Great rundown. This will surely help anyone looking to add one to their rig. The different philosophies behind each really lend themselves to different users and different uses.
Very helpful, I want to get more into this generative sequencing for recording and some day live performing (when I have enough modules to really do a show). I just got Afeter Later steps yesterday and had no idea how to make it worth it’s salt. Gonna give it a more educated go tonight :)
Lurvly 😻 love these comparisons you do! In my Krell patches I always use some sort generative module or sub-patch to provide the pitch CVs, in the original Krell, Barton used a clocked random source like S&H with LFO or noise. Check out my latest video in which I created a poly-Krell by sampling the CV output of a keyboard playing fast arpeggios (lets me change notes/scales on the fly) what’s that last blue module you demo? I love the way it gives you probability of each pitch, great job👍
Did you feed a non-regular clock into Tuesday??? The Tick and Beat LEDs look unsteady. Why did the melodies then play so steady? Or is this some sort of moiree pattern with the video framerate?
Huh. Just looked at the LED flash pattern on my Chloe vid (th-cam.com/video/3qJTVPSFYn8/w-d-xo.html), and it's doing the same thing. Must be a camera shutter issue.
to be honest after listening to the whole thing again i still prefer a plain sample and hold, maybe feed it sth else than only white noise and attenuate or offset it and use some kind of random gate for triggering. I dont even care about quantization.
the problem with the majority of those sequencers is the lack of reset that makes them unuseful (try to stop and replay the sequence and you will have another melody :) ) or maybe am i missing something?
the stochastic and marbles clone both allow the segments to be looped with the sig letting you scrub thru past notes, and marbles letting a certain % of new notes into the seq :)
Great rundown. This will surely help anyone looking to add one to their rig. The different philosophies behind each really lend themselves to different users and different uses.
What a wonderful demonstration! Thanks!
very nice rundown! thanks a lot
Very helpful, I want to get more into this generative sequencing for recording and some day live performing (when I have enough modules to really do a show). I just got Afeter Later steps yesterday and had no idea how to make it worth it’s salt. Gonna give it a more educated go tonight :)
Can you tie notes with any of these? thx
Tuesday doesn't have slide, but Bloom has slew which can be the same. Not sure about the others.
Lurvly 😻 love these comparisons you do! In my Krell patches I always use some sort generative module or sub-patch to provide the pitch CVs, in the original Krell, Barton used a clocked random source like S&H with LFO or noise. Check out my latest video in which I created a poly-Krell by sampling the CV output of a keyboard playing fast arpeggios (lets me change notes/scales on the fly) what’s that last blue module you demo? I love the way it gives you probability of each pitch, great job👍
The last one is the Omsonic "Stochastic Inspiration Generator." In limited production, but I hear they may be coming out with another batch soon.
Mutate on Bloom ‘is’ destructive - branch/path are non destructive
Did you feed a non-regular clock into Tuesday??? The Tick and Beat LEDs look unsteady. Why did the melodies then play so steady? Or is this some sort of moiree pattern with the video framerate?
Weird, I hadn't noticed that. It's a regular/even clock. I don't actually know why they're doing that....
Huh. Just looked at the LED flash pattern on my Chloe vid (th-cam.com/video/3qJTVPSFYn8/w-d-xo.html), and it's doing the same thing. Must be a camera shutter issue.
@@JohnSchussler Good to know. Thanks for clearing this up. Very interesting module that Chloe!
marbles doesn't fit in here?
Pachinko is a shrunken version of Marbles.
to be honest after listening to the whole thing again i still prefer a plain sample and hold, maybe feed it sth else than only white noise and attenuate or offset it and use some kind of random gate for triggering. I dont even care about quantization.
the problem with the majority of those sequencers is the lack of reset that makes them unuseful (try to stop and replay the sequence and you will have another melody :) ) or maybe am i missing something?
the stochastic and marbles clone both allow the segments to be looped with the sig letting you scrub thru past notes, and marbles letting a certain % of new notes into the seq :)
For me the randomness and unpredictability is their appeal.