Ben Levin thanks for your awesome advice on my piece, I think I could put those lines through some midi synths and change the flute and bass clarinet lines to the arpeggios Adam mentioned
Imagine submitting a cover of a song for someone to give feedback on and then getting feedback from the guy who actually plays it. Must be pretty cool!
about that... is that really prog? it felt more like... i dunno, just not prog, i don't have the genre in mind as the only song i can think that is similar to that is from an obscure indie game whose song composer afaik made nothing else,but it just doesn't feel like prog, yet the guy who send that cover wrot "prog rock" in the tags...
i can see how that cold've happened. also something interesting i've noticed nowadays is that as time goes on, in pretty much all kinds of medias genres as a whole are disappearig or merging all together, wonder where that'll bring us one day...
@@iota-09 Then it's just a short passage of an entire song out of an entire album of a definitely prog band, I think it can get away at not being supper progy.
Freddy Labots When I heard his feedback I actually thought of like a middle school band teacher (not in a bad way) being like, "well... Maybe do this a little differently" as they try not to cringe at Jimmy playing a plastic recorder. Really made my day XD
I could totally relate to that. Most of the time being alone is no problem, and when you do get to interact with other people (who are friendly) that you're suddenly hit with how nice it is to have company.
It starts with the playful banter. Then the innocent shoulder massage which is enjoyed a little too much. Then the close dancing. If this video had gone on any longer, you would have had to retitle it "How To Suck While Listening to Music." ... not that there is anything wrong with that.
Dude, your viewers can really do some serious music huh? That last one was an awesome surprise. Plus, this video is really cheerful, invite Ben more times!
Top stuff guys! I hope everyone knows how lucky they are to be able to instantly have quality bite-size lessons like these. Definitely my favorite video from both these guys. Weird nerdy chemistry at work here!
I love how, despite the name of this series, you really try to find the good and the thought behind each and every contribution. As a music teacher, this is exactly how I approach things, but it's a rare thing online, where dissing seems to be par for the course. You really show your love for both music of all kinds and teaching here. Big props man.
Super cool that you're a teacher doing that, feels like too few teachers I've had (even otherwise really good ones) thought about it that way. A tendency I saw when helping classmates with maths, was that many of them would erase the entire solution and do something completely different if they had the wrong answer. Problem is... often that first try was almost right, with only a small error, and the second time was even more wrong. The teacher wasn't actively negative or anything, but of course only focused on the aspects that needed change when correcting them. When you dont't have any confidence, your first assumption is that everything is wrong/bad. It's so important that you get to hear what you did right too, so you don't throw the baby out with the bathwater and ignore what you did right. Prune the dead branches and keep the good ones, instead of letting the whole tree wither. Of course you can be overconfident too, but I think it's the same thing, in a way. You want to do a good job, you feel bad cause your work is flawed. Underconfidence and you dismiss your work as worthless, overconfidence and you dismiss the negative feelings themselves. Dissing won't get through to either of the two
I love Ben Levin. I love Adam Neely. I LOVE when they get together and combine thier expertise for us. This is a rare treat I wish happened more often. Much love you guys!
15:14 Can't imagine a better compliment for someone's work. But having listened to it a few times now, I think it would be a let down if you don't show up at the wedding and deliver it live.
I was dying at Adam's reaction to the B Major 7th. Then he's says "screech trumpet" and I literally couldn't breath for a good minute because he said exactly what I was thinking as I read the music.
This video feels me with positive ideas. You always have something useful to say. Never being hard on the ones making mistakes. It is aspiring and I wish more people were like that. I know too many people who would bash the first piece without thinking about what could be hidden behind.
It's also important to point out that the kid playing summertime isn't at all playing the changes. He's just playing blues scale stuff floating over the changes rather than getting inside and articulating the harmony.
You two are amazing! Positive and refreshing on every level. Even from my lowly perspective as a wanna-be musician I learn from your collaboration. Great work.
As an alto sax player, I think I wanna disagree with you about that point you made in that last composition. That high D really isn't that screechy. I think it actually has a lot of potential to be really beautiful, and if you play it an octave down, that middle D on sax is just so ungodly sharp all the time, so it won't be worth it anyway. Personally, I think leaving in the high D is absolutely fine. Secondly, in measure 19, I'm pretty sure there's no way to play that super low G on alto. And even if there was (which there could be. correct me if i'm wrong.) I'm pretty sure it would sound terrible. The alto is just really not a good instrument for low notes like that. It can do those high notes surprisingly well, but it's the direct inverse of the bari when it comes to sound quality between the low and high registers. Correct me if I'm wrong, but there's my 2 cents. Awesome video as always! :)
Billy Lipoff both of those things I agree with. High D (concert f)is really not a "screechy" note for good sax players and that low concert G is well outside the range of a sax which stops at the Db above that.
Fellow alto player... came here to say this exact thing. With a full embouchure and breath support high D can sound really nice. If paired with the clarinet dropped down an octave, I think that opening would work just fine
Billy Lipoff Another fellow sax play here. I agree with you guys, that high D is totally fine and if anything makes the song really grab your attention at the beginning. If you really want to hear screeching saxophone, I'd reccomend listening to the sax quartet XAS by Iannis Xenakis, which requires the alto sax player to play the same Super high concert Bb that was written for the trumpet in this piece. Anyway, I'd also like to point out that the low g is well within the range of an alto sax, which goes to the Db below that on the bass clef (or low C if you cover the bell with your knee). I also disagree with the point about the sax's low register. It's very expressive and beautiful, and Sousa wrote a lot for that range in the trio sections of his marches.
As a bass clarinet player I will say the first composition is playable with the exception of the multiphonics used as those specific ones are not playable though others are. Ravel's Daphnis et Chloe second series is far more difficult for a bass clarinet player to play.
Just wanna say, I play alto sax, and that high D isn’t really that bad to play. As long as you have a good musician playing it, it can be *soft* or *screamy* as you like. You can even make it sound like a clarinet if you modify your embouchure 😄
3countylaugh I’m pretty sure there’s no notation for that , you’d just have to write “played softly” above the stave, and the player should be able to adjust naturally 😜
Hej Adam (and Ben!), great video as always! Watching these "How to not suck" videos always motivates me to submit something, but at the same time I feel like my actual weakness in music is my method of practicing. I suck at practicing music. I can easily sit down for an hour or two repeating the same difficult passage until I have it down, but more often than not I find it hard to find a balance between technique, musicality, and repertoire. Over the last couple of years I've found myself spending a lot of time memorising the inversions of closed+spread triads, the geometry of the fretboard, the shapes of various arpeggios, scales, and studying a lot of Jazz theory. When I sit down to improvise or play my instrument(guitar) however, I never feel like the time I've spent practicing has actually made me a better player. I'd love to hear your thoughts on how to effectively balance and develop as a musician through practice, and how to balance the different aspects of playing an instrument well. Thanks again for all the videos!
I know this is a from a while ago but if you are still struggling with this you might want to check out Benny Greb's book Effective Practicing for Musicians. I've been using his system for maybe half a year and have found it to be really good at getting me to actually advance. And it has gotten me past much of the more psychological frustrations I had before about learning an instrument. Can't recommend it enough.
This was a great video. I really liked having Ben's perspective in the video. It is awesome to hear musicians of your caliber talk shop. I encourage bringing in guests for more of your videos.
Please don't sit at that distance from each other. It's the same proportion as my pupillary distance. I see stereograms of Ben and Adam as one person and the world is not ready for that just yet. I certainly am not.
I have been waiting for another collaboration with Ben. Can't wait to see him again next year. As always great video, I love the way you tackle this, and I'm looking forward to your next upload.
Fantastic! Adam is clearly a very driven and intelligent person. It was nice seeing a more relaxed and whimsical side to him. Ben also added to the usual Adam mix with some well-phrased observations and comments.
Don't know about sax, but I learned to hit notes like that gently on clarinet. It's hard as heck to keep it in tune, but it's not easy to keep the upper register in tune anyways. That said, even in this form, it was too much I feel. So bringing it down could be better.
You need to have this guy in more of your videos! I always enjoy your work and the insights you share but this one really stood out as both hilarious and highly informative. I think sharing the spotlight with your friend ups the production value--having a second perspective really leads to some great discussion and, at least in this case, a goofier end result. Keep up the excellent work! And I hope you'll consider having guests on your channel more often 👍
I didn't know this guy was in bent knee! Kinda lame how I discovered them (through rock band 4 DLC) but holy shit I have nothing but the utmost respect for that band! Such a cool unique group.
Thank you for making this video series. It is very helpful to see common mistakes of different people to remind oneself what to focus on while playing or composing. I think it helps to see that a solid technique and a well organized song and sticking to an idea are more important than making things complicated for just being complex. :)
For the first piece, to make it somewhat playable, one could score fragments (1st flute, 2nd flute + 1st clar/bass clar, 2nd clar/bass clar). Each instrument overlapping on strong beats--break up the bar so that 1st instrument plays beats 1 through downbeat of 3, then the other on the downbeat of 3 to the down beat of 1. Consider the alto flute or bass flute for this range. You can also overlap rhythms, 8th + four 32nd notes in first part, four 32nd + 8th in the other. This will give a similar texture without burdening the musician with a long passage of difficult or unplayable noodling. You need to give wind and brass players a place of rest when composing/arranging. They need to breathe and/or wet their lips/reeds a bit. Getting the horn off your face for a beat or two helps create anchor points for performers to rest, breathe, and reset. MIDI performers don't need that but live musicians will thank you.
That trumpet part sounds like it was written for a college marching band ballad. It is the right mixture of flowy with just enough screw you in that fun run where the screamer just holds it out for a few seconds before the band comes in to resolve and end the piece. Just mmm
For that first song, could you technically split the notes between, say, 4 flute players? I realise getting the timing right wouldn't be easy, but I get the feeling it would be easier than getting a flute player to play all of the notes properly
What's easier: getting 4 flutes to hocket perfectly like that, or just getting 1 to do it all? I think that's kind of a "pick your poison" scenario. lol
You could have four different flute players with their own metronomes set to one of the 32nd notes in a grouping of four so each would only have to okay eighth notes and if you gave them some way to not hear the other flutes they could probably okay that pretty easily. It'd just be a bunch of work that nobody wants to do. It'd be easier to switch the flute and clarinet for some keyboard percussion instruments instead.
Hey love this video. As a saxophonist I just wanna comment that high D is a fairly easy note to hit quietly, but it does tend to be sharp on most horns. The misconception that high notes on saxophone are blaring may be a result of us saxophone players just choosing to scream high notes out for stylistic purposes.
I do a lot of stuff using step-edited, simulated drums (i.e. ez drummer), and I make a point to have the drums only play what a human could play. I abide by this with a chiptune project as well, and it really makes a difference.
Robin Taylor thanks man! I'll have a look! I really appreciate Ben and Adam's advice and love both of their channels, I think I'm going to put those lines through that sample library or some midi synths and then change the flute and bass clarinet lines to arpeggios like they mentioned
True! Also, maybe Peter's intention is not to have a human being performing it, but just write it on the computer and just enjoy the computer sounds. I wrote quite a lot of music for live performers, and, if you plan to do that, PLEASE, follow Adam and Ben's suggestion, but now I´m writing a lot of videogame/film music, writing instruments in extreme registers without bothering for technical difficulty because I just care about the sound and it's not meant to be actually played. That note aside, I really enjoyed your idea Peter, of course with low-quality Sibelius sounds and such limited range of instruments, the result is not the best in my opinion, but with better programming and more instruments , the piece can really sound awesome, I believe.
Fair enough, then, in that case, PLEASE change your score! 2 notes at the same time for a wind instrument? What were you thinking?!? Or better, what were you NOT thinking?? :p
Bit late, but as a clarinet player, I thought it was really funny that you mainly talked about how flutes couldn’t play that fast but for that bass clarinet, oh man, it would be next to impossible. Double tonguing on reed instruments is a bit more challenging and you definitely have to have a world class musician to even get near that tempo 😂 Also it’s pronounced like “shalla- moe”. Great vid, I always enjoy these!
Ben and I are friends, in case anybody can't tell
Adam Neely Oh, we thought you were lovers...
What kind of friends?
Is Ben a Brooklynite too? - A Brooklynite
best fretboards
This was so much fun to watch
LET ME BE YOUR FRETBOARD!!!!!
...baby!
( ͡° ͜ʖ ͡°)
I almost pissed myself when he said that xD
This turned out so well! I hope y'all have a good time!
Ben Levin Great stuff 😊
Ben Levin thanks for your awesome advice on my piece, I think I could put those lines through some midi synths and change the flute and bass clarinet lines to the arpeggios Adam mentioned
I really enjoyed it!
Ben Levin hi! what is the name of the song that you teached? I never got the name of it from the video
That was great! I really enjoyed it.
Imagine submitting a cover of a song for someone to give feedback on and then getting feedback from the guy who actually plays it. Must be pretty cool!
about that... is that really prog? it felt more like... i dunno, just not prog, i don't have the genre in mind as the only song i can think that is similar to that is from an obscure indie game whose song composer afaik made nothing else,but it just doesn't feel like prog, yet the guy who send that cover wrot "prog rock" in the tags...
A lot of stuff has been mistaken for prog in the last few decades
i can see how that cold've happened.
also something interesting i've noticed nowadays is that as time goes on, in pretty much all kinds of medias genres as a whole are disappearig or merging all together, wonder where that'll bring us one day...
I don't think I ever mentioned prog
At all
@@iota-09 Then it's just a short passage of an entire song out of an entire album of a definitely prog band, I think it can get away at not being supper progy.
7:34 Bromance at its finest
"Those bass fingers, let me be your fretboard"
This is how fanfics start
Adam Neely fanfic? Is it really fanfic if it's about real people?
Justin Scott I'd say so. It's a fictional story writren about 2 real people by a fan of theirs. To me that's a fanfic
"let me be your fretboard"...
OTP right here.
as frank jav cee once said, once you have your own subreddit, it's all down hill from there (www.reddit.com/r/adamneelyfaces/)
Ben's feedback sounds so kind.
Freddy Labots When I heard his feedback I actually thought of like a middle school band teacher (not in a bad way) being like, "well... Maybe do this a little differently" as they try not to cringe at Jimmy playing a plastic recorder. Really made my day XD
Feedback guitar omegalulz
“I can’t believe how lonely I am, normally” 😂
I personally think it's really sad
I could totally relate to that. Most of the time being alone is no problem, and when you do get to interact with other people (who are friendly) that you're suddenly hit with how nice it is to have company.
is it odd that it is theopposite for me? when i feel it i mean.
must be low key depression or something.
Same
relatable as shit
This bromance needs its own sitcom.
Can we get some “bass fingers” or “let me be your fretboard” merch?
I'd buy those for sure, at least the "Let me be your fretboard" one
peter wurst Were you drunk when you wrote this? Lol
@peter wurst what the actual fuck
169th like
@peter wurst breathtaking
It starts with the playful banter. Then the innocent shoulder massage which is enjoyed a little too much. Then the close dancing. If this video had gone on any longer, you would have had to retitle it "How To Suck While Listening to Music." ... not that there is anything wrong with that.
lmao
fudgesauce just fucking go to wattpad already
"How to not SUCC while listening to music"
Do double C's also mean fellatio? I'm not so hip on my gay lingo
How is male affection funny?
I feel like men are their own worst enemies sometimes. It's really sad. I am a man btw.
Dude, your viewers can really do some serious music huh? That last one was an awesome surprise.
Plus, this video is really cheerful, invite Ben more times!
Bigode Mcbeagles yup. Such a broad spectrum of styles and skill levels. Really great vid!
“I can’t believe how lonely I am, normally.”
-Ben Levin
It's been 3 years. We need a 2021's version of *How To Get Good At Music feat. Ben Levin*
4 now :(
I volunteer to play trumpet in that wedding band
I died when you mentioned the screech trumpet
I was crying imagining that at the wedding as she's walking down
The trumpet player's eyes are all bug-eyed
Everyone in the building goes deaf
Top stuff guys!
I hope everyone knows how lucky they are to be able to instantly have quality bite-size lessons like these.
Definitely my favorite video from both these guys. Weird nerdy chemistry at work here!
I love how, despite the name of this series, you really try to find the good and the thought behind each and every contribution. As a music teacher, this is exactly how I approach things, but it's a rare thing online, where dissing seems to be par for the course. You really show your love for both music of all kinds and teaching here. Big props man.
Super cool that you're a teacher doing that, feels like too few teachers I've had (even otherwise really good ones) thought about it that way. A tendency I saw when helping classmates with maths, was that many of them would erase the entire solution and do something completely different if they had the wrong answer. Problem is... often that first try was almost right, with only a small error, and the second time was even more wrong. The teacher wasn't actively negative or anything, but of course only focused on the aspects that needed change when correcting them.
When you dont't have any confidence, your first assumption is that everything is wrong/bad. It's so important that you get to hear what you did right too, so you don't throw the baby out with the bathwater and ignore what you did right. Prune the dead branches and keep the good ones, instead of letting the whole tree wither.
Of course you can be overconfident too, but I think it's the same thing, in a way. You want to do a good job, you feel bad cause your work is flawed. Underconfidence and you dismiss your work as worthless, overconfidence and you dismiss the negative feelings themselves. Dissing won't get through to either of the two
I love Ben Levin. I love Adam Neely. I LOVE when they get together and combine thier expertise for us. This is a rare treat I wish happened more often. Much love you guys!
15:14 Can't imagine a better compliment for someone's work.
But having listened to it a few times now, I think it would be a let down if you don't show up at the wedding and deliver it live.
Named a more iconic duo, I'll wait
There's that expensive Berkley education at work at 2:39
Berklee*
Ah, right you are. My bad.
10:49 ...
Sandwhaler yup. Berkley is a fraud
@@pribanovaterka But they know CHALUMEAU!!
I was dying at Adam's reaction to the B Major 7th. Then he's says "screech trumpet" and I literally couldn't breath for a good minute because he said exactly what I was thinking as I read the music.
That.. that was beautiful. Adam is a total sweetheart with Ben around. Loved the episode.
You guys really are best friends. You should just play more goofy, fun music together. I'd listen/watch the hell out of that.
Adam + Ben. The best bromance youtube has to offer right now.
This video feels me with positive ideas.
You always have something useful to say. Never being hard on the ones making mistakes. It is aspiring and I wish more people were like that.
I know too many people who would bash the first piece without thinking about what could be hidden behind.
It's also important to point out that the kid playing summertime isn't at all playing the changes. He's just playing blues scale stuff floating over the changes rather than getting inside and articulating the harmony.
Adam has a whole video on one instrument going ‘badada’ and the other going ‘dadada’, it's the hocket one.
"Let me be your fretboard" :]
:]:]:]:]:]:]:]:]
I've concluded that the best Adam Neely videos are with Ben..;-))
Power couple name ideas.
Benam Leevly
Aden Neely
Badam Leevy
Bendam Neeley
I personally like, Bendem Lovely.
Bend the Knee
or.......
Bent Knee
I smell a conspiracy
Bam Nevin
Adam levin
you guys are quickly becoming my favorite celebrity power couple
I love that last arrangement
You need to buy some beakers and lab coats because the chemistry here is fantastic.
You and Ben work really together, it's good to have a bit of banter between questions and it's also good to see you confirm each other's observations.
You two are amazing! Positive and refreshing on every level. Even from my lowly perspective as a wanna-be musician I learn from your collaboration. Great work.
Favorite video by far
I can't stop playing the "holy shit" moment over and over.
Joseph Rollins omg same!!
Me too lmao
Me either!
I'm the same with how he reacts to Jared Yee's sax solo in the 'making of' part of the Clarity video
Oh boy! Adam and Ben should definitely be a whole channel
As an alto sax player, I think I wanna disagree with you about that point you made in that last composition. That high D really isn't that screechy. I think it actually has a lot of potential to be really beautiful, and if you play it an octave down, that middle D on sax is just so ungodly sharp all the time, so it won't be worth it anyway. Personally, I think leaving in the high D is absolutely fine. Secondly, in measure 19, I'm pretty sure there's no way to play that super low G on alto. And even if there was (which there could be. correct me if i'm wrong.) I'm pretty sure it would sound terrible. The alto is just really not a good instrument for low notes like that. It can do those high notes surprisingly well, but it's the direct inverse of the bari when it comes to sound quality between the low and high registers. Correct me if I'm wrong, but there's my 2 cents. Awesome video as always! :)
Billy Lipoff both of those things I agree with. High D (concert f)is really not a "screechy" note for good sax players and that low concert G is well outside the range of a sax which stops at the Db above that.
Fellow alto player... came here to say this exact thing. With a full embouchure and breath support high D can sound really nice. If paired with the clarinet dropped down an octave, I think that opening would work just fine
Billy Lipoff Another fellow sax play here. I agree with you guys, that high D is totally fine and if anything makes the song really grab your attention at the beginning. If you really want to hear screeching saxophone, I'd reccomend listening to the sax quartet XAS by Iannis Xenakis, which requires the alto sax player to play the same Super high concert Bb that was written for the trumpet in this piece. Anyway, I'd also like to point out that the low g is well within the range of an alto sax, which goes to the Db below that on the bass clef (or low C if you cover the bell with your knee). I also disagree with the point about the sax's low register. It's very expressive and beautiful, and Sousa wrote a lot for that range in the trio sections of his marches.
Billy Lipoff for the middle octave D you can fix the intonation by adding the low B key.
otherwise, i totally agree with it. that top D can really sing, and we all hate playing low.
I don't think there was 100% as much content with a guest, but about 400% entertainment. Loved it.
the bromance is strong in these two
Adam Neely's Dance lessons
You and Ben have a great dynamic!
Remember, they're _just friends_
Oisin Smith yep 😉
Just friends! Nope, nope, nothing else! Nothing more than that!! hahahaha
"Let me be your fretboard" hahahaha
Honestly, if you merged your channels I would watch that shit every week. Also thank you for introducing us to Ben Levin. He's a hell of a guitarist.
As a bass clarinet player I will say the first composition is playable with the exception of the multiphonics used as those specific ones are not playable though others are. Ravel's Daphnis et Chloe second series is far more difficult for a bass clarinet player to play.
I hope you did more with Ben Levin! This was fun but I want to see more of Ben's wild creativity.
I want a Ben Levin, where did you get him ?!
I think it was the Amazon Black Friday sale, I saw some pretty cool ones but they were sold out. High demand.
I was fortunate to find one at a garage sale.
I built my own for only 100 bucks
Pretty amazing
You can find one anywhere stuffed toys are sold.
Just wanna say, I play alto sax, and that high D isn’t really that bad to play. As long as you have a good musician playing it, it can be *soft* or *screamy* as you like.
You can even make it sound like a clarinet if you modify your embouchure 😄
How would a composer signal the desire for the embrouchure change? Is there good notation for that?
3countylaugh
I’m pretty sure there’s no notation for that , you’d just have to write “played softly” above the stave, and the player should be able to adjust naturally 😜
you two make a great duo presenting this content!
One of my favorite vids from your channel.. I hope this dude posts a video of his wedding when that trumpet becomes the center of attention.
This video was hilarious, please have Ben with you more often!
This channel, along with David Bruce’s, is refreshingly intelligent, down-to-earth, and insightful. Great stuff!
"[. . .] Bathe in screech trumpet."
-A. Neely
... I can't afford a recurring patreon right now, but I'd love to buy y'all a beer JUST for that.
I love your mixture of bantz and total respect for your submitters. You have good manners Adam. So glad I found this channel
Hej Adam (and Ben!), great video as always!
Watching these "How to not suck" videos always motivates me to submit something, but at the same time I feel like my actual weakness in music is my method of practicing. I suck at practicing music.
I can easily sit down for an hour or two repeating the same difficult passage until I have it down, but more often than not I find it hard to find a balance between technique, musicality, and repertoire.
Over the last couple of years I've found myself spending a lot of time memorising the inversions of closed+spread triads, the geometry of the fretboard, the shapes of various arpeggios, scales, and studying a lot of Jazz theory.
When I sit down to improvise or play my instrument(guitar) however, I never feel like the time I've spent practicing has actually made me a better player.
I'd love to hear your thoughts on how to effectively balance and develop as a musician through practice, and how to balance the different aspects of playing an instrument well.
Thanks again for all the videos!
I know this is a from a while ago but if you are still struggling with this you might want to check out Benny Greb's book Effective Practicing for Musicians. I've been using his system for maybe half a year and have found it to be really good at getting me to actually advance. And it has gotten me past much of the more psychological frustrations I had before about learning an instrument. Can't recommend it enough.
As a long time subscriber, I thought this episode was an awesome change in style, it was super funny. I love Ben, and would love more of this
"Oh those base finger, let me be your fretboard"
I have that exact same thinline 72 that Ben is playing and that makes me happy, because I’ve literally never seen another guitarist play one lol
That was fun guys. Good stuff.
This was a great video. I really liked having Ben's perspective in the video. It is awesome to hear musicians of your caliber talk shop. I encourage bringing in guests for more of your videos.
Please don't sit at that distance from each other. It's the same proportion as my pupillary distance. I see stereograms of Ben and Adam as one person and the world is not ready for that just yet. I certainly am not.
Haze Anderson pro tip: move further away from the screen ;-)
I did that but then ... DANCINGS!! :O
This series is freaking awesome, it gives me a completely different perspective on music writing. Very interesting and informative.
This is def going on my top 10 anime romances list.
I have been waiting for another collaboration with Ben. Can't wait to see him again next year. As always great video, I love the way you tackle this, and I'm looking forward to your next upload.
I like how when they dance, the bass player gets to lead
TravisPilgrim Awwwwwww
I like the fact that you included a black and white retrospective of a 16 minute video, near the end of the same video.
Fantastic! Adam is clearly a very driven and intelligent person. It was nice seeing a more relaxed and whimsical side to him. Ben also added to the usual Adam mix with some well-phrased observations and comments.
It took 2020 for the TH-cam algo to finally bring this to me... And I couldn't possibly love this more !!
"Let me be your fret-board"
oh god tumblr i swear to god dont even
Van Gruuv DO IT
Bens additional input is perfect! Keep doin these together please
Adam, love you, love your channel. FYI, an intermediate-advanced alto saxophonist should be able to hit a high D gently. Keep up the good work.
Don't know about sax, but I learned to hit notes like that gently on clarinet. It's hard as heck to keep it in tune, but it's not easy to keep the upper register in tune anyways.
That said, even in this form, it was too much I feel. So bringing it down could be better.
You need to have this guy in more of your videos! I always enjoy your work and the insights you share but this one really stood out as both hilarious and highly informative. I think sharing the spotlight with your friend ups the production value--having a second perspective really leads to some great discussion and, at least in this case, a goofier end result.
Keep up the excellent work! And I hope you'll consider having guests on your channel more often 👍
I didn't know this guy was in bent knee! Kinda lame how I discovered them (through rock band 4 DLC) but holy shit I have nothing but the utmost respect for that band! Such a cool unique group.
The world needs more Adam and Ben
Damn, someone impressed Adam. The jealousy's real
Hey guys! I used in this video a word that is very derogatory in the UK, but utterly neutral in the USA. I apologize! I didn't know.
A marimba player would both be able to play the simultaneous notes and potentially the 32nd notes while still approximating the same sound as a flute.
I'm so happy to see Ben on your channel again!
So much bromance. You should do a jazz reharmonization of guy love from scrubs with Ben.
Thank you for making this video series. It is very helpful to see common mistakes of different people to remind oneself what to focus on while playing or composing. I think it helps to see that a solid technique and a well organized song and sticking to an idea are more important than making things complicated for just being complex. :)
loved watching you two music nerd friends hanging out together :)
That was fun. I enjoyed the interplay between you two. Also the tidbit from Ben about the spread chords.
0/10 no dance solo
14:44 was enough to beckon my tears anyway
aaaaaaaAAAAAAAAA FREAK OUT
For the first piece, to make it somewhat playable, one could score fragments (1st flute, 2nd flute + 1st clar/bass clar, 2nd clar/bass clar). Each instrument overlapping on strong beats--break up the bar so that 1st instrument plays beats 1 through downbeat of 3, then the other on the downbeat of 3 to the down beat of 1. Consider the alto flute or bass flute for this range. You can also overlap rhythms, 8th + four 32nd notes in first part, four 32nd + 8th in the other. This will give a similar texture without burdening the musician with a long passage of difficult or unplayable noodling. You need to give wind and brass players a place of rest when composing/arranging. They need to breathe and/or wet their lips/reeds a bit. Getting the horn off your face for a beat or two helps create anchor points for performers to rest, breathe, and reset. MIDI performers don't need that but live musicians will thank you.
I’m surprised that you didn’t bring up how difficult it would be to keep the ensemble in sync on that last piece!
7:32
"Let me be your fretboard"
Biggest love declaration of 2017
Bromance of the Year
That trumpet part sounds like it was written for a college marching band ballad. It is the right mixture of flowy with just enough screw you in that fun run where the screamer just holds it out for a few seconds before the band comes in to resolve and end the piece. Just mmm
LET. ME. BE. YOUR. FRETBOARD.
I like how you said "Ben's in this band" and not "this is Ben's band" idk why I just like it
For that first song, could you technically split the notes between, say, 4 flute players? I realise getting the timing right wouldn't be easy, but I get the feeling it would be easier than getting a flute player to play all of the notes properly
What's easier: getting 4 flutes to hocket perfectly like that, or just getting 1 to do it all? I think that's kind of a "pick your poison" scenario. lol
You could have four different flute players with their own metronomes set to one of the 32nd notes in a grouping of four so each would only have to okay eighth notes and if you gave them some way to not hear the other flutes they could probably okay that pretty easily. It'd just be a bunch of work that nobody wants to do. It'd be easier to switch the flute and clarinet for some keyboard percussion instruments instead.
Oh yeah, it's definitely possible. It's just so much work.
Yeah I had a look at that with some other guys in the comments and it seems like a reasonable idea
Hey love this video. As a saxophonist I just wanna comment that high D is a fairly easy note to hit quietly, but it does tend to be sharp on most horns. The misconception that high notes on saxophone are blaring may be a result of us saxophone players just choosing to scream high notes out for stylistic purposes.
"Let Me Be Your Fretboard" an Adam Neely/Ben Levin fan fiction
I do a lot of stuff using step-edited, simulated drums (i.e. ez drummer), and I make a point to have the drums only play what a human could play. I abide by this with a chiptune project as well, and it really makes a difference.
The first piece sounded really cool! Spitfire Audio released a sample library called Orchestral Swarm that might be able to bring this piece to life.
Robin Taylor thanks man! I'll have a look! I really appreciate Ben and Adam's advice and love both of their channels, I think I'm going to put those lines through that sample library or some midi synths and then change the flute and bass clarinet lines to arpeggios like they mentioned
My pleasure!
True! Also, maybe Peter's intention is not to have a human being performing it, but just write it on the computer and just enjoy the computer sounds. I wrote quite a lot of music for live performers, and, if you plan to do that, PLEASE, follow Adam and Ben's suggestion, but now I´m writing a lot of videogame/film music, writing instruments in extreme registers without bothering for technical difficulty because I just care about the sound and it's not meant to be actually played.
That note aside, I really enjoyed your idea Peter, of course with low-quality Sibelius sounds and such limited range of instruments, the result is not the best in my opinion, but with better programming and more instruments , the piece can really sound awesome, I believe.
Francisco Chaves i would like to actually perform it, and I do think Adam and ben's advice was awesome
Fair enough, then, in that case, PLEASE change your score! 2 notes at the same time for a wind instrument? What were you thinking?!? Or better, what were you NOT thinking?? :p
Bit late, but as a clarinet player, I thought it was really funny that you mainly talked about how flutes couldn’t play that fast but for that bass clarinet, oh man, it would be next to impossible. Double tonguing on reed instruments is a bit more challenging and you definitely have to have a world class musician to even get near that tempo 😂 Also it’s pronounced like “shalla- moe”. Great vid, I always enjoy these!