@@SHIN-ll6sh Hi Shin! Our band performed this Stones' arrangement too. Though I would often do the leads, with our other guitarist doing rhythm, by choice on this song, and because I was dying to, I opted to do Brian Jones' rhythm power chords. To get Brian's Big Gong Tanky tone, I remember on the amp dialing in a good amount of bass, and also a good amount of my amp's spring reverb!
Mr. supafrogg : Brian plays a rock and roll style riff woven in when he's not soloing on this song, but no matter how many times I listen to the original source, it just sounds like he played the chords as I uploaded them. Is there something wrong with my ears? 😅
@@SHIN-ll6sh In our band, both I and the other guitarist were Stones fans. Per our combined analysis, Keith Richards played an arpeggio throughout the verses, and played the solo (Keith has confirmed playing the solo), whereas Brian Jones played pretty much the same rhythm chordal pattern throughout the entire song. Brian Jones' guitar tone is consistent thoughout the song, with reverb being added for his outro ending. A signature Stones sound to be aware of between Keith Richards' & Brian Jones' guitar parts on many of the Stones' early recordings, was not just their "weaving" together their guitar parts, but also that often one of them would play with a "big bada$$" guitar tone! Another good example of that signature sound is on "Heart Of Stone".
I love you Keith , Brian, Mick , Billsnd Charle! You brought some relief and sanity to a world needing art, freedom of expression, creativity and just general relief in our uptight world! Thank u from the bottom of my heart ! Now let’s go put on all slave labor farms and factories to protest unfair labor practices and slavery like work in general in places like Dockery Farms in Mississippi and in Slave Labor Camps in China and at Wall St NYC where slavery originated for much of it!
Brian played a prototype Vox Phantom MKIII twelve string guitar on the studio recording. For the distinctive choppy part and triplet lick just watch TAMI show to see how he played it. Play it the same on a twelve string to match the studio recording. It doesn't have the same zing live because he's playing a 6 string.
Hello. I have been watching your channel as it is very interesting !! Unfortunately I don't have a 12 string guitar... The guitar I use in this video is also unfortunately a VOX copy model. When I uploaded this video, I also watched the live video of the TAMI show for reference, but I wanted to reproduce the sound of the recorded version as much as possible, so playing it like the live video didn't work, due to my technical problems.😥 In the live video, Brian seems to be playing with rock and roll style riffs. Brian also plays the "Becaouse I used to ..." in high position, not low position. I chose the low position in favor of the sound. I am sure there are a lot of mistakes in the recording as I am picking up the notes by ear... I would appreciate it if you could be tolerant of my mistakes. I do not speak English, so I use the translation function to create sentences. Please forgive my unfamiliarity with the text.🙏💦
@@TheBrianJonesResource To be honest, I never thought I would get a comment from a famous person like you! I am very happy to hear it! I don't have the guitar skills or in-depth knowledge as you do, but I will continue to upload Stones songs from the good old days. I'm sure there will be some mistakes, but I hope you will continue to watch... .😄
Thanks for watching. In the live footage from the TV show, it looks like Brian is playing a rock and roll riff in that part. You are right, that part may be overdubbed.
Good ear, James. Brian Jones got such a dirty, twangy rhythm guitar sound from his 12-string Vox Teardrop at Chicago's Chess Studios in 1964. I can't recall anyone, even The Stones themselves, ever duplicating that sound live onstage. I've read that his 12-string Vox was so hard to keep in tune that he always used the 6-string in concert performances.
@@SHIN-ll6shHe did and plays the triplet lick in the same position. Just 2 guitars on the studio version. Brian:12 string: power chords, choppy r&r rhythm with triplet lick. Keith: 6 string. Chord arpeggios and solo.
Nice and crisp.
Brian had a bit more gritty fuzz on his chords that made the song.
Thanks !
I'm trying to get as close as possible to the sound of the recording, but it's not easy...😅
@@SHIN-ll6sh Hi Shin! Our band performed this Stones' arrangement too. Though I would often do the leads, with our other guitarist doing rhythm, by choice on this song, and because I was dying to, I opted to do Brian Jones' rhythm power chords. To get Brian's Big Gong Tanky tone, I remember on the amp dialing in a good amount of bass, and also a good amount of my amp's spring reverb!
Mr. supafrogg : Brian plays a rock and roll style riff woven in when he's not soloing on this song, but no matter how many times I listen to the original source, it just sounds like he played the chords as I uploaded them.
Is there something wrong with my ears? 😅
@@SHIN-ll6sh In our band, both I and the other guitarist were Stones fans. Per our combined analysis, Keith Richards played an arpeggio throughout the verses, and played the solo (Keith has confirmed playing the solo), whereas Brian Jones played pretty much the same rhythm chordal pattern throughout the entire song. Brian Jones' guitar tone is consistent thoughout the song, with reverb being added for his outro ending. A signature Stones sound to be aware of between Keith Richards' & Brian Jones' guitar parts on many of the Stones' early recordings, was not just their "weaving" together their guitar parts, but also that often one of them would play with a "big bada$$" guitar tone! Another good example of that signature sound is on "Heart Of Stone".
Fantastic! best Rolling Stones cover for this song. Thanks.
Thank you so much !
I love you Keith , Brian, Mick , Billsnd Charle! You brought some relief and sanity to a world needing art, freedom of expression, creativity and just general relief in our uptight world! Thank u from the bottom of my heart ! Now let’s go put on all slave labor farms and factories to protest unfair labor practices and slavery like work in general in places like Dockery Farms in Mississippi and in Slave Labor Camps in China and at Wall St NYC where slavery originated for much of it!
Great song and great recording! Awesome vintage sound 👍✌️
Thank you❗
It's very encouraging.😆
Awesome job. Brian probably played his part this way on the studio version. When he played it live he used bar chords. You nailed both of their parts.
The position holding may be different, Brian is holding a different position in the TV show.
Brian played a prototype Vox Phantom MKIII twelve string guitar on the studio recording. For the distinctive choppy part and triplet lick just watch TAMI show to see how he played it. Play it the same on a twelve string to match the studio recording.
It doesn't have the same zing live because he's playing a 6 string.
Hello.
I have been watching your channel as it is very interesting !!
Unfortunately I don't have a 12 string guitar...
The guitar I use in this video is also unfortunately a VOX copy model.
When I uploaded this video, I also watched the live video of the TAMI show for reference, but I wanted to reproduce the sound of the recorded version as much as possible, so playing it like the live video didn't work, due to my technical problems.😥
In the live video, Brian seems to be playing with rock and roll style riffs.
Brian also plays the "Becaouse I used to ..." in high position, not low position.
I chose the low position in favor of the sound.
I am sure there are a lot of mistakes in the recording as I am picking up the notes by ear... I would appreciate it if you could be tolerant of my mistakes.
I do not speak English, so I use the translation function to create sentences.
Please forgive my unfamiliarity with the text.🙏💦
@@SHIN-ll6sh You do a great job on this channel. Just giving information to help, not as criticism. 🙌🎶
@@TheBrianJonesResource To be honest, I never thought I would get a comment from a famous person like you!
I am very happy to hear it!
I don't have the guitar skills or in-depth knowledge as you do, but I will continue to upload Stones songs from the good old days.
I'm sure there will be some mistakes, but I hope you will continue to watch... .😄
キースとブライアンのギターワークは鉄壁ですね。この２本のギターの棲み分けをブライアン本人が考えて弾いていたとすれば、やっぱりブライアンは天才ですね。
特にイントロが最高にカッコいいですよね❗️
カバーですが独創的です👍
Such a good song
Thank you for watching!
Yes, it is a good song.
Beautiful !
Thanks for watching so many videos !
おっ、テレキャス❤
キラキラした良いサウンドですね。
ツインギターのハモりもカッコイイ✨
ナイスプレイ👍
ありがとうございます❗️
なんか怨霊…ではなく音量のバランスがイマイチで残念です…😢
収録って難しいですね😅
There has been a debate as to whether Brian Jones plays a six-string, or a 12-string guitar on this song. I see you’re using a 6-string.
No debate. Brian Jones played a 12 string Vox on this. Confirmed by Bill Wyman. He also sang back up vocals doing the harmony with Keith.
AWESOME 💖💖👌VIDEO💖👌🥀🌺🌺🌺
MY FRIEND 💐💖💖
Hello SHIN! 😄 Cover!👍🏼☺
Thank you very much !
I look forward to watching every one of your videos too !! 😁👌
@SHIN-ll6sh 😁🙌🏼
And yeah, that's that. Grats.
Thanks ❗😆
perfect
Thank you so much !
There must have been another guitar. doing the peck peck peck part overdubbed
Thanks for watching.
In the live footage from the TV show, it looks like Brian is playing a rock and roll riff in that part.
You are right, that part may be overdubbed.
Good ear, James. Brian Jones got such a dirty, twangy rhythm guitar sound from his 12-string Vox Teardrop at Chicago's Chess Studios in 1964. I can't recall anyone, even The Stones themselves, ever duplicating that sound live onstage. I've read that his 12-string Vox was so hard to keep in tune that he always used the 6-string in concert performances.
@@SHIN-ll6shHe did and plays the triplet lick in the same position.
Just 2 guitars on the studio version. Brian:12 string: power chords, choppy r&r rhythm with triplet lick. Keith: 6 string. Chord arpeggios and solo.
Where's the intro? 😊
Hmm?
Can't you hear the intro?
The video starts as soon as it plays, so you may not be able to hear the intro part. 🙏💦
@@SHIN-ll6sh Sorry I meant the intro licks played by Brian Jones. Imo they're what makes the song
@@slimturnpike 😅😅😅