Thank you for uploading the video. Pannalal Ghosh will always remain a legend- this recording shows us why.Hearing his recitals I am struck by the difference with that other great maestro, Hariprasad Chaurasia. All these people are our greatest national treasure. And those, like you, who are preserving their works , are doing us a very valuable service.Thanks again.
I am not classical back ground, do not know anything about Shastriya Sangeet vocal of instrumental, but enjoying the flute by Pandit ji. The feeling of can not be reduced in writing. Thanks a lot sharing such recording of legend. Shat Shat Naman
Mr. Maholay - Please upload more! The world will be a better place with more Pannalal Ghosh recordings. While you are at it, please upload some of your own recordings?
Now it's 22/30 ... not proper time to listen to this raga yet I am listening this since its my most favourite raga I am grateful to you all concerned.thanks...
The finset rendition of the raag Desi in flute. It surpasses even most of the vocal renditions of the raag. Pannalalji captures the essence of the raag in such a beautiful way. A rendition full of rasa and bhava of the raag.
অসাধারণ। পান্নাবাবুকে সরাসরি শোনা আমাদের হয়নি। আপলোড করে তাঁর বাদন শোনার সুযোগ করে দিয়েছেন। ধন্যবাদ। শুধু অনুরোধ রাখব তবলায় কে ছিলেন তার উল্লেখ করা হোক।
Tabla player is most probably Shri Lalji Gokhale. Most of the accompaniments in other records were done by my late father Pandit Nikhil Ghosh, the younger brother of Panna Babu.
Although Raga Deshi is commonly referred to as Deshi-todi, but this association with the Todi family is a misnomer since nowadays Todi is understood to be Miyan ki todi, which has a completely different scale. :)
According to my late Guru, Devendra Murdeshwar, this rag is also known as Desi Todi because the figure ri-ga-ri-sa is considered to be a todi formulation, regardless of the difference between the ri shuddh and ri komal.
it is a losa that instrumentalist dont do vilambit anymore. even the living legend hariprasad never does vilambit. pannalal plays classical how it is supposed to be.
That's what makes Pannalal Ghosh different from Hariji. Pannalal Ghosh played it in 'Gayaki' style. So when you hear his flute, you feel like someone is singing.
@@sandeeppatil3449 - you are absolutely correct - this is where I find him similar to Vilayat Khan shaheb. Unfortunately I have not found any other flautist who can play with such depth and imagnation. Nityananda Haldipur follows the Pannababu style of Tontrookari but he runs out of ideas/imagination. Meaning no disrespect to any of the musicians this is just my personal choice and taste.
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Late Pannalal Ghosh was an eminent flute player. India has not seen a flute player of his caliber after his demise.
Thank you for uploading the video. Pannalal Ghosh will always remain a legend- this recording shows us why.Hearing his recitals I am struck by the difference with that other great maestro, Hariprasad Chaurasia. All these people are our greatest national treasure. And those, like you, who are preserving their works , are doing us a very valuable service.Thanks again.
Yes more spiritual than others....RR
I am not classical back ground, do not know anything about Shastriya Sangeet vocal of instrumental, but enjoying the flute by Pandit ji. The feeling of can not be reduced in writing. Thanks a lot sharing such recording of legend. Shat Shat Naman
He remains incomparable to this day
Mr. Maholay - Please upload more! The world will be a better place with more Pannalal Ghosh recordings. While you are at it, please upload some of your own recordings?
Takes complete control of your heart. Makes you cry.
Now it's 22/30 ... not proper time to listen to this raga yet I am listening this since its my most favourite raga
I am grateful to you all concerned.thanks...
The finset rendition of the raag Desi in flute. It surpasses even most of the vocal renditions of the raag. Pannalalji captures the essence of the raag in such a beautiful way. A rendition full of rasa and bhava of the raag.
Dear Sir, thank you so much for sharing this gem. I am so fortunate to listen to this divine performance.
Magician
Amazing melodious throwing gives me eternal peace
Good
Good
Good
🙏 Very Good sir 🙏
Mind confused
My Favourite raag
Thanks for uploading
Melodious recital,great!
extremely soothing!
thank you for posting these wonderful recordings....they are a revelation
happy that you enjoyed it.I will be adding some more masterpieces in very near future
Sharad Maholay masterpieces indeed. indian classical is most impressive
mesmerising...what a genius
धन्यवाद ! खूप सुंदर !!🙏🙏👍
অসাধারণ। পান্নাবাবুকে সরাসরি শোনা আমাদের হয়নি। আপলোড করে তাঁর বাদন শোনার সুযোগ করে দিয়েছেন। ধন্যবাদ। শুধু অনুরোধ রাখব তবলায় কে ছিলেন তার উল্লেখ করা হোক।
Tabla player is most probably Shri Lalji Gokhale. Most of the accompaniments in other records were done by my late father Pandit Nikhil Ghosh, the younger brother of Panna Babu.
what what a artist !!!
Superb and serene at same time..
🙏
আমাদেরও কোন দিন ওঁনার অনুষ্ঠান সামনাসামনি বসে শোনার সুযোগ হয় নি | এই uploading এর জন্য সেটা সম্ভব হলো | ধ্যনবাদ |
Raga Desi is primarily a vocal raga. But it sounds great even on instruments. It is sometimes wrongly Calle Desi Todi. But it has no Todi element it.
apurba, monomukhdhakar.
thanks for uploading
Very nice amazing super excited and beautiful sentimental dhun Sir jee.
Excellent
what a feast ...thank you Sharad...
What a magic
Phenomenal
mesmerizing
Although Raga Deshi is commonly referred to as Deshi-todi, but this association with the Todi family is a misnomer since nowadays Todi is understood to be Miyan ki todi, which has a completely different scale. :)
According to my late Guru, Devendra Murdeshwar, this rag is also known as Desi Todi because the figure ri-ga-ri-sa is considered to be a todi formulation, regardless of the difference between the ri shuddh and ri komal.
Old School
aaaha! ei gunira kothay ?
thanks for share :]
kiran kumar sharma
it is a losa that instrumentalist dont do vilambit anymore.
even the living legend hariprasad never does vilambit.
pannalal plays classical how it is supposed to be.
That's what makes Pannalal Ghosh different from Hariji. Pannalal Ghosh played it in 'Gayaki' style. So when you hear his flute, you feel like someone is singing.
Sandeep Patil
SaeeN Ditta Qadri usedto play very nice vilambit on bansuri
@@sandeeppatil3449 - you are absolutely correct - this is where I find him similar to Vilayat Khan shaheb. Unfortunately I have not found any other flautist who can play with such depth and imagnation. Nityananda Haldipur follows the Pannababu style of Tontrookari but he runs out of ideas/imagination. Meaning no disrespect to any of the musicians this is just my personal choice and taste.
What about Pd. Ronu Mojumdar?
Any idea who is doing sangat (on flute)?
Either V. G. Karnad or Devendra Murdeshwar.
K