Why I Never Play My John Mayer Stratocaster
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- เผยแพร่เมื่อ 11 พ.ค. 2024
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I've owned my John Mayer signature Stratocaster since 2012 and I that time I've never really connected with it, and as a result I never really play this guitar. But why? And why do we sometimes hold onto guitars even though we don't play them that often?
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3:20 The Reveal: you and your dog have the same hair cut.
You beat me to it . 😢
😂
😂😂😂😂😂😆😆😂😂😂
woof!! woof!!
HAHAHAHA
Rhett, the reason why you don’t like that Mayer strat is because it needs a tube screamer and you refuse to use one. Haha!
He needs to try the Boss Super Overdrive since he likes the DS-1
The tube screamer is outdated, there are many well-made clones that bring much more to the table...I never bonded with the ts808 I had, but a fulldrive2 instantly found a place on my board
lol, yeah it should come with one built into the circuit 😅
Comment of the century
@@matt926uk1Or you make a guutar that sound great as it is.
I've seen Tim Pierce play Fenders, Gibsons, PRS, etc, semi-solid body, acoustic, through many different amplifiers and he sounds great with every combination. The gearhead mentality is destructive. No one listening to a song, apart from another guitarist maybe, cares what guitar you're playing as long as its played well.
This and the rig! Pedals and amp might be more important to get the sound you find pleasing.
Now with dsp it may be even easier
Not strictly true. Different guitars and amps contribute massively to the over sound / feel of a track. Talk to any producer that is responsible for crafting the sound of a track and they'll tell you exactly how important gear is.
Very funny if you are saying this as a guitarist. Cause you're focusing of what you hear, as you were the audience. Well, you are the player! You have to connect with your gear, cause YOU have the guitar in your hands, you are touching the neck, the wood, the frets, the strings, you are feeling the action, the radius, the neck profile, and most probably you are hearing something the audience is not hearing cause they don't have a clue about neck pickup etc.
Your guitar can inspire you as well as obstacle your inspiration. Pierce chose his gear very carefully and this is what every pro does and what we should learn to do.
I agree. You can get a great sound with a minimal amount of gear, as long as you have the skill in your hands. Of course gearheads and producers will tell you the reason something was a hit because of their sound skills, as if the player isn't the key.
Often, the producer is trying to pull a performance from the player, a certain guitar might inspire the player more than another, or push them towards a different direction. It's actually got very little to do with the tone at mixdown and everything to do with how the part was played, and the guitar might be an aspect of that.
This guy gives me youth pastor vibes
That there is funny, I don’t care who you are
Rhett, I am a massive fan of your channel and have been following you along with this BLK1 for years. I have been searching for one for a decade now and it's actually the only dream guitar I hope to own one day. I have actually had dreams of owning one. If you ever decide you want to part with yours, please keep me in mind.
Sincerely,
Sterling
I recently bought one. Absolutely hands down the best decision I’ve made. Plays like a monster and looks so classy
You must be over the moon brother 🙌🏼. Congrats, you will have and cherish it forever!
I wasn't much of a Strat guy for most of my guitar-playing days. Then, about 6 years ago, my niece said she wanted to play guitar. I went out and found a sweet Squier Strat that I really liked. It was hard to put down. Happy birthday present for sure.
Shortly after that, I picked up an MIM Fender Strat at a pawn shop, and ended up walking out with it. A good setup, and it felt (still feels) great to play. Ive played others, but for some reason, that pawn shop find is my go-to...
Pawn shop is also how I found my workhorse Tele
Those Pawn shops with their sometimes reasonable prices are dangerous man, a real trap. Years and years ago we (people I play with) couldn't pass up bidding on a local HSS MIM Late 90s Strat, said and done, we got it for $170 with a soft case. Just saying.
@@nissehult6768I wish I had your pawnshops around here. All the ones around me price higher than Reverb. Sheesh
@@RockWonder210 Ohh wow, this was in 2006/2007 before I went to Epping Forest in London and bought a 67' Tele.
Real talk, that Harry Potter analogy ("The wand finds the wizard") is actually spot-on... sometimes a specific guitar just clicks with you (the danger is in trying to force that click or expect to find that click).
Thinking of the story of Andy Summers Tele when I read this comment. Sometimes, it's like destiny. I think Frampton had it too, but it kinda went downhill too after he lost Phenix. Only to be found decades later.
Yep, I was in a music store trying to pick a fuzz. I had no plans to buy a guitar. But, I asked if they had a Strat with low output pickups because that's what I like to hear going into a fuzz. So, they handed me this used, faded Fiesta Red Strat made by a small company in Nashville. I had about 5 fuzz pedals set out going into a Fender amp. I proceeded to check them out, but after a while I was just playing this guitar for fun with the clean sound. It had the perfect feel (for me) and had a beautiful singing voice to it. Anyway, I chose the Hendrix fuzz and went on my way. But, after leaving the store I couldn't stop thinking about that Strat. About an hour later I called the store, letting them know I was on my way to buy the Strat. It was maybe my only chance since they were about to close and I was leaving to go home 4 hours away. I just so happen to have the money (and that never happens). So, I do believe this guitar chose me in a way, and at the right time. When I got it home I realized why it sounded so good. The pickups were Lollars with 50s style wiring. Pickups do make a difference, but also the feel, and the wood, the shape, the neck joint, etc. It's the total package.
This speaks too me
You’re absolutely right .My taste in guitar gear has grown and evolved as I have In my playing, you’ve always been a great inspiration to me in guitar tone and making good decisions in my gear choices. Thanks man
The set-up of the pickup heights on those two guitars look like polar opposites. The JM Strat pups are set way low, and the other guitar pups are cranked way high. That one difference will dramatically affect the tone of the guitars.
But... But... Mojo!
I guarantee if you swapped the pickups from the white Strat into the black JM Strat, it would be a big big difference too.
Yeah they do! But keep in mind you have staggered pole pieces on the Mayer and flat poles on the boutique
I thought u was the only person using Raoul Duke as a handle with the Gonzo peyote button fist profile pic.
On the JM strat the lows are set too low and the highs too high, the bridge sounds terrible LMAO, just by looking at the shabat strat you can see the pickups are set almost "flat"
To be honest, Rhett, I've never seen you get excited over a Strat-like guitar, even when you've done the custom shop and hot-rodded MIM comparisons. Probably just not your style of guitar. Nothing wrong with that. I have never been excited by Teles, and the one Tele I own doesn't get used as often as it should (though I don't want to get rid of it because it's the only Tele I've ever liked).
The only one that I've seen him play which he adores was a Shabat S-style guitar that he bought. Looks and sounds phenomenal.
He said the MIM player series was the worst strat but its by far the most sold strat on reverb and probably everywhere else.
He sure sounds good with a strat in hand. Everyone sounds better with a strat.
Love the message!! Thank you for the stream of consciousness, really spoke to me today.
2:58 That dog is definitely copping your Hendrix licks!
lol so true 😂
And hairstyle , lol ?
Dogs name is angel
Great vid. I'm 71 years old and played since I was 10 years old. I have connected with several guitars, un-connected and re-connected over the years. I was a 12-string play for many years and have in the past few years not so much. Ric 660-12 Tak acoustic 12. and others. Now it's Tele, Martin and 335 style. Partly because how my gigs have changed, partly because of who I play with, The only thing constant in life is change. L
If you want a Mayer strat, try out the Stevie ray Vaughn signature, it’s basically a Mayer strat, it has the sound, and it has the neck shape. Mayer was a srv fan, so he had an srv signature strat that he based his signature off of
Yes but that has Texas specials which are hot. John’s allegedly had pickups that were not “right” and lower output. No idea how truthful that is.
The fretboard radius on the SRV & Mayer are different as well.
You’re definitely correct though- early John Mayer stuff was him using his 90s SRV signature.
You are right. I have the same Mayer black 1 Strat that Rhett owns and its heavily based on the SRV Strat. But the pickups are really different and the neck is thinner. I think they are two interesting guitars.
I just want to remind everyone that SRV's Number One was essentially a partscaster.
It had a '62 neck on a '63 body with pickups taken from a '59. Not to mention the left handed tremolo that his guitar tech put on it because that's what was handy when he needed it.
@@SeanOHanlonyes, but the guitar JM played when he was a kid was SRV Fender artist Stratocaster, not the exact guitar SRV built.
I’ve owned both and the necks and pickups are different. The SRV neck has a Pau Ferro fingerboard, 12” radius and 1.65” nut. JM has rosewood, 9.5” radius and 1.6875” nut. Frets are the same, and profile is similar. The SRV has Texas Specials, a hot single coil set. JM has big dippers which are very mid scooped with vintage output.
I've always been a Fender guy, and after playing a Les Paul for a few years, I made the switch back to Fender, pretty much just my Jazzmasters and Mustang. I've gone back and forth considering selling it, as I had left it in the case to take up room in the closet for a couple of years. I needed the money and almost pulled the trigger on selling it last month, but after spending time with it and playing it for a good week, I will absolutely not be selling it. The Les Paul makes me write differently, play differently, and express differently, and those changes are helping me get out of a musical rut that I didn't even realize I had been in! This video came at the perfect time, thanks Rhett!
Love the life growth, man! Glad you found the Strat that had the alchemy to match your hands to what your ears always heard in them
I love a Strat middle pickup! That’s why I put one in my Tele. So underrated!
I intend to build a Tele and do the same thing. Best of both worlds for me.
Ask the great Jimmie Lee Vaughan!
My go to pickup setting for crisp funk breaks
Didnt Fender that line of guitar Nashville Tele i think the name. Stuart from Mogwai probably my favorite with that guitar
The only Tele I have ever bought is a 2012 Nashville , MIM . Would not have picked up anything with 25.5" scale length at that time , but curiosity killed this cat . Still love the 5-way ...
Something similar happened to me. Walked into a shop and saw a used MIJ strat before I even knew what MIJ meant, picked it up and started playing and it was like a strike of lightning. i just instantly connected with THAT one, and it had me playing in a new way. I've tried others, but that one just vibes different for me
Even w/CNC & digital bla, bla, A guitar is still hand made & all are different.( as are ppl.) Some just fit & feel better & you have found one for you. Matters not brand or price, but the vibe that makes you want to play.
Rhett , love your videos, always informative and seemingly unbiased. Also , your dog is awesome. Thanks for your insights.
In the last two minutes of your video, the first word that came out of my mouth was Amen!!!! That was right on time and I needed to hear that message of it’s not about the most expensive but how it speaks to you and how it makes you feel when you play it and does it do the job that you needed to do in that season of your life!
I bought my first Strat new in 1994, it was a Fender Strat plus, with those gold Lace Sencor pickups, I just didn't get on with it, as I'd been using an Ibanez RG550 for a few years, but I struggled on with it. It eventually ended up living in it's case, which was a shame, as it's a beautiful guitar. I had the pickups replaced for Seymour Duncan's, but that didn't really change the amount I used it, so it carried on in it's case, as I'd bought a few Gibson's buy then, and then a couple of core PRS guitars. But I'd been missing using a Strat, as I just love them, so I bought another Strat that had a humbucker in the bridge, and that woke me up! So I had a Seymour Duncan Pearly Gates put in the bridge, and what made a big difference was having the trem blocked off, now it gets played a lot, and I've had stainless steel frets fitted.
Good stratocaster tale
HSS with a blocked trem is the only way man
Strat Plus was a great guitar. The hardware was very forward thinking and they had a cool tone. I have a 96 Clapton with gold lace sensors and I love the sound. And like Rhett, I didn't get it because Clapton I got it because it was there.
Great video, Rhett. One of my favorites.
I've been playing for over forty years. I've had the same struggle as you. I loved the idea of a Strat. But, finding the right one for me seemed like a hopeless quest. I finally did find the ONE about two years ago. Finally!
I love my Stratocaster! I bought my 75th anniversary commemorative Stratocaster. I did not want it but I went and played and I just knew it and I went and bought it that is my all time favorite guitar it does the SRV and Hendrix thing perfectly. I will never part with it.
Do you mean the 70th anniversary Stratocaster? - because Fender isn't 75 years old yet.
@@SeanOHanlonThe Strat is 70 but there are Strats that commemorate 75 years of Fender as a company.
@@dragonhealingarts8993
You are right. I stand corrected. 👍
suhr teles and strats are near perfection
Sounds like you are talking about the silver sky haha'
@@larryshields2302 you clearly never played a suhr
I should hope so given their price point
@@humanbeing2420 you get what you pay for with a suhr, unlike a “relic” or “signature series” over priced fender thats not half as good for the same price
@@guitarplayer5932just curious…what makes them near perfect and not perfect?! (I’ve never played one.)
Well said. For me, the shift was from the Tele that was my #1 for 15 years to suddenly only really ever wanting to play a Les Paul Special. It's been pretty much everything for the last few years.
I bought a Gibson 335 new off the wall in 1997. Plays and sounds beautiful, but I never bonded with it. I still have it and take good care of it.
I can’t get past 21 fret guitars. I love the Strat ultra, killer compound neck radius, 22 frets, cutdown neck heel and the trem stays in tune.
How often are you using the 22nd fret lmao
You obviously don't play in B minor.
Well, just change the pickups, that's what I do !
So much good wisdom in this video. Thank you. I started on Strats then moved to Teles. I regret selling an Ibanez Les Paul and I haven't connected with another since.
I completely understand where you’re coming from. I have a Carvin CT6. I had it custom made, pickups, woods, fretwire, electronics, tuners, everything. It is a beautiful piece of kit. I played it for a couple of years, and it just doesn’t do it for me. It should, it was everything I wanted in a guitar. And, it sucks I don’t love it. However, I picked up a gently used Squire Strat at a local music store in Delaware. It just felt great. For a cheap guitar, the neck just felt right. I bought it just to test pickups, and I dropped in a set of no name humbuckers and a EMG select in the middle position. Split the coils with a push/pull, as well as added a Gilmour switch to play the bridge and neck. This has turned into my “go to” guitar. Set up was easy, action is super low and it is a breeze to play. Mostly playing acid jazz and funk. So the sounds totally fit my current tastes. I really don’t want to get rid of the Carvin. Especially, since I will never get back what I put into it. And I could by 10 Squires for what I paid for the Carvin, including the pickups and wiring… It goes to show, nothing is written in stone. Inspiration comes out of nowhere sometimes. You just have to let it happen. Your video resonates with me. Thanks.
So, I've been struggling to actually learn to play guitar for 30 years, I never really put the time into learning and memorizing things beyond power chords...I've always been addicted to how guitars feel, sound, look, and the whole aura around them, so I've been collecting and buying/selling guitars for years off and on...
2 years ago I bought an early 90's Fender Squier SE "strat pack" guitar as the basis for a modded Strat project, as I'd gotten into luthier work and wanted to tinker...it looked nearly perfect in the photos online and it was cheap...what showed up on my doorstep was missing chunks of finish in places that hadn't been photographed and had been obviously worn down and gigged with for years that way...I was pissed, because it was meant to be a clean guitar body and neck that I could do some mods on and find "my tone" with...and here was this battered and beaten cheapo guitar that was worth less than I'd paid for it and would never have resale value...
And then I plugged it in...as far as I know it's 100% stock, but I never opened it up to confirm...from the first 2 minutes of strumming and playing this pile of shit I immediately went "Oh no, I can never get rid of this thing now"...whether it's due to someone else replacing the pickups, or the stock pickups just aging a certain way from what appears to be years of abuse and gigging, it is one of the creamiest and sweetest sounding Strats I've ever owned...the irony being that I'd bought it to make it sound that way, and it showed up looking horrible and sounding amazing...I am now the caretaker of that sweet pile of shit for as long as I'm still alive, and I couldn't be happier about it...
If you needed a strat so bad, why didn't you just go to Guitar Center?
Because if he wanted a premium lifelong Strat, why not?
I don't understand what you mean.
Because he probably didn’t want to overpay
I will never purchase anything from guitar center for the remainder of my life. They are the worst.
@@KimmyJimmel69how so?
As a drummer of 40 years, I can say that “the sound” is true with drum sets and cymbals as well. Three ride cymbals of the same make and model can have different tone. Drum shells are unique as well. Really enjoyed your video today! Thanks.
Certain guitars simply appear to find their way to you. I was never a strat guy growing up. In my 40s I went into a shop to get a revstar and ended up leaving with a pro 2 strat. Like you put, it reshaped my playing completely and brought me a renewed sense of joy on the discovery side. I hope we can hear you strat more here in the future.
😂”I don’t like $1,200 strats, I like $4,000 Strats”. Same…
The neck pickup playing Hendrix is an acid test for sure.
I see you with the digitakt in the background. Love it
Hi Rhett, completely right about things that change and where you are as a musician, as a person. Also the state of mind, the place, feelings,… It is not cheesy. I recently rediscovered some of my guitars I was not using and thinking to sell. I am even looking at other guitars now. It is just like life. Music is a quest. Cheers from France, Hungary and wherever I may roam 😉
You are spot on with the point you are trying to make. Prime example - Cobain played crappy guitars for the most part... and yet he managed to figure out how to get the sound HE wanted out of them. It really isn't about the price of an instrument...it's about the "feel". I personally own some crappy guitars myself, but there's something about how they feel and how they make ME feel when I play them, and that totally makes it worth having them. Very cool video, Rhett.
damn is almost like the guitar itself doesn't really make that much of a difference in the tone isn't it?
@@JaredR-gk6rxWhatever rig you use, you're gonna try to dial it in as close as you can to the sound you hear in your head...and if you're handy with an eq pedal you can get there with pretty much anything
My strat is Mexican👍🏼💪🏼🎸
I've had a MIM strat since 96, and I've never looked back. Never needed Work done on it, still sounds great. I love it.
It’s gorgeous I’m glad you got enjoyment from it Rhett. Sometimes you just wanna play something different or even just noodle on something else.
Sure it’s a very expensive piece and collectors will drool over it but I’m glad yours has been played❤
I can completely relate to your experierence. Strats didn't do it for me for years. I've owned several strats that I sold and a custom shop G&L that is objectively a very good guitar. But I just could't connect with any of these guitars. It changed when I first tried my Macmull S-Classic. It just had the sound and feeling that inspired me (on all 5 positions). I had a great experience with Shabat guitars too : I own a Korina Lion deluxe, not exactly the typical T-Style guitar but an incredible instrument on its own.
Thanks for the great work with your channel and music !
You don’t like the 2 and 4 positions? Jeez, that’s like saying you don’t like popcorn or icecream. Ah well.
I can deal with position 2 but position 4 is just ugh……..horrible.
Whaaaat, that's probably one of my favorito things about a Strat!😂@@chiefline7084
Besides the player, two things effect the tone of a start, the pickups and tremolo. My 92 Strat bought new was a dog. Five years ago I swapped pups and got halfway there. Put a bell steel trem block in it and now it finally sounds like a classic strat.🥰🥰🥰
I agree the trem block makes a difference, but no more so than the pieces of wood in the guitar, and probably less so than the saddle type and alloy. Every S-type I have ever owned or played over the last 4+ decades with an Indian RW FB has had less "glassy" sparkle than a neck with a thickly lacquered Maple FB, but can also have less punch and midrange cut. It's all about how whatever is under the frets damps string vibrations, just as true with the saddles and trem block. The body also has some affect via the neck pocket. Even removing the rear trem cover can allow the wood from the neck pocket to the bridge to absorb more midrange. Assuming you stick with the neck and body you have, there is one more factor. An Aluminum pickguard or pickguard shield, as came standard in the early 60s, creates eddy currents in the pickup coils that reduce the upper-mids. That's probably a key reason those Strats are so coveted.
What pickups did you put in it?
@@aaronwinter1092Before I started this process I was well on my way to selling the guitar. I put a set of 57/62's in it. That really helped. I then swapped out the saddles for vintage. And yes I heard a slight difference. In a mix the difference was negligible. About a month or so later I heard a guy playing this $5K custom shop Stat at Guitar Center. It had the sound I was looking for. When he put it back on the rack I saw the huge stainless trem block. That was my aha moment. I bought a Calaham trem block and problem solved. Guitar has all the chime I could ever image. A few more things to note. A good EQ can solve alot of problems and if you can get the mfg pickup spec Seymour Duncan, Dimarrzio and Guitar Fetish in most cases sell pretty much the same thing.
Your pup had a front row seat.
Guess it was a front pup then. 😂 … (I’ll get my coat.)
Great video, great thoughts! I hated playing strats for the longest time, but I always loved some of the sounds they could make. So about a year and a half ago, I bought a Squier 40th anniversary Strat with the express purpose of pushing through it and “understanding” the Strat. Not only am I beginning to be comfortable with it, it’s slowly becoming the guitar I reach for first when I just want to noodle around for a bit. I think I still want a humbucker in that bridge position, but maybe, just maybe, I’ve been a “strat guy” all along.
I get where you’re coming from Rhett. I had two Les Paul Studio guitars, and really didn’t feel comfortable with either one of them. I started migrating back to my Godin SDXT…. 2 humbuckers and a middle single coil pickup, with Fender switching, and the neck and headstock look like a Strat. The body is shaped like a Les Paul. Nice guitar that I feel comfortable playing. My other guitar is an Epiphone double cut with two humbuckers that are coil tapped and also has a phase switch on one of the tone knobs…again, I feel comfortable playing it, and get all the tones I’m looking for in a guitar. Thanks for the video.
Penny adores you, clearly. Her carefully watching you play, that's a good dog.
She’s the best
@rhettshull
The Shabat comes with one of three Lollar options. Do you know what yours is stuffed with? Thanks!
@@madmick78
I like the sound of that Shabat and looked that up myself. I’d like to know what set is in there.
I absolutely love the Strat sound. I have such a hard time branching out stylistically because of how much I love that 2 and 4 position
It’s magic.
It's so 'human' sounding.
Try a Les Paul Jr. With a P90. You'll fall in love.
@@keithzuccolo6729 I actually have a Strat with two P90s in it. I like it a lot. Strats are amazing in the hands of a Strat player, but I've never been able to make them sing. My current favorite is a Tele. So simple and reliable.
Rhett, you are nailing it on the head, Firstly, how it feels and how it sounds.
Most hobbyists get hung up on the features ie: pickups, bridge, wood , finish etc.
I have a friend, Paul Richl out of Winnipeg, phenomenal player, who is currently using a Squier Infinity Tele, he is out gigging all the time with this as his main.
Very nice playing,man!
I think a lot of players get guitars and geek out because they simply play guitar... Idk. Dont buy it. Best guitar players ive personally known have just a few
Maybe the ones you know personally but as far as actual pro's they all have huge collections.
(coughing in Joe Bonamassa) 😅🤭
In my opinion the Eric Johnson Rosewood stratocaster in lucerne aqua firemist is the best looking strat Fender put into production.
You have taken the words out of my mouth...
As soon as you played it, I actually heard Jimi Hendrix sound, straight away!
❤🎸😎
What you played on that strat was magical
I'm sure the John Mayer strat is technically just as good as your Shabat but you do sound way better on the Shabat, probably because of how much more it inspires you.
8:55 Now that's a lick I didn't think I'd ever hear on this channel.
what is it?
@@MetaCometa335 Lenny by SRV.
Why?
Glad to hear I'm not the only one who doesn't like the strat single coil bridge sound. Changed mine to a mini humbucker and it's way more usable.
Wow, amazing guitars. I have been thinking about getting a Strat and this video helps. Thanks!
Instructions Unclear, I still sound nothing like John Mayer after purchase.
Gotta get o one o of those 100k dollar dumble amps friend
you gotta curl your lip a bit and jut your head out awkwardly. that’s how you tap into this guitar’s soul
"Why I never play my John Mayer Stratocaster,"
Nice discussion about something we all encounter - just had this experience last week so very relevant👍🏼 Shabbat is a beaut
I had a similar experience with the Telecaster. Never liked them, other than the sunburst double bound custom, I never even liked the way they looked. I'm sitting around a local music store one day and some guy was trying to sell an amp, the owner says, "you mind playing thru this amp, I just need to see if it works." A Danny Gatton custom shop Telecaster , a guitar I never would have normally picked up, even though I like Danny Gatton, just happened to be the nearest guitar to me so I picked it up and just instantly fell in love with it! It became my main guitar for about 10 years. It's still my go to guitar for studio work. You just never know...
Signature guitars are a waste of money.
Unless it’s the Fender 000ec.
My SRV is killer.
Feel the same. Once I bought an all original '59 Gibson Les Paul. But when I found out it was a Lester William Polsfuss signature instrument, I traded it for a neon coloured BC Rich.
And shaming is a waste of time.
😂 I feel the same even though I own a Troy van Lewen Ox blood jazz master which is such a good guitar😂 the only signature I’ll ever own
2 months ago I bought my first strat. Not just any, but one that was “my” strat. Way down in South Texas (McAllen) I went into a Guitar Center to destress from work and stuff. Inside a glass cabinet they had a Fender American Pro 2 in Olympic white, with a maple fretboard. SSS pickups. No intention of buying this one until I played it.
Went back to Dallas where I live and tried the identical model and color. None even felt close to the one in south Texas. A month later the two guys (Randy and Tony) that attended to me in McAllen somehow still remembered me and remembered the guitar I played.
Bought it and they shipped it. It’s amazing how when a guitar speaks to you, you can’t get it out of your mind.
So I get you Rhett.
Salutations Rhett!
I’m happy for you that you have finally found the particular Stratocaster that suits you!
While it is true that you could have built a Stratocaster from scratch, or from parts that might have suited you, instead you found one when you were not even looking for one, and it just so happened to meet the criteria that suited your playing style. Guitars are tools for the musician, and a well stocked collection of guitars can provide the musician with a wide variety of sound options, had you more than just the one Stratocaster in your collection, you may have potentially found out sooner, the features you prefer most in a Stratocaster to suit your playing style, frequenting guitar shops and sampling many instruments is a great way to help one find what they like most about particular instruments. I found out many years ago, that instruments that come from an assembly line can vary widely from instrument to instrument, and that you could potentially play one-hundred examples of the same instrument, and possibly only find one or a small fraction of them suitable. Nowadays, with the advent of CNC machines, there is a greater percentage of suitable instruments in the same number of control group, but the same principles apply.
When you are a beginner, you tend to pick up and play what you can get your hands on, and then you expand from there, sometimes settling on a particular model, or like me and yourself, you select several key instruments in your collection, and then expand from there.
Every once in a while, you find an instrument that just speaks to you, that you connect with in such a way that it makes a profound difference in how you see that instrument.
There are a lot of great guitar designs, and some are ubiquitous, such as the Telecaster, Stratocaster, Les Paul, SG, and the 335, a well equipped collection should have at least some of these guitars within it, however, there are some guitarists who use essentially one kind of guitar for their entire career, others however, have made changes over the years, Eric Clapton and Jeff Beck both didn’t start out playing the Stratocaster, but they both transitioned to eventually playing the Stratocaster and being known for doing so.
Enjoy playing your new Stratocaster!
Thanks for sharing your personal experience!
Please have an excellent and awesome day!
☀️✨🎸
Great video and really well said about the whole philosophy of musically evolving as you evolve as a person in general too, very true! Love it 😎
Hi Rhett...really enjoy your channel...I really understand the thing about" not really connecting with a guitar at this time"...I have become more patient with myself and realize that as we develop (that goes for most everything in life) our perspective change. I have had a few good guitars that I "let go of" that I have missed.
I remember a session with you and Dave O on Beato and you mentioned that G&L guitars were definitely worth a look at...neither Rick or Dave reacted, responded , or said anything. I love my G&L's...perhaps you will mention them again!
Such good points about what makes a good instrument
Rhett, love your videos and I'm a big fan... One thing I have to comment on. When you do demos, particularly guitars and amps the tone is often modified and difficult to determine what the actual gear sounds like. For some of the tones on this video, it sounds pretty clean, then at other times it sounds very layered. It would be nice to have a comparison between clean and with effects (with an explanation of the signal chain that creates your gear tone). Just an observation... Keep up the good work...
I hear you, my favorite guitar is one that I picked up and played without being on a guitar buying search - it talked to me and I bought it and that seems to be the best way for me to find "the" instrument.
That bridge pickup sounds awesome!! Nice guitar!!
I agree! I know Rhett said he didnt like the bridge pickup on this guitar at all, but I thought it sounded great!
Yeah it’s the pickup not the $5000 two rock 🙄
I may have missed it, but I’d love to see a deep dive on that Shabat - sounds awesome
Warm, dynamic and very expressive = love
As an acoustic player, I completely understand what you're saying about sound and feel. I just never thought that would apply to electric guitars. Thanks for opening my eyes!
When i started playing in bands at 14, my buddy had an old SG that absolutely sucked to play.
For a loooooong time i thought i hated SGs, but once i played a properly set up one, i was in love and now they're on of my favorites.
Apart from strats, of course.
Lol
It took me 3 years to finally connect with my Silver Sky… even listed it for sale a few times. Something finally clicked in 2022 and now I can’t imagine getting rid of it.
Hey Rhett, I appreciate your honesty about a really great instrument that you "just don't connect with." It is so true... Great or not, if I don't connect with one of mine, it just exists as part of my collection. I don't play all mine either...
Yep, what he said. As I grew older I took a second and third look at single coils. I haven't purchased an off the shelf guitar in years and eventually gravitated to putting together Strat style guitars, they just fit. It was years later, of course, before I stopped running home to mommy humbuckers in the bridge. Sigh, I finally put together a standard SSS combo and gee, love the extra articulation and spank. I still need an overwound in the bridge to solve the 'tin', but at least I appreciate contrast from what I couldn't get when I was younger, that, and using a boost instead of maxing distortion. If I could go back and have a talk with my younger self...
Great video and so true, the wand chooses the wizard. Bought two guitars online, sold one and did a complete new setup on the other just to make it mine. It clicks or it doesn't and its the whole package that counts. The weight, the neck, the setup, pickups, the color, the whole bunch. If you're in doubt just put is aside, if you pick it up again within 8 minutes it speaks to you ;-)
Very interesting video!
I had a similar experience with a strat. My first electric guitar was a 3 color sunburst Fender American Standard. I mainly went for this one, cause like you I loved John Mayer and SRV and for some reason the strat was THE GUITAR. But just like you, I never really connected with it. I then grew more into a singer/songwriter and less into a guitar player. But then I saw all these singer/songwriters also using a strat, soI told myself that I'm just looking for excuses and that this guitar does everything I need (and it technically does).
But then one day I discovered the guitar brand Baum and I fell in love. I knew I wanted their Conquer 59. So I sold my Strat (strangely it wasn't so easy for me, but did it anyway). Now I have a beautiful vintage Conquer 59 and I just feel at home when I play it.
It was then that I learned that it's ok to want an instrument that "feels right". Just because technically it's a good instrument and players you like use it to play/write things that you like, doesn't mean it's the right instrument for you.
btw Baum just released their new S Model called the Celestor, I think you might like that one... would be interesting to see you trying it out 😊
Hi Rhett, very enjoyable and honest video. I know exactly what you mean. Sometimes a guitar just "clicks" I recently purchased a Cort 250g se, very reasonably priced but fantastic guitar! I've been
I've had a similar journey with Strats. When I first started playing in the 90s, I never knew about scale length and how it affects the feel of an instrument. I was always a Gibson player and could never get on with Strats. It wasn't until years later that a luthier told me that a Strat being 25.5 inch scale length and a Gibson being 24.75, the Strat requires more tension in the strings to bring it up to pitch and the strings will feel tighter under the fingers at the same tuning with the same gauge strings. That was a game changer for me cause after that, I tuned down half a step on a Strat and it felt like a Les Paul in terms of string tension.
Right on. Very few people get that. I'm pretty sure that is also a big part of the difference in sound between Gibson and Fender, beside the obvious humbucker vs single coil dynamic.
I totally get it. I bought an Ibanez Jem Jr not looking for a signature style guitar. The moment I picked it up and played it I absolutely fell in love with the sound! I've had nothing but issues with it, had to glue in plugs to fill those holes and tap for the back screws that hold the spring tension as not long after owning it they just pulled out, sent the entire tremolo flying out, never seems to return like any of my RG's when bending or using the whammy bar, I could turn this into a novel of complications I've faced (and some I still face) but that's not the point..... I bear with it still and is my go-to just because I love the sound. I've even played other Jem Jr's thinking I'd replace this lemon but they're just not the same. I swear it's my worst/best purchase I've ever made, depends on the day if it's the former or the latter haha!
You are a great artist. I'm nearly 60 and my main guitar was a 62 strat...which got stolen. Got a MIM to bridge the gap. Bought a Pro II and we bonded. Many factors go into loving a guitar. The neck, pickups, and so on. Mine plays like butter and I leave the push- push tone knob open...always. Gives me that telecaster sound that my 62 somehow accomplished. My hearing isn't what it used to be😀. However my old amps help the tone, in many ways. Thanks for the great video. Don't know how many people will relate. By the way, taking inflation into consideration, I payed the same for my new Strat.
To add. If someone is a beginner, buy the cheap crap and modify. If you are experienced, buy a great guitar and leave it the hell alone. Who has time for mods...we need to play!!!
I bought a JM Strat, in 3 color burst about 10 years ago. It had nothing at all to do with Mayer, I just liked the 'specs' of the guitar. After 2 years I couldn't make friends with it, and sold it. To me, the artist guitars are a way to get sort of 'custom shop' feathres in a production guitar. I just bought a Robert Cray Hardtail Strat. I think that's the only production hardtail you can buy now. My go to Strat is a David Gilmour one I built. A guy in Ca. built me an exact detailed replica of Gilmour's Black Strat loaded pick guard.. I bought a 1990 very well worn black Strat with a broken truss rod for $300. Added a Warmoth neck, built to my spec, and the Gilmour loaded pick guard, thick bakelite like his, with the small switch for adding the middle pup, and small wiggle stick. It has all the correct pups also, including Fender, and Duncan custom shop ones. He did an awesome job! (link on request) LOL I love it! --gary
After 40 yrs I finally found the one. It’s a guitar that I never imagined would do it for me. It’s a 58 style Flying V. I bought it 10 yrs ago and it still does it for me like no other guitar I’ve ever played. Yeah when you find it or it finds you there’s no denying it.
After you missing out on that Julian Lage guitar, the lesson learned is I now jump on anything that gives me that "oh man" feeling! Not gonna miss out on something if I can help it.
I’ve never wanted anything to do with any of the 70’s style strats, but I saw online my closest GC had a perfect 3 tone burst with rosewood fretboard that I’ve always wanted but could never find, and I had never tried Fender’s U shape neck, so went to check it out. It ended up being a 2001 MIM Classic Series Reissue 70’s someone had put custom shop pickups in (I think Texas Specials by the pole pieces, rwrp, and enamel wire) that were probably from around that time from the looks of them. I fell in love with it and it came home with me. I think it’s the best sounding Strat I’ve ever owned and I’ve had most of the American Vintage/Original and lacquer reissue road worn and classic series, I’m a vintage spec guy mainly the radius. But it beats all the more expensive ones I’ve had and I NEVER would have guessed it would’ve been a fat headstock 3 bolt neck 70’s Strat if you had told me that just a few months ago lol.
You're totally right, the Single Biggest thing is the Feel of the guitar. It's the amalgamation of how it Feels in your hands, how ye Feel the Sound it makes and how you Feel as ye bond with the guitar.
The guitar must Feel good or yer not gonna reach for it. No matter how "good" it is!
One of my dream guitars. Absolutely love it
Well, finally someone putting the focus where it should be: Your connection with your instrument. We always get lost in technical guitar stuff, but as you said it all comes down to one question ¿do you like it? The problem here is that many of us have not learned to trust in our criteria. Great vid 🫶
funny looking relic job especially on the neck. the headstock shape is cool
I liked the sound of both your Strats. If you use swapable, fully loaded Pickguards, with a single "quick connect" at the Jack location, you can easily turn one good playing Strat into many different sounding Strats. I think that's the way to go.
Great tones, especially on the Hendrix bits. I'll watch again just for those parts. It really shined!
I've played guitar 50 years. I just got my first telecaster, a cheap Squier that just had "that" sound. I'm still surprised.
It’s true, happened to me a couple of times. Didn’t buy either one and regret it years later. If it feels good & you like what you’re hearing, buy it or someone else will.
I’ve got four Fender Strats, two Squire Strats , another strat clone I built, with a 16” radius neck. That’s the one I play the most when it’s strat time. I’ve also got a 91 fender Strat that I put a pair of SD Seth Lover PAF’s that I use for the humbucker stuff. I love Fender Strats, and I agree, the bridge pickup sucks……
Hi Rhett, I too longed for a strat I could bond too, I even bought a SRV signature, since I love his tone, and like you It just wasn't what I thought I would be.
I ended up selling as it was just collecting dust, funny thing is, I was at the music store, and they got is this limited run Mexican made strat that was the most gaudy color I have ever seen on a guitar (Sunshine sparkle Orange). played it for 1 minute, and bought it, as it played amazing.
I ended up replacing the pick guard, pickups, and a brass block and claw for the tremolo and it is the only strat I have now.
I totally agree with the guitar at that point in time.
I have two Takamine’s and a Taylor Koa. My favorite guitar is now is a $200 Blast guitar from China. I just had it refreted and the Taks I’ve had for 20+ years. Original frets.