Zimerman's discussion (27:00) of the interaction between artist and audience in a live setting, his references to body language, to an exchange of energy -- and the differences with a studio recording experience -- is very, very interesting, something music lovers do not always get to hear from such a accomplished musician. Thanks a million for sharing this footage.
I think it was Argerich who once said that there is no in between with Schumann. If you play him well, then you are absolutely in love with the music, whether you know it or not... on the other hand, then you must hate it (once again, whether you know it or not). I forget the full statement she made, but it finally made sense to me why I've never been able to "get over" Schumann's music. Even his late, and arguably inferior work, is so intimate to me. So I think Zimerman stated what is clear - she loves the music; has an intimate relationship with it.
Zimerman hits the nail on its head. Loved his invitation to "improvise" the beginning of the Ballade and his exhortation to feel and play the tension between unresolved chords. Brilliant advice. Comes to show that, at the end of the day, we don't really want to hear the printed notes (nor every triplet, etc) but what lies behind the notes. Easier said than done but so few do it.
If I were a student and a teacher asked me to improvise in front of an audience and live camera i would probably get really sulky and play badly for the rest of the lesson...
I got the impression that the student was a strict technician and had no idea of freedom in playing. The most difficult for me playing was shutting down my instincts to improvise.
A thrilling masterclass with a living legend of the piano. A wonderfull human beeing who knows the way to share his love for music with others. His words about the audience are so relevant. I love him .❤❤❤
His words about the uncertainty of the 1st Ballade are definitely correct. How it sounds like looping, keeping the audience guessing etc. Such an epiphany. Amazing
35:30 Just one week ago I have asked my student to do the same thing, to sit on the floor and hang fingers on the keyboard. I have thought proudly that this my spontaneous idea of explaining basics about support in fingers and weight distribution was a really original one. What a disappointment to find out, that this crazy genius did that 26 years ago already lol 🤣
When Mr Zimerman talked of improvising at the start, to feel for it, I understood it as allowing your spirit to infuse the piece. And then he goes on to suggest that the rewards of playing to the audience, is two way and to be open to that flow. A different way to think is perhaps to move into the music, feel it and express it. Sound life advice as well! What gifts all these people have--maestro and students. Beautiful, all of them.
She does! Her name is Christina Bjørkøe, and she's become a concert pianist! This masterclass introduced me to her, and I've loved her interpretations ever since. www.crescendiartists.com/Artist/ArtistDetails/4/12/9956?section=Biography
35:30 - the “hanging the whole weight” may be rather a risky idea. A few months ago, I was contacted by a young pianist who overdid it and was suffering from acute tendonitis of the supinator muscle. Without much experience, he had been working all by himself, with Neuhaus’ book instead of a teacher and followed it too literally…
If I began the 1st Ballade like the way Zimerman did, I wouldn't even be able to control my emotions and probably collapse due to the overwhelming beauty...
.....wonderful experience....glad I found this.....she plays beautifully...he is a perceptive master teacher also....he articulates so many important ideas well. It’s no surprise that he is a giant at the keyboard....
He is a great teacher, imparting his brilliant musicality, but not insulting the student. I'm sure each of these students will remember his or her experience as one of the highlights of his or her life.
I like that Zimmerman comments that the concert hall isn’t always the place for the best interpretation of music. Chopin actually preferred smaller places to perform as opposed to concert halls.
Sometimes classical musicians (the students in the video) are so stiff, inhibited, self-conscious. 6:20 - GO, for heaven sake, just push those keys already!
Actually, before anything else, the first young man had technical problems with the "Ballade". As far as the interpretation, a great master can try to put it in words, but the pupil needs to reach his own apprehension of the piece, and that may take years, as Zimerman noted. That capacity of apprehension and rendition is what distinguishes performers, and makes good, bad, less good, or exceptional musicians. Musical talent is quantifiable after all; eventually, the audience and critics filter the values in and out and put every musical performer in his or her right place. Zimmerman is such a simple, kind, and dignified man!
Music flows through him. He is Chopin reincarnated. I am certain that Chopin himself would be speaking in this calm, gentle, and soothing way, almost like a dream. To me, Zimmerman's musicality can only be compared to Horowitz.
oh my god I wish I was the neighbour of krystian zimerman or the room cleaner woman. i would clean very slowly so it lasts longer. can pearls be golden?
Because it’s super hard for most people, especially classical musicians. And if you already feel unsure of yourself, it’s nearly impossible to improvise in front of a world class maestro and audience without feeling like a complete idiot. Like asking a person to literally gaze into their own navel on stage.
This maestro is a much better piano performer than a piano instructor. He doesn't go into enough depth about how other people can correct a specific kind of technique.
I absolutely love Zimerman's teaching style. He's very nice, patient, and somewhat reminds of Bob Ross in how relaxed he is.
Yes definitely, except best playing, that's one more reason because he's the best, he is so calm, relaxed and wonderful person ! ❤ 😊
Ideal teacher!
imagine playing ballad no 1 infront of kristian zimmerman. Infront of the GOD of ballad no 1
hahahah i just imagined that...
I would die tho
Wait, Cortot wasn’t in the room
excuse me?
@@levim.3505 Non preoccuparti, Maestro, sono solo dei comuni mortali... Non dargli ascolto
Oh my god. This is just pure gold! Thank you for sharing this.
"you can play different notes, I don't care" :)
What he says at 31:50 - 32:13 is so beautiful, what a wonderful person he is!, that's human quality. What a genius Zimerman is! Love him. 💕
I love him too
Yes his vision is really useful information
Zimerman's discussion (27:00) of the interaction between artist and audience in a live setting, his references to body language, to an exchange of energy -- and the differences with a studio recording experience -- is very, very interesting, something music lovers do not always get to hear from such a accomplished musician. Thanks a million for sharing this footage.
davidhertzberg was
素晴らしいレッスン、ありがとうございます。レガートのハンギングや、歌ごころなど、何と多岐にわたる教えなのでしょうか！わかりやすく、親身に、基礎から徹底的に指導下さる姿に、心から感動します。また、クラスを是非ご紹介くださいますようお願い申し上げます。
Man... could you imagine Krystian Zimerman saying to you what he says at 15:43?
it would be a life accomplishment !
I would die in peace
I would die on the spot.
I would die and reborn
I think it was Argerich who once said that there is no in between with Schumann. If you play him well, then you are absolutely in love with the music, whether you know it or not... on the other hand, then you must hate it (once again, whether you know it or not).
I forget the full statement she made, but it finally made sense to me why I've never been able to "get over" Schumann's music. Even his late, and arguably inferior work, is so intimate to me. So I think Zimerman stated what is clear - she loves the music; has an intimate relationship with it.
Zimerman hits the nail on its head. Loved his invitation to "improvise" the beginning of the Ballade and his exhortation to feel and play the tension between unresolved chords. Brilliant advice. Comes to show that, at the end of the day, we don't really want to hear the printed notes (nor every triplet, etc) but what lies behind the notes. Easier said than done but so few do it.
Yes!! And it's gold when you find a teacher that can teach you this way, only the ones who truly understand piano and music can do it.
If I were a student and a teacher asked me to improvise in front of an audience and live camera i would probably get really sulky and play badly for the rest of the lesson...
I got the impression that the student was a strict technician and had no idea of freedom in playing. The most difficult for me playing was shutting down my instincts to improvise.
I feel like to cry when he sits down to show legato technique... he is so kind, willing to give
I have been searching for a KZ masterclass in English forever. You have all my thanks!
Me too!!
Are there any in polish or german on YT?
@@davidofpiano423û8. H.67😢fantastic Zymerman
I adore him - thanks so much for sharing this video
Quite possibly my favourite interpreter of Chopin's music, a brilliant man! Thx so much for posting this!
Une des plus belles masterclass que j'ai vu... Merci. ❤
A thrilling masterclass with a living legend of the piano.
A wonderfull human beeing who knows the way to share his love for music with others.
His words about the audience are so relevant.
I love him .❤❤❤
What a treasure of a masterclass, thank you for sharing!
Thank you very much for sharing with us this rare video, its a great opportunity for many of us to learn a lot of wonderful and inspiring things!
His words about the uncertainty of the 1st Ballade are definitely correct. How it sounds like looping, keeping the audience guessing etc. Such an epiphany. Amazing
Thank You very very much for sharing this wonderful video!!!!!!!
You are very very welcome!
35:30 Just one week ago I have asked my student to do the same thing, to sit on the floor and hang fingers on the keyboard. I have thought proudly that this my spontaneous idea of explaining basics about support in fingers and weight distribution was a really original one. What a disappointment to find out, that this crazy genius did that 26 years ago already lol 🤣
Dear Denis, you are yourself wonderful teacher!!!!!! People check this man out, you will develop
What an amazing treat to watch....thank you so much for sharing this rare opportunity!!!
Ive never thought he’d have a sense of humor! Thanks for sharing!! :)
This is too amazing! How does one even find such rare clips?
00:01 introduction
3:00 Chopin, Ballade n°1 - class
13:25 Chopin, Ballade n°1 - interview
14:11 Schumann, Fantasiestücke - class
21:09 Schumann, Fantasiestücke - interview
22:50 Zimerman's interview
29:13 Chopin, Scherzo n° 2 - class
41:31 Chopin, Scherzo n° 2 - interview
isn't it scherzo 2
@@slowbrosrus8163 oh my god you're right!! 🤣 it was a mistake hahaha thank u for letting me know :)
When Mr Zimerman talked of improvising at the start, to feel for it, I understood it as allowing your spirit to infuse the piece. And then he goes on to suggest that the rewards of playing to the audience, is two way and to be open to that flow. A different way to think is perhaps to move into the music, feel it and express it. Sound life advice as well! What gifts all these people have--maestro and students. Beautiful, all of them.
My god how I love Krystian Zimerman! So perfect. So handsome. So dreamy. He is the personification of music itself. He makes me cry. 😭
Zimerman's English is fantastic.
Hyoseon Lee Speaks polish and ofc german to. Easy for a great mind.
They say there is a connection between learning music, languages, and math. I think they work the same parts of the brain.
That's because he lived in London for a year after winning the Chopin competition.
I love his accent.
That’s because he lived in London for a year or so. It’s the same reason why he can speak Japanese. He lived in Japan too! 😅
thank you so much for uploading!
best masterclass ever
Wow! Thank you so much this
The woman playing the Schumann has a touch of magic about her.
She does! Her name is Christina Bjørkøe, and she's become a concert pianist! This masterclass introduced me to her, and I've loved her interpretations ever since.
www.crescendiartists.com/Artist/ArtistDetails/4/12/9956?section=Biography
What a wonderful and gracious man he is - and a complete legend.
Thank you for sharing it.
Gran maestro. Una de las mejores masterclass que he visto.
His face at 17:41 is the face of the piece itself. A person in love with dreaming.
It is quite funny
@@peep3879 why :)
He looks like he is high as hell
He his high from the moment lol
Such a beautiful moment
I didn't know this- rare pearl. Interesting and worthful.
My life is complete!
very symphatic teacher !
Awesome video clip.
I didnt know he evet taught . So wonderful to see this !
this is so EPIC !!
He´s wonderful in every aspect!
Imagine being at Basel, and having personal hour long lessons with this legend..
14:12 loved her performance
Merveilleuse master class...
Dios dando clase, genial!!
35:30 - the “hanging the whole weight” may be rather a risky idea. A few months ago, I was contacted by a young pianist who overdid it and was suffering from acute tendonitis of the supinator muscle. Without much experience, he had been working all by himself, with Neuhaus’ book instead of a teacher and followed it too literally…
@Shane Brandes Sure, but my point is that overcharging is always risky and counterproductive.
Piano techniques at 19:39 and 35:28
If I began the 1st Ballade like the way Zimerman did, I wouldn't even be able to control my emotions and probably collapse due to the overwhelming beauty...
.....wonderful experience....glad I found this.....she plays beautifully...he is a perceptive master teacher also....he articulates so many important ideas well. It’s no surprise that he is a giant at the keyboard....
Grandiosa esecuzione !
So good
こんな素晴らしい演奏、レッスンを目の前で繰り広げられたら、好きになってしまうやろ。惚れるわ。
Wonderful! Thanks for sharing this 🙏🙏🙏
What a beautiful human!
I believe the thumbnail deserves a caption contest.
Great to find this
Oh geez I would just start crying if Zimmerman told me to improvise on the spot.
Zimerman has good school. It's a pity that there are just a few really good teachers in the world...
5:17 Obi-Wan meets Christopher Moltisanti.
Justin Doutre xD
I want Zimerman to finish writing that piece he started at 7:10
He is a great teacher, imparting his brilliant musicality, but not insulting the student. I'm sure each of these students will remember his or her experience as one of the highlights of his or her life.
Zimmerman has a special insight into the creative/performance process and ability to convey it. A wonderful teacher besides being a great pianist.
Thank you.
What a privilege to be his student.
I would love to have lessons with him. His teaching is real and so original, refreshing.
Me too. Unfortunately I'm 14 and he's 60+ 😭😭😭😭😭
Could you please upload the full part of Beethoven sonata no.3 , at 00:43 the girl play and Zimerman teaching her ?
Por qué no publican estos vídeos subtitulados en español, así los podríamos disfrutar.
11:47 sounded to me like some sort of drunk dramatized ragtime... I don't think I'll be able to unhear this in the near future
41:36 LOL pls turn on captions XD
Hahahahahaj lmaoooo
LOL
Feel the bottom of the key is benedetti michelangeli stuff you know?
I like that Zimmerman comments that the concert hall isn’t always the place for the best interpretation of music. Chopin actually preferred smaller places to perform as opposed to concert halls.
Sometimes classical musicians (the students in the video) are so stiff, inhibited, self-conscious. 6:20 - GO, for heaven sake, just push those keys already!
Does anyone know who's the girl that played Fantasiestücke??
Her name is Christina Bjørkøe.
@@harley258 thank you!
What a true genius he is!
Actually, before anything else, the first young man had technical problems with the "Ballade". As far as the interpretation, a great master can try to put it in words, but the pupil needs to reach his own apprehension of the piece, and that may take years, as Zimerman noted. That capacity of apprehension and rendition is what distinguishes performers, and makes good, bad, less good, or exceptional musicians. Musical talent is quantifiable after all; eventually, the audience and critics filter the values in and out and put every musical performer in his or her right place.
Zimmerman is such a simple, kind, and dignified man!
Zimerman's accent is fantastic.
32:30 😢such a beautiful point.
Music flows through him. He is Chopin reincarnated. I am certain that Chopin himself would be speaking in this calm, gentle, and soothing way, almost like a dream. To me, Zimmerman's musicality can only be compared to Horowitz.
Ótima aula! Seria possível em espanhol ou em português ? I am Brazilian. Thanks
God he would be an amazing teacher.
0:53 anyone knows the piece?
ballade no.2 in b minor, S.171 from Liszt
@@jessemccree9171 is the best Liszt ballade?
Haha I bet attendance of Christina Bjorkoe concerts will considerably rise after uploading that video 😁
fantastic!!
What's the piece at 10:20
Pranky700 Ballade no. 1 from Chopin, probably my favorite next to ballade 4
Krystian“we don’t have a TV set” Zimerman
oh my god I wish I was the neighbour of krystian zimerman or the room cleaner woman. i would clean very slowly so it lasts longer. can pearls be golden?
34:00 for personal reference
Guay un video muy bueno
11:08
12:17- 12:57
17:55
40:36 the subtitles 😭
quelle merveille!
30:10
Zimmermann é excepcionalmente incrível
5:07
Interesting take about nervousness in performance in front of public
6:57
2:41 ballade no1
19:35 37:14
Why wasn't the kid improvising when he was continuously told to
Because it’s super hard for most people, especially classical musicians. And if you already feel unsure of yourself, it’s nearly impossible to improvise in front of a world class maestro and audience without feeling like a complete idiot. Like asking a person to literally gaze into their own navel on stage.
improvising is easy. improvising something good... that's the hard part
He has a better playing tone while standing up than most people sitting lol
This maestro is a much better piano performer than a piano instructor. He doesn't go into enough depth about how other people can correct a specific kind of technique.