Even though I knew it was coming, I still got emotional when the storyboard showed the classroom audience spinning around along with Yui. Such a genius creative decision that was.
1:16 Love how in the previous OPs, it's just still shots of Sawako and the others, but here, in the last stretch of the anime, they've decided to have HTT hug them and give them their thanks as Yui repeats "I love you"
I think one of the many, MANY reasons Kyoto Animation and Yamada Naoko in particular are always associated with high quality anime is cause they focused on (1) clear silhouttes and (2) putting personality in every movement, like you'd see in K-On!. Like, thats what they focused on first. Then, as more and more talents and techniques are appearing in animation, you'd see how linework and consistent details improved in their later anime, cause they have an established rule: personality > pretty but flat characters.
Personality > pretty but flat characters. Yup, that's how I pick my animes and also the reason why K-ON still sticks with me even after a decade. Always going to have a special place in my heart.
![[TABS] K-ON! OP3【Utauyo Miracle】Guitar Cover](http://i.ytimg.com/vi/-8n1TzCzCm4/mqdefault.jpg)
Even though I knew it was coming, I still got emotional when the storyboard showed the classroom audience spinning around along with Yui. Such a genius creative decision that was.
Insane how they take rough sketches conceptually and eventually end up with an intro that follows the concept exactly
thanks for explaining what a storyboard is..
@egglololol you're welcome this one is on the house
@@k-ondoomer hahaha
This is what a good director and staff does!!
1:16 Love how in the previous OPs, it's just still shots of Sawako and the others, but here, in the last stretch of the anime, they've decided to have HTT hug them and give them their thanks as Yui repeats "I love you"
0:11 「わき わき」すき
everytime i come back to this show it's like having a school reunion and reliving my youth
当時は終わりが近づく感じがして好きに慣れませんでしたが改めて名曲ですね。最後のコーラスが凄まじく美しいからよく聞いてみて！
どうか安らかに。
1:03. I saw this gif on tumblr a long time ago and I got obsessed with how accurate the animation looked to actual drumming
0:09ふんすふんすわきわきわきわき
Professional is being able to convey the idea as minimalistically as possible and convey the whole idea... damn.
my eyes are sweating from nostalgia and seeing how care free they are. also bcs the hug scene 🥲
Absolutely masterpiece opening from K-ON
明るいけどどこか切なさを感じるんだよな〜
最後の唯が手開いて放課後ティータイムのマークが描かれてるとことかウルってくるほんとに
けいおんは何度も見返しましたが、2クール目に入るとだんだん卒業が近づいてきて寂しい気持ちが増えていきますね
イントロでﾁｬﾗｰﾝ…って音が鳴りながら唯が手をひらひらさせてるのがもうなんか既に寂しい
@@問題プリッツ旨すぎ ドヤ顔ピース可愛いんじゃ… どこか切ないですよね
@httlove9948
ちゃんと盛り上がる曲なのに同時に寂しさも押し寄せてくるんですよね…
ほんとに分かる...
Mugi's sounds cute, and Mio's in the last part is conquering the show.
ほんとに、めちゃくちゃ面白かったし泣けるしで最高だよ
サビの唯がかわいすぎるよな
The sketch reminds me of my friend's artstyle, he likes to doodle kon characters when he's bored.
1:16 My personal favourite moment of the opening.
Notging more, but only "Daisuki!"
I think one of the many, MANY reasons Kyoto Animation and Yamada Naoko in particular are always associated with high quality anime is cause they focused on (1) clear silhouttes and (2) putting personality in every movement, like you'd see in K-On!. Like, thats what they focused on first.
Then, as more and more talents and techniques are appearing in animation, you'd see how linework and consistent details improved in their later anime, cause they have an established rule: personality > pretty but flat characters.
Personality > pretty but flat characters.
Yup, that's how I pick my animes and also the reason why K-ON still sticks with me even after a decade. Always going to have a special place in my heart.
this op makes me so sad
Absolutely a masterpiece of choreography
ラフ画ってホントにラフだよね
0:05
0:12
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0:24
0:30
0:36
0:42
0:46
0:48
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0:51
0:54
0:57
1:00
1:03
1:09
1:12
1:16
いやー
涙出たわ😂
Utauyo!!さくらんぼメッセージ！？
1:18
*QUARTERBACK!!!*
What a suprise
lo amé
the bass guitar is by far the cleanist sound 💪
こんな風に作ってたのか…円盤買ったら見れる特典なんですか？
Yo thanks homeslice
아 중학생때봤던걸 28살이되서 보고있네
Юи такая смешная прям ваще
So hard to see both at the same time, at least put them side by side.
que gemita me encontre.
00:39 Mallus assemble
Me imagino al director del opening viendo el resultado final diciendo: ah todo eso lo hice yo? 😮
Y los animadores: 🤨😒🙄😒
Lol
how you make the colors??
basxed