I have long admired the music of Tailleferre. This is a good example of he composing style. This seems to me to be an excellent performance and recording.
A fine performance of Germaine Tailleferre’s violin sonata. It is dedicated to violinist Jacques Thibaud with whom she fell for. It was not to be however.
Agreed. I am learning it right now, and the piano part is rather awkward, clumsy and over-written. Some rather passages and a curiously inconsistent harmonic language, which could be the result of poor proof-reading.
even with pretty abstract chords, it seems like there is some harmonic movement going on. it's hard to draw the line between what's atonal and what employs upper structures, but if there is a feeling of motion and leading into something else, then certain leading pitches must have some sort of emphasis on them.
I have long admired the music of Tailleferre. This is a good example of he composing style. This seems to me to be an excellent performance and recording.
A fine performance of Germaine Tailleferre’s violin sonata. It is dedicated to violinist Jacques Thibaud with whom she fell for. It was not to be however.
Thank you ! Lovely playing of an unknown gem....
This violinist is nigh world-class :o
Very nice sound.
very beautiful
great music, splendid performers
Not an easy piece to play; my congratulations to both the pianist and the violinist!
Agreed. I am learning it right now, and the piano part is rather awkward, clumsy and over-written. Some rather passages and a curiously inconsistent harmonic language, which could be the result of poor proof-reading.
Quelle oeuvre magnifique et une densité expressive (surtout le dernier mvt )!!
Great melody.
Me encantó
Sounds like flowing water.
Does the beginning of the third movement sound atonal to any of you? Or is it just in my head?
even with pretty abstract chords, it seems like there is some harmonic movement going on. it's hard to draw the line between what's atonal and what employs upper structures, but if there is a feeling of motion and leading into something else, then certain leading pitches must have some sort of emphasis on them.
Is not atonal, is bitonal, like much of the late music of Ravel, or Stravinsky, Milhaud and many others in the 20s...
I would give a like but as of now there are 69 likes. I wouldn’t want to ruin the magic.
Now i can like it.
nice thir