I have a question...Can't be the second example from the modulation identification also a Relative Major? I mean, it also chances relatively obviously from minor to major at the end
however that you so much for this just watched and it really helped. are you able to make more of these their honestly perfect can't seem to find videos where they just go through the whole thing anywhere
@@selftaughtmusicguide Also similarly could you please help me identify change in tonality? How do we aurally identify when a piece changes from a major to minor or minor to major? 🙏🙏🙏🙏
@@ninadsutrave To me a major key sounds 'happy' and a minor key sounds 'sad', paying attention to the mood of the music helps. If you're referring to modulation, it works the same but if you need more clarity you can try listening to the root note. Major to minor key = root note of last chord is minor 3rd below the tonic note (e.g. C maj to A min, A is a minor 3rd below C) , minor to major = minor 3rd above. Hope this helps!!
Ninad Sutrave - Relative major/minor is the most obvious (major - happy, minor - sad) - Dominant sounds like you can go back to the beginning of the excerpt of music (try humming the start after the excerpt) - Subdominant doesn’t sound like you can go back to the beginning (it is the odd one out, if it isn’t obviously one of the above then it’ll be the subdominant)
thank you so much. You are very kind and generous! Your guide help me a lot!
I have a question...Can't be the second example from the modulation identification also a Relative Major? I mean, it also chances relatively obviously from minor to major at the end
Thanks so much, this is helpful.
Thank you so much!! This is an awesome help!!
this Siri voice is actually so good. is it Siri (voice over) I can't tell hahaha
however that you so much for this just watched and it really helped. are you able to make more of these their honestly perfect can't seem to find videos where they just go through the whole thing anywhere
hello! I have a question. For 8b and C do i need to mention chord inversions as well like 1a Vb VIa or only 1 V VI
Yes, you need to.
Thanks
Thank you for this awesome video!
Can someone please give some guidance for the question at 8:15? How do we identify key modulation? Please help me.
You can try to hum the tonic note throughput the exercise, then listen to the lowest note of the last chord.
@@selftaughtmusicguide Thank you so much for your reply! That helped!
@@selftaughtmusicguide Also similarly could you please help me identify change in tonality? How do we aurally identify when a piece changes from a major to minor or minor to major? 🙏🙏🙏🙏
@@ninadsutrave To me a major key sounds 'happy' and a minor key sounds 'sad', paying attention to the mood of the music helps.
If you're referring to modulation, it works the same but if you need more clarity you can try listening to the root note. Major to minor key = root note of last chord is minor 3rd below the tonic note (e.g. C maj to A min, A is a minor 3rd below C) , minor to major = minor 3rd above. Hope this helps!!
Ninad Sutrave
- Relative major/minor is the most obvious (major - happy, minor - sad)
- Dominant sounds like you can go back to the beginning of the excerpt of music (try humming the start after the excerpt)
- Subdominant doesn’t sound like you can go back to the beginning (it is the odd one out, if it isn’t obviously one of the above then it’ll be the subdominant)