Hey Kono -San, thanks for the video. I also used this extensively in my music making in the 90's. It was a very fun machine to work with. Got a whole lot of recordings done on it. You also have me cracking up because I also used to talk to myself when using it. I was in a musical, creative, and mental slump until I saw this video. The screenshot you showed(before MV30), makes me feel like now with all of the computer plugins that do a billion things. My life was so much simpler using the MV30, except for when I had been working all night, in the 'zone', and my wife blew the fuse...... Oops forgot to save!!!! Deadline to be in the studio that afternoon! But, that was part of the fun(?) of working on the "Lunch Box". You got me thinking about pulling it off of the shelf. There are some older unfinished songs that have sounds that I didn't know where else to find. Cheers!!
Wow, I bought one of these back in the day (early 90s). I used it heavily as my main production workstation throughout the 90s (synced with an 8-track tape recorder). I still have it and it still works :-)
Thank you much for this demo! The buttons on my Yamaha RM1x are failing afters years of use. So I'm considering getting a MV-30. It has many better samples than the RM1x. Great playing.
These sounds are still usable even today. Last year I bought a Roland U-220 plus a CM-32L and CM-32P ( a beige box with 64 of these PCM sounds ). The MV-30 is basically a desktop module version of the D-70, it would have been brilliant if they made a rackmount version of the D-70 but the U-220 is the closest you are going to get to a rackmount D-70. The MV-30/D-70's drums are largely based on the Rock Drums PCM card plus selected samples from the R-8. The U-110, U-20 and U-220 have the same sort of stock drums as the D-10/D-110. I got acquainted with the D-70/MV-30's sounds after hearing one used by CRS Records ( a British record company who specialize in producing audio CDs and cassettes for children ) and also a folk musician called Sue White used either a D-70 or an MV-30 on a cassette called "Cornish Folk Songs" released on 1996 for bass and drums with other musicians playing guitars, banjo and violin. I always recognized these sounds as some sort of Roland keyboard or sound module but until about a decade ago I didn't know that these sounds were the MV-30 and D-70's sound set although I already knew about the U-110 and U-220. The saxophone sounds are also really good on these older Roland PCM keyboards and modules.
Thanks for your comment !! Actually I had U-220 before MV-30. The U-220 was a very, very good instrument. Plus, any series of U-110 cards that could be added sounded great. I really like the sound quality of Roland instruments when the U-220 was released. I feel that the sound quality of recent Roland is a little too Hi-Fi.
@@madness8556I agree. Additionally, I feel that the MV-30 has less internal processing delay than the U-220. I also like using the MV-30 because it has eight convenient physical faders.
@@pf_masa sadly, Roland didn't market the MV30 very well and it was pretty much a sales flop for them in the early 90s when the likes of Korg and Ensoniq were leaders in keyboard workstations. I also had a U220 and loved many of its sounds such as the very playable acoustic piano, choirs, strings, solo trumpet and clean funky electric guitar. I wasn't such a fan of the drums, acoustic guitars and electric basses but the acoustic and fretless basses were lovely.
Yes, I'm fan of these 'old relics' and often they find a place in my productions. I'm wondering if you've ever tried the Real-time Phrase Sequencer feature, it seems to be interesting but I haven't found any demo/video showing it. @@pf_masa
He's is wrong about the LCD and floppy drive repair. These are still widely available. It is not even that hard to do yourself. Plus there are even floppy emulators allowing you to use either sd cards or usb sticks. A complete LCD screen with backlight is about $100, backlight only about $20. Floppy emulators are less than $100. These were $2,500 dollar machines when released in 1990. That's $5,800 is today's dollars
Hold it!!!! $2,500!!! I got a great deal. I got mine from a dear friend that needed money to get a plane ticket out of Japan so he could get away from very bad 'influences'. But come to think of it, I gave him the money first, he spent it on those bad influences, so the next time he asked me I said he needs to give me collateral, and I would take him to the airport and personally put him on the plane. In retrospect the MV30 really didn't make up for the loss of a very dear and talented friend. To this day, no one knows what happened to one of the greatest foreign singers to ever grace this island. I convinced him to buy it in the first place, and now it's the only thing of him I have left.
![【JUNO-D6 vs CK61】何が違うの？徹底比較🎹✨♪／解説、演奏付 [Comparison Talk & Demo]](http://i.ytimg.com/vi/4fUcdLgX9AI/mqdefault.jpg)
Hey Kono -San, thanks for the video. I also used this extensively in my music making in the 90's. It was a very fun machine to work with. Got a whole lot of recordings done on it. You also have me cracking up because I also used to talk to myself when using it. I was in a musical, creative, and mental slump until I saw this video. The screenshot you showed(before MV30), makes me feel like now with all of the computer plugins that do a billion things. My life was so much simpler using the MV30, except for when I had been working all night, in the 'zone', and my wife blew the fuse...... Oops forgot to save!!!! Deadline to be in the studio that afternoon! But, that was part of the fun(?) of working on the "Lunch Box". You got me thinking about pulling it off of the shelf. There are some older unfinished songs that have sounds that I didn't know where else to find. Cheers!!
You were also using the same MV-30♪✨ I read your comment and I felt very happy!! thank you!☺
Wow, I bought one of these back in the day (early 90s). I used it heavily as my main production workstation throughout the 90s (synced with an 8-track tape recorder). I still have it and it still works :-)
Wow, you have an MV30 too! And I'm very happy to hear that it's still working. I am amazed that it syncs with an 8-track tape recorder!
This guy is pretty smart. Notice how he stands up whenever he has a chance. Editing the steps while standing. He will live a lot longer.
Thank you for your comment !!
新しいから良いと言うわけではないですよね
私も３０年以上前の楽器を今でも使っています♪
これも同じくフロッピー💾が命の楽器で家にはもう見る事の無いフロッピー💾が大量にあります
壊れたら修理も出来ない為いつまで付き合えるのかと日々電源を入れる度ドキドキです😅
色々なパートをいとも簡単に打ち込む！プロの仕事を見ました！
かっこいいルパン！勉強になりました！
いつもありがとうございます♪ そうなんですよね、新しいものだけが良いとは限らないですよね。
フロッピー、たくさんあるんですね！ 古い機械を維持するコツは、時々電源を入れてあげることとホコリを払うことだと聞いたことがあります♪ できるだけ長く動いてほしいですよね😄
Thank you much for this demo! The buttons on my Yamaha RM1x are failing afters years of use. So I'm considering getting a MV-30. It has many better samples than the RM1x. Great playing.
Thank you for your comment !!!☺👍✨
These sounds are still usable even today. Last year I bought a Roland U-220 plus a CM-32L and CM-32P ( a beige box with 64 of these PCM sounds ).
The MV-30 is basically a desktop module version of the D-70, it would have been brilliant if they made a rackmount version of the D-70 but the U-220 is
the closest you are going to get to a rackmount D-70. The MV-30/D-70's drums are largely based on the Rock Drums PCM card plus selected samples
from the R-8. The U-110, U-20 and U-220 have the same sort of stock drums as the D-10/D-110. I got acquainted with the D-70/MV-30's sounds after
hearing one used by CRS Records ( a British record company who specialize in producing audio CDs and cassettes for children ) and also a folk
musician called Sue White used either a D-70 or an MV-30 on a cassette called "Cornish Folk Songs" released on 1996 for bass and drums with other
musicians playing guitars, banjo and violin. I always recognized these sounds as some sort of Roland keyboard or sound module but until about a
decade ago I didn't know that these sounds were the MV-30 and D-70's sound set although I already knew about the U-110 and U-220. The saxophone
sounds are also really good on these older Roland PCM keyboards and modules.
Thanks for your comment !! Actually I had U-220 before MV-30. The U-220 was a very, very good instrument. Plus, any series of U-110 cards that could be added sounded great.
I really like the sound quality of Roland instruments when the U-220 was released. I feel that the sound quality of recent Roland is a little too Hi-Fi.
@@pf_masathe MV30 is a U220 with a D70 filter and large LCD display coupled with a MC50 MK2 sequencer.
@@madness8556I agree. Additionally, I feel that the MV-30 has less internal processing delay than the U-220. I also like using the MV-30 because it has eight convenient physical faders.
@@pf_masa sadly, Roland didn't market the MV30 very well and it was pretty much a sales flop for them in the early 90s when the likes of Korg and Ensoniq were leaders in keyboard workstations. I also had a U220 and loved many of its sounds such as the very playable acoustic piano, choirs, strings, solo trumpet and clean funky electric guitar. I wasn't such a fan of the drums, acoustic guitars and electric basses but the acoustic and fretless basses were lovely.
DX7IID動画から探している間に なんとここにMV-30の稼働があった！！
ありがどうございます！！
操作だけは全て分かります！
機材の担当分岐を１台でという触れ込みは当時画期的なことでした！！
某有名なアーティストの曲とか、音色がほぼほぼこれで出来たり衝撃が走った記憶があります。
製作過程をこれだけ丁寧に見せていただいてありがとうございます。
STEPで見ながら数値いじったりクオンタイズとか直すのは懐かしいです。
フロッピーと液晶はほんとやばいですね。
うちはFDは平気ですけど液晶が一本線が入ってしまったり、
フェーダーの物理位置とVEL表示が一致せず音が下がりきらなかったりして
REAL TIME MIXが出来ないですw
色々ありますが少しでも永く使えますように。
コメントとても嬉しいです☺MV-30は、本当に良く使いました♪ 思い出の一台ですね♪ずっと手元に置いておきたい機種です✨
長きにわたる戦友を手足の如く使いこなしての１人セッション、お疲れ様でした。自分には複雑過ぎる機械ですが、これくらい使いこなせれば楽しいでしょうね。
「長きにわたる戦友」「手足の如く」。まさにその通りです。いつまでも動いていてほしいです・・・
YAMAHAのQY300。FDドライブが壊れてますが、最近改めて使ってます。MIDIデータの「打ち込み」とMIDIデータの再生、編集、特に「コピー」はテンキーとジョグダイアルの使い勝手がよくて、なかなかPCベースに移れません。趣味なので、これで十分😊
QY10、QY20を使っていた時期がありました。QY300はテンキー他、キーの感触がとても良くて、MV30よりコンパクトでいいなあと思っていました。私もMV30の操作性に慣れてしまって、PCへの移行にはけっこう苦労しました。自分の慣れたツールを使いこなすのが一番と思います♪😄
物持ちがいい人だなあ。。。私はMMLで打ち込んでました（笑）
MMLは、Music Macro Languageですよね♪ プログラミングできるなんて、すごいですね！ 今回、もうMV30の液晶がかなり暗くなっていつ見えなくなるかとなんか焦りがあって（笑）、急いで動画を作成してアップしました♪
Absolutely brilliant, I just got one like new, this machine inspires something very special, there is a liveliness that emanates from it!
MV-30 like new! That's great ☺ I agree with your opinion ♪
@@pf_masaYes, a little marvel! A very surprising instrument!
懐かしいです。ミュージックワークステーション系のオールインワンマシン、当時欲しかったなあ。動画の手数で使い込まれているのが分かってなんだか嬉しくなりました。フロッピーの読み込み書き込み音も郷愁をそそります。
液晶は互換のやつがあるかどうかはになっちゃいますけど、フロッピーはSDカードに置き換えられるフロッピーエミュレータが付け替えられるのではないかなと思いました。長く手元で動いてほしいものですね。
ありがとうございます♪ そうなんですよね。本当に使いやすい機種だったので、エミュレータや液晶互換等を探しながら、末永く動いてもらいたいと思っています♪
I just got this machine, you are definitely showing/demoing it in talented and fun way.
Thanks 🙂 👍
You got the MV-30!! That's amazing !!☺✨
Yes, I'm fan of these 'old relics' and often they find a place in my productions.
I'm wondering if you've ever tried the Real-time Phrase Sequencer feature, it seems to be interesting but I haven't found any demo/video showing it. @@pf_masa
最高な動画ありがとうございます！たしかにボタンで入力する操作性が最新の機器よりも使いやすそうだなぁと思いました。
凄腕の方だとこんな楽しい一人セッションがあっという間にできるんですね。
最後の演奏のアドリブもいつもながら楽しくて聴きながらニヤニヤしてしまいました😁
最新の機器の機能や性能は本当に素晴らしいのですが、自分がどれだけ慣れるかがけっこう大事ですよね♪ でも、中には自分にとってどうしても慣れないものもあります～😅 いつもありがとうございます！
毎回、出し惜しみのない環境開示に感謝！譜面を走る？人が面白い！
いつもありがとうございます♪ MV-30を動画でアップしている人があまりいなかったので、がんばって作ってみました😄 皆さんのお役にたてれば嬉しいです！
Rolandも3.5インチフロッピーもKonoさんもスゴイ！
コーヒーさしあげます(^-^)
ありがとうございます(^-^) コーヒー”濃いめ”でお願いします☕😄
昭和がおわってからバブルから1994年くらいまでデジタル楽器コーナーの熱気はすごかったですよね。今はまた違うデジタル機材が増えましたけども･･･
自分も当時のヤマハのシーケンサーで勉強しましたが楽しかったですね。
それと16トラック 32ポリでどう勝負するかとか・・・
そうですよね！1990年前後は、今までにない方式のデジタル楽器が次から次へと発売されて、とてもワクワクした思い出があります♪ 限られた仕様の中で、どうやってやりたいことを実現するかという取り組みも楽しかったですね☺
液晶がへたっても、張り替えをしてバックライト式にしたりする人が居るので、お金を掛ければ民間のシンセ修理屋さんで直せるかも知れません。2DDのFDDは海外でUSB メモリードライブ化して販売してるとこがありますね。私も既に01/WのFDDをUSBメモリードライブ化しました。
情報ありがとうございます♪ DX7IIのFDも心配なので、動くうちにUSBメモリ化したほうがいいかもしれませんね☺
オープニングの曲がこの機材から出ていることに気づいて不意を打たれました。
見た目の古さによらず良い音しますね！
こういうテキスト画面だけのUIで曲を作る機材は触ったことがないのですが、曲の構成を組み立てる能力がすごく高まりそうですね。
音符の位置も数値なので論理的に理解できそうです
DAWのGUIは便利でわかりやすいですけど、良くも悪くも感覚的にやれてしまって、
私の場合、打ち込みするときに音符の位置や長さの入力が脳内イメージと合わなくて四苦八苦したりします。
肝心のデータ作成&演奏についてコメントしてなかったですが、素晴らしい演奏とデータ作成のスピード感がすごいですね！
これだけできたら楽しそうだなぁ。DAWかFANTOM-0で似たようなことやってみたいです
いつもありがとうございます！ 感覚的に編集できる、現在のDAWの機能は素晴らしいと思います。一方で、細かい編集や微調整をすることきは、今でもこのMV-30のように一行一行で音を編集することが多いですね😄 私も四苦八苦していましたが、MIDI検定にチャレンジしたら全体が分かるようになってきました♪
MC50片隅に眠っています。SC88VLも 当時高かったのですてれずに FDは一枚刺さったまま😅
MC-50!! 懐かしいですね♪おそらくMV-30のシーケンサ部分はMC-50と同じなのではないでしょうか？
SC-88、私も持っていました♪ 音色数も多く、MIDIデータの再現性が良くて音質もそこそこ良いので、日常使う再生音源として愛用していました。
最近はソフト音源も充実していますが、GM規格に準拠していない音源（ソフト、ハードシンセも含む）も多いので、バーチャル音源版のSC-88を持っておくと便利かもと最近思っています…
He's is wrong about the LCD and floppy drive repair. These are still widely available. It is not even that hard to do yourself. Plus there are even floppy emulators allowing you to use either sd cards or usb sticks. A complete LCD screen with backlight is about $100, backlight only about $20. Floppy emulators are less than $100. These were $2,500 dollar machines when released in 1990. That's $5,800 is today's dollars
Thank you for writing a helpful comment!!☺
@@pf_masa Got to keep them working. Enjoyed your video
Hold it!!!! $2,500!!! I got a great deal. I got mine from a dear friend that needed money to get a plane ticket out of Japan so he could get away from very bad 'influences'. But come to think of it, I gave him the money first, he spent it on those bad influences, so the next time he asked me I said he needs to give me collateral, and I would take him to the airport and personally put him on the plane. In retrospect the MV30 really didn't make up for the loss of a very dear and talented friend. To this day, no one knows what happened to one of the greatest foreign singers to ever grace this island. I convinced him to buy it in the first place, and now it's the only thing of him I have left.