You're a legend. I made a bet that this comment would be in the top ten. I know my Bond Fans. And I owe you, because you were literally the 10th comment. I owe ya a drink....
Dalton delivers his lines in such a "I don't give a fuck" way that is should just be labelled "the embodiment of all things badassery". also John Barry is a genius.
Dalton is an intelligent actor. He decided to play it close to Bond, how Bond is in the books. People didn't like that Bond, too serious, too cold, too close to the nose. They weren't used to that...and they called themselves Bond fans!😂😂
@@con_boy It was actually quite the reverse in fact. Barry was highly insulting to the three very polite Norwegians, describing them as Hitler Youth and insisting Magne’s name was removed from the writing credits and his own put on…despite the fact that he only did the orchestration and was presented with a finished song written by Pal Waaktaar and Magne Furuholmen of a-ha. Due to contractural obligations the band were forced to comply, but on later album versions Barry’s name was removed and Magne’s name restored. The band were criticised for not attending the film’s premiere even though they had already made it clear that the date chosen was in the middle of a lengthy tour and they were committed to performing at concerts in Japan on the date they chose. They felt it was more important not to disappoint their Japanese fans than to be present in London, but Barry and the press badmouthed them without explaining that the reason for their absence wasn’t a snub to the movie but because they had a prior tour commitment.
The 'muscle' is underrated, too. Necros is a great take on the "muscular blonde henchman" trope and he's frighteningly efficient in the scene where he's disguised as a milkman.
I agree about The Living Daylights having one of the best car chase of any James Bond films. IMO, The Living Daylights and Tommorow Never Dies are tied for best car chase scene of the franchise.
"Must be an atmospheric anomaly" "And a cello" "Looks like they just found us" "Salt corrosion" "I've had a few optional extras installed" "Amazing this modern safety glass" "See where this leads to" "Time to leave" "Brace Yourself" "Come on! Quick! Go!" "Glad I insisted you brought that cello" "Sorry" "Not Far now!" "Here, wave this!" "DUCK! WE'VE NOTHING TO DECLARE!" All of Bonds lines in this chase
A timeless classic. Even after years later of listening to this and then finding myself listening to it again its as if time stood still, never gets boring.
Actually it is a word, just used incorrectly here. Maybe have a look in a dictionary before making a fool of yourself Full Definition of fitted 1 : fit, suitable2 : shaped for a precise fit ; especially : shaped to conform to the lines of the body
Barry was a true master. Everything we have in 007 music, we have because of him. It's a shame they couldn't get him back for "Licence to Kill," but at least he went out on top with this one.
We're going through the Bond series and last night came across this film. Soundtrack was fantastic and Timothy Dalton blew us away! Though I like Brosnan as Bond, I think Dalton in Goldeneye would have been killer!
I thought it was just me, but when you watch GoldenEye, it feels like a Dalton Bond movie. It is completely different from Tomorrow Never Dies, The World is not enough and Die another day.
@@Ryan_Thompson_Guitaristindeed it was written with him in mind as bond, not sure why they ultimately went with brosnan though… sigh the things that could have been Also fun fact Dalton was also the first choice for OHMSS and was picked but he turned it down
They planned on making a third film with Dalton called Property of a Lady, with a release scheduled for late 1991/early 1992. Anthony Hopkins would've been the villain. By the time the legal issues were sorted out in 1994, Dalton didn't want to play 007 anymore.
@@srujan00 I absolutely love Dalton as Bond, but there’s a lot of stuff out there that suggests that it was the opposite. Dalton planned to come back for Goldeneye, the Broccoli’s wanted him back, but the higher ups wanted someone new to refresh the series citing Dalton’s previous two films being low grossers as extra proof that they needed someone new to continue. The Broccoli’s let him go and let him claim that it was he himself who decided to walk away as a way for him to not be embarrassed.
Just got to see this on the big screen again. It was my first Bond movie back in '87, and it totally blew me away! I think this might just be my favorite of Barry's Bond scores.
Barry was one of the first film composers ever to use synths in OHMSS. Its interesting to note this occurred when Lazenby first replaced Connery. With this film, there are a lot more synths (check out Into Vienna, the synth punctuated Hercules Takes Off, and the mechanical/looped drums on this track) than in any other Bond score Barry has done since OHMSS. Guess what, it coincides with the departure of Moore and Daltons' first appearance. I guess its Barry's way of bringing something fresh and different to the appearance of a new 007.
Yes, Barry said in interviews that he felt new Bond actors needed a new 'sound'. The electric guitar is Connery's sound, which Barry very clearly emphasized in the gunbarrel from "Diamonds Are Forever", to celebrate his return so to speak. Dalton sounded like the 80s Bond.
@@ricardocantoral7672 Because as a spy, he needs a small gun that won't print as much on his clothes. However, you're right that the gun is outdated, but it makes more sense for him to be carrying a PPK than a full size P99.
@@victoracosta4796 A PPK doesn't make sense because it's ancient. He should be carrying the latest pistol and there new ones that are size of his old Walther.
One of the finest Bond films and one of the best sound tracks of any Bond film. I have the DVD and the CD soundtrack both and never get tired of watching or listening to it
Jason Flores Well not anymore apparently. There a lot of love for Tim these days after Daniel Criag won over so many people with his darker, grittier Bond films.
+Jason Flores I watched daylights and license with the expectation of growing a hipster love for dalton, but I honestly didn't like him. he just seemed a bit dry and soulless. you can't just write off the majority opinion as herd mentality
Perhaps because John Barry didn't do any more Bond soundtracks after this one. Brosnan's 4 films were essentially a franchise reboot, it had been so many years since one had been made. And then the Craig era was a re-reboot.
As you pointed out this was Barry's last soundtrack for Bond and the only music ever reused was in the early films by Barry called the 007 theme that played in action scenes .
You can almost see and feel the synth hard beat trying to engulf and eat the sound of erudict instruments. I hope this is the effect Mister Barry intended to achieve. Would be an honor to finally wonder something of such.
IMO, possibly the best Bond music ever. It has the build up and the intensity, and at its time added in a cool modern take with the synced style pop drums. Then mixes it together with the orchestra for greatness.
No one will ever replace John Barry. Others have tried, and have done great work - but Barry will always be in a class all his own. This soundtrack ranks among his finest work in my estimation - especially the score for the escape from the airbase with mid-air fight. For me, that's as good as it gets in the entire Bond film anthology.
The Paramount Theater in Austin, Texas. In a double feature with On Her Majesty's Secret Service. I don't think either one gets the respect it deserves.
CrazyDancingJoe agreed. TLD and OHMSS are two of the better Bond films. They catch flack because of who played Bond. Dalton was at least much better than Lazenby. After rewatching them after originally not caring for them you can see past that the main actor. That said OHMSS is a definitely different tone. Dalton also wasn't that bad. The issue was LTK is one of the worst Bond films if not the worst so that basically was the end of him.
@@suppaman19 interesting double matinee. Two very good films by the most unknown bonds. Ltk was cack and I'm a bond fan. Can't understand why fans rate it. It was guff.
I remember going to see this with my dad. He was a Connery man and wasn't sure about this new guy, but he was "my Bond" even if it was only two movies. I guess my son will be a Craig guy forever.
![[TH] VALORANT Champions Seoul - Group Stage Day 5 - DRX vs FNC](http://i.ytimg.com/vi/EGLDAmaBOhU/mqdefault.jpg)
Still listening in 2024
here
Bond: "We have nothing to declare!"
Kara: "Just the cello!"
"cello"
"cello"
"cello"
"cello"
@@sheriff0017 hahaha
Thanks guys, I'm normal after all. 😊
To quote Marty McFly in regards to moviegoers in '87 when this came out..
"Guess you guys aren't ready for that yet, but your kids are gonna love it."
honestly this could be said about OHMSS too
Dalton was so ahead of his time, it's amazing.
You’re exactly right
This cue, in my opinion, features the BEST James Bond "theme" arrangement of any film - and I've seen them all.
Always the one I come back to as well.
My favorite!
When this version of the theme dropped in the pretitle sequence, I was instantly hooked.
Completely agree
John Barry saved his best work till the end.
'We're Free James, Free!!' '
Bond: 'Kara, we're in the middle of a Russian air force base in Afghanistan'.
Epic line
SO FITTING OF HIS BOND TOO. BROODING. LOVE IT.
a mi6 cock up
were are the 800 SCUD missles
She was a dumb ass lol
@@speedypaul2314 a cute dumbass lol
"What happened?"
"Salt corrosion."
"I've had a few optional extras installed." - Bond
Epic Bond and epic score !!!
You're a legend. I made a bet that this comment would be in the top ten. I know my Bond Fans. And I owe you, because you were literally the 10th comment. I owe ya a drink....
That includes a mini nuclear bomb in the back.
Such a lovely relationship between a synth and orchestra.
Dalton delivers his lines in such a "I don't give a fuck" way that is should just be labelled "the embodiment of all things badassery". also John Barry is a genius.
Now this soundtrack makes me wonder why this film and Dalton's James Bond are so underrated.
this is the best one!!!
The "dark and gritty" Bond's time hadn't come yet.
*The Living Daylights* is my favorite Bond film, *Goldeneye* and *Goldfinger* were great but this was better
Dalton is an intelligent actor. He decided to play it close to Bond, how Bond is in the books. People didn't like that Bond, too serious, too cold, too close to the nose. They weren't used to that...and they called themselves Bond fans!😂😂
I know!! Have all the books! Agee!
John Barry (RIP) does a masterful job bringing in an electronic sound to the series all the while keeping his classic Bond music.
Yes. Apparently AHA were impossible to work with :/ this was John Barry sweating drops of blood for the franchise he loved
@@con_boy It was actually quite the reverse in fact. Barry was highly insulting to the three very polite Norwegians, describing them as Hitler Youth and insisting Magne’s name was removed from the writing credits and his own put on…despite the fact that he only did the orchestration and was presented with a finished song written by Pal Waaktaar and Magne Furuholmen of a-ha. Due to contractural obligations the band were forced to comply, but on later album versions Barry’s name was removed and Magne’s name restored.
The band were criticised for not attending the film’s premiere even though they had already made it clear that the date chosen was in the middle of a lengthy tour and they were committed to performing at concerts in Japan on the date they chose. They felt it was more important not to disappoint their Japanese fans than to be present in London, but Barry and the press badmouthed them without explaining that the reason for their absence wasn’t a snub to the movie but because they had a prior tour commitment.
Add masterful Pretenders
@@marjoriemcbride6557 hmm! Nice and interesting info.
Hi
So 80's...
Iove it!
John Barry really did his best Bond score with this one.
Considering this was Barry's last Bond film, he really brought his A-game!
Possibly the most underrated Bond film.
@cal Possibly the most overrated comment
It's one of the best.
LTK too
With arguably one of the very best villains, he shouldnt have been killed off.
The 'muscle' is underrated, too. Necros is a great take on the "muscular blonde henchman" trope and he's frighteningly efficient in the scene where he's disguised as a milkman.
"Amazing this modern safety glass"
"Salt corrosion."
In Russian! :P Russian salt lol.
In Soviet Russia, salt corrodes you! (Sorry, couldn’t resist 😆)
Clearly still writing scripts for Roger moore
It was a Czechoslovakia
Thought it was asphalt corrosion
This is my favourite track in all 007 history.
Ky0dar minetoo cause synths and drum machine
Indeed!
Amazing this modern safety glass!
One of the finest pieces of music Barry composed, in one of the greatest car chases in Bond film history.
This whole soundtrack is among his best imho.
Except for the goof of when the Czechoslovak police car sinks in the ice - the circle is much smaller than the original one Bond made.
@@srujan00 Also, if the ice was really that thin, Bond's car would have crashed through the ice immediately
I agree about The Living Daylights having one of the best car chase of any James Bond films. IMO, The Living Daylights and Tommorow Never Dies are tied for best car chase scene of the franchise.
Best rendition. Pulsating. Synths and orchestra combined
"Exercise Control, It´s 007 here. I´ll report in a hour.
Won´t you join me?
Better make that two." ;)
*This road only leads to the lake !!*
"Amazing this Modern safety glass"... in his Killer Welsh accent.... His one liners were only ones Dalton could master in his seriousness💪
"salt corrosion"
Tim Dalton doesn't have a Welsh accent.
@@crobsh Correct. His accent is closer to a Midlands one, having spent his formative years in Belper, Derbyshire. :)
"Must be an atmospheric anomaly"
"And a cello"
"Looks like they just found us"
"Salt corrosion"
"I've had a few optional extras installed"
"Amazing this modern safety glass"
"See where this leads to"
"Time to leave"
"Brace Yourself"
"Come on! Quick! Go!"
"Glad I insisted you brought that cello"
"Sorry"
"Not Far now!"
"Here, wave this!"
"DUCK! WE'VE NOTHING TO DECLARE!"
All of Bonds lines in this chase
Kara: Their looking for a foreign car, a man and woman
Bond: And a Cello...
Very 1980s and I love it for that. Barry was a genius.
A timeless classic. Even after years later of listening to this and then finding myself listening to it again its as if time stood still, never gets boring.
100%
"We have nothing to declare!"
"Just a cello! Cello!....cello,cello,cello
We have a saying in the west georgi, and your full of it
"P.I.G., borscht, cake... there must be another way!"
'I'm glad I insisted you brought that cello."
Best soundtrack of all the bond films, everything fits perfectly
No such word as "fitted."
Actually it is a word, just used incorrectly here.
Maybe have a look in a dictionary before making a fool of yourself
Full Definition of fitted
1 : fit, suitable2 : shaped for a precise fit ; especially : shaped to conform to the lines of the body
Actually, I'm well aware of that use of the word....as an adjective! I believe you used it as a verb.
Best bond music Timothy 3rd fav bond actor , I like Pierce Bronson , Daniel Craig 3rd Timothy
Barry was a true master. Everything we have in 007 music, we have because of him. It's a shame they couldn't get him back for "Licence to Kill," but at least he went out on top with this one.
The Ice Chase its Memorable in The Living Daylights The Music Just Pulls the Scene Along
I love how John Barry re- introduces the Bond theme at 1:04. Like yeah son, James is back.
Thank you for putting Living Daylights on TH-cam. Underrated score for an underrated flick.
In 1987 I went to see this at the movies. Three times. It was awesome!
*SALT CORROSION*
One of my favorite 007 soundtracks! 🎼🎼😎🤘
"Amazing this modern safety Glass"
That fucking cello, loved that scene.
"WE'VE NOTHING TO DECLARE!"
"Just this cello"
" What happened?"
"Salt corrosion"
We need this score in a scene in Bond 25 with the V8 Vantage
This, or "007", the alternate Bond theme John Barry introduced in "From Russia with Love", when Bond steals the Lektor from the embassy.
mi6 give dc a lp that he loves
The new one is going to be AWFUL
@@clonecommanderfoggy682 yup it is
It would be awesome, but the Craig movies take themselves too damn seriously to have a fun moment like this
Timothy is a classic bond ❤️
TLD and OHMSS are the two best Bond films, easily.
at least the two best Bondsoundtracks
Top five (in my opinion) in no order: OHMSS, TLD, goldeneye, Goldfinger, thunderball and a bonus film of tomorrow never dies
@@MandoKhan I enjoyed 'For Your Eyes Only' also. Anything but Moonraker, Diamonds are Forever, etc.
From Russia with Love and Goldfinger. OHMSS is my third favorite.
This soundtrack is ahead of its time.
Thank you for the music, John Barry.
one of the late john Barry's great bond soundtrack. loved ''the living daylights''
This is so badass. 1:04 when it drops.
We're going through the Bond series and last night came across this film. Soundtrack was fantastic and Timothy Dalton blew us away! Though I like Brosnan as Bond, I think Dalton in Goldeneye would have been killer!
I read somewhere that Goldeneye was written with Dalton in mind.
I thought it was just me, but when you watch GoldenEye, it feels like a Dalton Bond movie. It is completely different from Tomorrow Never Dies, The World is not enough and Die another day.
@@Ryan_Thompson_Guitaristindeed it was written with him in mind as bond, not sure why they ultimately went with brosnan though… sigh the things that could have been
Also fun fact Dalton was also the first choice for OHMSS and was picked but he turned it down
They planned on making a third film with Dalton called Property of a Lady, with a release scheduled for late 1991/early 1992. Anthony Hopkins would've been the villain. By the time the legal issues were sorted out in 1994, Dalton didn't want to play 007 anymore.
@@srujan00 I absolutely love Dalton as Bond, but there’s a lot of stuff out there that suggests that it was the opposite. Dalton planned to come back for Goldeneye, the Broccoli’s wanted him back, but the higher ups wanted someone new to refresh the series citing Dalton’s previous two films being low grossers as extra proof that they needed someone new to continue. The Broccoli’s let him go and let him claim that it was he himself who decided to walk away as a way for him to not be embarrassed.
Just got to see this on the big screen again. It was my first Bond movie back in '87, and it totally blew me away! I think this might just be my favorite of Barry's Bond scores.
"I had a few optional extras installed"
Barry was one of the first film composers ever to use synths in OHMSS. Its interesting to note this occurred when Lazenby first replaced Connery. With this film, there are a lot more synths (check out Into Vienna, the synth punctuated Hercules Takes Off, and the mechanical/looped drums on this track) than in any other Bond score Barry has done since OHMSS. Guess what, it coincides with the departure of Moore and Daltons' first appearance. I guess its Barry's way of bringing something fresh and different to the appearance of a new 007.
Yes, Barry said in interviews that he felt new Bond actors needed a new 'sound'. The electric guitar is Connery's sound, which Barry very clearly emphasized in the gunbarrel from "Diamonds Are Forever", to celebrate his return so to speak. Dalton sounded like the 80s Bond.
Great points here! I think this track also may answer the question of “did John Barry ever use FM bass in an arrangement?”
John Barry was a very fine musical conductor
He did a great Job on this
My favorite for last 32 years
The best bond movie
"Your little pop gun is no match for the latest body armor."
Whitaker was right. Why in the hell would Bond be caring PPK in 1987 ? Hell, why is he still using one in 2020 ?
Ricardo Cantoral because it’s iconic I guess
Because it's small and delivers a shot like a brick through a plate glass window - major boothroyd (Dr No)
@@ricardocantoral7672 Because as a spy, he needs a small gun that won't print as much on his clothes. However, you're right that the gun is outdated, but it makes more sense for him to be carrying a PPK than a full size P99.
@@victoracosta4796 A PPK doesn't make sense because it's ancient. He should be carrying the latest pistol and there new ones that are size of his old Walther.
I love it…you can feel the tension building for the first 1:05 seconds as Bond calmly prepares his counter-attack arsenal.
You mean a “few optional extras” he had installed. 😉
James Bond is the best franchise ever! It must live on forever!
Here after No Time to Die
As a male!! Lets stand united as brothers and demand this be respected.
John Barry was a legend pity he never won a Oscar for any of his bond music
Even the songs weren´t even nominated
Oscars mean nothing.
One of the finest Bond films and one of the best sound tracks of any Bond film. I have the DVD and the CD soundtrack both and never get tired of watching or listening to it
Not sure why they didn't reuse the style of this theme for future movies. Its the best one in my opinion.
+A203D because everyone hates Timothy Dalton as Bond because someone else told them so. :\ so they dont wanna reuse any of the stuff from this era.
Jason Flores
Well not anymore apparently. There a lot of love for Tim these days after Daniel Criag won over so many people with his darker, grittier Bond films.
+Jason Flores I watched daylights and license with the expectation of growing a hipster love for dalton, but I honestly didn't like him. he just seemed a bit dry and soulless. you can't just write off the majority opinion as herd mentality
Perhaps because John Barry didn't do any more Bond soundtracks after this one. Brosnan's 4 films were essentially a franchise reboot, it had been so many years since one had been made. And then the Craig era was a re-reboot.
As you pointed out this was Barry's last soundtrack for Bond and the only music ever reused was in the early films by Barry called the 007 theme that played in action scenes .
I like This Sound Track
I love the epic score.
now thats the bond theme.......
You can almost see and feel the synth hard beat trying to engulf and eat the sound of erudict instruments. I hope this is the effect Mister Barry intended to achieve. Would be an honor to finally wonder something of such.
THE BEST BOND SOUNDTRACK EVER!!🔥🔥🔥🔥🔥
Awesome soundtracks, I've only seen this movie once and Dalton didn't disappoint, great movie, underated.
2:26 "Time to leave!"
This music is so epic it goes along the main Bond title.. should be used again
IMO, possibly the best Bond music ever. It has the build up and the intensity, and at its time added in a cool modern take with the synced style pop drums. Then mixes it together with the orchestra for greatness.
Badass! I remember this when I was about 4 or 5 and this movie blew my mind! Always remember the name!
Kara: What happened?
James Bond: Salt Corrosion
This is the best variation of the Bond theme in my opinion. Modern edge with those classic Bond OST moments
M: "007 - the local authorities are not to be harmed. Use your non-lethal weapons as a deterrent."
Kara: What happened?
Bond: Salt corrosion...
I'v had a few optional extras installed....
Love Dalton as Bond too! And of course, Fabulous John Barry 💘💘7
No one will ever replace John Barry. Others have tried, and have done great work - but Barry will always be in a class all his own. This soundtrack ranks among his finest work in my estimation - especially the score for the escape from the airbase with mid-air fight. For me, that's as good as it gets in the entire Bond film anthology.
David Arnold got pretty close.
@@EVAUnit4A Yeah but missed
@@speedypaul2314
Nah, Arnold scored the best on _Tomorrow Never Dies._ After that, I'd say it's debatable.
@@EVAUnit4A I would agree with that.
Still waiting for The Living Daylights to get made into a video game in the vein of Goldeneye 64. 😏
Yeah! Then Dalton could do the voice.
This beat kind of sounds like Goldeneye 64 (or, rather, vice versa).
"What happened!?"
"Salt Corrosion."
This is the work of a genius, thank you John Barry 🙌
What an absolute masterpiece.
One of the best bond action sequences and a brilliant score.
Thanks for uploading this! One of the best things to come out of the Dalton era.
+vex He disagreed with Something that ate him.
+Mark Plott could you be a little more cryptic?
+Mark Plott could you be a little more cryptic?
+Mark Plott could you be a little more cryptic?
OHMSS & The Living Daylights... Two of the best in the serious aswell as their scores....
Aston Martin V8 😎🔥🔥🔥
The Paramount Theater in Austin, Texas. In a double feature with On Her Majesty's Secret Service. I don't think either one gets the respect it deserves.
CrazyDancingJoe agreed. TLD and OHMSS are two of the better Bond films. They catch flack because of who played Bond. Dalton was at least much better than Lazenby.
After rewatching them after originally not caring for them you can see past that the main actor. That said OHMSS is a definitely different tone. Dalton also wasn't that bad. The issue was LTK is one of the worst Bond films if not the worst so that basically was the end of him.
@@suppaman19 interesting double matinee. Two very good films by the most unknown bonds. Ltk was cack and I'm a bond fan. Can't understand why fans rate it. It was guff.
George Lazenby's only appearance but I think most agree he did well enough. He was replaced but so was Dalton.
What is this?
I had a few optional extras installed...
"What happened?"
"Salt corrosion" ; )
Best James Bond soundtrack there'll ever be for me, wonderful and cool.
JAMES BOND 25 ENCRYPTED 2018
Ice cold. So awesome.
amazing this modern safety glass
Atmospheric phenomenon...
This is going on my running playlist
Incredible 80s
That bad ass Aston Martin would've still been in good shape if it wasn't for that damn cello! Lol
one of the best bond OSTs, very 1980s
This bond score had the most electronic orchestra style bangers. Man 🔥
I had a few optional extras installed...
Amazing this modern safety glass!
Salt corrosion.
I always listen to a James bond chase theme when driving... This one and The Spy who loved Me :D
When you're driving to the shop, and you've had a few optional extras installed.
John barry ..
The legend
One of the late,great John Barrys best film soundtracks!
I remember going to see this with my dad. He was a Connery man and wasn't sure about this new guy, but he was "my Bond" even if it was only two movies. I guess my son will be a Craig guy forever.
I will be a Dalton Defender till I die. He’s the best Bond in my opinion. Connery is the original, but I’d rank him just behind, albeit barely.
What a soundtrack, really superb !
1:05 and onwards is just super awesome, so much energy towards the adrenaline rush...
It is such a shame they didnt make a 3rd Dalton movie because of some bullshit lawsuit
They did Brosnan took it
John Barry; the unseen Bond