Germaine Tailleferre: Concertino pour harpe et piano (1927)
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- เผยแพร่เมื่อ 21 ส.ค. 2011
- Germaine Tailleferre (1892-1983): Concertino pour harpe et piano (1927).
1. Allegretto
2. Lento
3. Rondo
Gabriella Bosio, arpa
Cristina Ariagno, pianoforte.
Cover image: painting by Felix Vallotton.
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Subtil, magnifique et envoûtant ! Cette compositrice nous montre qu'on ne peut pas exister sans plaisir, même une seconde et c’est difficile d’avoir du chagrin très longtemps
Que c'est beau ce dialogue respectueux et entrelacé! C'est comme si deux personnes peuvent vraiment s'entendre. Merci de partager.
Enchante'! Why don't we hear more of this lady? I think she was one of the "Le Six' Her music here is sort of a mix between Satie and Ravel--yes not derivative---I like it.
Yes, she was a member of "Les Six"...
you don't hear more of her maybe cause you 're not looking for it, and you never buy any records.
Perhaps because of the femininity of her music, mostly small-scale, intimate, delicate, not particularly forceful or strong, or ambitious. Her estate, or publishers, also left her music in a state of mess.
Perhaps because you're not listening to Radio 3.
Silly defense of massive copyright violations, but we all love hearing the music, don't we?
No words to describe how much I love this.
you just used words and they described your communion with Tailleferre rather well - they even resonate rather finely with the music itself
Really an astonishing composer never heard before but I'm deeply impressed
Beautiful! Of all the "Les Six", could it be?
The female composer, who displays the most unique expression, of all composers...? She has a brilliant mind, and composes with a refreshing new air beyond what man has conjured in their technique of Orchestration.
I am enthralled, maidemoselle....
Beautiful and marvelous
Absolutely beautiful work, sounds mysterious and dramatic yet almost magical
Refreshing and relaxing
A beautiful and masterfully written work. Underappreciated.
like my mind
@@truthlivingetc88 I guess you must like to flatter yourself, because no one else will.
Listening to this & looking at the picture, it feels like she's hypnotizing you with her blue eyes!
+Mike Zhai The eyes are indeed hypnotic! Not so much the music though....
those are not the words of a Saint
A wonderful piece, beautifully performed. A masterpiece.
Molto bello e singolare questo dialogo tra piano e harpa. A volta le loro personali sonorità si fondono, a volte si allontanano. E' molto suggestivo. Acquoso, misterioso, interessante..
ytri jiklar kikjo findaliminn intre der hoskar
Qué hermosa música, no conocía a la Sra. Germaine, es muy agradable.
A sweet and charming piece. Thks for the post.
What a subtle sense of music can we find here joining the piano and the harp! To my knowledge, only Franck Martin joined piano, harp and harpsichord with strings. Germaine Tailleferre is a very subtle musician who deserves to be more often played in our music rooms.
Look up Salzedo's Sonata for Harp and Piano, a masterpiece. This is a piano reduction, but effective. There are a number of pieces for harp and piano, many of which were recorded by Alice Giles and her husband.
Here piano plays the orchestra part but its amazing!
c'est tjrs un plaisir de lire vos commentaires cher ami !
so schön!!!!
Beautiful
Exquisite!
of great beauty. I have the strange feeling that there are several other symphonies in the background (but I can't catch them)
Beautiful.......thank you!
Nice and lingering.Thanks for upload.
linger lingeyy
Very very beautiful
yes anqi yes
Heavenly.
Este concierto siempre me acomoda las ideas.
Bonita.!!!!
Me ha gustado.
Feliz jueves🌿
Neat piece!
Voilà une composition rafraichissante :-)
Every keyboard players dream has come true. This marvelous conglomeration of harp and piano superimposed upon each other. It amazes me that so few have thought of this heavenly consort. The harp, played by the fingers, and the piano, played by felt hammers, are the very heaven and earth in juxtaposition. And the combination- earthy heavenliness or heavenly earthiness, all wrapped up into one. And the high compositional quality of this concertino matches the concept for excellence.
OH, i seems to have exact opposite opinion (see my other comment).... i think the contrast of the two instruments is not as drastic as other combination.
An even closer (and perhaps undesirable) would be harp-harpsichord, the plucking nature of harpsichord would be even closer. Perhaps harp-miramba???
i'm so sorry to feel it like you, it don't works for me and in my opinion we can't hear enough the harp here.
@@MattBrillant yeah but its a concerto re-transcribed. Its not written for piano and harp in the duo or chamber form. I guess this is inevitable for all transcribed concerto pieces played on piano?
In most cases, there is not enough separation of the instruments to be effective. One other piece that works in a similar fashion is the piano reduction of Ravel's Introduction et Allegro. Piano tends to dominate, if not drown out the harp. There were many pieces written in the early 19th century, by Dussek, Boieldieu and others.
Jack Gedzelman well stated but harp should be a tad louder
c'est très beau ^^
Mm...very attractive, thanks !
00:00 i. Allegretto
08:24 ii. Lento
12:37 iii. Rondo
Grazie Wellesz!
"Like" on 24 July 2017
Ahhhhhhhhhhhh.....
does anybody know where I can get the score for this? trying to do it for my senior recital, if you happen by this piece, let me know!
donde puedo encontrar estas partituras?
buona sera, Wellesz-san. do you know if this work was originally scored for harpe et orchestre, as listed in wikipedia, or was this harpe et piano version the original composition? I guess it doesn't matter that much, just curious. and thank you very much for all of the wonderful music that you have uploaded. mille grazie e saluti da Tokyo.
Obviously:
th-cam.com/video/8RumDQN_POY/w-d-xo.html
I think Tailleferre published both, but I couldn't say which one was first. Usually they orchestrate it first and then publish a piano reduction to help the work spread.
nice
Where can I find the sheet music for this? I've searched everywhere and can't find it.
In this site are some works of Tailleferre (but not this): imslp.org/wiki/Category:Tailleferre,_Germaine
Prob'ly with yr car keys...
Why can't I zap commercials?
The piece is written for Harp and Piano, not Piano and Harp. It is supposed to be a piece where the harp takes the lead. But the harp has such a soft sound that it is all too easy to let it be overwhelmed by the other instruments. For some reason when the two are playing, the players carelessly allowed the piano to be dominant when it should only be the accompaniment.
Yeah, thought I was going mad thinking this recording didn't sound quite right until I found a version being played by an orchestra.
some of this reminds me of Alexandre Desplat's score from The Imitation Game
Surprisingly good with piano, though it is far too loud for this harpist.
skrak danki ooio iilp ipierop
The subtle twists of key and changes in tempo in her work and others have surely influenced 1970s prog rock like early, Peter Gabriel Genesis, and later works of Kate Bush. For 1927 this has a much later 20th century feel but without the drain of our contemporary popular music. There's a quiet sense of discovery and erudition at play.
And there will come gentle notes
composition sounds much better in harp and orchestra arrangement. recording of that with nicanor zabeleta makes me think of this as maybe my choice of the most 1920s of compositions/simply one of best of era. and that orchestral arrangement was by the composer too. her chamber music/piano solo music is far less impressive to these ears
The woman in the painting is asking, "Why did you give me a dress that's too big for me to pose in?"
Or possibly, "Why did you take away my baby while she was in the middle of nursing?"
The pianist is far too loud.
Why, was it you? It's called balance. Listen.
zzindorf u right
Tbop3 homerun
He must be very horny.
+zzindorf that's gotta be it
g
Why harp and piano?? These two instruments are rather similar, as contrast, strings-piano, ww-piano or brass-piano...... The texture is not as contrasting.
@Senza Rigore It should be for harp and baritone saxophone.
Do you object to piano duets, too?
Piano playing is as rough as guts. There is Harp playing... What a disgraceful ego that woman.