The flute rendition of the ragas by the Flute maestro Pannalal Ghosh is God's own creation. No human being can so soothingly play the flute unless god so willed. It seems one hears the recital in dreams and takes one to a land of dreams. Oh God how great an artist you are and create such raags for us the mortals. Long live Pandit Pannala Ghosh in his rendition. God plays the flute through him.
I started flute 1978 myself.from a page about flute,I met Sain Ditta Qadri in 1983 & heard of Pt . Pannalal from the mastero.he gave me cassette of Panna Ji`s yaman & Raga Sri. the both players were the legendary flutists, now there are plenty of Pt. Ji`s work, a very few items of Sain Ditta Qadri`s flute unfortunately but I can see him in imagination. this amusement owes music lovers like you. thanks a lot
Pt. Pannalal Goshbabuji played Hindustani Classical Music on Bansuri which he created and introduced to the world of music. Before him those wind blown instruments (flutes) were of small size both in length and circumference and also of the types of side blown or straight blown like a whistle. In Carnatak classical music his contemporary was the great flute Maestro T R Mahalingam who was admired and respected by late Pt. Pannalal Ghosh Babuji.
It takes lifetime to master such purity in music...he had the additional time to invent/adapt an instrument previously unknown to classical music...can't stop amazing.
Wow. My first exposure to Pandit Ghosh. I played my bansuri while he was playing this and my tone became much, much more pure and sweet. Thank you so much!
A tremendous rendition of the same compositions heard in his famous HMV LP, much expanded in scope and beautifully accompanied by my dear, late Guruji, Devendra Murdeshwar. Do note how intelligently Murdeshwarji dovetails his accompaniments at several points in the performance, not so much shadowing as tastefully adding elements in an entirely fitting way.
Nice. I did not know who was accompanying him! By the way, for the life of me I am unable to find your instructional self study manual, cd for bansuri! Mat in san Francisco onehundredtreesATgmailDOTcom
Never heard such long version of Yaman by the maestro. Can anyone identify the artist accompanying on tabla, listening to the typical style it seems it was Pandit Chaturlal who usually accompanied Panditji. He was elder brother of Pandit Ramnarain one of the best sarangi players of our time. During early tours of western countries it was Pandit Chaturlal who accompanied Pandit Ravishankar. After the death of Pandit Chaturlal in the year 1965 Ustad Allahrakha Khan accompanied Pandit Ravishankar on his tours abroad.
Note how his fingering is different from Pt Chaurasiaji. You can also tell how much he has been influenced the surbahaar of his guru, Annapoorna Devi. Would love to hear how he handles bhairavi.
This recording is played in a faster speed that's why it is on F#. Babuji always played on D# Bansuri, that is Black 2 in Indian Shruti scale. NiRiNi MaDaMa DaNiDa RiGaRi NiRiGaMaDaNi NiDaNiDAPaMa RiGaRiNiRiSa. This is what he usually played during evening practice and Miyanki Todi for morning practice. For the next phase in "Yaman" I used my modification : DaNiDa RiGaRi GaMaGaMaDaMaDaNiSa NiRiGaRiSaNiDaPa NiDaPaMa RiGaRiSa till sixtysix years ago! Jai Guru.
Jhoomra. The 14th beat is Ti Ra Ki Ta, on which he plays upper Sa, Ni Dha Pa Ma Ga Pa, and then on the first beat he takes the Ma to Ni meend for sam. Middle Sa is on Tin ( 8th beat ).
i have a question to ask. What is the correct pronunciation of raag Yaman, IMAN (as "I'' is pronounced saying INDIA or YAMAN as is being said or written in Devanagari and English'. Shall be delighted if an enlightened musicologist throws some light to my query.
Aiman is an arabic word roughly meaning blessed or lucky(which you can also see in the alternative hindustani name for Yaman - Kalyan). The musical germs of Yaman are considered to have come over from the Middle East. I'm guessing with borrowing, Aiman over time got interpreted as Yaman by Indian musicians. A lot of Muslim/Pakistani musicians still call it Aiman.
यमन sandhi will be 'यह + मन' Yaman means 'the mind'. Hence, raag yaman is associated with melancholy as there is always a longing in the mind. From craving a lover to longing god. Ye mera maan...! It is this reason why yaman is so much popular. Just my two cents. 🌺
The flute rendition of the ragas by the Flute maestro Pannalal Ghosh is God's own creation. No human being can so soothingly play the flute unless god so willed. It seems one hears the recital in dreams and takes one to a land of dreams. Oh God how great an artist you are and create such raags for us the mortals. Long live Pandit Pannala Ghosh in his rendition.
God plays the flute through him.
This is beyond beautiful
Pannalal is really a panna (emerald) in the music world. His recital of Yaman is wonderful painting of the evening.
wònderful
wònderful
I started flute 1978 myself.from a page about flute,I met Sain Ditta Qadri in 1983 & heard of Pt . Pannalal from the mastero.he gave me cassette of Panna Ji`s yaman & Raga Sri. the both players were the legendary flutists, now there are plenty of Pt. Ji`s work, a very few items of Sain Ditta Qadri`s flute unfortunately but I can see him in imagination. this amusement owes music lovers like you. thanks a lot
Pt. Pannalal Goshbabuji played Hindustani Classical Music on Bansuri which he created and introduced to the world of music. Before him those wind blown instruments (flutes) were of small size both in length and circumference and also of the types of side blown or straight blown like a whistle. In Carnatak classical music his contemporary was the great flute Maestro T R Mahalingam who was admired and respected by late Pt. Pannalal Ghosh Babuji.
There is no match so far in Late Pannalaljis 'phoonkh ' in his Flute.
For this i feel, he shd take re.birth
on this earth..
.
Heartfelt thanks, Sharad Maholay! My childhood well-being comes flooding back...
It takes lifetime to master such purity in music...he had the additional time to invent/adapt an instrument previously unknown to classical music...can't stop amazing.
Wow. My first exposure to Pandit Ghosh. I played my bansuri while he was playing this and my tone became much, much more pure and sweet. Thank you so much!
This is simply amazing. I've loved and cherished his Darbari for decades. This hour-long Yaman is beyond that. Thanks for sharing Sharad Maholay
Waaah kya basuri bazayi hai bahut sunder manmohak
The finest presentation of Raag Yaman. Pannalal Ghosh's was a purist's approach to music.
Such a masterpiece... Can't express in words... Thanks for sharing...
Excellent presentation of yaman touching the heart.
Bahot khub. No words to describe
A tremendous rendition of the same compositions heard in his famous HMV LP, much expanded in scope and beautifully accompanied by my dear, late Guruji, Devendra Murdeshwar. Do note how intelligently Murdeshwarji dovetails his accompaniments at several points in the performance, not so much shadowing as tastefully adding elements in an entirely fitting way.
Nice. I did not know who was accompanying him! By the way, for the life of me I am unable to find your instructional self study manual, cd for bansuri! Mat in san Francisco onehundredtreesATgmailDOTcom
Simply speechless... Many many thanks for upload...
Never heard such long version of Yaman by the maestro. Can anyone identify the artist accompanying on tabla, listening to the typical style it seems it was Pandit Chaturlal who usually accompanied Panditji. He was elder brother of Pandit Ramnarain one of the best sarangi players of our time. During early tours of western countries it was Pandit Chaturlal who accompanied Pandit Ravishankar. After the death of Pandit Chaturlal in the year 1965 Ustad Allahrakha Khan accompanied Pandit Ravishankar on his tours abroad.
Verygoodflutemusic
Waah!!!! Bohot hi Badhiya!!! Thanks for this upload.
jakob sir, yaman and bhupali are the stars of the ragas
learn rag des
True Master. Many Thanks for the upload
Simply amazing. I never heard Yemon so beautifully presented before. Thans for the upload
Apratim
🙏🙏🙏
I have too much respect to lgend artist.
Thanks for sharing this Sharad Maholay
Beautiful rendition in his own signature style
God Bless the Artists
Thanks
Kasturi G
🙏
This is giving vibrations to my phone
Note how his fingering is different from Pt Chaurasiaji. You can also tell how much he has been influenced the surbahaar of his guru, Annapoorna Devi. Would love to hear how he handles bhairavi.
Annapurna Devi was not Pannalalji's Guru. She was Chaurasiaji's Guru.
@@Shyavasva Yes, I made a mistake, which I recognized recently. Thanks for the correction.
Dada e modhu ar kothay pabo
ইয়ামানের সেরা চেহারা ..
heart touching
Which taal in vilambit lay ?
👌👌
0wonderful!
Awesome! Is it a Bansuri in E scale?
Yes its a F scale flute
Ammauriiiiii ahahah
This recording is played in a faster speed that's why it is on F#. Babuji always played on D# Bansuri, that is Black 2 in Indian Shruti scale. NiRiNi MaDaMa DaNiDa RiGaRi NiRiGaMaDaNi NiDaNiDAPaMa RiGaRiNiRiSa. This is what he usually played during evening practice and Miyanki Todi for morning practice. For the next phase in "Yaman" I used my modification : DaNiDa RiGaRi GaMaGaMaDaMaDaNiSa NiRiGaRiSaNiDaPa NiDaPaMa RiGaRiSa till sixtysix years ago! Jai Guru.
Just a correction of my above comment. At the end read as 'DaNiDa RiGaRi GaMaGaMaDaMaDaNiSa NiRiGaRi SaNiDaPa SaNiDaPa MaGaRiSa. Thank you.
IMAN KALYAN
Which taal is played here in vilambit lay ?
14 beats...Taal Jhoomra
@@jaideepperule5166 56 matra in vilambit ?
@@tushargodadiya319 Yes multiple of 14.
@@jaideepperule5166 thanks can you please tell how to identified vilambit ??
Jhoomra. The 14th beat is Ti Ra Ki Ta, on which he plays upper Sa, Ni Dha Pa Ma Ga Pa, and then on the first beat he takes the Ma to Ni meend for sam. Middle Sa is on Tin ( 8th beat ).
Thank you so much
बाप माणूस
i have a question to ask. What is the correct pronunciation of raag Yaman, IMAN (as "I'' is pronounced saying INDIA or YAMAN as is being said or written in Devanagari and English'. Shall be delighted if an enlightened musicologist throws some light to my query.
Aiman is an arabic word roughly meaning blessed or lucky(which you can also see in the alternative hindustani name for Yaman - Kalyan). The musical germs of Yaman are considered to have come over from the Middle East. I'm guessing with borrowing, Aiman over time got interpreted as Yaman by Indian musicians. A lot of Muslim/Pakistani musicians still call it Aiman.
यमन sandhi will be 'यह + मन'
Yaman means 'the mind'. Hence, raag yaman is associated with melancholy as there is always a longing in the mind. From craving a lover to longing god.
Ye mera maan...! It is this reason why yaman is so much popular.
Just my two cents. 🌺