_ (2008).
@@timur-i-lenk5526 While that’s true for the medicalized scientific racism proliferated in Europe, it is not true for the racism of the earliest colonial societies in the Americas, which provided the groundworks for those later theories you correctly describe. Suggested reading: Golash-Boza, Tanya M. _Race and Racisms: A Critical Approach_ (2021)
@@sean668 Then you should talk about *pre-modern* racism -- and no, there is no such thing in it as a "groundwork" for later theories. Despite the propaganda bubbles of the Critical Race Theory, those are different phenomena. No programmed genocide of aboriginals took place in Latin America, rather a mix of cultures and ethnic groups in both high and low social strata. Visit any of those countries and you'll see. The situation is quite different in the USA and Australia, where the Inquisition was obviously non existent, yet the aboriginals were exterminated and locked-up into reservations. Although I'm not a Catholic, I must avow that colonialism was more lenient and integration-oriented in Spanish and Portuguese colonies than, say, in their British or Dutch counteparts. Serious historians must take complexity into account and discard bigoted myths such as the fabricated "Paradise of al-Andalus". Suggested reading: Dario Fernández-Morera, _The Myth of the Andalusian Paradise: Muslims, Christians, and Jews under Islamic rule in medieval Spain_ (2016).
= simplified Indian Saranghi without taraf resonating strings. You can tell by how the skin of the knuckles plays it. Now who can make the connection between this instrument and the traders that first brought it? Was it arriving with Indian concubines for Muslim slave trade in the Magreb? Because it was the concubines in India who mastered the art of the Sarangi to express their sorrow.
I actually adopted the playing technique from Sarangi and turkish Kemence. The traditional way of playing this Rebab is with fingertips touching the strings.
I think this instrument was brought to the west by Persian migrants.
@@pseudojabir1136 No, the Moors were western themselves. I mean Persian migrants who went to Moorish lands and integrated. Although there number was small, they did have some influence. There's even a famous Spanish wine that's actually of Persian origin.