Isaac Stern Masterclass, Bach Chaconne, Carmelo de los Santos
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- เผยแพร่เมื่อ 22 เม.ย. 2013
- Isaac Stern giving a masterclass on Bach's Chaconne from Partita II, BWV 1004
Performed by Carmelo de los Santos (age 17)
Hebraica, São Paulo, Brazil, 1994
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Brazilian-born violinist Cármelo de los Santos enjoys an exciting career as a soloist, chamber musician, and pedagogue. From his extensive concerto appearances to his recent performances of the 24 Caprices by Paganini, his virtuosity and musical commitment captivate audiences worldwide.
At the age of sixteen Cármelo gained celebrity status in Brazil by winning its most prestigious music competition, the Eldorado Prize, in São Paulo. Since then he has been a guest soloist with more than 40 orchestras, including the New World Symphony, Santa Fe Pro-Musica, the Santa Fe, and New Mexico Symphonies, the Montevideo Philarmonic, Orchestra Musica d’Oltreoceano (Rome), and the major orchestras in Brazil. Cármelo has collaborated with renowned conductors Michael Tilson Thomas, Alejandro Posada, Jean-Jaques Werner, Guillermo Figueroa, Eric Shumsky, Rodolfo Saglimbeni, Yeruham Scharovsky, Jorge Pérez-Gómez, Roberto Tibiriçá, and Jean Reis, among others.
In 2002 Cármelo made his New York debut as soloist and conductor in the Weill Recital Hall at Carnegie Hall with the ARCO Chamber Orchestra.
Cármelo has won prizes in several international competitions, including the first prize at the 4th Júlio Cardona International String Competition (Portugal), first prize at the Music Teachers National Association (MTNA) Collegiate Artist Competition (USA), and second prize in the Young Artist International Competition (Argentina).
With pianist Carla McElhaney and cellist Joel Becktell, Cármelo has formed the group REVEL, a “classical band” based in Austin. The group believes that music is a transformative tool best shared in informal, intimate settings. They present events that they refer to as “revels,” in which audience members enjoy the music on a “first-name” basis. The group performs masterworks for duos and piano trio, and also arranges modern and popular works in a signature style that has become a mainstay of their repertoire.
Cármelo’s commitment to young musicians brings him to music festivals and master classes throughout the world. In his native Brazil, he enjoys working with at-risk students from social programs similar to Venezuela’s famous El Sistema.
Cármelo holds a Bachelor’s degree from Rio Grande do Sul Federal University, Brazil, a Master’s degree from the Manhattan School of Music, and a Doctoral degree from the University of Georgia. His teachers were Fredi Gerling, Marcello Guerchfeld, Sylvia Rosenberg, and Levon Ambartsumian. As a student, he performed in master classes and had consultations with Isaac Stern, Boris Belkin, Eugene Fodor, and Shlomo Mintz, and numerous others.
Cármelo’s 2009 CD release, Sonatas Brasileiras, presents sonatas by Villa-Lobos, Guarnieri, and Santoro (UFRGS Label) and received that year’s Açorianos Prize (Brazil) for best Classical CD, along with the year’s Best Classical Performer prize. The CD “Magic Hour” with REVEL - works for piano trio by Beethoven, Piazzolla, and Kenji Bunch, plus original arrangements by the group - was released in 2012 and can be purchased at www.revelmusic.org.
Two CDs are scheduled for release in 2013: “Brazilian Violin Showpieces” - short pieces for violin and piano by Brazilian composers, with pianist Ney Fialkow; and “French Composers,” with the Sonata for Violin and Piano by Debussy, and Ernest Chausson’s Concerto for Violin, Piano, and String Quartet, recorded live at the 2012 Bonneville Chamber Music Festival.
Highlights of Cármelo’s 2013 calendar are the DVD recording of the 24 Caprices by Paganini, and an invitation to judge the 1st Art Center Tokyo International Violin Competition in Kobe, Japan.
Cármelo is an Associate Professor of Violin at the University of New Mexico, Albuquerque, where he lives with his wife Eugenia and son Arthur. He plays on a Carl Becker violin, 1929. - บันเทิง
I really don’t understand the bunch of comments saying that stern had nothing to say, he didn’t completely change the way he was playing. He just made it sound much more smoother and cleaner with the same ideas, if u listen the beginning and the end u will hear how much it improved
I am very surprised for some reactions, this is a masterclass with one of the greatest violinist of the world, and also he is an excellent teacher! His remarks are outstanding, and this does not mean that Mr.De Los Santos is not a good violinist, the boy is just 17 years old, he can grow out to a very big artist and Mr.Stern is giving him the good advice!
Que honor es tener a un señor maestro como Sterm guiandote con una de las obras mas bellas creadas por un humano... muy emotiva esta entrega, el chico se notaba entre anodado y asustado, y quien no... Es STERMMMM
One of the best masterclasses I’ve ever seen. Stern was truly a great artist and master teacher. He was also very kind and generous toward you. Thank you for sharing this insightful video!
Parabéns! Gostei de ver esse registro. Muito Inspirador!
Bravo. Bravíssimo! O professor não pisca !!! apenas olha o jovem Cármelo e .... só respirar para não morrer!
Just amazing! The kid is an amazing player yet Mr. Stern caught subtle things and brought even more out of Carmelo. Just amazing. Glad to see Isaac compliment him right off the bat and then explain the subtle little nuances. Excellent!
Querido Carmelo, voce é um orgulho para o Brasil.
Obrigado querido Cacio!
O Maestro Isaac Stern é o diferencial...esta live é uma preciosidade!
3 semanas de estudo?!! Uau, não sabia dessa possibilidade 👏👏👏
Parabens Carmelo;queremos ver e ouvir mais performances de vc
Deus te abencoe.
Bravo 👏🏻👏🏻
Performing so well in front of a giant , a gigantic piece of music by memory it's not easy at all... Bravo ! :-)
P.S I don't agree with some friends on their comments about mr. Stern being out of the subject or not being a right pedagogue . I think he is a superb pedagogue and the first thing he did was to compliment this young talented man for his musical qualities. Then he jumps right to the point and he shares some very good ideas with him and the audience. Thank you for uploading !
Greetings from Athens Greece :-)
Thank you so much for your comment! Mr. Stern was a great artist and in this masterclass he was very kind to me. At the time I did not understand all he had to offer, but now looking back he was spot on!
@@carmelodls1 Wonderful playing on your part, and I didn't realize what a great teacher Mr Stern was! So much insight on his part, and such a clear way of presenting it!
Magnífico Carmelo. Não sabia que tocava tanto assim nessa idade. Eu sou um fã de carteirinha de Isaac Stern. Tenho dois discos de vinil dele dos concertos de Beethoven e Brahms. Sou seu fã também agora kkkkkk. Parabéns
Immense thanks for shearing this video Maestro.
Bravo!!👏👏👏👏
Extremely useful an beautiful， thanks
Que maravilha ,um achado !!!
Bravíssimo
Bravissimo! I didn't know about mr. Stern, but he's a great musician. The way he teaches to find the idea of the whole piece and play with coherence, with musical feeling, it's great, you won't find this kind of teacher everywhere
Fantástico
In the first 10 minutes of his explenation I thought, come on old man! Stop babbling and give this young man some real advice! But then he amazed me with his clear and simple explenation of the piece
❤
Isaac Stern is, excuse the unwanted pun, a stern taskmaster. However if you get a good nod from him your career will take off.
Концовка убойная... В руках Стерна все другое - скрипка , смычок и музыка .
Without attempt to violate, this violinist is hopeless overburdened
In one word, say something with your violin and with the music. Have to have a sad story from heart to express. Think the holocaust as if it was your own experience. Then the music will become a story.
Incredible, his violin will definitely cost a lot because of Isaac Stern 😃 just kidding
Very forceful on the double stops.issac stern is a great person.they don't make them like that anymore
Poor boy, he played the beginning, like he was using a hack saw, accenting every beat!
I hope he got more finesse in his playing, in later years.
Because he has zero emotional connection to the piece. If you can't understand something you can't play it properly
He simply had nothing of substance to add to this great performance. He should have said " Great job!" and move on but, he had to try to say something to justify his "master class."
What?
stradmaniac that's absurd. The performance is fine, but what Stern says, about vibrato, about not attacking the instrument, about remembering baroque style, is completely on the mark.
Andrew Everton.
Thank you Andrew.
I believe the piece is timeless. the cosest thing to the tocatta and fugue to be enjoyed at its intelectual value. i can't imagine anybody dancing to it. motion, yes. dancing, no. not even Disney dared ad animated figurines to the Tocatta. the so called attack of the violin is confused with emotional force. a violin can only convey emotions, even if it is destroyed in the process. this contrasts with mr. sterns restrained style. not good for all pieces. this kid's energy found an outlet and could have unleashed the gipsy in him further. abandon is what makes a piece such as the chacconne connect to listener. too bad master classes can do more harm than good, in my opinion.
big bullshit :-) but very big
Just shut up please