I'm trying to build a collation of "microbrew" composers who have a relatively few followers. The agreement is we at least agree to listen to each other. If we like a piece, we comment, it helps the other composer. If we don't like it we say nothing. We refuse to denounce each other. I have kept my promise. Estoy tratando de construir una colección de compositores "artesanales" que tienen relativamente pocos seguidores. El acuerdo es que al menos estamos de acuerdo en escucharnos unos a otros. Si nos gusta una pieza, comentamos, ayuda al otro compositor. Si no nos gusta, no decimos nada. Nos negamos a denunciarnos unos a otros. He cumplido mi promesa.
The idea you propose is interesting. My intention when publishing my "Modal Theory" is to make composers reconsider and rethink why they continue creating sound worlds little or no harmonious... it is not incompatible your interest in promoting new composers and mine in creating a new, more harmonious musical world that the one that influenced us in general the 20th century. So I prefer to plant new seeds that can bear fruit in new composers or reform composers who are actually a bit "zombies" of the catastrophic schools inherited from the 20th century. Send me a list of those composers with few followers that you are trying to promote and I will make sure to listen to their music. Thank you
For the rest, I believe that real composers do not need large audiences, normally manipulated by non-artistic interests. If I prefer the Internet to any concert hall in the world, it is for that very reason. We, virtual composers, must have the audience we deserve without depending on other spurious interests
![5 Pieces by Hans Zimmer \\ Iconic Soundtracks \\ Relaxing Piano [20min]](http://i.ytimg.com/vi/Os47nMrjw_Y/mqdefault.jpg)
¿Puede ser una obra musical un Bálsamo para el espíritu y, al mismo tiempo Pura Pasión.....? Sí, esta obra lo es......
MUchas Gracias
I'm trying to build a collation of "microbrew" composers who have a relatively few followers. The agreement is we at least agree to listen to each other. If we like a piece, we comment, it helps the other composer. If we don't like it we say nothing. We refuse to denounce each other. I have kept my promise.
Estoy tratando de construir una colección de compositores "artesanales" que tienen relativamente pocos seguidores. El acuerdo es que al menos estamos de acuerdo en escucharnos unos a otros. Si nos gusta una pieza, comentamos, ayuda al otro compositor. Si no nos gusta, no decimos nada. Nos negamos a denunciarnos unos a otros. He cumplido mi promesa.
The idea you propose is interesting.
My intention when publishing my "Modal Theory"
is to make composers reconsider
and rethink why they continue creating sound worlds
little or no harmonious... it is not incompatible
your interest in promoting new composers
and mine in creating a new, more harmonious musical world
that the one that influenced us in general the 20th century.
So I prefer to plant new seeds that can bear fruit
in new composers or reform composers who are actually a bit "zombies" of the catastrophic schools inherited from the 20th century.
Send me a list of those composers with few followers that you are trying to promote and I will make sure to listen to their music.
Thank you
For the rest, I believe that real composers do not need large audiences, normally manipulated by non-artistic interests.
If I prefer the Internet to any concert hall in the world, it is for that very reason.
We, virtual composers, must have the audience we deserve without depending on other spurious interests