At the 11:40 and forward demonstration, when you break up the melody for this tune. l also hear "Dear Prudence" descending melody also. Which shows how so much of the Beatles music was base in jazz themes.. Remember seeing them do "Taste of Honey" on the Ed Sullivan Show
Jake , My name is Paulo. I'm 39 years old. I am Brazilian , a resident of Rio de Janeiro . I really want to study and develop the techniques that has so perfectly , beauty and feeling. I love your videos and always share them on Facebook , especially those fantastic arrangements that makes some songs of Pat Metheny , I even thought possible ... I am your fan! Strong hug! Very Sound and Success ! Jake, Meu nome é Paulo. Tenho 39 anos. Sou brasileiro, morador do Rio de Janeiro. Quero muito estudar e desenvolver as técnicas que apresenta com tanta perfeição, beleza e sentimento. . Adoro os seus vídeos e sempre os compartilho no facebook, sobretudo, àqueles arranjos fantásticos que faz com algumas musicas do Pat Metheny, que eu nem pensava ser possível (rs).. Sou teu fã! Forte Abraço! Muito Som e Sucesso!
Today, instead of posting a song arrangement (which I will resume next week), I am posting a pretty deep (but never boring!) lesson about re-harmonization that is great for any harmony instrument and all musicians. I have not seen this method offered by anyone else, or at least articulated quite like this, so this has a real potential to be beneficial to you. Check it out, enjoy, feel free to comment and ask questions. Jazz harmony lesson, guitar, piano - increase your chord progression vocabulary infinitely!
Jake, I love it. This just expanded my mind in ways that I am not even yet aware. This is so interesting and produces a lot of what sounds to me like Bill Evans piano harmonies. I had already been playing with things like moving triads up the neck through a given key and also using one or two stationary open string notes in the same key whose relationship to each triad changes, giving different color to the harmony every step of the way. This, however, takes it to a whole new level. Many thanks.
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-) Don't forget to subscribe/bell, if you haven't already, so you'll get a notification... Also, check me out at TrueFire!!
Thank you very much! Please email jake.reichbart@gmail.com as I have tons of great full length video lessons and I’d appreciate if you took a look. :-)
really great stuff. I remember seeing this video a few years ago and it really opened up how i think about harmony. Now i use this idea all the time, especially on intros to tunes. The major to iv melodic minor is just endless especially when factoring in opens strings
Wonderful thoughts on new voicings and fingerings... thank you so much.. I'm off to investigate drop 2 chords in F harmonic minor.. never heard of them.. so exciting...
So pleased to hear, thanks! I also have a ton of additional full length lessons that are available to purchase from me, should you want to investigate things further... :-)
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-) and please don’t forget to subscribe/bell!
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-)
To be honest, I don’t know of any other guitarists that plays his way with all that uncanny versatility and technique. He plays Jazz, R&B, Pop, etc. virtually incognito on Artstar Ibanez with blue tape.
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-) Don't forget to subscribe/bell, if you haven't already, so you'll get a notification...
Thanks very much for sharing all you're insightful, valuable musical experience with every one, Jake. Lots of constructive teachings here - for free! You're the man!!!
Thanks very much, it is my pleasure! Somewhere in there I mention that I also have materials for sale so I always hope some folks will pick some up but I certainly enjoy sharing whatever I can.
...and you justly deserve lots of $ and recognition, not only for your generosity, but for your vast musical knowledge & teaching materials. I wish you much success. - Preston
i wonder if u could make a general harmony lesson about guitar, how to make interesting progressions even between modes and some general rules to support these progressions!
And you can apply 5th note melodic minor (Bb7-Fminmaj7) to any dominant chord and all the chords of melodic minor yes? Just find the key, go dominant and then melodic minor and then the key is "lousy" with chords!
Don't mention, thanks to you, I'm trying to become a decent rhythm guitarist (leading improvisation is just not feasible to me) and I find your ideas very interesting. Now I am trying to adquire a quite extensive set of chords as I explained in a previous post (plus.google.com/u/0/107453493752744634937/posts/MdX4vhnsqok) after that I will follow your lessons :-)
Alberto González Téllez Cool and useful post, thanks! One major difference between that and what I posted is that for me there is just one chord, C, no names and also there is no endless memorizing, although that can be useful too.
Jake Reichbart thanks, in fact I am trying to avoid memorizing but thinking about the notes and the notes changes in every position while moving from chord to chord, anyway the difference you out-light is why a find your approach as my next step :-)
Jake do you mind talking about why not b2, 4, and all these other notes that you leave out....you say well i could use the #5 but we won't right now...well how i can i learn why not?
+Jake Reichbart Thank you in advance please respond here when it's done if you can....thanks in advance!! you rock man i like you very much and i share your music on my facebook page.
Good but not sure what you mean with the two chords, are you using lots of voicings of the same 2 chords so they act as an arrangement are they parallel harmony ideas.
Yes, it’s just C and Bb7, there is nothing else in there. It might sound like something else, but not because I intended it to sound like there’s something else, I only intended those two chords.
@@JakeReichbart thanks so I'm assuming they are voicings of and inversions, and would you think of them as modulating ftom the key centres they relate to. Apologies for not being particularly clear i.e b flat belongs to e flat etc or are we thinking modes. Many thank.
Thank you for posting this lesson... As a different question altogether... Have you ever done " At Last " by Etta James... I have a feeling you would do an incredible arrangement if you haven't already done so
Thanks very much! Here’s my latest arrangement, check it out, Arthur's Theme (Best That You Can Do), solo jazz guitar, fingerstyle guitar th-cam.com/video/YzDH4aqZGX0/w-d-xo.html
Jake! In the second example, at first i thought you were playing both parts at once , like you were magically getting 8th position pitches at 3ed position,lol Do you sometimes make your own backing tracks on a DAW, or use a pedal sequencer, like the Digitech Trio looper , that lets you do part A B C D etc?
@@JakeReichbart awesome, awesome... i love all the prodigies and you're one of 'em, man! you make it look so easy! occasionally it is, if a song is easy enough, but the way you play?? i'm sure it takes tons of practice and more discipline than i thought, haha! but it's obvious that you enjoy playin', and so would i if it sounded that good! haha!
Very good approach! To apply these ideas, you must know very well the chord function in the harmony context. Only knowing very well the role of the chords within harmony, you will be able to track the prohibited notes for each chord. Still, you must know the notes that characterizes each degree. Not an easy task!
great informative lesson and always love your stuff on here, you mention you will be in france in june/july, are you going to the django festival at samois perchance? :-)
+MgOStaTic I guess it depends on the context, i don't remember where I said it but it could be two chords that are played next to each other where each note in one chord has a parallel note in the the next chord. If, for example, you have a C Maj 7 drop 2, i.e. C,G,B,E, then the parallel for D-7 would be each note going up one note in the scale, i.e. D,A,C, F. This is just an example..
If you enjoyed this lesson, make sure to check out my lesson on Secondary Dominants, it's the best on the web on this topic! :-) Jazz Guitar Harmony Lesson: V of V chord substitutions, Secondary Dominants, Part 1 - The Theory
Dalam musik jazz setiap musisi memiliki konsep sendiri2 hmm jadi jazz standar tidak adanya konsep yg pasti seperti musik Classic....setiap musisi Jazz berlainan chord progresion nya .. jadi sulit memastikan mana yg benar & akurat...terlalu banyak pendapat mengenai Jazz !??
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-) Don't forget to subscribe/bell, if you haven't already, so you'll get a notification...
At the 11:40 and forward demonstration, when you break up the melody for this tune. l also hear "Dear Prudence" descending melody also. Which shows how so much of the Beatles music was base in jazz themes.. Remember seeing them do "Taste of Honey" on the Ed Sullivan Show
Thanks! The line is indeed somewhat similar, thanks for checking it out. Yup, remember Taste of Honey well...
Jake ,
My name is Paulo. I'm 39 years old. I am Brazilian , a resident of Rio de Janeiro .
I really want to study and develop the techniques that has so perfectly , beauty and feeling.
I love your videos and always share them on Facebook , especially those fantastic arrangements that makes some songs of Pat Metheny , I even thought possible ...
I am your fan!
Strong hug!
Very Sound and Success !
Jake,
Meu nome é Paulo. Tenho 39 anos. Sou brasileiro, morador do Rio de Janeiro.
Quero muito estudar e desenvolver as técnicas que apresenta com tanta perfeição, beleza e sentimento. .
Adoro os seus vídeos e sempre os compartilho no facebook, sobretudo, àqueles arranjos fantásticos que faz com algumas musicas do Pat Metheny, que eu nem pensava ser possível (rs)..
Sou teu fã!
Forte Abraço!
Muito Som e Sucesso!
Thanks very much! :-)
Your voice is actually nice. soothing tone
Great lesson Jake Reichbart. It's always great to have ways of articulate harmonic concepts while not placing too much emphasis on chord "shapes."
Thanks! :-) Yes, "shapeless" chords are a slightly elusive form of playing, hopefully this lesson helps some.
Today, instead of posting a song arrangement (which I will resume next week), I am posting a pretty deep (but never boring!) lesson about re-harmonization that is great for any harmony instrument and all musicians. I have not seen this method offered by anyone else, or at least articulated quite like this, so this has a real potential to be beneficial to you. Check it out, enjoy, feel free to comment and ask questions.
Jazz harmony lesson, guitar, piano - increase your chord progression vocabulary infinitely!
Thanks, Frank! :-)
Hi, what is this link?
Cool stuff ... very interesting approach. How do you think that fast on the fly, though? :-)
Thanks! The answer is habit...
That is a very creative and unique way to think of re-harmonization. Excellent! This leads the way to a lot of very fun exploration. Thanks!
Jake, I love it. This just expanded my mind in ways that I am not even yet aware. This is so interesting and produces a lot of what sounds to me like Bill Evans piano harmonies. I had already been playing with things like moving triads up the neck through a given key and also using one or two stationary open string notes in the same key whose relationship to each triad changes, giving different color to the harmony every step of the way. This, however, takes it to a whole new level. Many thanks.
I appreciate it! Feel free to share this and any of my other videos of FB and elsewhere! Thanks, Jake
"I really like this Jake" Plan to take headphones etc into hospital 24/03/2015 for left hip replacement...this is very soothing ...thank you :)
Tini Te Paa
All the best to you!
"Many thanks Jake"
Just started with a few songs...Very good instruction...Good service too.
Really appreciate it! :-)
Excellent! As a bassist, this sheds light on interesting approaches I'm looking forward to trying!
Absolutely, basically you too can play any note from your designated list and make it work.
Very instructive, thank you, I have never thought in that way before.
+Alan Lai Thanks very much, please feel free to share! :-)
Great lesson - really helpful in opening up the fretboard without getting smothered in a ton of theory! Many thanks for sharing this valuable insight.
Thanks very much, glad you like it! Feel free to share on FB, you blog, G+, whatever... I appreciate it! Jake
More lesson pls very nice guitar playing Jake!
Thank you very much! I have much longer lessons available to purchase, please consider, jake.reichbart@gmail.com
You're awesome man, really nice to digitally meet you...
Thanks very much, please subscribe :-)
Another amazingly informative video lesson. Some parts of this sound a lot like Dear Prudence.
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-) Don't forget to subscribe/bell, if you haven't already, so you'll get a notification... Also, check me out at TrueFire!!
Fantastic vid Jake and it gave me a lot to think about! :)
+David Dodge Thanks!
Thank you for this lesson I really appreciate it. You're amazing
Thank you very much! Please email jake.reichbart@gmail.com as I have tons of great full length video lessons and I’d appreciate if you took a look. :-)
Marvelous. You are very talented and a good instructor !
Thanks very much!
really great stuff. I remember seeing this video a few years ago and it really opened up how i think about harmony. Now i use this idea all the time, especially on intros to tunes. The major to iv melodic minor is just endless especially when factoring in opens strings
Really appreciate it, feel free to share :-)
Wonderful thoughts on new voicings and fingerings... thank you so much.. I'm off to investigate drop 2 chords in F harmonic minor.. never heard of them.. so exciting...
So pleased to hear, thanks! I also have a ton of additional full length lessons that are available to purchase from me, should you want to investigate things further... :-)
I'm moving this weekend but I will most certainly be in touch soon.. thank you again..
Smooth! Love the fleece Jake. I know you got your lucky tee shirt underneath though 😉
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-) and please don’t forget to subscribe/bell!
Hi friend. I'm from Novosibirsk, Russia. I really like your way of playing and your lesson. Thank you very much! :-)
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-)
To be honest, I don’t know of any other guitarists that plays his way with all that uncanny versatility and technique. He plays Jazz, R&B, Pop, etc. virtually incognito on Artstar Ibanez with blue tape.
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-) Don't forget to subscribe/bell, if you haven't already, so you'll get a notification...
Fantastic. Thanks, Jake!
Thanks very much!
U made jazz sounds magical sir👍👍👍👍👍
Thanks very much!
Thanks very much for sharing all you're insightful, valuable musical experience with every one, Jake. Lots of constructive teachings here - for free! You're the man!!!
Thanks very much, it is my pleasure! Somewhere in there I mention that I also have materials for sale so I always hope some folks will pick some up but I certainly enjoy sharing whatever I can.
...and you justly deserve lots of $ and recognition, not only for your generosity, but for your vast musical knowledge & teaching materials. I wish you much success.
- Preston
4sonicsanity From your mouth... :-)
Sorry but we are all broke musicians
Great Lesson!! Thanks for posting!
Thanks very much!
Great Work Jake! Love also the guitar sound! Thanks
Thanks as always my friend!
nice lesson Jake!
Really appreciate it, John!
This is definitely worth getting into!! I hope to spend some serious time with it in the near future :).
Thanks and enjoy!
Whoa! This is the kind of stuff I'm totally into. Expect an email from me this week. Thanks so much, Jake!
Anytime, jake dot reichbart at gmail.com. Thanks!
good point, good explanation,you are a smart guy
Thanks, Carlos, I always look forward to your videos!
i wonder if u could make a general harmony lesson about guitar, how to make interesting progressions even between modes and some general rules to support these progressions!
Thanks for asking, I'll try to post one.
thanks, i have so many chord types but havent yet found the way-logic to use them
And you can apply 5th note melodic minor (Bb7-Fminmaj7) to any dominant chord and all the chords of melodic minor yes? Just find the key, go dominant and then melodic minor and then the key is "lousy" with chords!
Thx Jake! Yer really opening my head with this stuff! )
Thanks! Please help me grow my channel by subscribing/bell and watching a few of my other videos, even just 2 or 3, I appreciate it and happy 2020!
great lesson man. thank you
Thanks very much, please feel free to share! :-)
amazing, thanks for this Jake
I appreciate it, thanks!
Great ability improvising chords...
Thanks!
Don't mention, thanks to you, I'm trying to become a decent rhythm guitarist (leading improvisation is just not feasible to me) and I find your ideas very interesting. Now I am trying to adquire a quite extensive set of chords as I explained in a previous post (plus.google.com/u/0/107453493752744634937/posts/MdX4vhnsqok) after that I will follow your lessons :-)
Alberto González Téllez Cool and useful post, thanks! One major difference between that and what I posted is that for me there is just one chord, C, no names and also there is no endless memorizing, although that can be useful too.
Jake Reichbart thanks, in fact I am trying to avoid memorizing but thinking about the notes and the notes changes in every position while moving from chord to chord, anyway the difference you out-light is why a find your approach as my next step :-)
Beyond beautiful
Thanks very much! :-) I know it's a little long but I think it's worth it.
Thank you Jake. There be wisdom here.
allen
Thanks!
Brilliant. Really inspiring
Thanks Roberto, glad you like it!
Jake do you mind talking about why not b2, 4, and all these other notes that you leave out....you say well i could use the #5 but we won't right now...well how i can i learn why not?
Hi, I will try to post another lesson soon explaining further...
+Jake Reichbart Thank you in advance please respond here when it's done if you can....thanks in advance!! you rock man i like you very much and i share your music on my facebook page.
Great video jake
Thanks! I will be in France part of June/July, want to do something?
Good but not sure what you mean with the two chords, are you using lots of voicings of the same 2 chords so they act as an arrangement are they parallel harmony ideas.
Yes, it’s just C and Bb7, there is nothing else in there. It might sound like something else, but not because I intended it to sound like there’s something else, I only intended those two chords.
@@JakeReichbart thanks so I'm assuming they are voicings of and inversions, and would you think of them as modulating ftom the key centres they relate to. Apologies for not being particularly clear i.e b flat belongs to e flat etc or are we thinking modes.
Many thank.
Fantastic thanks!
+Lee B Thank you!
Thank you for posting this lesson... As a different question altogether... Have you ever done " At Last " by Etta James... I have a feeling you would do an incredible arrangement if you haven't already done so
+Ben Perea thanks for asking, great song, sure, played it many times!
Thank you!
Got me off and running, and of course, finding substitutions for the chords Jake can play and my fingers can't.
Practice Sir
amazing
Thanks very much! Here’s my latest arrangement, check it out, Arthur's Theme (Best That You Can Do), solo jazz guitar, fingerstyle guitar th-cam.com/video/YzDH4aqZGX0/w-d-xo.html
gracias Jake!!
Thanks for checking it out!
Brilliant!
Thanks very much, please subscribe!
Jake! In the second example, at first i thought you were playing both parts at once , like you were magically getting 8th position pitches at 3ed position,lol
Do you sometimes make your own backing tracks on a DAW, or use a pedal sequencer, like the Digitech Trio looper , that lets you do part A B C D etc?
Thanks for asking! No, I don’t make any backing tracks…
That Is sic I gotta email you
Thank you, jake.reichbart@gmail.com.
Genius!
Thanks very much, please feel free to share! :-) Happy New Year!
Ethereal sounding,beautiful
Thanks very much, feel free to share :-)
You are a Geniuos
Thanks very much, please make sure to subscribe, like and share my videos, this can really help!
have you got a finger assigned to each string there, with your right hand?? that hardly seems fair! see i can't do that! haha!
Not really, I mostly just wing it.
@@JakeReichbart awesome, awesome... i love all the prodigies and you're one of 'em, man! you make it look so easy! occasionally it is, if a song is easy enough, but the way you play?? i'm sure it takes tons of practice and more discipline than i thought, haha! but it's obvious that you enjoy playin', and so would i if it sounded that good! haha!
Subscribed
Very good approach! To apply these ideas, you must know very well the chord function in the harmony context. Only knowing very well the role of the chords within harmony, you will be able to track the prohibited notes for each chord. Still, you must know the notes that characterizes each degree. Not an easy task!
Thank you very much!
great informative lesson and always love your stuff on here, you mention you will be in france in june/july, are you going to the django festival at samois perchance? :-)
Thanks! No, I'll be mostly in the southwest...
Just ... Congratulation ... This is ... Very good . I am French and no speak English x) This is magnifique * Q *
Merci! We speak the language of music... :-)
Yes ! ;) Continuer comme sa ! Sorry for the traduction :(
what is parelel voicing?
+MgOStaTic I guess it depends on the context, i don't remember where I said it but it could be two chords that are played next to each other where each note in one chord has a parallel note in the the next chord. If, for example, you have a C Maj 7 drop 2, i.e. C,G,B,E, then the parallel for D-7 would be each note going up one note in the scale, i.e. D,A,C, F. This is just an example..
If you enjoyed this lesson, make sure to check out my lesson on Secondary Dominants, it's the best on the web on this topic! :-) Jazz Guitar Harmony Lesson: V of V chord substitutions, Secondary Dominants, Part 1 - The Theory
I love your lessons Maestro 👨🏫
You have big hands. I struggle with my tiny hands.
Wolverines brother?
Indeed!
Dalam musik jazz setiap musisi memiliki konsep sendiri2 hmm jadi jazz standar tidak adanya konsep yg pasti seperti musik Classic....setiap musisi Jazz berlainan chord progresion nya .. jadi sulit memastikan mana yg benar & akurat...terlalu banyak pendapat mengenai Jazz !??
P
you make it at least interesting
The Master
Thank you! Join me right here on my TH-cam channel for a live broadcast performance almost every Tuesday, Wednesday and Thursday at 7 PM EST and I’ll play your requests! :-) Don't forget to subscribe/bell, if you haven't already, so you'll get a notification...