Very elegiac. Reminds me a bit of the Gayne Ballet Suite of 2001 fame. As a fellow polyphonist, I appreciated the use of the fugue as an ordering principle. Frankly, I've never had much luck with the fugue. Also, the use of an arpeggiated minor chord with an augmented 11th is one of my favourites. If I were to offer a criticism, which I'm hesitant to do, I think it might have been good to have a contrasting movement. Well done.
Thank you very much for the attention with which you follow my work, regarding your comment about the possible convenience of a contrasting movement, I must tell you that in all my production for orchestra there is no contrasting movement, it is a firm stylistic decision (I have 74 Suites of three movements without any "tempo" contrast), I consider that my music wishes not to be altered in its fluidity and it must be understood not only this work that it comments on but also all my Suites like a continuous flow with no more change than the pause between each of the three parts of the Suites, I also use the fugal procedure in practically all the movements of all my suites, I agree with you about your excellent way of ordering the musical discourse
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Esta música fluye e impacta inmediatamente, como una mirada cargada de Deseo.....
Muchas gracias
Very elegiac. Reminds me a bit of the Gayne Ballet Suite of 2001 fame. As a fellow polyphonist, I appreciated the use of the fugue as an ordering principle. Frankly, I've never had much luck with the fugue.
Also, the use of an arpeggiated minor chord with an augmented 11th is one of my favourites.
If I were to offer a criticism, which I'm hesitant to do, I think it might have been good to have a contrasting movement.
Well done.
Thank you very much for the attention with which you follow my work, regarding your comment about the possible convenience of a contrasting movement, I must tell you that in all my production for orchestra
there is no contrasting movement, it is a firm stylistic decision
(I have 74 Suites of three movements without any "tempo" contrast),
I consider that my music wishes not to be altered in its fluidity and it must be understood not only this work that it comments on but also all my Suites
like a continuous flow with no more change than the pause between each of the three parts of the Suites, I also use the fugal procedure in practically all the movements of all my suites, I agree with you about your excellent way of ordering the musical discourse
@@rafaelg64 Understood about the stylistic decision. Just a thought.
In the third Movement of my first String Orchestra-Suite
you can see a fugue over the same arpeggiated chord you mention in this comment