Excellent video!! Perfect to visually represent the concepts of “chiaroscuro” and “squillo”. This gave me a better insight into my voice and how it works. Thank you!!
@@joshualindsayvoicestudio6022 Yes, thanks a lot! "Overtone Analyser" shows I've got a strong resonance zone around ~5000hz (besides the 3000s one), could this be another formant? Sounds like a high pitched pipe sometimes :D
Nice touch about vibrato role. I didn't know that. Also that legato is affected by resonance. Overall very helpful to add some science in timbre formation.
Thank you for this lesson, it was very educating. I see that my default singing it like what you called "sotto voce", when I'm bringing more force all my frequencies become strong and yellow.. what does it mean? Is it good or it just means that in shouting?
I would have to hear an excerpt to make an accurate judgement. If I were to guess, your fundamental frequency is really strong but it is lacking in overtones. Vocal cord adduction and elongation will help with the resonance.
@@joshualindsayvoicestudio6022 I'm a beginner, and I use the application as you. When I emphasis chord closure I get steady clear resonance all over up to 8000hz in chest and 10000hz in beginning of head (I don't master chord closure all across my head range yet). I also tried the vowels experiment you did and I passed it successfully.. The physical feeling in my head isn't so good when I sing so resonated, my forehead and sinuses vibrates unpleasantly and my ears ring/buzz awfully, feels like being around buzzing speaker.. the recordings sounds good though
When you sing with so much resonance or ring to the voice, it can be jarring at first because you are not used to it. I remember when I was young and I sang high notes with a lot of resonance that it made me light headed at times. I think all that resonance was rattling my brain!
@@joshualindsayvoicestudio6022 Oh, so you are saying it gets better in time? So I'll keep trying then, it's very comforting to know you can get used to this feeling. Yes, it makes me dizzy, and like someone screamed into my ear, but from inside lol Is the frequencies I mentioned are expected/common in male bariton?
I would have to see your recording to determine that. If you have proper vocal adduction, you can have similar resonance on all vowels in the singer's formant range (CA. 2700Hz-3200Hz).
@@joshualindsayvoicestudio6022 Thank you so much for the great answer. I am aiming to have F1 H2 on all of my notes, although I have read that for different vowels, there will be a slight difference shown in the spectogram.
It really depends. If you want a bright, ringing sound, then absolutely! I teach my contemporary singers to sing with a core sound like I demonstrate in the video. It doesn't mean they always have to sing like that, but it gives them that option. If you only train with a breathy sound, you will never master a core sound.
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Excellent video!! Perfect to visually represent the concepts of “chiaroscuro” and “squillo”. This gave me a better insight into my voice and how it works. Thank you!!
Super clear explanation, now I can understand the difference between resonance and singer's format better. Thank you!
I'm glad you found it helpful! I hope that helps in your singing!
@@joshualindsayvoicestudio6022 Yes, thanks a lot! "Overtone Analyser" shows I've got a strong resonance zone around ~5000hz (besides the 3000s one), could this be another formant? Sounds like a high pitched pipe sometimes :D
Nice touch about vibrato role. I didn't know that. Also that legato is affected by resonance. Overall very helpful to add some science in timbre formation.
I’m glad you like the video and you found it informative!
Fantastic explanation, thank you!
Thank you! I'm glad you liked it!
Great video!
Very interesting! Still got chops! Next time I want to see this with Tibetan plateau cowboys doing multitonal throat singing.
Thanks Steve! You are very kind! I think the throat singing is above my pay-grade. It sure is fascinating to listen to though.
Thank you so much Stephen! I'm glad you liked the video!
oh this is so cool! Also, explain my fascination with naming pets with the "ee" and "oo" sound together.
That’s awesome! I’m so glad you liked the video!
Ual que video sensacional
Thank you for watching!
To ....
Say you know what you're talking about is a big bgi understatement .. 😮😊
Thank you for this lesson, it was very educating.
I see that my default singing it like what you called "sotto voce", when I'm bringing more force all my frequencies become strong and yellow.. what does it mean? Is it good or it just means that in shouting?
I would have to hear an excerpt to make an accurate judgement. If I were to guess, your fundamental frequency is really strong but it is lacking in overtones. Vocal cord adduction and elongation will help with the resonance.
@@joshualindsayvoicestudio6022
I'm a beginner, and I use the application as you. When I emphasis chord closure I get steady clear resonance all over up to 8000hz in chest and 10000hz in beginning of head (I don't master chord closure all across my head range yet).
I also tried the vowels experiment you did and I passed it successfully..
The physical feeling in my head isn't so good when I sing so resonated, my forehead and sinuses vibrates unpleasantly and my ears ring/buzz awfully, feels like being around buzzing speaker.. the recordings sounds good though
When you sing with so much resonance or ring to the voice, it can be jarring at first because you are not used to it. I remember when I was young and I sang high notes with a lot of resonance that it made me light headed at times. I think all that resonance was rattling my brain!
@@joshualindsayvoicestudio6022
Oh, so you are saying it gets better in time? So I'll keep trying then, it's very comforting to know you can get used to this feeling. Yes, it makes me dizzy, and like someone screamed into my ear, but from inside lol
Is the frequencies I mentioned are expected/common in male bariton?
Does the Eh vowel on a C3 note have the F1 H3, even H4 as the most audible harmonic seen on the spike? I see that in my software
I would have to see your recording to determine that. If you have proper vocal adduction, you can have similar resonance on all vowels in the singer's formant range (CA. 2700Hz-3200Hz).
@@joshualindsayvoicestudio6022 Thank you so much for the great answer.
I am aiming to have F1 H2 on all of my notes, although I have read that for different vowels, there will be a slight difference shown in the spectogram.
Should you sing like this with contemporary music?
It really depends. If you want a bright, ringing sound, then absolutely! I teach my contemporary singers to sing with a core sound like I demonstrate in the video. It doesn't mean they always have to sing like that, but it gives them that option. If you only train with a breathy sound, you will never master a core sound.
Hello, what software are you using here? Audacity?
Voce vista
❤️👍
Whats the Name of the Software?
Okay I've found it: voce vista
very interesting
Thanks for watching!
Is this Voce Vista Standard or Pro?
Standard
Great explanation. Thank you!