The best part of the video was Daves' guitar break --- hands done it was outstanding -- all the rest of it was great too but that was a monster guitar work for Sally Goodin.
It's crazy to me how Tony can play some really average sounding stuff, but then all of a sudden out of nowhere blurt out a couple minutes worth of some ridiculously complex tab like it's nothing. I don't understand how he does it, but the man is genius.
+JSGuitar80 That's because she seems to be a really good person. As musicians, we should absolutely have respect for those on whose shoulders we stand. Whether we are their technical equals or not or have surpassed them is beside the point. There are musician who changed the course of music, and Tony is one of those musicians. Tashina recognizes that and gives him the respect and deference due to him. (And she realizes that she's not a superior musician to Tony. And even is she was, she would still show him great respect.)
+JSGuitar80 Otis Spann once said that the harp (harmonica) was the mother of the band in reference to Chicago Blues. I think in Bluegrass the banjo is the mother of the band.
Am I the only one who thinks Trischka's tuning (I guess especially his G-string, the low one, no pun intended) sounds a little off? Anyway, great video, thanks!!
WHEN TASHINA OR DAVES TOOK THEIR BREAK THERE WAS NO DOUBT ABOUT WHAT TUNE THEY WERE PLAYING . WHEN TRISHKA TOOK HIS , THE FIRST HALF WAS SALLY GOODIN , BUT THEN HE WENT OFF INTO TRISHKA LAND AND SALLY GOODIN DISAPPERED INTO A LENGTHY RIFF WITH NO DISCERNABLE MELODY . TOO BAD
I've heard it said that "No one ever erected a statue to a critic.". That's for all you key board warriors that only wish you could play an instrument like that.
tashinas ist break put the band in that perfect sally goodin groove. trischka kept it right there for the ist half of his break, and then proceeded to completely loose it when his way-too-long break lost the melody , daves put it back in the groove with a superior break, and tashina kept it there till the end.
I AGREE THAT THE BANJO BREAK IS WAY TOO LONG AND, AS USUAL, TRISCKA GETS TO PLAYING TOO MANY NOTES ,WITH NO RECOGNIZABLE MELODY . THE FIDDLE, AND GUITAR , BREAKS ARE SPOT ON WONDERFUL THOUGH. SHOULD HAVE HADTHE BASS LOUDER .
Wow! Unbelievable playing all over the place....love it....Jack Baker NYC/NJ
All GOOD...Master Tony Trishka...and pretty pretty TASHINA !!
Tashina owns so many hearts.
Great Fiddle and Tony T. Just blows my mind. That man can just flat out JAM!
Wow, this is a great example of being in the groove. I love to see this kind of jamming right here. Thanks to the musicians and the person filming!
Really incredible stuff! Trischka, Daves, and the whole band are just fearless.
Marvellous. Great work on the guitar too!
Great playing by both Tashina and Tony T. It just doesn't get any better than this...Jack Baker NYC
MIGHTY FINE MIGHTY FINE❣THEY DO JUSTICE TO OLD CLASSIC. TOO MUCH FUN
Takes my breath away....makes me weep. Insane banjo break
Doesn't get much better!!
Tony Thriska is one nice feller I met him in Elkins wv years ago
Ok Tony Trischka is too good on the banjo.
Mere words cannot describe just how good this is! :-)
How the hell does this only have 70 views? This is ridiculous.
Not anymore 😜
Tony sounds so relaxed...just great...Jack Baker NYC
Mighty fine, mighty fine!
Sounds great!
Good stuff!
Damn they're tight!
Great picking by Tony T. and great fiddling by ? also...Jack Baker NYC
Marvellous
Wow! Great Fiddling by Tahsina Claridge and so pretty--can't hurt :-))...Jack Baker NYC
wow - 14K views (only 65 likes ... + 1 ...) and yep, everyone should hear this!!!
Muito bom 👍
Wow!
WOW!
The best part of the video was Daves' guitar break --- hands done it was outstanding -- all the rest of it was great too but that was a monster guitar work for Sally Goodin.
That Gal can make that fiddle talk
Love that gal!!
Nice lead guitar too...Jack Baker (whew! got 'em all in finally :-)) ) Jack Baker NYC
It's crazy to me how Tony can play some really average sounding stuff, but then all of a sudden out of nowhere blurt out a couple minutes worth of some ridiculously complex tab like it's nothing. I don't understand how he does it, but the man is genius.
hootin tootin nanny this is boogin noogin!
Bad ass,
Forget Trischka, the chick on the fiddle is awesome!!
@wiseguy142 Go figure....spread the word!
She a fiddle playing 👍
It's interesting to me that Tashina seems to have such reverence for Tony when she is clearly an equal (or IMHO superior musician) to him.
+JSGuitar80 That's because she seems to be a really good person. As musicians, we should absolutely have respect for those on whose shoulders we stand. Whether we are their technical equals or not or have surpassed them is beside the point. There are musician who changed the course of music, and Tony is one of those musicians. Tashina recognizes that and gives him the respect and deference due to him. (And she realizes that she's not a superior musician to Tony. And even is she was, she would still show him great respect.)
+JSGuitar80 Otis Spann once said that the harp (harmonica) was the mother of the band in reference to Chicago Blues. I think in Bluegrass the banjo is the mother of the band.
It ain't necessarily so. Real ensemble music is not a competiton. All the musicians in this clip are masters, not least Michael Dawes, IMHO.
Am I the only one who thinks Trischka's tuning (I guess especially his G-string, the low one, no pun intended) sounds a little off? Anyway, great video, thanks!!
a great 'sally ' . even tonys ' overlong , mostly a-melodic break , couldnt ruin it .
Yeah. come for the Trischka banjo, but get wowed by the no name fiddler.
WHEN TASHINA OR DAVES TOOK THEIR BREAK THERE WAS NO DOUBT ABOUT WHAT TUNE THEY WERE PLAYING . WHEN TRISHKA TOOK HIS , THE FIRST HALF WAS SALLY GOODIN , BUT THEN HE WENT OFF INTO TRISHKA LAND AND SALLY GOODIN DISAPPERED INTO A LENGTHY RIFF WITH NO DISCERNABLE MELODY . TOO BAD
I've heard it said that "No one ever erected a statue to a critic.". That's for all you key board warriors that only wish you could play an instrument like that.
tashinas ist break put the band in that perfect sally goodin groove. trischka kept it right there for the ist half of his break, and then proceeded to completely loose it when his way-too-long break lost the melody , daves put it back in the groove with a superior break, and tashina kept it there till the end.
I AGREE THAT THE BANJO BREAK IS WAY TOO LONG AND, AS USUAL, TRISCKA GETS TO PLAYING TOO MANY NOTES ,WITH NO RECOGNIZABLE MELODY . THE FIDDLE, AND GUITAR , BREAKS ARE SPOT ON WONDERFUL THOUGH. SHOULD HAVE HADTHE BASS LOUDER .
Little too much improv on the banjo
Nope. That's what it's all about. Can't have too much.
I agree that on the first part, the fiddle is lead and the banjo distracts (I play both). Part of it is the mix. Still, let 'er lead it's not a duet.
I agree. Its unrecognizable
Dude..it's a banjo. It's just luck if you can get through a gig without playing out of tune.